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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #255417 it is the complementary color #DAABE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #255417. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #255417 shade: #2A5412, #3B6625, #4C7838, #5D8A4B and #6E9C5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #255417. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #255417 shade: #255417, #144204, #033000, #001E00 and #000C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #255417 shade: #255417, #355417, #465417, #545217 and #544117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #255417 shade: #255417, #175419, #17542A, #17543A and #17544B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #255417 shade matches the following richer shades: #255417, #205D0E and #1C6506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #255417 shade: #255417, #2A4B20, #2E4328, #333A31 and #38313A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #255417 shade: #465417, #365417, #255417, #175419 and #175429

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #255417 shade: #091305, #17340E, #255417, #337420 and #429529

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #255417 shade: #255417, #175452 and #54173E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #255417 shade: #255417, #172554 and #541725

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #255417 shade: #255417, #175452, #461754 and #541719

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #255417 shade: #255417, #174454, #461754 and #542717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

Complementary color

CMYK 6 / 26 / 0 / 9

HEX #DAABE8

RGB 218 171 232

HSL 286.23, 0.57%, 0.79%

LAB 75.98, 27.73, -24.04

 

CMYK 50 / 0 / 79 / 67

HEX #2A5412

RGB 42 84 18

HSL 98.18, 0.65%, 0.2%

LAB 31.52, -27.6, 32.18

 

CMYK 42 / 0 / 64 / 60

HEX #3B6625

RGB 59 102 37

HSL 99.69, 0.47%, 0.27%

LAB 38.84, -27.91, 31.41

 

CMYK 37 / 0 / 53 / 53

HEX #4C7838

RGB 76 120 56

HSL 101.25, 0.36%, 0.35%

LAB 45.98, -27.93, 30.18

 

CMYK 33 / 0 / 46 / 46

HEX #5D8A4B

RGB 93 138 75

HSL 102.86, 0.3%, 0.42%

LAB 52.96, -27.82, 28.88

 

CMYK 29 / 0 / 40 / 39

HEX #6E9C5E

RGB 110 156 94

HSL 104.52, 0.25%, 0.49%

LAB 59.8, -27.65, 27.62

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 70 / 0 / 94 / 74

HEX #144204

RGB 20 66 4

HSL 104.52, 0.89%, 0.14%

LAB 23.85, -28.01, 29.99

 

CMYK 94 / 0 / 100 / 81

HEX #033000

RGB 3 48 0

HSL 116.25, 1%, 0.09%

LAB 16.17, -25.76, 22.82

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 37 / 0 / 73 / 67

HEX #355417

RGB 53 84 23

HSL 90.49, 0.57%, 0.21%

LAB 32.17, -22.89, 30.81

 

CMYK 17 / 0 / 73 / 67

HEX #465417

RGB 70 84 23

HSL 73.77, 0.57%, 0.21%

LAB 33.36, -15.34, 32.43

 

CMYK 0 / 2 / 73 / 67

HEX #545217

RGB 84 82 23

HSL 58.03, 0.57%, 0.21%

LAB 33.94, -7.42, 33.42

 

CMYK 0 / 23 / 73 / 67

HEX #544117

RGB 84 65 23

HSL 41.31, 0.57%, 0.21%

LAB 28.71, 2.99, 27.95

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 73 / 0 / 70 / 67

HEX #175419

RGB 23 84 25

HSL 121.97, 0.57%, 0.21%

LAB 30.86, -32.55, 28.05

 

CMYK 73 / 0 / 50 / 67

HEX #17542A

RGB 23 84 42

HSL 138.69, 0.57%, 0.21%

LAB 31.09, -29.91, 19

 

CMYK 73 / 0 / 31 / 67

HEX #17543A

RGB 23 84 58

HSL 154.43, 0.57%, 0.21%

LAB 31.41, -26.38, 9.68

 

CMYK 73 / 0 / 11 / 67

HEX #17544B

RGB 23 84 75

HSL 171.15, 0.57%, 0.21%

LAB 31.88, -21.63, -0.38

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 66 / 0 / 85 / 64

HEX #205D0E

RGB 32 93 14

HSL 106.33, 0.74%, 0.21%

LAB 34.33, -34.87, 36.3

 

CMYK 72 / 0 / 94 / 60

HEX #1C6506

RGB 28 101 6

HSL 106.11, 0.89%, 0.21%

LAB 37.05, -39.29, 41.03

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 44 / 0 / 57 / 71

HEX #2A4B20

RGB 42 75 32

HSL 106.05, 0.4%, 0.21%

LAB 28.46, -21.68, 21.71

 

CMYK 31 / 0 / 40 / 74

HEX #2E4328

RGB 46 67 40

HSL 106.67, 0.25%, 0.21%

LAB 26.01, -14.44, 13.82

 

CMYK 12 / 0 / 16 / 77

HEX #333A31

RGB 51 58 49

HSL 106.67, 0.08%, 0.21%

LAB 23.51, -5.03, 4.61

 

CMYK 3 / 16 / 0 / 77

HEX #38313A

RGB 56 49 58

HSL 286.67, 0.08%, 0.21%

LAB 21.37, 5.17, -4.54

 

CMYK 17 / 0 / 73 / 67

HEX #465417

RGB 70 84 23

HSL 73.77, 0.57%, 0.21%

LAB 33.36, -15.34, 32.43

 

CMYK 36 / 0 / 73 / 67

HEX #365417

RGB 54 84 23

HSL 89.51, 0.57%, 0.21%

LAB 32.23, -22.47, 30.89

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 73 / 0 / 70 / 67

HEX #175419

RGB 23 84 25

HSL 121.97, 0.57%, 0.21%

LAB 30.86, -32.55, 28.05

 

CMYK 73 / 0 / 51 / 67

HEX #175429

RGB 23 84 41

HSL 137.7, 0.57%, 0.21%

LAB 31.07, -30.1, 19.56

 

CMYK 53 / 0 / 74 / 93

HEX #091305

RGB 9 19 5

HSL 102.86, 0.58%, 0.05%

LAB 4.83, -5.55, 5.08

 

CMYK 56 / 0 / 73 / 80

HEX #17340E

RGB 23 52 14

HSL 105.79, 0.58%, 0.13%

LAB 18.67, -19.7, 20.13

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 56 / 0 / 72 / 55

HEX #337420

RGB 51 116 32

HSL 106.43, 0.57%, 0.29%

LAB 43.21, -37.27, 38.38

 

CMYK 56 / 0 / 72 / 42

HEX #429529

RGB 66 149 41

HSL 106.11, 0.57%, 0.37%

LAB 54.88, -45.32, 46.97

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 73 / 0 / 2 / 67

HEX #175452

RGB 23 84 82

HSL 178.03, 0.57%, 0.21%

LAB 32.11, -19.42, -4.48

 

CMYK 0 / 73 / 26 / 67

HEX #54173E

RGB 84 23 62

HSL 321.64, 0.57%, 0.21%

LAB 19.41, 32.58, -9.85

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 73 / 56 / 0 / 67

HEX #172554

RGB 23 37 84

HSL 226.23, 0.57%, 0.21%

LAB 16.23, 12.01, -30.45

 

CMYK 0 / 73 / 56 / 67

HEX #541725

RGB 84 23 37

HSL 346.23, 0.57%, 0.21%

LAB 18.5, 29.4, 6.44

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 73 / 0 / 2 / 67

HEX #175452

RGB 23 84 82

HSL 178.03, 0.57%, 0.21%

LAB 32.11, -19.42, -4.48

 

CMYK 17 / 73 / 0 / 67

HEX #461754

RGB 70 23 84

HSL 286.23, 0.57%, 0.21%

LAB 18.17, 32.71, -27.06

 

CMYK 0 / 73 / 70 / 67

HEX #541719

RGB 84 23 25

HSL 358.03, 0.57%, 0.21%

LAB 18.22, 28.38, 14.53

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 73 / 19 / 0 / 67

HEX #174454

RGB 23 68 84

HSL 195.74, 0.57%, 0.21%

LAB 26.61, -9.45, -14.08

 

CMYK 17 / 73 / 0 / 67

HEX #461754

RGB 70 23 84

HSL 286.23, 0.57%, 0.21%

LAB 18.17, 32.71, -27.06

 

CMYK 0 / 54 / 73 / 67

HEX #542717

RGB 84 39 23

HSL 15.74, 0.57%, 0.21%

LAB 21.57, 19.42, 19.93

 

Description

Color code: HEX #255417 | qconv.com Color code: HEX #255417 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 84 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 84 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 73 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 73% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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