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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254D5E it is the complementary color #DAB2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254D5E shade: #2A4D59, #3B5F6C, #4C717F, #5D8392 and #6E95A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254D5E shade: #254D5E, #143B4B, #032938, #001725 and #000512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254D5E shade: #254E5F, #253E5F, #252F5F, #2B255F and #3B255F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254D5E shade: #254E5F, #253E5F, #252F5F and #25255F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254D5E shade matches the following richer shades: #254E5F, #1A526A, #105775 and #055B80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254D5E shade: #254E5F, #304A55, #3B454A, #45413F and #503D35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254D5E shade: #255F51, #255E5F, #254F5F, #253F5F and #25305F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254D5E shade: #0E1D24, #1A3642, #254E5F, #31667D and #3C7F9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254D5E shade: #254D5E, #41255F and #5F5925

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254D5E shade: #254D5E, #5F254F and #4F5F25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254D5E shade: #254D5E, #41255F, #5F3625 and #435F25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254D5E shade: #254D5E, #53255F, #5F3625 and #325F25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 18 / 0 / 63

HEX #254D5E

RGB 37 77 94

HSL 197.89, 0.44%, 0.26%

LAB 30.66, -8.48, -14.25

 

Complementary color

CMYK 0 / 18 / 26 / 15

HEX #DAB2A1

RGB 218 178 161

HSL 17.89, 0.44%, 0.74%

LAB 75.65, 11.97, 14.14

 

CMYK 53 / 13 / 0 / 65

HEX #2A4D59

RGB 42 77 89

HSL 195.32, 0.36%, 0.26%

LAB 30.69, -8.9, -10.99

 

CMYK 45 / 12 / 0 / 58

HEX #3B5F6C

RGB 59 95 108

HSL 195.92, 0.29%, 0.33%

LAB 38.19, -9.1, -11.44

 

CMYK 40 / 11 / 0 / 50

HEX #4C717F

RGB 76 113 127

HSL 196.47, 0.25%, 0.4%

LAB 45.47, -9.22, -11.88

 

CMYK 36 / 10 / 0 / 43

HEX #5D8392

RGB 93 131 146

HSL 196.98, 0.22%, 0.47%

LAB 52.55, -9.3, -12.3

 

CMYK 33 / 10 / 0 / 35

HEX #6E95A5

RGB 110 149 165

HSL 197.45, 0.23%, 0.54%

LAB 59.46, -9.36, -12.72

 

CMYK 61 / 18 / 0 / 63

HEX #254D5E

RGB 37 77 94

HSL 197.89, 0.44%, 0.26%

LAB 30.66, -8.48, -14.25

 

CMYK 73 / 21 / 0 / 71

HEX #143B4B

RGB 20 59 75

HSL 197.45, 0.58%, 0.19%

LAB 22.95, -7.74, -13.81

 

CMYK 95 / 27 / 0 / 78

HEX #032938

RGB 3 41 56

HSL 196.98, 0.9%, 0.12%

LAB 14.9, -6.56, -13.34

 

CMYK 100 / 38 / 0 / 85

HEX #001725

RGB 0 23 37

HSL 202.7, 1%, 0.07%

LAB 6.74, -2.83, -12.3

 

CMYK 100 / 72 / 0 / 93

HEX #000512

RGB 0 5 18

HSL 223.33, 1%, 0.04%

LAB 1.37, 0.77, -6.11

 

CMYK 61 / 18 / 0 / 63

HEX #254E5F

RGB 37 78 95

HSL 197.59, 0.44%, 0.26%

LAB 31.04, -8.74, -14.31

 

CMYK 61 / 35 / 0 / 63

HEX #253E5F

RGB 37 62 95

HSL 214.14, 0.44%, 0.26%

LAB 25.76, 1.57, -22.51

 

CMYK 61 / 51 / 0 / 63

HEX #252F5F

RGB 37 47 95

HSL 229.66, 0.44%, 0.26%

LAB 21.03, 12.04, -30.01

 

CMYK 55 / 61 / 0 / 63

HEX #2B255F

RGB 43 37 95

HSL 246.21, 0.44%, 0.26%

LAB 18.64, 20.5, -33.83

 

CMYK 38 / 61 / 0 / 63

HEX #3B255F

RGB 59 37 95

HSL 262.76, 0.44%, 0.26%

LAB 20.36, 24.58, -30.97

 

CMYK 61 / 18 / 0 / 63

HEX #254E5F

RGB 37 78 95

HSL 197.59, 0.44%, 0.26%

LAB 31.04, -8.74, -14.31

 

CMYK 61 / 35 / 0 / 63

HEX #253E5F

RGB 37 62 95

HSL 214.14, 0.44%, 0.26%

LAB 25.76, 1.57, -22.51

 

CMYK 61 / 51 / 0 / 63

HEX #252F5F

RGB 37 47 95

HSL 229.66, 0.44%, 0.26%

LAB 21.03, 12.04, -30.01

 

CMYK 61 / 61 / 0 / 63

HEX #25255F

RGB 37 37 95

HSL 240, 0.44%, 0.26%

LAB 18.11, 19.16, -34.71

 

CMYK 61 / 18 / 0 / 63

HEX #254E5F

RGB 37 78 95

HSL 197.59, 0.44%, 0.26%

LAB 31.04, -8.74, -14.31

 

CMYK 75 / 23 / 0 / 58

HEX #1A526A

RGB 26 82 106

HSL 198, 0.61%, 0.26%

LAB 32.47, -9.34, -19.09

 

CMYK 86 / 26 / 0 / 54

HEX #105775

RGB 16 87 117

HSL 197.82, 0.76%, 0.26%

LAB 34.42, -9.42, -22.95

 

CMYK 96 / 29 / 0 / 50

HEX #055B80

RGB 5 91 128

HSL 198.05, 0.92%, 0.26%

LAB 36.12, -8.33, -27.07

 

CMYK 61 / 18 / 0 / 63

HEX #254E5F

RGB 37 78 95

HSL 197.59, 0.44%, 0.26%

LAB 31.04, -8.74, -14.31

 

CMYK 44 / 13 / 0 / 67

HEX #304A55

RGB 48 74 85

HSL 197.84, 0.28%, 0.26%

LAB 29.87, -6.59, -9.65

 

CMYK 20 / 7 / 0 / 71

HEX #3B454A

RGB 59 69 74

HSL 200, 0.11%, 0.26%

LAB 28.59, -2.79, -4.38

 

CMYK 0 / 6 / 9 / 73

HEX #45413F

RGB 69 65 63

HSL 20, 0.05%, 0.26%

LAB 27.86, 1.28, 1.82

 

CMYK 0 / 24 / 34 / 69

HEX #503D35

RGB 80 61 53

HSL 17.78, 0.2%, 0.26%

LAB 27.57, 6.97, 8.12

 

CMYK 61 / 0 / 15 / 63

HEX #255F51

RGB 37 95 81

HSL 165.52, 0.44%, 0.26%

LAB 36.31, -22.71, 2.37

 

CMYK 61 / 1 / 0 / 63

HEX #255E5F

RGB 37 94 95

HSL 181.03, 0.44%, 0.26%

LAB 36.41, -18.04, -6.17

 

CMYK 61 / 17 / 0 / 63

HEX #254F5F

RGB 37 79 95

HSL 196.55, 0.44%, 0.26%

LAB 31.37, -9.35, -13.8

 

CMYK 61 / 34 / 0 / 63

HEX #253F5F

RGB 37 63 95

HSL 213.1, 0.44%, 0.26%

LAB 26.08, 0.9, -22

 

CMYK 61 / 49 / 0 / 63

HEX #25305F

RGB 37 48 95

HSL 228.62, 0.44%, 0.26%

LAB 21.33, 11.32, -29.52

 

CMYK 61 / 19 / 0 / 86

HEX #0E1D24

RGB 14 29 36

HSL 199.09, 0.44%, 0.1%

LAB 9.79, -3.9, -6.77

 

CMYK 61 / 18 / 0 / 74

HEX #1A3642

RGB 26 54 66

HSL 198, 0.43%, 0.18%

LAB 21.02, -6.49, -10.71

 

CMYK 61 / 18 / 0 / 63

HEX #254E5F

RGB 37 78 95

HSL 197.59, 0.44%, 0.26%

LAB 31.04, -8.74, -14.31

 

CMYK 61 / 18 / 0 / 51

HEX #31667D

RGB 49 102 125

HSL 198.16, 0.44%, 0.34%

LAB 40.63, -10.29, -18.16

 

CMYK 61 / 18 / 0 / 39

HEX #3C7F9B

RGB 60 127 155

HSL 197.68, 0.44%, 0.42%

LAB 50.1, -12.53, -21.41

 

CMYK 61 / 18 / 0 / 63

HEX #254D5E

RGB 37 77 94

HSL 197.89, 0.44%, 0.26%

LAB 30.66, -8.48, -14.25

 

CMYK 32 / 61 / 0 / 63

HEX #41255F

RGB 65 37 95

HSL 268.97, 0.44%, 0.26%

LAB 21.11, 26.24, -29.73

 

CMYK 0 / 6 / 61 / 63

HEX #5F5925

RGB 95 89 37

HSL 53.79, 0.44%, 0.26%

LAB 37.32, -5.13, 30.4

 

CMYK 61 / 18 / 0 / 63

HEX #254D5E

RGB 37 77 94

HSL 197.89, 0.44%, 0.26%

LAB 30.66, -8.48, -14.25

 

CMYK 0 / 61 / 17 / 63

HEX #5F254F

RGB 95 37 79

HSL 316.55, 0.44%, 0.26%

LAB 24.7, 32.04, -13.14

 

CMYK 17 / 0 / 61 / 63

HEX #4F5F25

RGB 79 95 37

HSL 76.55, 0.44%, 0.26%

LAB 37.81, -16.04, 30.58

 

CMYK 61 / 18 / 0 / 63

HEX #254D5E

RGB 37 77 94

HSL 197.89, 0.44%, 0.26%

LAB 30.66, -8.48, -14.25

 

CMYK 32 / 61 / 0 / 63

HEX #41255F

RGB 65 37 95

HSL 268.97, 0.44%, 0.26%

LAB 21.11, 26.24, -29.73

 

CMYK 0 / 43 / 61 / 63

HEX #5F3625

RGB 95 54 37

HSL 17.59, 0.44%, 0.26%

LAB 27.31, 16.44, 18.45

 

CMYK 29 / 0 / 61 / 63

HEX #435F25

RGB 67 95 37

HSL 88.97, 0.44%, 0.26%

LAB 36.95, -21.27, 29.38

 

CMYK 61 / 18 / 0 / 63

HEX #254D5E

RGB 37 77 94

HSL 197.89, 0.44%, 0.26%

LAB 30.66, -8.48, -14.25

 

CMYK 13 / 61 / 0 / 63

HEX #53255F

RGB 83 37 95

HSL 287.59, 0.44%, 0.26%

LAB 23.63, 31.46, -25.56

 

CMYK 0 / 43 / 61 / 63

HEX #5F3625

RGB 95 54 37

HSL 17.59, 0.44%, 0.26%

LAB 27.31, 16.44, 18.45

 

CMYK 47 / 0 / 61 / 63

HEX #325F25

RGB 50 95 37

HSL 106.55, 0.44%, 0.26%

LAB 35.98, -27.85, 28

 

Description

Color code: HEX #254D5E | qconv.com Color code: HEX #254D5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 77 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 77 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 18 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 18% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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