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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254734 it is the complementary color #DAB8CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254734. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254734 shade: #2A472F, #3B5942, #4C6B55, #5D7D68 and #6E8F7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254734. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254734 shade: #254734, #143521, #03230E, #001100 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254734 shade: #254634, #25462B, #284625, #314625 and #3A4625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254734 shade: #254634, #25463D, #254646, #253E46 and #253546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254734 shade matches the following richer shades: #254634, #1C4F33, #145732, #0B6031 and #026930

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254734 shade: #254634, #2E3D35, #363536, #3F2C37 and #482338

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254734 shade: #284625, #25462A, #254633, #25463C and #254645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254734 shade: #08100C, #172B20, #254634, #336147 and #417C5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254734 shade: #254734, #253146 and #462625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254734 shade: #254734, #332546 and #463325

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254734 shade: #254734, #253146, #462538 and #463A25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254734 shade: #254734, #252746, #462538 and #464425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 27 / 72

HEX #254734

RGB 37 71 52

HSL 146.47, 0.31%, 0.21%

LAB 27.15, -17.52, 7.63

 

Complementary color

CMYK 0 / 16 / 7 / 15

HEX #DAB8CB

RGB 218 184 203

HSL 326.47, 0.31%, 0.79%

LAB 78.17, 15.34, -5.03

 

CMYK 41 / 0 / 34 / 72

HEX #2A472F

RGB 42 71 47

HSL 130.34, 0.26%, 0.22%

LAB 27.31, -16.89, 11.09

 

CMYK 34 / 0 / 26 / 65

HEX #3B5942

RGB 59 89 66

HSL 134, 0.2%, 0.29%

LAB 34.94, -16.58, 9.85

 

CMYK 29 / 0 / 21 / 58

HEX #4C6B55

RGB 76 107 85

HSL 137.42, 0.17%, 0.36%

LAB 42.32, -16.3, 8.76

 

CMYK 26 / 0 / 17 / 51

HEX #5D7D68

RGB 93 125 104

HSL 140.63, 0.15%, 0.43%

LAB 49.49, -16.06, 7.78

 

CMYK 23 / 0 / 14 / 44

HEX #6E8F7B

RGB 110 143 123

HSL 143.64, 0.13%, 0.5%

LAB 56.48, -15.86, 6.89

 

CMYK 48 / 0 / 27 / 72

HEX #254734

RGB 37 71 52

HSL 146.47, 0.31%, 0.21%

LAB 27.15, -17.52, 7.63

 

CMYK 62 / 0 / 38 / 79

HEX #143521

RGB 20 53 33

HSL 143.64, 0.45%, 0.14%

LAB 19.24, -17.75, 9.04

 

CMYK 91 / 0 / 60 / 86

HEX #03230E

RGB 3 35 14

HSL 140.63, 0.84%, 0.07%

LAB 10.94, -17.76, 10.01

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 47 / 0 / 26 / 73

HEX #254634

RGB 37 70 52

HSL 147.27, 0.31%, 0.21%

LAB 26.8, -16.97, 7.14

 

CMYK 47 / 0 / 39 / 73

HEX #25462B

RGB 37 70 43

HSL 130.91, 0.31%, 0.21%

LAB 26.59, -18.99, 12.61

 

CMYK 43 / 0 / 47 / 73

HEX #284625

RGB 40 70 37

HSL 114.55, 0.31%, 0.21%

LAB 26.63, -19.04, 16.44

 

CMYK 30 / 0 / 47 / 73

HEX #314625

RGB 49 70 37

HSL 98.18, 0.31%, 0.21%

LAB 27.2, -15.4, 17.29

 

CMYK 17 / 0 / 47 / 73

HEX #3A4625

RGB 58 70 37

HSL 81.82, 0.31%, 0.21%

LAB 27.88, -11.41, 18.29

 

CMYK 47 / 0 / 26 / 73

HEX #254634

RGB 37 70 52

HSL 147.27, 0.31%, 0.21%

LAB 26.8, -16.97, 7.14

 

CMYK 47 / 0 / 13 / 73

HEX #25463D

RGB 37 70 61

HSL 163.64, 0.31%, 0.21%

LAB 27.05, -14.65, 1.65

 

CMYK 47 / 0 / 0 / 73

HEX #254646

RGB 37 70 70

HSL 180, 0.31%, 0.21%

LAB 27.34, -12.05, -3.79

 

CMYK 47 / 11 / 0 / 73

HEX #253E46

RGB 37 62 70

HSL 194.55, 0.31%, 0.21%

LAB 24.58, -7.13, -7.93

 

CMYK 47 / 24 / 0 / 73

HEX #253546

RGB 37 53 70

HSL 210.91, 0.31%, 0.21%

LAB 21.51, -1.23, -12.6

 

CMYK 47 / 0 / 26 / 73

HEX #254634

RGB 37 70 52

HSL 147.27, 0.31%, 0.21%

LAB 26.8, -16.97, 7.14

 

CMYK 65 / 0 / 35 / 69

HEX #1C4F33

RGB 28 79 51

HSL 147.06, 0.48%, 0.21%

LAB 29.61, -24.54, 11.59

 

CMYK 77 / 0 / 43 / 66

HEX #145732

RGB 20 87 50

HSL 146.87, 0.63%, 0.21%

LAB 32.25, -30.18, 15.71

 

CMYK 89 / 0 / 49 / 62

HEX #0B6031

RGB 11 96 49

HSL 146.82, 0.79%, 0.21%

LAB 35.32, -35.42, 20.27

 

CMYK 98 / 0 / 54 / 59

HEX #026930

RGB 2 105 48

HSL 146.8, 0.96%, 0.21%

LAB 38.43, -39.92, 24.72

 

CMYK 47 / 0 / 26 / 73

HEX #254634

RGB 37 70 52

HSL 147.27, 0.31%, 0.21%

LAB 26.8, -16.97, 7.14

 

CMYK 25 / 0 / 13 / 76

HEX #2E3D35

RGB 46 61 53

HSL 148, 0.14%, 0.21%

LAB 24.24, -8.1, 2.94

 

CMYK 0 / 2 / 0 / 79

HEX #363536

RGB 54 53 54

HSL 300, 0.01%, 0.21%

LAB 22.29, 0.67, -0.48

 

CMYK 0 / 30 / 13 / 75

HEX #3F2C37

RGB 63 44 55

HSL 325.26, 0.18%, 0.21%

LAB 20.57, 10.9, -3.58

 

CMYK 0 / 51 / 22 / 72

HEX #482338

RGB 72 35 56

HSL 325.95, 0.35%, 0.21%

LAB 19.5, 20.73, -5.75

 

CMYK 43 / 0 / 47 / 73

HEX #284625

RGB 40 70 37

HSL 114.55, 0.31%, 0.21%

LAB 26.63, -19.04, 16.44

 

CMYK 47 / 0 / 40 / 73

HEX #25462A

RGB 37 70 42

HSL 129.09, 0.31%, 0.21%

LAB 26.57, -19.19, 13.21

 

CMYK 47 / 0 / 27 / 73

HEX #254633

RGB 37 70 51

HSL 145.45, 0.31%, 0.21%

LAB 26.77, -17.21, 7.75

 

CMYK 47 / 0 / 14 / 73

HEX #25463C

RGB 37 70 60

HSL 161.82, 0.31%, 0.21%

LAB 27.02, -14.92, 2.26

 

CMYK 47 / 0 / 1 / 73

HEX #254645

RGB 37 70 69

HSL 178.18, 0.31%, 0.21%

LAB 27.31, -12.35, -3.19

 

CMYK 50 / 0 / 25 / 94

HEX #08100C

RGB 8 16 12

HSL 150, 0.33%, 0.05%

LAB 4.05, -3.06, 1.04

 

CMYK 47 / 0 / 26 / 83

HEX #172B20

RGB 23 43 32

HSL 147, 0.3%, 0.13%

LAB 15.56, -11.24, 4.65

 

CMYK 47 / 0 / 26 / 73

HEX #254634

RGB 37 70 52

HSL 147.27, 0.31%, 0.21%

LAB 26.8, -16.97, 7.14

 

CMYK 47 / 0 / 27 / 62

HEX #336147

RGB 51 97 71

HSL 146.09, 0.31%, 0.29%

LAB 37.31, -22.46, 10.02

 

CMYK 48 / 0 / 27 / 51

HEX #417C5B

RGB 65 124 91

HSL 146.44, 0.31%, 0.37%

LAB 47.36, -27.41, 12.17

 

CMYK 48 / 0 / 27 / 72

HEX #254734

RGB 37 71 52

HSL 146.47, 0.31%, 0.21%

LAB 27.15, -17.52, 7.63

 

CMYK 47 / 30 / 0 / 73

HEX #253146

RGB 37 49 70

HSL 218.18, 0.31%, 0.21%

LAB 20.17, 1.51, -14.67

 

CMYK 0 / 46 / 47 / 73

HEX #462625

RGB 70 38 37

HSL 1.82, 0.31%, 0.21%

LAB 19.32, 14.96, 7.19

 

CMYK 48 / 0 / 27 / 72

HEX #254734

RGB 37 71 52

HSL 146.47, 0.31%, 0.21%

LAB 27.15, -17.52, 7.63

 

CMYK 27 / 47 / 0 / 73

HEX #332546

RGB 51 37 70

HSL 265.45, 0.31%, 0.21%

LAB 17.78, 14.71, -18.31

 

CMYK 0 / 27 / 47 / 73

HEX #463325

RGB 70 51 37

HSL 25.45, 0.31%, 0.21%

LAB 23.01, 6.4, 12.2

 

CMYK 48 / 0 / 27 / 72

HEX #254734

RGB 37 71 52

HSL 146.47, 0.31%, 0.21%

LAB 27.15, -17.52, 7.63

 

CMYK 47 / 30 / 0 / 73

HEX #253146

RGB 37 49 70

HSL 218.18, 0.31%, 0.21%

LAB 20.17, 1.51, -14.67

 

CMYK 0 / 47 / 20 / 73

HEX #462538

RGB 70 37 56

HSL 325.45, 0.31%, 0.21%

LAB 19.68, 18.67, -5.5

 

CMYK 0 / 17 / 47 / 73

HEX #463A25

RGB 70 58 37

HSL 38.18, 0.31%, 0.21%

LAB 25.14, 1.82, 15.01

 

CMYK 48 / 0 / 27 / 72

HEX #254734

RGB 37 71 52

HSL 146.47, 0.31%, 0.21%

LAB 27.15, -17.52, 7.63

 

CMYK 47 / 44 / 0 / 73

HEX #252746

RGB 37 39 70

HSL 236.36, 0.31%, 0.21%

LAB 16.92, 8.62, -19.76

 

CMYK 0 / 47 / 20 / 73

HEX #462538

RGB 70 37 56

HSL 325.45, 0.31%, 0.21%

LAB 19.68, 18.67, -5.5

 

CMYK 0 / 3 / 47 / 73

HEX #464425

RGB 70 68 37

HSL 56.36, 0.31%, 0.21%

LAB 28.3, -4.52, 19.04

 

Description

Color code: HEX #254734 | qconv.com Color code: HEX #254734 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 71 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 71 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 27 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 27% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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