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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254644 it is the complementary color #DAB9BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254644 shade: #2A463F, #3B5852, #4C6A65, #5D7C78 and #6E8E8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254644 shade: #254644, #143431, #03221E, #00100B and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254644 shade: #254644, #25463B, #254632, #254629 and #2A4625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254644 shade: #254644, #253F46, #253646, #252D46 and #252546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254644 shade matches the following richer shades: #254644, #1C4F4C, #145753, #0B605B and #026963

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254644 shade: #254644, #2E3D3D, #363535, #3F2C2D and #482326

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254644 shade: #254632, #25463B, #254644, #254046 and #253746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254644 shade: #081010, #172B2A, #254644, #33615E and #417C79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254644 shade: #254644, #292546 and #463725

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254644 shade: #254644, #442546 and #464425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254644 shade: #254644, #292546, #462527 and #424625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254644 shade: #254644, #332546, #462527 and #384625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

Complementary color

CMYK 0 / 15 / 14 / 15

HEX #DAB9BB

RGB 218 185 187

HSL 356.36, 0.31%, 0.79%

LAB 77.99, 12.12, 3.38

 

CMYK 40 / 0 / 10 / 73

HEX #2A463F

RGB 42 70 63

HSL 165, 0.25%, 0.22%

LAB 27.38, -12.47, 0.87

 

CMYK 33 / 0 / 7 / 65

HEX #3B5852

RGB 59 88 82

HSL 167.59, 0.2%, 0.29%

LAB 35.04, -12.27, 0.02

 

CMYK 28 / 0 / 5 / 58

HEX #4C6A65

RGB 76 106 101

HSL 170, 0.16%, 0.36%

LAB 42.44, -12.09, -0.74

 

CMYK 25 / 0 / 3 / 51

HEX #5D7C78

RGB 93 124 120

HSL 172.26, 0.14%, 0.43%

LAB 49.62, -11.95, -1.44

 

CMYK 23 / 0 / 2 / 44

HEX #6E8E8B

RGB 110 142 139

HSL 174.38, 0.13%, 0.49%

LAB 56.61, -11.84, -2.09

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 62 / 0 / 6 / 80

HEX #143431

RGB 20 52 49

HSL 174.38, 0.44%, 0.14%

LAB 19.34, -12.66, -1.7

 

CMYK 91 / 0 / 12 / 87

HEX #03221E

RGB 3 34 30

HSL 172.26, 0.84%, 0.07%

LAB 10.97, -12.72, -0.64

 

CMYK 100 / 0 / 31 / 94

HEX #00100B

RGB 0 16 11

HSL 161.25, 1%, 0.03%

LAB 3.57, -5.3, 0.71

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 47 / 0 / 16 / 73

HEX #25463B

RGB 37 70 59

HSL 160, 0.31%, 0.21%

LAB 26.99, -15.19, 2.87

 

CMYK 47 / 0 / 29 / 73

HEX #254632

RGB 37 70 50

HSL 143.64, 0.31%, 0.21%

LAB 26.75, -17.45, 8.36

 

CMYK 47 / 0 / 41 / 73

HEX #254629

RGB 37 70 41

HSL 127.27, 0.31%, 0.21%

LAB 26.55, -19.39, 13.81

 

CMYK 40 / 0 / 47 / 73

HEX #2A4625

RGB 42 70 37

HSL 110.91, 0.31%, 0.21%

LAB 26.75, -18.26, 16.62

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 47 / 10 / 0 / 73

HEX #253F46

RGB 37 63 70

HSL 192.73, 0.31%, 0.21%

LAB 24.92, -7.76, -7.41

 

CMYK 47 / 23 / 0 / 73

HEX #253646

RGB 37 54 70

HSL 209.09, 0.31%, 0.21%

LAB 21.85, -1.9, -12.08

 

CMYK 47 / 36 / 0 / 73

HEX #252D46

RGB 37 45 70

HSL 225.45, 0.31%, 0.21%

LAB 18.85, 4.32, -16.73

 

CMYK 47 / 47 / 0 / 73

HEX #252546

RGB 37 37 70

HSL 240, 0.31%, 0.21%

LAB 16.3, 10.07, -20.75

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 65 / 0 / 4 / 69

HEX #1C4F4C

RGB 28 79 76

HSL 176.47, 0.48%, 0.21%

LAB 30.3, -17.65, -3.31

 

CMYK 77 / 0 / 5 / 66

HEX #145753

RGB 20 87 83

HSL 176.42, 0.63%, 0.21%

LAB 33.11, -21.18, -3.63

 

CMYK 89 / 0 / 5 / 62

HEX #0B605B

RGB 11 96 91

HSL 176.47, 0.79%, 0.21%

LAB 36.35, -24.28, -3.85

 

CMYK 98 / 0 / 6 / 59

HEX #026963

RGB 2 105 99

HSL 176.5, 0.96%, 0.21%

LAB 39.61, -26.88, -3.96

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 25 / 0 / 0 / 76

HEX #2E3D3D

RGB 46 61 61

HSL 180, 0.14%, 0.21%

LAB 24.5, -6.06, -2.01

 

CMYK 0 / 2 / 2 / 79

HEX #363535

RGB 54 53 53

HSL 0, 0.01%, 0.21%

LAB 22.26, 0.44, 0.15

 

CMYK 0 / 30 / 29 / 75

HEX #3F2C2D

RGB 63 44 45

HSL 356.84, 0.18%, 0.21%

LAB 20.23, 8.96, 2.81

 

CMYK 0 / 51 / 47 / 72

HEX #482326

RGB 72 35 38

HSL 355.14, 0.35%, 0.21%

LAB 18.88, 17.91, 5.94

 

CMYK 47 / 0 / 29 / 73

HEX #254632

RGB 37 70 50

HSL 143.64, 0.31%, 0.21%

LAB 26.75, -17.45, 8.36

 

CMYK 47 / 0 / 16 / 73

HEX #25463B

RGB 37 70 59

HSL 160, 0.31%, 0.21%

LAB 26.99, -15.19, 2.87

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 47 / 9 / 0 / 73

HEX #254046

RGB 37 64 70

HSL 190.91, 0.31%, 0.21%

LAB 25.27, -8.39, -6.89

 

CMYK 47 / 21 / 0 / 73

HEX #253746

RGB 37 55 70

HSL 207.27, 0.31%, 0.21%

LAB 22.19, -2.57, -11.56

HEX #253746

CMYK 50 / 0 / 0 / 94

HEX #081010

RGB 8 16 16

HSL 180, 0.33%, 0.05%

LAB 4.15, -2.37, -0.84

 

CMYK 47 / 0 / 2 / 83

HEX #172B2A

RGB 23 43 42

HSL 177, 0.3%, 0.13%

LAB 15.89, -8.37, -1.91

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 47 / 0 / 3 / 62

HEX #33615E

RGB 51 97 94

HSL 176.09, 0.31%, 0.29%

LAB 37.95, -16.58, -3.21

 

CMYK 48 / 0 / 2 / 51

HEX #417C79

RGB 65 124 121

HSL 176.95, 0.31%, 0.37%

LAB 48.16, -20, -4.34

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 41 / 47 / 0 / 73

HEX #292546

RGB 41 37 70

HSL 247.27, 0.31%, 0.21%

LAB 16.68, 11.33, -20.11

 

CMYK 0 / 21 / 47 / 73

HEX #463725

RGB 70 55 37

HSL 32.73, 0.31%, 0.21%

LAB 24.22, 3.77, 13.8

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 3 / 47 / 0 / 73

HEX #442546

RGB 68 37 70

HSL 296.36, 0.31%, 0.21%

LAB 20.02, 20.82, -14.65

 

CMYK 0 / 3 / 47 / 73

HEX #464425

RGB 70 68 37

HSL 56.36, 0.31%, 0.21%

LAB 28.3, -4.52, 19.04

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 41 / 47 / 0 / 73

HEX #292546

RGB 41 37 70

HSL 247.27, 0.31%, 0.21%

LAB 16.68, 11.33, -20.11

 

CMYK 0 / 47 / 44 / 73

HEX #462527

RGB 70 37 39

HSL 356.36, 0.31%, 0.21%

LAB 19.11, 15.87, 5.5

 

CMYK 6 / 0 / 47 / 73

HEX #424625

RGB 66 70 37

HSL 67.27, 0.31%, 0.21%

LAB 28.57, -7.67, 19.3

 

CMYK 47 / 0 / 3 / 73

HEX #254644

RGB 37 70 68

HSL 176.36, 0.31%, 0.21%

LAB 27.27, -12.65, -2.58

 

CMYK 27 / 47 / 0 / 73

HEX #332546

RGB 51 37 70

HSL 265.45, 0.31%, 0.21%

LAB 17.78, 14.71, -18.31

 

CMYK 0 / 47 / 44 / 73

HEX #462527

RGB 70 37 39

HSL 356.36, 0.31%, 0.21%

LAB 19.11, 15.87, 5.5

 

CMYK 20 / 0 / 47 / 73

HEX #384625

RGB 56 70 37

HSL 85.45, 0.31%, 0.21%

LAB 27.72, -12.32, 18.05

 

Description

Color code: HEX #254644 | qconv.com Color code: HEX #254644 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 70 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 70 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 3 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 3% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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