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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254428 it is the complementary color #DABBD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254428. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254428 shade: #2A4423, #3B5636, #4C6849, #5D7A5C and #6E8C6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254428. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254428 shade: #254428, #143215, #032002, #000E00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254428 shade: #254629, #2B4625, #344625, #3C4625 and #454625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254428 shade: #254629, #254631, #25463A, #254643 and #254046

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254428 shade matches the following richer shades: #254629, #1D4E22, #14571B, #0B6014 and #03680D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254428 shade: #254629, #2E3D30, #373437, #3F2C3E and #482345

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254428 shade: #344625, #2B4625, #254628, #254631 and #254639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254428 shade: #091009, #172B19, #254629, #346038 and #427B48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254428 shade: #254428, #253D46 and #462530

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254428 shade: #254428, #282546 and #462825

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254428 shade: #254428, #253D46, #462543 and #462F25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254428 shade: #254428, #253346, #462543 and #463825

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 41 / 73

HEX #254428

RGB 37 68 40

HSL 125.81, 0.3%, 0.21%

LAB 25.81, -18.52, 13.46

 

Complementary color

CMYK 0 / 14 / 1 / 15

HEX #DABBD7

RGB 218 187 215

HSL 305.81, 0.3%, 0.79%

LAB 79.24, 15.87, -9.92

 

CMYK 38 / 0 / 49 / 73

HEX #2A4423

RGB 42 68 35

HSL 107.27, 0.32%, 0.2%

LAB 26, -17.52, 16.88

 

CMYK 31 / 0 / 37 / 66

HEX #3B5636

RGB 59 86 54

HSL 110.63, 0.23%, 0.27%

LAB 33.67, -17.29, 15.48

 

CMYK 27 / 0 / 30 / 59

HEX #4C6849

RGB 76 104 73

HSL 114.19, 0.18%, 0.35%

LAB 41.09, -17.04, 14.23

 

CMYK 24 / 0 / 25 / 52

HEX #5D7A5C

RGB 93 122 92

HSL 118, 0.14%, 0.42%

LAB 48.28, -16.82, 13.11

 

CMYK 21 / 0 / 21 / 45

HEX #6E8C6F

RGB 110 140 111

HSL 122, 0.12%, 0.49%

LAB 55.3, -16.62, 12.08

 

CMYK 46 / 0 / 41 / 73

HEX #254428

RGB 37 68 40

HSL 125.81, 0.3%, 0.21%

LAB 25.81, -18.52, 13.46

 

CMYK 60 / 0 / 58 / 80

HEX #143215

RGB 20 50 21

HSL 122, 0.43%, 0.14%

LAB 17.85, -18.7, 15.04

 

CMYK 91 / 0 / 94 / 87

HEX #032002

RGB 3 32 2

HSL 118, 0.88%, 0.07%

LAB 9.46, -17.61, 12.99

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 47 / 0 / 41 / 73

HEX #254629

RGB 37 70 41

HSL 127.27, 0.31%, 0.21%

LAB 26.55, -19.39, 13.81

 

CMYK 39 / 0 / 47 / 73

HEX #2B4625

RGB 43 70 37

HSL 109.09, 0.31%, 0.21%

LAB 26.81, -17.87, 16.71

 

CMYK 26 / 0 / 47 / 73

HEX #344625

RGB 52 70 37

HSL 92.73, 0.31%, 0.21%

LAB 27.42, -14.1, 17.6

 

CMYK 14 / 0 / 47 / 73

HEX #3C4625

RGB 60 70 37

HSL 78.18, 0.31%, 0.21%

LAB 28.05, -10.49, 18.53

 

CMYK 1 / 0 / 47 / 73

HEX #454625

RGB 69 70 37

HSL 61.82, 0.31%, 0.21%

LAB 28.85, -6.23, 19.71

 

CMYK 47 / 0 / 41 / 73

HEX #254629

RGB 37 70 41

HSL 127.27, 0.31%, 0.21%

LAB 26.55, -19.39, 13.81

 

CMYK 47 / 0 / 30 / 73

HEX #254631

RGB 37 70 49

HSL 141.82, 0.31%, 0.21%

LAB 26.72, -17.68, 8.96

 

CMYK 47 / 0 / 17 / 73

HEX #25463A

RGB 37 70 58

HSL 158.18, 0.31%, 0.21%

LAB 26.96, -15.46, 3.48

 

CMYK 47 / 0 / 4 / 73

HEX #254643

RGB 37 70 67

HSL 174.55, 0.31%, 0.21%

LAB 27.24, -12.95, -1.98

 

CMYK 47 / 9 / 0 / 73

HEX #254046

RGB 37 64 70

HSL 190.91, 0.31%, 0.21%

LAB 25.27, -8.39, -6.89

 

CMYK 47 / 0 / 41 / 73

HEX #254629

RGB 37 70 41

HSL 127.27, 0.31%, 0.21%

LAB 26.55, -19.39, 13.81

 

CMYK 63 / 0 / 56 / 69

HEX #1D4E22

RGB 29 78 34

HSL 126.12, 0.46%, 0.21%

LAB 28.97, -27.17, 21.05

 

CMYK 77 / 0 / 69 / 66

HEX #14571B

RGB 20 87 27

HSL 126.27, 0.63%, 0.21%

LAB 31.91, -34.12, 28.2

 

CMYK 89 / 0 / 79 / 62

HEX #0B6014

RGB 11 96 20

HSL 126.35, 0.79%, 0.21%

LAB 34.98, -39.56, 34.55

 

CMYK 97 / 0 / 88 / 59

HEX #03680D

RGB 3 104 13

HSL 125.94, 0.94%, 0.21%

LAB 37.75, -43.58, 39.6

 

CMYK 47 / 0 / 41 / 73

HEX #254629

RGB 37 70 41

HSL 127.27, 0.31%, 0.21%

LAB 26.55, -19.39, 13.81

 

CMYK 25 / 0 / 21 / 76

HEX #2E3D30

RGB 46 61 48

HSL 128, 0.14%, 0.21%

LAB 24.1, -9.26, 6.05

 

CMYK 0 / 5 / 0 / 78

HEX #373437

RGB 55 52 55

HSL 300, 0.03%, 0.21%

LAB 22.1, 2, -1.42

 

CMYK 0 / 30 / 2 / 75

HEX #3F2C3E

RGB 63 44 62

HSL 303.16, 0.18%, 0.21%

LAB 20.85, 12.43, -7.96

 

CMYK 0 / 51 / 4 / 72

HEX #482345

RGB 72 35 69

HSL 304.86, 0.35%, 0.21%

LAB 20.08, 23.29, -13.82

 

CMYK 26 / 0 / 47 / 73

HEX #344625

RGB 52 70 37

HSL 92.73, 0.31%, 0.21%

LAB 27.42, -14.1, 17.6

 

CMYK 39 / 0 / 47 / 73

HEX #2B4625

RGB 43 70 37

HSL 109.09, 0.31%, 0.21%

LAB 26.81, -17.87, 16.71

 

CMYK 47 / 0 / 43 / 73

HEX #254628

RGB 37 70 40

HSL 125.45, 0.31%, 0.21%

LAB 26.53, -19.59, 14.41

 

CMYK 47 / 0 / 30 / 73

HEX #254631

RGB 37 70 49

HSL 141.82, 0.31%, 0.21%

LAB 26.72, -17.68, 8.96

 

CMYK 47 / 0 / 19 / 73

HEX #254639

RGB 37 70 57

HSL 156.36, 0.31%, 0.21%

LAB 26.93, -15.72, 4.09

 

CMYK 44 / 0 / 44 / 94

HEX #091009

RGB 9 16 9

HSL 120, 0.28%, 0.05%

LAB 4.05, -3.23, 2.31

 

CMYK 47 / 0 / 42 / 83

HEX #172B19

RGB 23 43 25

HSL 126, 0.3%, 0.13%

LAB 15.38, -12.92, 9.25

 

CMYK 47 / 0 / 41 / 73

HEX #254629

RGB 37 70 41

HSL 127.27, 0.31%, 0.21%

LAB 26.55, -19.39, 13.81

 

CMYK 46 / 0 / 42 / 62

HEX #346038

RGB 52 96 56

HSL 125.45, 0.3%, 0.29%

LAB 36.71, -24.7, 18.22

 

CMYK 46 / 0 / 41 / 52

HEX #427B48

RGB 66 123 72

HSL 126.32, 0.3%, 0.37%

LAB 46.7, -30.35, 22.21

 

CMYK 46 / 0 / 41 / 73

HEX #254428

RGB 37 68 40

HSL 125.81, 0.3%, 0.21%

LAB 25.81, -18.52, 13.46

 

CMYK 47 / 13 / 0 / 73

HEX #253D46

RGB 37 61 70

HSL 196.36, 0.31%, 0.21%

LAB 24.24, -6.49, -8.45

 

CMYK 0 / 47 / 31 / 73

HEX #462530

RGB 70 37 48

HSL 340, 0.31%, 0.21%

LAB 19.39, 17.25, -0.37

 

CMYK 46 / 0 / 41 / 73

HEX #254428

RGB 37 68 40

HSL 125.81, 0.3%, 0.21%

LAB 25.81, -18.52, 13.46

 

CMYK 43 / 47 / 0 / 73

HEX #282546

RGB 40 37 70

HSL 245.45, 0.31%, 0.21%

LAB 16.58, 11.01, -20.28

 

CMYK 0 / 43 / 47 / 73

HEX #462825

RGB 70 40 37

HSL 5.45, 0.31%, 0.21%

LAB 19.86, 13.65, 7.93

 

CMYK 46 / 0 / 41 / 73

HEX #254428

RGB 37 68 40

HSL 125.81, 0.3%, 0.21%

LAB 25.81, -18.52, 13.46

 

CMYK 47 / 13 / 0 / 73

HEX #253D46

RGB 37 61 70

HSL 196.36, 0.31%, 0.21%

LAB 24.24, -6.49, -8.45

 

CMYK 0 / 47 / 4 / 73

HEX #462543

RGB 70 37 67

HSL 305.45, 0.31%, 0.21%

LAB 20.17, 20.89, -12.35

 

CMYK 0 / 33 / 47 / 73

HEX #462F25

RGB 70 47 37

HSL 18.18, 0.31%, 0.21%

LAB 21.83, 9.04, 10.62

 

CMYK 46 / 0 / 41 / 73

HEX #254428

RGB 37 68 40

HSL 125.81, 0.3%, 0.21%

LAB 25.81, -18.52, 13.46

 

CMYK 47 / 27 / 0 / 73

HEX #253346

RGB 37 51 70

HSL 214.55, 0.31%, 0.21%

LAB 20.84, 0.13, -13.64

 

CMYK 0 / 47 / 4 / 73

HEX #462543

RGB 70 37 67

HSL 305.45, 0.31%, 0.21%

LAB 20.17, 20.89, -12.35

 

CMYK 0 / 20 / 47 / 73

HEX #463825

RGB 70 56 37

HSL 34.55, 0.31%, 0.21%

LAB 24.53, 3.12, 14.2

 

Description

Color code: HEX #254428 | qconv.com Color code: HEX #254428 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 68 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 68 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 41 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 41% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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