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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #253E4E it is the complementary color #DAC1B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #253E4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #253E4E shade: #2A3E49, #3B505C, #4C626F, #5D7482 and #6E8695

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #253E4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #253E4E shade: #253E4E, #142C3B, #031A28, #000815 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #253E4E shade: #253F4F, #25334F, #25284F, #2D254F and #39254F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #253E4E shade: #253F4F, #25334F, #25284F and #25254F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #253E4E shade matches the following richer shades: #253F4F, #1C4159, #124362 and #09456C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #253E4E shade: #253F4F, #2F3D46, #383B3C, #423933 and #4B3629

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #253E4E shade: #254F49, #254A4F, #253F4F, #25344F and #25294F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #253E4E shade: #0B1217, #182933, #253F4F, #32556B and #3F6B87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #253E4E shade: #253E4E, #3E254F and #4F4F25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #253E4E shade: #253E4E, #4F253F and #3F4F25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #253E4E shade: #253E4E, #3E254F, #4F3525 and #374F25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #253E4E shade: #253E4E, #4A254F, #4F3525 and #2A4F25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 21 / 0 / 69

HEX #253E4E

RGB 37 62 78

HSL 203.41, 0.36%, 0.23%

LAB 24.92, -4.49, -12.7

 

Complementary color

CMYK 0 / 11 / 19 / 15

HEX #DAC1B1

RGB 218 193 177

HSL 23.41, 0.36%, 0.77%

LAB 79.74, 6.3, 11.28

 

CMYK 42 / 15 / 0 / 71

HEX #2A3E49

RGB 42 62 73

HSL 201.29, 0.27%, 0.23%

LAB 25.01, -4.6, -9.23

 

CMYK 36 / 13 / 0 / 64

HEX #3B505C

RGB 59 80 92

HSL 201.82, 0.22%, 0.3%

LAB 32.79, -4.74, -9.63

 

CMYK 32 / 12 / 0 / 56

HEX #4C626F

RGB 76 98 111

HSL 202.29, 0.19%, 0.37%

LAB 40.28, -4.84, -10.04

 

CMYK 28 / 11 / 0 / 49

HEX #5D7482

RGB 93 116 130

HSL 202.7, 0.17%, 0.44%

LAB 47.53, -4.92, -10.45

 

CMYK 26 / 10 / 0 / 42

HEX #6E8695

RGB 110 134 149

HSL 203.08, 0.16%, 0.51%

LAB 54.59, -5, -10.86

 

CMYK 53 / 21 / 0 / 69

HEX #253E4E

RGB 37 62 78

HSL 203.41, 0.36%, 0.23%

LAB 24.92, -4.49, -12.7

 

CMYK 66 / 25 / 0 / 77

HEX #142C3B

RGB 20 44 59

HSL 203.08, 0.49%, 0.15%

LAB 16.82, -3.94, -12.4

 

CMYK 93 / 35 / 0 / 84

HEX #031A28

RGB 3 26 40

HSL 202.7, 0.86%, 0.08%

LAB 8.23, -3.11, -12.21

 

CMYK 100 / 62 / 0 / 92

HEX #000815

RGB 0 8 21

HSL 217.14, 1%, 0.04%

LAB 2.06, 0.23, -7.06

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 53 / 20 / 0 / 69

HEX #253F4F

RGB 37 63 79

HSL 202.86, 0.36%, 0.23%

LAB 25.3, -4.8, -12.77

 

CMYK 53 / 35 / 0 / 69

HEX #25334F

RGB 37 51 79

HSL 220, 0.36%, 0.23%

LAB 21.3, 3.28, -18.97

 

CMYK 53 / 49 / 0 / 69

HEX #25284F

RGB 37 40 79

HSL 235.71, 0.36%, 0.23%

LAB 17.81, 11.11, -24.49

 

CMYK 43 / 53 / 0 / 69

HEX #2D254F

RGB 45 37 79

HSL 251.43, 0.36%, 0.23%

LAB 17.67, 15.56, -24.66

 

CMYK 28 / 53 / 0 / 69

HEX #39254F

RGB 57 37 79

HSL 268.57, 0.36%, 0.23%

LAB 19.05, 19.31, -22.4

 

CMYK 53 / 20 / 0 / 69

HEX #253F4F

RGB 37 63 79

HSL 202.86, 0.36%, 0.23%

LAB 25.3, -4.8, -12.77

 

CMYK 53 / 35 / 0 / 69

HEX #25334F

RGB 37 51 79

HSL 220, 0.36%, 0.23%

LAB 21.3, 3.28, -18.97

 

CMYK 53 / 49 / 0 / 69

HEX #25284F

RGB 37 40 79

HSL 235.71, 0.36%, 0.23%

LAB 17.81, 11.11, -24.49

 

CMYK 53 / 53 / 0 / 69

HEX #25254F

RGB 37 37 79

HSL 240, 0.36%, 0.23%

LAB 16.9, 13.28, -25.94

 

CMYK 53 / 20 / 0 / 69

HEX #253F4F

RGB 37 63 79

HSL 202.86, 0.36%, 0.23%

LAB 25.3, -4.8, -12.77

 

CMYK 69 / 27 / 0 / 65

HEX #1C4159

RGB 28 65 89

HSL 203.61, 0.52%, 0.23%

LAB 26.01, -4.68, -18.25

 

CMYK 82 / 32 / 0 / 62

HEX #124362

RGB 18 67 98

HSL 203.25, 0.69%, 0.23%

LAB 26.81, -4.14, -22.85

 

CMYK 92 / 36 / 0 / 58

HEX #09456C

RGB 9 69 108

HSL 203.64, 0.85%, 0.23%

LAB 27.84, -2.26, -27.64

 

CMYK 53 / 20 / 0 / 69

HEX #253F4F

RGB 37 63 79

HSL 202.86, 0.36%, 0.23%

LAB 25.3, -4.8, -12.77

 

CMYK 33 / 13 / 0 / 73

HEX #2F3D46

RGB 47 61 70

HSL 203.48, 0.2%, 0.23%

LAB 24.9, -3.16, -7.37

 

CMYK 7 / 2 / 0 / 76

HEX #383B3C

RGB 56 59 60

HSL 195, 0.03%, 0.23%

LAB 24.62, -1.03, -1.06

 

CMYK 0 / 14 / 23 / 74

HEX #423933

RGB 66 57 51

HSL 24, 0.13%, 0.23%

LAB 24.71, 2.78, 5.19

 

CMYK 0 / 28 / 45 / 71

HEX #4B3629

RGB 75 54 41

HSL 22.94, 0.29%, 0.23%

LAB 24.62, 7.4, 11.84

 

CMYK 53 / 0 / 8 / 69

HEX #254F49

RGB 37 79 73

HSL 171.43, 0.36%, 0.23%

LAB 30.56, -16.37, -0.98

 

CMYK 53 / 6 / 0 / 69

HEX #254A4F

RGB 37 74 79

HSL 187.14, 0.36%, 0.23%

LAB 29.04, -11.64, -7.08

 

CMYK 53 / 20 / 0 / 69

HEX #253F4F

RGB 37 63 79

HSL 202.86, 0.36%, 0.23%

LAB 25.3, -4.8, -12.77

 

CMYK 53 / 34 / 0 / 69

HEX #25344F

RGB 37 52 79

HSL 218.57, 0.36%, 0.23%

LAB 21.63, 2.58, -18.45

 

CMYK 53 / 48 / 0 / 69

HEX #25294F

RGB 37 41 79

HSL 234.29, 0.36%, 0.23%

LAB 18.12, 10.39, -24

 

CMYK 52 / 22 / 0 / 91

HEX #0B1217

RGB 11 18 23

HSL 205, 0.35%, 0.07%

LAB 5.11, -1.17, -3.96

 

CMYK 53 / 20 / 0 / 80

HEX #182933

RGB 24 41 51

HSL 202.22, 0.36%, 0.15%

LAB 15.59, -3.69, -8.7

 

CMYK 53 / 20 / 0 / 69

HEX #253F4F

RGB 37 63 79

HSL 202.86, 0.36%, 0.23%

LAB 25.3, -4.8, -12.77

 

CMYK 53 / 21 / 0 / 58

HEX #32556B

RGB 50 85 107

HSL 203.16, 0.36%, 0.31%

LAB 34.47, -5.81, -16.55

 

CMYK 53 / 21 / 0 / 47

HEX #3F6B87

RGB 63 107 135

HSL 203.33, 0.36%, 0.39%

LAB 43.24, -6.77, -20.12

 

CMYK 53 / 21 / 0 / 69

HEX #253E4E

RGB 37 62 78

HSL 203.41, 0.36%, 0.23%

LAB 24.92, -4.49, -12.7

 

CMYK 22 / 53 / 0 / 69

HEX #3E254F

RGB 62 37 79

HSL 275.71, 0.36%, 0.23%

LAB 19.69, 20.95, -21.34

 

CMYK 0 / 0 / 53 / 69

HEX #4F4F25

RGB 79 79 37

HSL 60, 0.36%, 0.23%

LAB 32.67, -6.87, 24.6

 

CMYK 53 / 21 / 0 / 69

HEX #253E4E

RGB 37 62 78

HSL 203.41, 0.36%, 0.23%

LAB 24.92, -4.49, -12.7

 

CMYK 0 / 53 / 20 / 69

HEX #4F253F

RGB 79 37 63

HSL 322.86, 0.36%, 0.23%

LAB 21.37, 23.51, -7.64

 

CMYK 20 / 0 / 53 / 69

HEX #3F4F25

RGB 63 79 37

HSL 82.86, 0.36%, 0.23%

LAB 31.31, -14.34, 22.62

 

CMYK 53 / 21 / 0 / 69

HEX #253E4E

RGB 37 62 78

HSL 203.41, 0.36%, 0.23%

LAB 24.92, -4.49, -12.7

 

CMYK 22 / 53 / 0 / 69

HEX #3E254F

RGB 62 37 79

HSL 275.71, 0.36%, 0.23%

LAB 19.69, 20.95, -21.34

 

CMYK 0 / 33 / 53 / 69

HEX #4F3525

RGB 79 53 37

HSL 22.86, 0.36%, 0.23%

LAB 24.77, 9.48, 14.74

 

CMYK 30 / 0 / 53 / 69

HEX #374F25

RGB 55 79 37

HSL 94.29, 0.36%, 0.23%

LAB 30.73, -17.83, 21.79

 

CMYK 53 / 21 / 0 / 69

HEX #253E4E

RGB 37 62 78

HSL 203.41, 0.36%, 0.23%

LAB 24.92, -4.49, -12.7

 

CMYK 6 / 53 / 0 / 69

HEX #4A254F

RGB 74 37 79

HSL 292.86, 0.36%, 0.23%

LAB 21.37, 24.97, -18.58

 

CMYK 0 / 33 / 53 / 69

HEX #4F3525

RGB 79 53 37

HSL 22.86, 0.36%, 0.23%

LAB 24.77, 9.48, 14.74

 

CMYK 47 / 0 / 53 / 69

HEX #2A4F25

RGB 42 79 37

HSL 112.86, 0.36%, 0.23%

LAB 29.96, -22.95, 20.66

 

Description

Color code: HEX #253E4E | qconv.com Color code: HEX #253E4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 62 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 62 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 21 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 21% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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