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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2536B5CE it is the complementary color #DAC94ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2536B5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2536B5CE shade: #2A36B0CE, #3B48C3CE, #4C5AD6CE, #5D6CE9CE and #6E7EFCCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2536B5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2536B5CE shade: #2536B5CE, #1424A2CE, #03128FCE, #00007CCE and #000069CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2536B5CE shade: #2536B6, #3B25B6, #6225B6, #8925B6 and #B025B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2536B5CE shade: #2536B6 and #2525B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2536B5CE shade matches the following richer shades: #2536B6, #1429C8 and #021BDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2536B5CE shade: #2536B6, #3744A4, #495193, #5B5F81 and #6C6D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2536B5CE shade: #2586B6, #255FB6, #2539B6, #3925B6 and #5F25B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2536B5CE shade: #172272, #1E2C94, #2536B6, #3043D5 and #5262DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2536B5CE shade: #2536B5, #B625AC and #72B625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2536B5CE shade: #2536B5, #B62539 and #39B625

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2536B5CE shade: #2536B5, #B625AC, #B6A325 and #25B62F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2536B5CE shade: #2536B5, #B62581, #B6A325 and #25B65A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 57 / 0 / 24

HEX #2536B5CE

RGBA 37 54 181 0.81

HSLA 232.92, 0.66%, 0.43%, 0.81

LABA 30.32, 39.66, -68.44, 0.81

 

Complementary color

CMYK 0 / 6 / 54 / 12

HEX #DAC94ACE

RGBA 218 201 74 0.81

HSLA 52.92, 0.66%, 0.57%, 0.81

LABA 80.28, -8.59, 63.11, 0.81

 

CMYK 62 / 56 / 0 / 25

HEX #2A36B0CE

RGBA 42 54 176 0.81

HSLA 234.63, 0.61%, 0.43%, 0.81

LABA 30.07, 38.32, -65.87, 0.81

 

CMYK 56 / 51 / 0 / 19

HEX #3B48C3CE

RGBA 59 72 195 0.81

HSLA 234.26, 0.54%, 0.5%, 0.81

LABA 36.94, 35.7, -65.78, 0.81

 

CMYK 52 / 47 / 0 / 13

HEX #4C5AD6CE

RGBA 76 90 214 0.81

HSLA 233.91, 0.63%, 0.57%, 0.81

LABA 43.81, 33.41, -65.53, 0.81

 

CMYK 49 / 43 / 0 / 7

HEX #5D6CE9CE

RGBA 93 108 233 0.81

HSLA 233.57, 0.76%, 0.64%, 0.81

LABA 50.61, 31.46, -65.21, 0.81

 

CMYK 46 / 41 / 0 / 1

HEX #6E7EFCCE

RGBA 110 126 252 0.81

HSLA 233.24, 0.96%, 0.71%, 0.81

LABA 57.33, 29.79, -64.89, 0.81

 

CMYK 64 / 57 / 0 / 24

HEX #2536B5CE

RGBA 37 54 181 0.81

HSLA 232.92, 0.66%, 0.43%, 0.81

LABA 30.32, 39.66, -68.44, 0.81

 

CMYK 71 / 63 / 0 / 30

HEX #1424A2CE

RGBA 20 36 162 0.81

HSLA 233.24, 0.78%, 0.36%, 0.81

LABA 23.73, 42.63, -67.93, 0.81

 

CMYK 79 / 71 / 0 / 36

HEX #03128FCE

RGBA 3 18 143 0.81

HSLA 233.57, 0.96%, 0.29%, 0.81

LABA 17.62, 45.03, -66.4, 0.81

 

CMYK 81 / 81 / 0 / 42

HEX #00007CCE

RGBA 0 0 124 0.81

HSLA 240, 1%, 0.24%, 0.81

LABA 12.32, 46.43, -63.24, 0.81

 

CMYK 81 / 81 / 0 / 48

HEX #000069CE

RGBA 0 0 105 0.81

HSLA 240, 1%, 0.21%, 0.81

LABA 9.16, 41.25, -56.18, 0.81

 

CMYK 80 / 70 / 0 / 29

HEX #2536B6

RGB 37 54 182

HSL 232.97, 0.66%, 0.43%

LAB 30.42, 40.01, -68.87

 

CMYK 68 / 80 / 0 / 29

HEX #3B25B6

RGB 59 37 182

HSL 249.1, 0.66%, 0.43%

LAB 28.46, 51.35, -72.06

 

CMYK 46 / 80 / 0 / 29

HEX #6225B6

RGB 98 37 182

HSL 265.24, 0.66%, 0.43%

LAB 32.47, 56.01, -65.31

 

CMYK 25 / 80 / 0 / 29

HEX #8925B6

RGB 137 37 182

HSL 281.38, 0.66%, 0.43%

LAB 37.88, 62.27, -56.27

 

CMYK 3 / 80 / 0 / 29

HEX #B025B6

RGB 176 37 182

HSL 297.52, 0.66%, 0.43%

LAB 44.13, 69.53, -45.87

 

CMYK 80 / 70 / 0 / 29

HEX #2536B6

RGB 37 54 182

HSL 232.97, 0.66%, 0.43%

LAB 30.42, 40.01, -68.87

 

CMYK 80 / 80 / 0 / 29

HEX #2525B6

RGB 37 37 182

HSL 240, 0.66%, 0.43%

LAB 27, 49.65, -74.53

 

CMYK 80 / 70 / 0 / 29

HEX #2536B6

RGB 37 54 182

HSL 232.97, 0.66%, 0.43%

LAB 30.42, 40.01, -68.87

 

CMYK 90 / 80 / 0 / 22

HEX #1429C8

RGB 20 41 200

HSL 233, 0.82%, 0.43%

LAB 29.17, 52.65, -81.57

 

CMYK 99 / 88 / 0 / 15

HEX #021BDA

RGB 2 27 218

HSL 233.06, 0.98%, 0.43%

LAB 29.05, 63.89, -92.24

 

CMYK 80 / 70 / 0 / 29

HEX #2536B6

RGB 37 54 182

HSL 232.97, 0.66%, 0.43%

LAB 30.42, 40.01, -68.87

 

CMYK 66 / 59 / 0 / 36

HEX #3744A4

RGB 55 68 164

HSL 232.84, 0.5%, 0.43%

LAB 33.19, 26.68, -53.54

 

CMYK 50 / 45 / 0 / 42

HEX #495193

RGB 73 81 147

HSL 233.51, 0.34%, 0.43%

LAB 36.76, 15.94, -37.48

 

CMYK 29 / 26 / 0 / 49

HEX #5B5F81

RGB 91 95 129

HSL 233.68, 0.17%, 0.43%

LAB 41.21, 6.8, -19.49

 

CMYK 3 / 2 / 0 / 56

HEX #6C6D6F

RGB 108 109 111

HSL 220, 0.01%, 0.43%

LAB 46.01, 0.03, -1.25

 

CMYK 80 / 26 / 0 / 29

HEX #2586B6

RGB 37 134 182

HSL 199.86, 0.66%, 0.43%

LAB 52.75, -10.65, -32.97

 

CMYK 80 / 48 / 0 / 29

HEX #255FB6

RGB 37 95 182

HSL 216, 0.66%, 0.43%

LAB 41.14, 13.26, -51.4

 

CMYK 80 / 69 / 0 / 29

HEX #2539B6

RGB 37 57 182

HSL 231.72, 0.66%, 0.43%

LAB 31.11, 38.15, -67.74

 

CMYK 69 / 80 / 0 / 29

HEX #3925B6

RGB 57 37 182

HSL 248.28, 0.66%, 0.43%

LAB 28.3, 51.16, -72.33

 

CMYK 48 / 80 / 0 / 29

HEX #5F25B6

RGB 95 37 182

HSL 264, 0.66%, 0.43%

LAB 32.11, 55.58, -65.92

 

CMYK 80 / 70 / 0 / 55

HEX #172272

RGB 23 34 114

HSL 232.75, 0.66%, 0.27%

LAB 18.1, 26.38, -47.18

 

CMYK 80 / 70 / 0 / 42

HEX #1E2C94

RGB 30 44 148

HSL 232.88, 0.66%, 0.35%

LAB 24.37, 33.36, -58.29

 

CMYK 80 / 70 / 0 / 29

HEX #2536B6

RGB 37 54 182

HSL 232.97, 0.66%, 0.43%

LAB 30.42, 40.01, -68.87

 

CMYK 77 / 69 / 0 / 16

HEX #3043D5

RGB 48 67 213

HSL 233.09, 0.66%, 0.51%

LAB 36.83, 43.89, -76.42

 

CMYK 63 / 55 / 0 / 14

HEX #5262DC

RGB 82 98 220

HSL 233.04, 0.66%, 0.59%

LAB 46.57, 31.43, -64.44

 

CMYK 80 / 70 / 0 / 29

HEX #2536B5

RGB 37 54 181

HSL 232.92, 0.66%, 0.43%

LAB 30.32, 39.66, -68.44

 

CMYK 0 / 80 / 5 / 29

HEX #B625AC

RGB 182 37 172

HSL 304.14, 0.66%, 0.43%

LAB 44.58, 69.16, -39.18

 

CMYK 37 / 0 / 80 / 29

HEX #72B625

RGB 114 182 37

HSL 88.14, 0.66%, 0.43%

LAB 67.4, -43.46, 61.24

 

CMYK 80 / 70 / 0 / 29

HEX #2536B5

RGB 37 54 181

HSL 232.92, 0.66%, 0.43%

LAB 30.32, 39.66, -68.44

 

CMYK 0 / 80 / 69 / 29

HEX #B62539

RGB 182 37 57

HSL 351.72, 0.66%, 0.43%

LAB 40.51, 57.19, 25.76

 

CMYK 69 / 0 / 80 / 29

HEX #39B625

RGB 57 182 37

HSL 111.72, 0.66%, 0.43%

LAB 65.33, -59.48, 58.55

 

CMYK 80 / 70 / 0 / 29

HEX #2536B5

RGB 37 54 181

HSL 232.92, 0.66%, 0.43%

LAB 30.32, 39.66, -68.44

 

CMYK 0 / 80 / 5 / 29

HEX #B625AC

RGB 182 37 172

HSL 304.14, 0.66%, 0.43%

LAB 44.58, 69.16, -39.18

 

CMYK 0 / 10 / 80 / 29

HEX #B6A325

RGB 182 163 37

HSL 52.14, 0.66%, 0.43%

LAB 66.73, -6.15, 62.41

 

CMYK 80 / 0 / 74 / 29

HEX #25B62F

RGB 37 182 47

HSL 124.14, 0.66%, 0.43%

LAB 65.01, -62.01, 54.82

 

CMYK 80 / 70 / 0 / 29

HEX #2536B5

RGB 37 54 181

HSL 232.92, 0.66%, 0.43%

LAB 30.32, 39.66, -68.44

 

CMYK 0 / 80 / 29 / 29

HEX #B62581

RGB 182 37 129

HSL 321.93, 0.66%, 0.43%

LAB 42.54, 63.32, -16.41

 

CMYK 0 / 10 / 80 / 29

HEX #B6A325

RGB 182 163 37

HSL 52.14, 0.66%, 0.43%

LAB 66.73, -6.15, 62.41

 

CMYK 80 / 0 / 51 / 29

HEX #25B65A

RGB 37 182 90

HSL 141.93, 0.66%, 0.43%

LAB 65.43, -56.91, 36.34

 

Description

Color code: HEX #2536B5CE | qconv.com Color code: HEX #2536B5CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 54 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 54 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 57 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 57% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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