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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #253667CE it is the complementary color #DAC998CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #253667CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #253667CE shade: #2A3662CE, #3B4875CE, #4C5A88CE, #5D6C9BCE and #6E7EAECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #253667CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #253667CE shade: #253667CE, #142454CE, #031241CE, #00002ECE and #00001BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #253667CE shade: #243565, #252465, #372465, #482465 and #5A2465

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #253667CE shade: #243565 and #242465

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #253667CE shade matches the following richer shades: #243565, #193070, #0E2A7B and #032587

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #253667CE shade: #243565, #303B5A, #3B404F, #464544 and #514B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #253667CE shade: #245865, #244765, #243665, #242465 and #362465

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #253667CE shade: #0F1529, #1A2547, #243565, #2F4584 and #3A55A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #253667CE shade: #253667, #612465 and #506524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #253667CE shade: #253667, #652436 and #366524

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #253667CE shade: #253667, #612465, #655424 and #296524

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #253667CE shade: #253667, #652456, #655424 and #246534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 39 / 0 / 48

HEX #253667CE

RGBA 37 54 103 0.81

HSLA 224.55, 0.47%, 0.27%, 0.81

LABA 23.71, 10.13, -30.94, 0.81

 

Complementary color

CMYK 0 / 6 / 25 / 12

HEX #DAC998CE

RGBA 218 201 152 0.81

HSLA 44.55, 0.47%, 0.73%, 0.81

LABA 81.26, -1.4, 26.68, 0.81

 

CMYK 46 / 36 / 0 / 50

HEX #2A3662CE

RGBA 42 54 98 0.81

HSLA 227.14, 0.4%, 0.27%, 0.81

LABA 23.71, 9.42, -27.67, 0.81

 

CMYK 40 / 31 / 0 / 44

HEX #3B4875CE

RGBA 59 72 117 0.81

HSLA 226.55, 0.33%, 0.35%, 0.81

LABA 31.46, 8.27, -27.46, 0.81

 

CMYK 36 / 27 / 0 / 38

HEX #4C5A88CE

RGBA 76 90 136 0.81

HSLA 226, 0.28%, 0.42%, 0.81

LABA 38.94, 7.43, -27.34, 0.81

 

CMYK 32 / 25 / 0 / 32

HEX #5D6C9BCE

RGBA 93 108 155 0.81

HSLA 225.48, 0.25%, 0.49%, 0.81

LABA 46.2, 6.77, -27.31, 0.81

 

CMYK 30 / 22 / 0 / 26

HEX #6E7EAECE

RGBA 110 126 174 0.81

HSLA 225, 0.28%, 0.56%, 0.81

LABA 53.27, 6.23, -27.33, 0.81

 

CMYK 52 / 39 / 0 / 48

HEX #253667CE

RGBA 37 54 103 0.81

HSLA 224.55, 0.47%, 0.27%, 0.81

LABA 23.71, 10.13, -30.94, 0.81

 

CMYK 62 / 46 / 0 / 54

HEX #142454CE

RGBA 20 36 84 0.81

HSLA 225, 0.62%, 0.2%, 0.81

LABA 15.75, 12.23, -31.24, 0.81

 

CMYK 77 / 59 / 0 / 60

HEX #031241CE

RGBA 3 18 65 0.81

HSLA 225.48, 0.91%, 0.13%, 0.81

LABA 7.53, 15.26, -31.52, 0.81

 

CMYK 81 / 81 / 0 / 66

HEX #00002ECE

RGBA 0 0 46 0.81

HSLA 240, 1%, 0.09%, 0.81

LABA 1.78, 12.52, -26.91, 0.81

 

CMYK 81 / 81 / 0 / 72

HEX #00001BCE

RGBA 0 0 27 0.81

HSLA 240, 1%, 0.05%, 0.81

LABA 0.71, 5.02, -13.64, 0.81

 

CMYK 64 / 48 / 0 / 60

HEX #243565

RGB 36 53 101

HSL 224.31, 0.47%, 0.27%

LAB 23.21, 9.85, -30.45

 

CMYK 63 / 64 / 0 / 60

HEX #252465

RGB 37 36 101

HSL 240.92, 0.47%, 0.27%

LAB 18.34, 22.08, -38.29

 

CMYK 46 / 64 / 0 / 60

HEX #372465

RGB 55 36 101

HSL 257.54, 0.47%, 0.27%

LAB 20.1, 26.03, -35.36

 

CMYK 29 / 64 / 0 / 60

HEX #482465

RGB 72 36 101

HSL 273.23, 0.47%, 0.27%

LAB 22.23, 30.39, -31.82

 

CMYK 11 / 64 / 0 / 60

HEX #5A2465

RGB 90 36 101

HSL 289.85, 0.47%, 0.27%

LAB 24.87, 35.34, -27.44

 

CMYK 64 / 48 / 0 / 60

HEX #243565

RGB 36 53 101

HSL 224.31, 0.47%, 0.27%

LAB 23.21, 9.85, -30.45

 

CMYK 64 / 64 / 0 / 60

HEX #242465

RGB 36 36 101

HSL 240, 0.47%, 0.27%

LAB 18.26, 21.89, -38.43

 

CMYK 64 / 48 / 0 / 60

HEX #243565

RGB 36 53 101

HSL 224.31, 0.47%, 0.27%

LAB 23.21, 9.85, -30.45

 

CMYK 78 / 57 / 0 / 56

HEX #193070

RGB 25 48 112

HSL 224.14, 0.64%, 0.27%

LAB 21.91, 15.89, -39.67

 

CMYK 89 / 66 / 0 / 52

HEX #0E2A7B

RGB 14 42 123

HSL 224.59, 0.8%, 0.27%

LAB 20.75, 23.61, -48.62

 

CMYK 98 / 73 / 0 / 47

HEX #032587

RGB 3 37 135

HSL 224.55, 0.96%, 0.27%

LAB 20.41, 31.32, -56.77

 

CMYK 64 / 48 / 0 / 60

HEX #243565

RGB 36 53 101

HSL 224.31, 0.47%, 0.27%

LAB 23.21, 9.85, -30.45

 

CMYK 47 / 34 / 0 / 65

HEX #303B5A

RGB 48 59 90

HSL 224.29, 0.3%, 0.27%

LAB 25.24, 4.81, -20.01

 

CMYK 25 / 19 / 0 / 69

HEX #3B404F

RGB 59 64 79

HSL 225, 0.14%, 0.27%

LAB 27.19, 1.79, -9.75

 

CMYK 0 / 1 / 3 / 73

HEX #464544

RGB 70 69 68

HSL 30, 0.01%, 0.27%

LAB 29.35, 0.2, 0.75

 

CMYK 0 / 7 / 30 / 68

HEX #514B39

RGB 81 75 57

HSL 45, 0.17%, 0.27%

LAB 31.98, -0.81, 11.65

 

CMYK 64 / 13 / 0 / 60

HEX #245865

RGB 36 88 101

HSL 192, 0.47%, 0.27%

LAB 34.59, -12.89, -12.67

 

CMYK 64 / 30 / 0 / 60

HEX #244765

RGB 36 71 101

HSL 207.69, 0.47%, 0.27%

LAB 28.96, -2.4, -21.36

 

CMYK 64 / 47 / 0 / 60

HEX #243665

RGB 36 54 101

HSL 223.38, 0.47%, 0.27%

LAB 23.52, 9.15, -29.95

 

CMYK 64 / 64 / 0 / 60

HEX #242465

RGB 36 36 101

HSL 240, 0.47%, 0.27%

LAB 18.26, 21.89, -38.43

 

CMYK 47 / 64 / 0 / 60

HEX #362465

RGB 54 36 101

HSL 256.62, 0.47%, 0.27%

LAB 19.99, 25.78, -35.55

 

CMYK 63 / 49 / 0 / 84

HEX #0F1529

RGB 15 21 41

HSL 226.15, 0.46%, 0.11%

LAB 7.21, 4.37, -14.51

 

CMYK 63 / 48 / 0 / 72

HEX #1A2547

RGB 26 37 71

HSL 225.33, 0.46%, 0.19%

LAB 15.48, 7.36, -22.8

 

CMYK 64 / 48 / 0 / 60

HEX #243565

RGB 36 53 101

HSL 224.31, 0.47%, 0.27%

LAB 23.21, 9.85, -30.45

 

CMYK 64 / 48 / 0 / 48

HEX #2F4584

RGB 47 69 132

HSL 224.47, 0.47%, 0.35%

LAB 30.7, 12.82, -38.06

 

CMYK 64 / 48 / 0 / 36

HEX #3A55A2

RGB 58 85 162

HSL 224.42, 0.47%, 0.43%

LAB 37.85, 15.29, -44.81

 

CMYK 64 / 48 / 0 / 60

HEX #253667

RGB 37 54 103

HSL 224.55, 0.47%, 0.27%

LAB 23.71, 10.13, -30.94

 

CMYK 4 / 64 / 0 / 60

HEX #612465

RGB 97 36 101

HSL 296.31, 0.47%, 0.27%

LAB 25.99, 37.31, -25.61

 

CMYK 21 / 0 / 64 / 60

HEX #506524

RGB 80 101 36

HSL 79.38, 0.47%, 0.27%

LAB 39.82, -18.93, 33.36

 

CMYK 64 / 48 / 0 / 60

HEX #253667

RGB 37 54 103

HSL 224.55, 0.47%, 0.27%

LAB 23.71, 10.13, -30.94

 

CMYK 0 / 64 / 47 / 60

HEX #652436

RGB 101 36 54

HSL 343.38, 0.47%, 0.27%

LAB 24.62, 31.07, 3.73

 

CMYK 47 / 0 / 64 / 60

HEX #366524

RGB 54 101 36

HSL 103.38, 0.47%, 0.27%

LAB 38.23, -29.36, 31.15

 

CMYK 64 / 48 / 0 / 60

HEX #253667

RGB 37 54 103

HSL 224.55, 0.47%, 0.27%

LAB 23.71, 10.13, -30.94

 

CMYK 4 / 64 / 0 / 60

HEX #612465

RGB 97 36 101

HSL 296.31, 0.47%, 0.27%

LAB 25.99, 37.31, -25.61

 

CMYK 0 / 17 / 64 / 60

HEX #655424

RGB 101 84 36

HSL 44.31, 0.47%, 0.27%

LAB 36.43, 0.67, 30.1

 

CMYK 59 / 0 / 64 / 60

HEX #296524

RGB 41 101 36

HSL 115.38, 0.47%, 0.27%

LAB 37.67, -33.53, 30.37

 

CMYK 64 / 48 / 0 / 60

HEX #253667

RGB 37 54 103

HSL 224.55, 0.47%, 0.27%

LAB 23.71, 10.13, -30.94

 

CMYK 0 / 64 / 15 / 60

HEX #652456

RGB 101 36 86

HSL 313.85, 0.47%, 0.27%

LAB 25.86, 35.69, -15.92

 

CMYK 0 / 17 / 64 / 60

HEX #655424

RGB 101 84 36

HSL 44.31, 0.47%, 0.27%

LAB 36.43, 0.67, 30.1

 

CMYK 64 / 0 / 49 / 60

HEX #246534

RGB 36 101 52

HSL 134.77, 0.47%, 0.27%

LAB 37.72, -32.44, 21.72

 

Description

Color code: HEX #253667CE | qconv.com Color code: HEX #253667CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 54 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 54 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 39 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 39% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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