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Color name
HEX #252D383F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #252D383F it is the complementary color #DAD2C73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #252D383F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #252D383F shade: #2A2D333F, #3B3F463F, #4C51593F, #5D636C3F and #6E757F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #252D383F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #252D383F shade: #252D383F, #141B253F, #0309123F and #0000003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #252D383F shade: #252C37, #252737, #272537, #2C2537 and #312537

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #252D383F shade: #252C37, #252737 and #252537

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #252D383F shade matches the following richer shades: #252C37, #1D2B3F, #162A46, #0E294D and #072855

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #252D383F shade: #252C37, #2C2E30, #342F28, #3B3021 and #423119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #252D383F shade: #253637, #253237, #252D37, #252837 and #272537

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #252D383F shade: #040406, #14181E, #252C37, #354050 and #465469

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #252D383F shade: #252D38, #332537 and #343725

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #252D383F shade: #252D38, #37252D and #2D3725

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #252D383F shade: #252D38, #332537, #372F25 and #293725

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #252D383F shade: #252D38, #372536, #372F25 and #253726

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 5 / 0 / 20

HEX #252D383F

RGBA 37 45 56 0.25

HSLA 214.74, 0.2%, 0.18%, 0.25

LABA 18.17, -0.28, -8.16, 0.25

 

Complementary color

CMYK 0 / 1 / 2 / 4

HEX #DAD2C73F

RGBA 218 210 199 0.25

HSLA 34.74, 0.2%, 0.82%, 0.25

LABA 84.55, 0.87, 6.42, 0.25

 

CMYK 4 / 3 / 0 / 20

HEX #2A2D333F

RGBA 42 45 51 0.25

HSLA 220, 0.1%, 0.18%, 0.25

LABA 18.4, 0.24, -4.31, 0.25

 

CMYK 4 / 3 / 0 / 18

HEX #3B3F463F

RGBA 59 63 70 0.25

HSLA 218.18, 0.09%, 0.25%, 0.25

LABA 26.53, 0.05, -4.84, 0.25

 

CMYK 4 / 2 / 0 / 16

HEX #4C51593F

RGBA 76 81 89 0.25

HSLA 216.92, 0.08%, 0.32%, 0.25

LABA 34.28, -0.12, -5.36, 0.25

 

CMYK 3 / 2 / 0 / 14

HEX #5D636C3F

RGBA 93 99 108 0.25

HSLA 216, 0.07%, 0.39%, 0.25

LABA 41.74, -0.28, -5.88, 0.25

 

CMYK 3 / 2 / 0 / 13

HEX #6E757F3F

RGBA 110 117 127 0.25

HSLA 215.29, 0.07%, 0.46%, 0.25

LABA 48.97, -0.43, -6.39, 0.25

 

CMYK 8 / 5 / 0 / 20

HEX #252D383F

RGBA 37 45 56 0.25

HSLA 214.74, 0.2%, 0.18%, 0.25

LABA 18.17, -0.28, -8.16, 0.25

 

CMYK 11 / 7 / 0 / 21

HEX #141B253F

RGBA 20 27 37 0.25

HSLA 215.29, 0.3%, 0.11%, 0.25

LABA 9.53, 0.04, -7.88, 0.25

 

CMYK 21 / 13 / 0 / 23

HEX #0309123F

RGBA 3 9 18 0.25

HSLA 216, 0.71%, 0.04%, 0.25

LABA 2.33, -0.05, -4.69, 0.25

 

CMYK 0 / 0 / 0 / 100

HEX #0000003F

RGBA 0 0 0 0.25

HSLA 0, 0%, 0%, 0.25

LABA 0, 0, 0, 0.25

 

CMYK 33 / 20 / 0 / 78

HEX #252C37

RGB 37 44 55

HSL 216.67, 0.2%, 0.18%

LAB 17.78, 0.1, -8.05

 

CMYK 33 / 29 / 0 / 78

HEX #252737

RGB 37 39 55

HSL 233.33, 0.2%, 0.18%

LAB 16.11, 3.63, -10.62

 

CMYK 29 / 33 / 0 / 78

HEX #272537

RGB 39 37 55

HSL 246.67, 0.2%, 0.18%

LAB 15.65, 5.83, -11.32

 

CMYK 20 / 33 / 0 / 78

HEX #2C2537

RGB 44 37 55

HSL 263.33, 0.2%, 0.18%

LAB 16.18, 7.78, -10.45

 

CMYK 11 / 33 / 0 / 78

HEX #312537

RGB 49 37 55

HSL 280, 0.2%, 0.18%

LAB 16.76, 9.8, -9.51

 

CMYK 33 / 20 / 0 / 78

HEX #252C37

RGB 37 44 55

HSL 216.67, 0.2%, 0.18%

LAB 17.78, 0.1, -8.05

 

CMYK 33 / 29 / 0 / 78

HEX #252737

RGB 37 39 55

HSL 233.33, 0.2%, 0.18%

LAB 16.11, 3.63, -10.62

 

CMYK 33 / 33 / 0 / 78

HEX #252537

RGB 37 37 55

HSL 240, 0.2%, 0.18%

LAB 15.45, 5.07, -11.64

 

CMYK 33 / 20 / 0 / 78

HEX #252C37

RGB 37 44 55

HSL 216.67, 0.2%, 0.18%

LAB 17.78, 0.1, -8.05

 

CMYK 54 / 32 / 0 / 75

HEX #1D2B3F

RGB 29 43 63

HSL 215.29, 0.37%, 0.18%

LAB 17.22, 0.77, -14.52

 

CMYK 69 / 40 / 0 / 73

HEX #162A46

RGB 22 42 70

HSL 215, 0.52%, 0.18%

LAB 16.84, 2.32, -19.96

 

CMYK 82 / 47 / 0 / 70

HEX #0E294D

RGB 14 41 77

HSL 214.29, 0.69%, 0.18%

LAB 16.58, 4.49, -25.18

 

CMYK 92 / 53 / 0 / 67

HEX #072855

RGB 7 40 85

HSL 214.62, 0.85%, 0.18%

LAB 16.6, 7.93, -30.57

 

CMYK 33 / 20 / 0 / 78

HEX #252C37

RGB 37 44 55

HSL 216.67, 0.2%, 0.18%

LAB 17.78, 0.1, -8.05

 

CMYK 8 / 4 / 0 / 81

HEX #2C2E30

RGB 44 46 48

HSL 210, 0.04%, 0.18%

LAB 18.81, -0.39, -1.59

 

CMYK 0 / 10 / 23 / 80

HEX #342F28

RGB 52 47 40

HSL 35, 0.13%, 0.18%

LAB 19.71, 0.81, 5.31

 

CMYK 0 / 19 / 44 / 77

HEX #3B3021

RGB 59 48 33

HSL 34.62, 0.28%, 0.18%

LAB 20.65, 2.38, 11.47

 

CMYK 0 / 26 / 62 / 74

HEX #423119

RGB 66 49 25

HSL 35.12, 0.45%, 0.18%

LAB 21.67, 4.29, 18.15

 

CMYK 33 / 2 / 0 / 78

HEX #253637

RGB 37 54 55

HSL 183.33, 0.2%, 0.18%

LAB 21.24, -6.6, -2.87

 

CMYK 33 / 9 / 0 / 78

HEX #253237

RGB 37 50 55

HSL 196.67, 0.2%, 0.18%

LAB 19.84, -3.98, -4.95

 

CMYK 33 / 18 / 0 / 78

HEX #252D37

RGB 37 45 55

HSL 213.33, 0.2%, 0.18%

LAB 18.13, -0.59, -7.54

 

CMYK 33 / 27 / 0 / 78

HEX #252837

RGB 37 40 55

HSL 230, 0.2%, 0.18%

LAB 16.44, 2.92, -10.11

 

CMYK 29 / 33 / 0 / 78

HEX #272537

RGB 39 37 55

HSL 246.67, 0.2%, 0.18%

LAB 15.65, 5.83, -11.32

 

CMYK 33 / 33 / 0 / 98

HEX #040406

RGB 4 4 6

HSL 240, 0.2%, 0.02%

LAB 1.14, 0.28, -0.76

 

CMYK 33 / 20 / 0 / 88

HEX #14181E

RGB 20 24 30

HSL 216, 0.2%, 0.1%

LAB 8.09, -0.08, -4.83

 

CMYK 33 / 20 / 0 / 78

HEX #252C37

RGB 37 44 55

HSL 216.67, 0.2%, 0.18%

LAB 17.78, 0.1, -8.05

 

CMYK 34 / 20 / 0 / 69

HEX #354050

RGB 53 64 80

HSL 215.56, 0.2%, 0.26%

LAB 26.74, -0.07, -11.12

 

CMYK 33 / 20 / 0 / 59

HEX #465469

RGB 70 84 105

HSL 216, 0.2%, 0.34%

LAB 35.33, 0.11, -13.88

 

CMYK 34 / 20 / 0 / 78

HEX #252D38

RGB 37 45 56

HSL 214.74, 0.2%, 0.18%

LAB 18.17, -0.28, -8.16

 

CMYK 7 / 33 / 0 / 78

HEX #332537

RGB 51 37 55

HSL 286.67, 0.2%, 0.18%

LAB 17, 10.62, -9.12

 

CMYK 5 / 0 / 33 / 78

HEX #343725

RGB 52 55 37

HSL 70, 0.2%, 0.18%

LAB 22.29, -5, 10.89

 

CMYK 34 / 20 / 0 / 78

HEX #252D38

RGB 37 45 56

HSL 214.74, 0.2%, 0.18%

LAB 18.17, -0.28, -8.16

 

CMYK 0 / 33 / 18 / 78

HEX #37252D

RGB 55 37 45

HSL 333.33, 0.2%, 0.18%

LAB 17.11, 10.06, -1.87

 

CMYK 18 / 0 / 33 / 78

HEX #2D3725

RGB 45 55 37

HSL 93.33, 0.2%, 0.18%

LAB 21.67, -8.26, 9.94

 

CMYK 34 / 20 / 0 / 78

HEX #252D38

RGB 37 45 56

HSL 214.74, 0.2%, 0.18%

LAB 18.17, -0.28, -8.16

 

CMYK 7 / 33 / 0 / 78

HEX #332537

RGB 51 37 55

HSL 286.67, 0.2%, 0.18%

LAB 17, 10.62, -9.12

 

CMYK 0 / 15 / 33 / 78

HEX #372F25

RGB 55 47 37

HSL 33.33, 0.2%, 0.18%

LAB 19.96, 1.71, 7.76

 

CMYK 25 / 0 / 33 / 78

HEX #293725

RGB 41 55 37

HSL 106.67, 0.2%, 0.18%

LAB 21.35, -10.04, 9.46

 

CMYK 34 / 20 / 0 / 78

HEX #252D38

RGB 37 45 56

HSL 214.74, 0.2%, 0.18%

LAB 18.17, -0.28, -8.16

 

CMYK 0 / 33 / 2 / 78

HEX #372536

RGB 55 37 54

HSL 303.33, 0.2%, 0.18%

LAB 17.47, 12.03, -7.66

 

CMYK 0 / 15 / 33 / 78

HEX #372F25

RGB 55 47 37

HSL 33.33, 0.2%, 0.18%

LAB 19.96, 1.71, 7.76

 

CMYK 33 / 0 / 31 / 78

HEX #253726

RGB 37 55 38

HSL 123.33, 0.2%, 0.18%

LAB 21.08, -11.54, 8.37

 

Description

Color code: HEX #252D383F | qconv.com Color code: HEX #252D383F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 45 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 45 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 5 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 5% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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