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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #252C72 it is the complementary color #DAD38D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #252C72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #252C72 shade: #2A2C6D, #3B3E80, #4C5093, #5D62A6 and #6E74B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #252C72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #252C72 shade: #252C72, #141A5F, #03084C, #000039 and #000026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #252C72 shade: #252D74, #332574, #482574, #5E2574 and #732574

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #252C72 shade: #252D74 and #252574

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #252C72 shade matches the following richer shades: #252D74, #192280, #0D188C and #000E99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #252C72 shade: #252D74, #323767, #3E415B, #4B4B4E and #575542

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #252C72 shade: #255774, #254274, #252D74, #322574 and #472574

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #252C72 shade: #111535, #1B2154, #252D74, #303993 and #3A45B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #252C72 shade: #252C72, #74256C and #4D7425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #252C72 shade: #252C72, #74252D and #2D7425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #252C72 shade: #252C72, #74256C, #746C25 and #25742D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #252C72 shade: #252C72, #742554, #746C25 and #257445

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 61 / 0 / 55

HEX #252C72

RGB 37 44 114

HSL 234.55, 0.51%, 0.3%

LAB 21.61, 21.4, -41.41

 

Complementary color

CMYK 0 / 3 / 35 / 15

HEX #DAD38D

RGB 218 211 141

HSL 54.55, 0.51%, 0.7%

LAB 83.66, -7.89, 35.57

 

CMYK 61 / 60 / 0 / 57

HEX #2A2C6D

RGB 42 44 109

HSL 238.21, 0.44%, 0.3%

LAB 21.57, 20.48, -38.24

 

CMYK 54 / 52 / 0 / 50

HEX #3B3E80

RGB 59 62 128

HSL 237.39, 0.37%, 0.37%

LAB 29.24, 18.7, -37.87

 

CMYK 48 / 46 / 0 / 42

HEX #4C5093

RGB 76 80 147

HSL 236.62, 0.32%, 0.44%

LAB 36.71, 17.33, -37.55

 

CMYK 44 / 41 / 0 / 35

HEX #5D62A6

RGB 93 98 166

HSL 235.89, 0.29%, 0.51%

LAB 43.97, 16.24, -37.31

 

CMYK 41 / 37 / 0 / 27

HEX #6E74B9

RGB 110 116 185

HSL 235.2, 0.35%, 0.58%

LAB 51.05, 15.34, -37.14

 

CMYK 68 / 61 / 0 / 55

HEX #252C72

RGB 37 44 114

HSL 234.55, 0.51%, 0.3%

LAB 21.61, 21.4, -41.41

 

CMYK 79 / 73 / 0 / 63

HEX #141A5F

RGB 20 26 95

HSL 235.2, 0.65%, 0.23%

LAB 13.91, 24.09, -41.62

 

CMYK 96 / 89 / 0 / 70

HEX #03084C

RGB 3 8 76

HSL 235.89, 0.92%, 0.15%

LAB 6.46, 26.61, -41.02

 

CMYK 100 / 100 / 0 / 78

HEX #000039

RGB 0 0 57

HSL 240, 1%, 0.11%

LAB 2.67, 18.75, -33.68

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 68 / 61 / 0 / 55

HEX #252D74

RGB 37 45 116

HSL 233.92, 0.52%, 0.3%

LAB 22.06, 21.47, -41.97

 

CMYK 56 / 68 / 0 / 55

HEX #332574

RGB 51 37 116

HSL 250.63, 0.52%, 0.3%

LAB 21.16, 29.38, -43.38

 

CMYK 38 / 68 / 0 / 55

HEX #482574

RGB 72 37 116

HSL 266.58, 0.52%, 0.3%

LAB 23.54, 33.88, -39.4

 

CMYK 19 / 68 / 0 / 55

HEX #5E2574

RGB 94 37 116

HSL 283.29, 0.52%, 0.3%

LAB 26.63, 39.23, -34.27

 

CMYK 1 / 68 / 0 / 55

HEX #732574

RGB 115 37 116

HSL 299.24, 0.52%, 0.3%

LAB 29.98, 44.6, -28.73

 

CMYK 68 / 61 / 0 / 55

HEX #252D74

RGB 37 45 116

HSL 233.92, 0.52%, 0.3%

LAB 22.06, 21.47, -41.97

 

CMYK 68 / 68 / 0 / 55

HEX #252574

RGB 37 37 116

HSL 240, 0.52%, 0.3%

LAB 19.95, 26.94, -45.4

 

CMYK 68 / 61 / 0 / 55

HEX #252D74

RGB 37 45 116

HSL 233.92, 0.52%, 0.3%

LAB 22.06, 21.47, -41.97

 

CMYK 80 / 73 / 0 / 50

HEX #192280

RGB 25 34 128

HSL 234.76, 0.67%, 0.3%

LAB 19.68, 31.92, -53.54

 

CMYK 91 / 83 / 0 / 45

HEX #0D188C

RGB 13 24 140

HSL 234.8, 0.83%, 0.3%

LAB 18.51, 41.4, -63.05

 

CMYK 100 / 91 / 0 / 40

HEX #000E99

RGB 0 14 153

HSL 234.51, 1%, 0.3%

LAB 18.43, 49.66, -71.26

 

CMYK 68 / 61 / 0 / 55

HEX #252D74

RGB 37 45 116

HSL 233.92, 0.52%, 0.3%

LAB 22.06, 21.47, -41.97

 

CMYK 51 / 47 / 0 / 60

HEX #323767

RGB 50 55 103

HSL 234.34, 0.35%, 0.3%

LAB 24.92, 12.57, -28.95

 

CMYK 32 / 29 / 0 / 64

HEX #3E415B

RGB 62 65 91

HSL 233.79, 0.19%, 0.3%

LAB 28.27, 5.62, -15.86

 

CMYK 4 / 4 / 0 / 69

HEX #4B4B4E

RGB 75 75 78

HSL 240, 0.02%, 0.3%

LAB 31.98, 0.67, -1.78

 

CMYK 0 / 2 / 24 / 66

HEX #575542

RGB 87 85 66

HSL 54.29, 0.14%, 0.3%

LAB 35.82, -2.78, 11.41

 

CMYK 68 / 25 / 0 / 55

HEX #255774

RGB 37 87 116

HSL 202.03, 0.52%, 0.3%

LAB 34.94, -6.82, -21.47

 

CMYK 68 / 43 / 0 / 55

HEX #254274

RGB 37 66 116

HSL 217.97, 0.52%, 0.3%

LAB 28.25, 6.84, -32

 

CMYK 68 / 61 / 0 / 55

HEX #252D74

RGB 37 45 116

HSL 233.92, 0.52%, 0.3%

LAB 22.06, 21.47, -41.97

 

CMYK 57 / 68 / 0 / 55

HEX #322574

RGB 50 37 116

HSL 249.87, 0.52%, 0.3%

LAB 21.06, 29.19, -43.54

 

CMYK 39 / 68 / 0 / 55

HEX #472574

RGB 71 37 116

HSL 265.82, 0.52%, 0.3%

LAB 23.42, 33.64, -39.61

 

CMYK 68 / 60 / 0 / 79

HEX #111535

RGB 17 21 53

HSL 233.33, 0.51%, 0.14%

LAB 8.24, 10.03, -21.7

 

CMYK 68 / 61 / 0 / 67

HEX #1B2154

RGB 27 33 84

HSL 233.68, 0.51%, 0.22%

LAB 15.28, 15.75, -31.98

 

CMYK 68 / 61 / 0 / 55

HEX #252D74

RGB 37 45 116

HSL 233.92, 0.52%, 0.3%

LAB 22.06, 21.47, -41.97

 

CMYK 67 / 61 / 0 / 42

HEX #303993

RGB 48 57 147

HSL 234.55, 0.51%, 0.38%

LAB 28.54, 26.66, -50.81

 

CMYK 67 / 61 / 0 / 30

HEX #3A45B2

RGB 58 69 178

HSL 234.5, 0.51%, 0.46%

LAB 34.74, 31.48, -59.37

 

CMYK 68 / 61 / 0 / 55

HEX #252C72

RGB 37 44 114

HSL 234.55, 0.51%, 0.3%

LAB 21.61, 21.4, -41.41

 

CMYK 0 / 68 / 7 / 55

HEX #74256C

RGB 116 37 108

HSL 306.08, 0.52%, 0.3%

LAB 29.71, 43.42, -24.05

 

CMYK 34 / 0 / 68 / 55

HEX #4D7425

RGB 77 116 37

HSL 89.62, 0.52%, 0.3%

LAB 44.52, -27.69, 37.95

 

CMYK 68 / 61 / 0 / 55

HEX #252C72

RGB 37 44 114

HSL 234.55, 0.51%, 0.3%

LAB 21.61, 21.4, -41.41

 

CMYK 0 / 68 / 61 / 55

HEX #74252D

RGB 116 37 45

HSL 353.92, 0.52%, 0.3%

LAB 27.37, 35.23, 14.02

 

CMYK 61 / 0 / 68 / 55

HEX #2D7425

RGB 45 116 37

HSL 113.92, 0.52%, 0.3%

LAB 43.04, -38.48, 35.91

 

CMYK 68 / 61 / 0 / 55

HEX #252C72

RGB 37 44 114

HSL 234.55, 0.51%, 0.3%

LAB 21.61, 21.4, -41.41

 

CMYK 0 / 68 / 7 / 55

HEX #74256C

RGB 116 37 108

HSL 306.08, 0.52%, 0.3%

LAB 29.71, 43.42, -24.05

 

CMYK 0 / 7 / 68 / 55

HEX #746C25

RGB 116 108 37

HSL 53.92, 0.52%, 0.3%

LAB 45.04, -6.17, 39.41

 

CMYK 68 / 0 / 61 / 55

HEX #25742D

RGB 37 116 45

HSL 126.08, 0.52%, 0.3%

LAB 42.87, -39.48, 31.79

 

CMYK 68 / 61 / 0 / 55

HEX #252C72

RGB 37 44 114

HSL 234.55, 0.51%, 0.3%

LAB 21.61, 21.4, -41.41

 

CMYK 0 / 68 / 28 / 55

HEX #742554

RGB 116 37 84

HSL 324.3, 0.52%, 0.3%

LAB 28.58, 39.59, -10.21

 

CMYK 0 / 7 / 68 / 55

HEX #746C25

RGB 116 108 37

HSL 53.92, 0.52%, 0.3%

LAB 45.04, -6.17, 39.41

 

CMYK 68 / 0 / 41 / 55

HEX #257445

RGB 37 116 69

HSL 144.3, 0.52%, 0.3%

LAB 43.23, -35.44, 19.15

 

Description

Color code: HEX #252C72 | qconv.com Color code: HEX #252C72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 44 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 44 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 61 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 61% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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