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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #252BBE it is the complementary color #DAD441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #252BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #252BBE shade: #2A2BB9, #3B3DCC, #4C4FDF, #5D61F2 and #6E73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #252BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #252BBE shade: #252BBE, #1419AB, #030798, #000085 and #000072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #252BBE shade: #262CC0, #4926C0, #7326C0, #9C26C0 and #C026BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #252BBE shade: #262CC0 and #2626C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #252BBE shade matches the following richer shades: #262CC0, #131BD2 and #010AE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #252BBE shade: #262CC0, #383DAD, #4B4E9A, #5E5F88 and #707075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #252BBE shade: #2680C0, #2657C0, #262EC0, #4726C0 and #7026C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #252BBE shade: #181C7B, #1F249D, #262CC0, #373ED8 and #5A5FDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #252BBE shade: #252BBE, #C026A9 and #6BC026

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #252BBE shade: #252BBE, #C0262E and #2EC026

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #252BBE shade: #252BBE, #C026A9, #C0B826 and #26C03D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #252BBE shade: #252BBE, #C0267A, #C0B826 and #26C06B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 77 / 0 / 25

HEX #252BBE

RGB 37 43 190

HSL 237.65, 0.67%, 0.45%

LAB 29, 49.1, -75.95

 

Complementary color

CMYK 0 / 3 / 70 / 15

HEX #DAD441

RGB 218 212 65

HSL 57.65, 0.67%, 0.55%

LAB 83.11, -14.6, 69.4

 

CMYK 77 / 77 / 0 / 27

HEX #2A2BB9

RGB 42 43 185

HSL 239.58, 0.63%, 0.45%

LAB 28.7, 47.81, -73.48

 

CMYK 71 / 70 / 0 / 20

HEX #3B3DCC

RGB 59 61 204

HSL 239.17, 0.59%, 0.52%

LAB 35.26, 45.44, -73.79

 

CMYK 66 / 65 / 0 / 13

HEX #4C4FDF

RGB 76 79 223

HSL 238.78, 0.7%, 0.59%

LAB 41.93, 43.14, -73.72

 

CMYK 62 / 60 / 0 / 5

HEX #5D61F2

RGB 93 97 242

HSL 238.39, 0.85%, 0.66%

LAB 48.62, 41.04, -73.48

 

CMYK 57 / 55 / 0 / 0

HEX #6E73FF

RGB 110 115 255

HSL 237.93, 1%, 0.72%

LAB 54.86, 37.29, -70.53

 

CMYK 81 / 77 / 0 / 25

HEX #252BBE

RGB 37 43 190

HSL 237.65, 0.67%, 0.45%

LAB 29, 49.1, -75.95

 

CMYK 88 / 85 / 0 / 33

HEX #1419AB

RGB 20 25 171

HSL 238.01, 0.79%, 0.37%

LAB 22.94, 51.14, -74.69

 

CMYK 98 / 95 / 0 / 40

HEX #030798

RGB 3 7 152

HSL 238.39, 0.96%, 0.3%

LAB 17.64, 51.65, -71.96

 

CMYK 100 / 100 / 0 / 48

HEX #000085

RGB 0 0 133

HSL 240, 1%, 0.26%

LAB 13.79, 48.84, -66.52

 

CMYK 100 / 100 / 0 / 55

HEX #000072

RGB 0 0 114

HSL 240, 1%, 0.22%

LAB 10.67, 43.72, -59.55

 

CMYK 80 / 77 / 0 / 25

HEX #262CC0

RGB 38 44 192

HSL 237.66, 0.67%, 0.45%

LAB 29.46, 49.28, -76.37

 

CMYK 62 / 80 / 0 / 25

HEX #4926C0

RGB 73 38 192

HSL 253.64, 0.67%, 0.45%

LAB 30.9, 55.17, -73.91

 

CMYK 40 / 80 / 0 / 25

HEX #7326C0

RGB 115 38 192

HSL 270, 0.67%, 0.45%

LAB 35.67, 60.53, -65.9

 

CMYK 19 / 80 / 0 / 25

HEX #9C26C0

RGB 156 38 192

HSL 285.97, 0.67%, 0.45%

LAB 41.63, 67.28, -55.94

 

CMYK 0 / 80 / 3 / 25

HEX #C026BA

RGB 192 38 186

HSL 302.34, 0.67%, 0.45%

LAB 47.15, 73.04, -43.24

 

CMYK 80 / 77 / 0 / 25

HEX #262CC0

RGB 38 44 192

HSL 237.66, 0.67%, 0.45%

LAB 29.46, 49.28, -76.37

 

CMYK 80 / 80 / 0 / 25

HEX #2626C0

RGB 38 38 192

HSL 240, 0.67%, 0.45%

LAB 28.39, 52.37, -78.14

 

CMYK 80 / 77 / 0 / 25

HEX #262CC0

RGB 38 44 192

HSL 237.66, 0.67%, 0.45%

LAB 29.46, 49.28, -76.37

 

CMYK 91 / 87 / 0 / 18

HEX #131BD2

RGB 19 27 210

HSL 237.49, 0.83%, 0.45%

LAB 28.32, 61.85, -88.83

 

CMYK 100 / 96 / 0 / 10

HEX #010AE5

RGB 1 10 229

HSL 237.63, 0.99%, 0.45%

LAB 29.11, 71.27, -98.47

 

CMYK 80 / 77 / 0 / 25

HEX #262CC0

RGB 38 44 192

HSL 237.66, 0.67%, 0.45%

LAB 29.46, 49.28, -76.37

 

CMYK 68 / 65 / 0 / 32

HEX #383DAD

RGB 56 61 173

HSL 237.44, 0.51%, 0.45%

LAB 32.25, 34.53, -60.47

 

CMYK 51 / 49 / 0 / 40

HEX #4B4E9A

RGB 75 78 154

HSL 237.72, 0.34%, 0.45%

LAB 36.51, 20.65, -42.1

 

CMYK 31 / 30 / 0 / 47

HEX #5E5F88

RGB 94 95 136

HSL 238.57, 0.18%, 0.45%

LAB 41.75, 9.68, -22.86

 

CMYK 4 / 4 / 0 / 54

HEX #707075

RGB 112 112 117

HSL 240, 0.02%, 0.45%

LAB 47.39, 1.04, -2.77

 

CMYK 80 / 33 / 0 / 25

HEX #2680C0

RGB 38 128 192

HSL 204.94, 0.67%, 0.45%

LAB 51.45, -3.41, -40.76

 

CMYK 80 / 55 / 0 / 25

HEX #2657C0

RGB 38 87 192

HSL 220.91, 0.67%, 0.45%

LAB 39.64, 22.48, -59.67

 

CMYK 80 / 76 / 0 / 25

HEX #262EC0

RGB 38 46 192

HSL 236.88, 0.67%, 0.45%

LAB 29.84, 48.2, -75.74

 

CMYK 63 / 80 / 0 / 25

HEX #4726C0

RGB 71 38 192

HSL 252.86, 0.67%, 0.45%

LAB 30.72, 54.97, -74.22

 

CMYK 42 / 80 / 0 / 25

HEX #7026C0

RGB 112 38 192

HSL 268.83, 0.67%, 0.45%

LAB 35.28, 60.09, -66.56

 

CMYK 80 / 77 / 0 / 52

HEX #181C7B

RGB 24 28 123

HSL 237.58, 0.67%, 0.29%

LAB 17.71, 33.77, -53.6

 

CMYK 80 / 77 / 0 / 38

HEX #1F249D

RGB 31 36 157

HSL 237.62, 0.67%, 0.37%

LAB 23.63, 41.54, -65.04

 

CMYK 80 / 77 / 0 / 25

HEX #262CC0

RGB 38 44 192

HSL 237.66, 0.67%, 0.45%

LAB 29.46, 49.28, -76.37

 

CMYK 75 / 71 / 0 / 15

HEX #373ED8

RGB 55 62 216

HSL 237.39, 0.67%, 0.53%

LAB 36.4, 48.46, -78.85

 

CMYK 59 / 57 / 0 / 13

HEX #5A5FDE

RGB 90 95 222

HSL 237.73, 0.67%, 0.61%

LAB 46.49, 35.28, -65.69

 

CMYK 81 / 77 / 0 / 25

HEX #252BBE

RGB 37 43 190

HSL 237.65, 0.67%, 0.45%

LAB 29, 49.1, -75.95

 

CMYK 0 / 80 / 12 / 25

HEX #C026A9

RGB 192 38 169

HSL 308.96, 0.67%, 0.45%

LAB 46.25, 70.55, -34.65

 

CMYK 44 / 0 / 80 / 25

HEX #6BC026

RGB 107 192 38

HSL 93.12, 0.67%, 0.45%

LAB 70.15, -49.86, 63.37

 

CMYK 81 / 77 / 0 / 25

HEX #252BBE

RGB 37 43 190

HSL 237.65, 0.67%, 0.45%

LAB 29, 49.1, -75.95

 

CMYK 0 / 80 / 76 / 25

HEX #C0262E

RGB 192 38 46

HSL 356.88, 0.67%, 0.45%

LAB 42.45, 59.32, 35.15

 

CMYK 76 / 0 / 80 / 25

HEX #2EC026

RGB 46 192 38

HSL 116.88, 0.67%, 0.45%

LAB 68.33, -64.48, 61.01

 

CMYK 81 / 77 / 0 / 25

HEX #252BBE

RGB 37 43 190

HSL 237.65, 0.67%, 0.45%

LAB 29, 49.1, -75.95

 

CMYK 0 / 80 / 12 / 25

HEX #C026A9

RGB 192 38 169

HSL 308.96, 0.67%, 0.45%

LAB 46.25, 70.55, -34.65

 

CMYK 0 / 4 / 80 / 25

HEX #C0B826

RGB 192 184 38

HSL 56.88, 0.67%, 0.45%

LAB 73.3, -12.66, 68.25

 

CMYK 80 / 0 / 68 / 25

HEX #26C03D

RGB 38 192 61

HSL 128.96, 0.67%, 0.45%

LAB 68.35, -63.77, 52.98

 

CMYK 81 / 77 / 0 / 25

HEX #252BBE

RGB 37 43 190

HSL 237.65, 0.67%, 0.45%

LAB 29, 49.1, -75.95

 

CMYK 0 / 80 / 36 / 25

HEX #C0267A

RGB 192 38 122

HSL 327.27, 0.67%, 0.45%

LAB 44.23, 64.73, -9.36

 

CMYK 0 / 4 / 80 / 25

HEX #C0B826

RGB 192 184 38

HSL 56.88, 0.67%, 0.45%

LAB 73.3, -12.66, 68.25

 

CMYK 80 / 0 / 44 / 25

HEX #26C06B

RGB 38 192 107

HSL 146.88, 0.67%, 0.45%

LAB 68.88, -57.45, 32.09

 

Description

Color code: HEX #252BBE | qconv.com Color code: HEX #252BBE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 43 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 43 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 77 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 77% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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