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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25213B it is the complementary color #DADEC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25213B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25213B shade: #2A2136, #3B3349, #4C455C, #5D576F and #6E6982

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25213B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25213B shade: #25213B, #140F28, #030015, #000002 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25213B shade: #25213B, #2C213B, #33213B, #3A213B and #3B2135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25213B shade: #25213B and #21213B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25213B shade matches the following richer shades: #25213B, #201A42, #1B124A, #160B51 and #100358

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25213B shade: #25213B, #2A2833, #2F302C, #343724 and #3A3F1D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25213B shade: #212B3B, #21243B, #25213B, #2C213B and #33213B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25213B shade: #040306, #141220, #25213B, #363055 and #463F70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25213B shade: #25213B, #3B2132 and #273B21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25213B shade: #25213B, #3B2521 and #213B25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25213B shade: #25213B, #3B2132, #373B21 and #213B2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25213B shade: #25213B, #3B212A, #373B21 and #213B32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

Complementary color

CMYK 2 / 0 / 12 / 13

HEX #DADEC4

RGB 218 222 196

HSL 69.23, 0.28%, 0.82%

LAB 87.55, -5.82, 12.29

 

CMYK 22 / 39 / 0 / 79

HEX #2A2136

RGB 42 33 54

HSL 265.71, 0.24%, 0.17%

LAB 14.66, 9.57, -12.11

 

CMYK 19 / 30 / 0 / 71

HEX #3B3349

RGB 59 51 73

HSL 261.82, 0.18%, 0.24%

LAB 22.93, 8.85, -12.28

 

CMYK 17 / 25 / 0 / 64

HEX #4C455C

RGB 76 69 92

HSL 258.26, 0.14%, 0.32%

LAB 30.8, 8.28, -12.53

 

CMYK 16 / 22 / 0 / 56

HEX #5D576F

RGB 93 87 111

HSL 255, 0.12%, 0.39%

LAB 38.36, 7.8, -12.81

 

CMYK 15 / 19 / 0 / 49

HEX #6E6982

RGB 110 105 130

HSL 252, 0.11%, 0.46%

LAB 45.68, 7.4, -13.12

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 50 / 63 / 0 / 84

HEX #140F28

RGB 20 15 40

HSL 252, 0.45%, 0.11%

LAB 5.81, 9.45, -15.92

 

CMYK 86 / 100 / 0 / 92

HEX #030015

RGB 3 0 21

HSL 248.57, 1%, 0.04%

LAB 0.66, 4.22, -9.08

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 25 / 44 / 0 / 77

HEX #2C213B

RGB 44 33 59

HSL 265.38, 0.28%, 0.18%

LAB 15.16, 11.79, -14.83

 

CMYK 14 / 44 / 0 / 77

HEX #33213B

RGB 51 33 59

HSL 281.54, 0.28%, 0.18%

LAB 16.04, 14.43, -13.4

 

CMYK 2 / 44 / 0 / 77

HEX #3A213B

RGB 58 33 59

HSL 297.69, 0.28%, 0.18%

LAB 17, 17.12, -11.83

 

CMYK 0 / 44 / 10 / 77

HEX #3B2135

RGB 59 33 53

HSL 313.85, 0.28%, 0.18%

LAB 16.87, 16.17, -7.82

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 44 / 44 / 0 / 77

HEX #21213B

RGB 33 33 59

HSL 240, 0.28%, 0.18%

LAB 13.98, 7.89, -16.77

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 52 / 61 / 0 / 74

HEX #201A42

RGB 32 26 66

HSL 249, 0.43%, 0.18%

LAB 12.22, 15.22, -24.51

 

CMYK 64 / 76 / 0 / 71

HEX #1B124A

RGB 27 18 74

HSL 249.64, 0.61%, 0.18%

LAB 10.26, 22.62, -33.3

 

CMYK 73 / 86 / 0 / 68

HEX #160B51

RGB 22 11 81

HSL 249.43, 0.76%, 0.18%

LAB 9.02, 28.68, -40.19

 

CMYK 82 / 97 / 0 / 65

HEX #100358

RGB 16 3 88

HSL 249.18, 0.93%, 0.18%

LAB 7.95, 34.99, -46.78

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 18 / 22 / 0 / 80

HEX #2A2833

RGB 42 40 51

HSL 250.91, 0.12%, 0.18%

LAB 16.74, 3.72, -6.8

 

CMYK 2 / 0 / 8 / 81

HEX #2F302C

RGB 47 48 44

HSL 75, 0.04%, 0.18%

LAB 19.64, -1.36, 2.41

 

CMYK 5 / 0 / 35 / 78

HEX #343724

RGB 52 55 36

HSL 69.47, 0.21%, 0.18%

LAB 22.27, -5.18, 11.51

 

CMYK 8 / 0 / 54 / 75

HEX #3A3F1D

RGB 58 63 29

HSL 68.82, 0.37%, 0.18%

LAB 25.39, -8.28, 20.02

 

CMYK 44 / 27 / 0 / 77

HEX #212B3B

RGB 33 43 59

HSL 216.92, 0.28%, 0.18%

LAB 17.31, 0.65, -11.59

 

CMYK 44 / 39 / 0 / 77

HEX #21243B

RGB 33 36 59

HSL 233.08, 0.28%, 0.18%

LAB 14.96, 5.68, -15.24

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 25 / 44 / 0 / 77

HEX #2C213B

RGB 44 33 59

HSL 265.38, 0.28%, 0.18%

LAB 15.16, 11.79, -14.83

 

CMYK 14 / 44 / 0 / 77

HEX #33213B

RGB 51 33 59

HSL 281.54, 0.28%, 0.18%

LAB 16.04, 14.43, -13.4

 

CMYK 33 / 50 / 0 / 98

HEX #040306

RGB 4 3 6

HSL 260, 0.33%, 0.02%

LAB 0.94, 0.68, -1.04

 

CMYK 38 / 44 / 0 / 87

HEX #141220

RGB 20 18 32

HSL 248.57, 0.28%, 0.1%

LAB 6.19, 4.66, -9.23

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 36 / 44 / 0 / 67

HEX #363055

RGB 54 48 85

HSL 249.73, 0.28%, 0.26%

LAB 22.14, 12.63, -21.55

 

CMYK 38 / 44 / 0 / 56

HEX #463F70

RGB 70 63 112

HSL 248.57, 0.28%, 0.34%

LAB 29.48, 15.8, -27.37

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 0 / 44 / 15 / 77

HEX #3B2132

RGB 59 33 50

HSL 320.77, 0.28%, 0.18%

LAB 16.74, 15.55, -5.9

 

CMYK 34 / 0 / 44 / 77

HEX #273B21

RGB 39 59 33

HSL 106.15, 0.28%, 0.18%

LAB 22.55, -14.05, 13.64

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 0 / 37 / 44 / 77

HEX #3B2521

RGB 59 37 33

HSL 9.23, 0.28%, 0.18%

LAB 17.29, 9.83, 6.91

 

CMYK 44 / 0 / 37 / 77

HEX #213B25

RGB 33 59 37

HSL 129.23, 0.28%, 0.18%

LAB 22.25, -15.67, 10.59

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 0 / 44 / 15 / 77

HEX #3B2132

RGB 59 33 50

HSL 320.77, 0.28%, 0.18%

LAB 16.74, 15.55, -5.9

 

CMYK 7 / 0 / 44 / 77

HEX #373B21

RGB 55 59 33

HSL 69.23, 0.28%, 0.18%

LAB 23.84, -6.73, 15.56

 

CMYK 44 / 0 / 29 / 77

HEX #213B2A

RGB 33 59 42

HSL 140.77, 0.28%, 0.18%

LAB 22.37, -14.55, 7.46

 

CMYK 37 / 44 / 0 / 77

HEX #25213B

RGB 37 33 59

HSL 249.23, 0.28%, 0.18%

LAB 14.38, 9.26, -16.11

 

CMYK 0 / 44 / 29 / 77

HEX #3B212A

RGB 59 33 42

HSL 339.23, 0.28%, 0.18%

LAB 16.43, 14.01, -0.68

 

CMYK 7 / 0 / 44 / 77

HEX #373B21

RGB 55 59 33

HSL 69.23, 0.28%, 0.18%

LAB 23.84, -6.73, 15.56

 

CMYK 44 / 0 / 15 / 77

HEX #213B32

RGB 33 59 50

HSL 159.23, 0.28%, 0.18%

LAB 22.59, -12.52, 2.45

 

Description

Color code: HEX #25213B | qconv.com Color code: HEX #25213B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 33 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 33 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 44 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 44% 0% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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