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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #251216CE it is the complementary color #DAEDE9CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #251216CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #251216CE shade: #2A1211CE, #3B2424CE, #4C3637CE, #5D484ACE and #6E5A5DCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #251216CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #251216CE shade: #251216CE, #140003CE, #030000CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #251216CE shade: #261216 and #261212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #251216CE shade: #261216, #26121C, #261221, #251226 and #201226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #251216CE shade matches the following richer shades: #261216, #2A0E14, #2F0911, #33050E and #38000C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #251216CE shade: #261216, #211719, #1D1B1C, #18201E and #142421

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #251216CE shade: #261221, #26121C, #261216, #261312 and #261812

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #251216CE shade: #000000, #0A0506, #261216, #422027 and #5E2D37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #251216CE shade: #251216, #262612 and #121E26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #251216CE shade: #251216, #162612 and #121626

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #251216CE shade: #251216, #262612, #122622 and #121326

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #251216CE shade: #251216, #202612, #122622 and #181226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 33 / 69

HEX #251216CE

RGBA 37 18 22 0.81

HSLA 347.37, 0.35%, 0.11%, 0.81

LABA 7.98, 10.54, 1.32, 0.81

 

Complementary color

CMYK 6 / 0 / 1 / 6

HEX #DAEDE9CE

RGBA 218 237 233 0.81

HSLA 167.37, 0.35%, 0.89%, 0.81

LABA 92.29, -6.99, -0.22, 0.81

 

CMYK 0 / 46 / 48 / 68

HEX #2A1211CE

RGBA 42 18 17 0.81

HSLA 2.4, 0.42%, 0.12%, 0.81

LABA 8.7, 12.26, 5.71, 0.81

 

CMYK 0 / 32 / 32 / 62

HEX #3B2424CE

RGBA 59 36 36 0.81

HSLA 0, 0.24%, 0.19%, 0.81

LABA 17.08, 10.97, 4.51, 0.81

 

CMYK 0 / 23 / 22 / 57

HEX #4C3637CE

RGBA 76 54 55 0.81

HSLA 357.27, 0.17%, 0.25%, 0.81

LABA 25.11, 10.02, 3.24, 0.81

 

CMYK 0 / 18 / 17 / 51

HEX #5D484ACE

RGBA 93 72 74 0.81

HSLA 354.29, 0.13%, 0.32%, 0.81

LABA 32.82, 9.29, 2.22, 0.81

 

CMYK 0 / 15 / 13 / 46

HEX #6E5A5DCE

RGBA 110 90 93 0.81

HSLA 351, 0.1%, 0.39%, 0.81

LABA 40.28, 8.7, 1.34, 0.81

 

CMYK 0 / 42 / 33 / 69

HEX #251216CE

RGBA 37 18 22 0.81

HSLA 347.37, 0.35%, 0.11%, 0.81

LABA 7.98, 10.54, 1.32, 0.81

 

CMYK 0 / 81 / 69 / 75

HEX #140003CE

RGBA 20 0 3 0.81

HSLA 351, 1%, 0.04%, 0.81

LABA 1.4, 6.44, 0.99, 0.81

 

CMYK 0 / 81 / 81 / 80

HEX #030000CE

RGBA 3 0 0 0.81

HSLA 0, 1%, 0.01%, 0.81

LABA 0.17, 0.78, 0.28, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 0 / 53 / 42 / 85

HEX #261216

RGB 38 18 22

HSL 348, 0.36%, 0.11%

LAB 8.15, 11.03, 1.58

 

CMYK 0 / 53 / 53 / 85

HEX #261212

RGB 38 18 18

HSL 0, 0.36%, 0.11%

LAB 8.02, 10.39, 4.05

 

CMYK 0 / 53 / 42 / 85

HEX #261216

RGB 38 18 22

HSL 348, 0.36%, 0.11%

LAB 8.15, 11.03, 1.58

 

CMYK 0 / 53 / 26 / 85

HEX #26121C

RGB 38 18 28

HSL 330, 0.36%, 0.11%

LAB 8.38, 12.15, -2.63

 

CMYK 0 / 53 / 13 / 85

HEX #261221

RGB 38 18 33

HSL 315, 0.36%, 0.11%

LAB 8.61, 13.21, -6.1

 

CMYK 3 / 53 / 0 / 85

HEX #251226

RGB 37 18 38

HSL 297, 0.36%, 0.11%

LAB 8.7, 13.98, -9.73

 

CMYK 16 / 53 / 0 / 85

HEX #201226

RGB 32 18 38

HSL 282, 0.36%, 0.11%

LAB 7.95, 11.96, -10.97

 

CMYK 0 / 53 / 42 / 85

HEX #261216

RGB 38 18 22

HSL 348, 0.36%, 0.11%

LAB 8.15, 11.03, 1.58

 

CMYK 0 / 67 / 52 / 84

HEX #2A0E14

RGB 42 14 20

HSL 347.14, 0.5%, 0.11%

LAB 7.74, 15.32, 2.45

 

CMYK 0 / 81 / 64 / 82

HEX #2F0911

RGB 47 9 17

HSL 347.37, 0.68%, 0.11%

LAB 7.59, 20.04, 4.21

 

CMYK 0 / 90 / 73 / 80

HEX #33050E

RGB 51 5 14

HSL 348.26, 0.82%, 0.11%

LAB 7.62, 23.55, 6

 

CMYK 0 / 100 / 79 / 78

HEX #38000C

RGB 56 0 12

HSL 347.14, 1%, 0.11%

LAB 7.83, 27.96, 7.42

 

CMYK 0 / 53 / 42 / 85

HEX #261216

RGB 38 18 22

HSL 348, 0.36%, 0.11%

LAB 8.15, 11.03, 1.58

 

CMYK 0 / 30 / 24 / 87

HEX #211719

RGB 33 23 25

HSL 348, 0.18%, 0.11%

LAB 9.04, 5.46, 0.53

 

CMYK 0 / 7 / 3 / 89

HEX #1D1B1C

RGB 29 27 28

HSL 330, 0.04%, 0.11%

LAB 10.02, 1.21, -0.35

 

CMYK 25 / 0 / 6 / 87

HEX #18201E

RGB 24 32 30

HSL 165, 0.14%, 0.11%

LAB 11.42, -4.16, 0.16

 

CMYK 44 / 0 / 8 / 86

HEX #142421

RGB 20 36 33

HSL 168.75, 0.29%, 0.11%

LAB 12.74, -7.64, -0.14

 

CMYK 0 / 53 / 13 / 85

HEX #261221

RGB 38 18 33

HSL 315, 0.36%, 0.11%

LAB 8.61, 13.21, -6.1

 

CMYK 0 / 53 / 26 / 85

HEX #26121C

RGB 38 18 28

HSL 330, 0.36%, 0.11%

LAB 8.38, 12.15, -2.63

 

CMYK 0 / 53 / 42 / 85

HEX #261216

RGB 38 18 22

HSL 348, 0.36%, 0.11%

LAB 8.15, 11.03, 1.58

 

CMYK 0 / 50 / 53 / 85

HEX #261312

RGB 38 19 18

HSL 3, 0.36%, 0.11%

LAB 8.32, 9.67, 4.47

 

CMYK 0 / 37 / 53 / 85

HEX #261812

RGB 38 24 18

HSL 18, 0.36%, 0.11%

LAB 9.87, 6.05, 6.7

 

CMYK 0 / 50 / 40 / 96

HEX #0A0506

RGB 10 5 6

HSL 348, 0.33%, 0.03%

LAB 1.68, 1.45, 0.08

 

CMYK 0 / 53 / 42 / 85

HEX #261216

RGB 38 18 22

HSL 348, 0.36%, 0.11%

LAB 8.15, 11.03, 1.58

 

CMYK 0 / 52 / 41 / 74

HEX #422027

RGB 66 32 39

HSL 347.65, 0.35%, 0.19%

LAB 17.17, 17.29, 2.67

 

CMYK 0 / 52 / 41 / 63

HEX #5E2D37

RGB 94 45 55

HSL 347.76, 0.35%, 0.27%

LAB 25.36, 23.48, 3.95

 

CMYK 0 / 51 / 41 / 85

HEX #251216

RGB 37 18 22

HSL 347.37, 0.35%, 0.11%

LAB 7.98, 10.54, 1.32

 

CMYK 0 / 0 / 53 / 85

HEX #262612

RGB 38 38 18

HSL 60, 0.36%, 0.11%

LAB 14.64, -3.86, 13.17

 

CMYK 53 / 21 / 0 / 85

HEX #121E26

RGB 18 30 38

HSL 204, 0.36%, 0.11%

LAB 10.54, -2.54, -7.1

 

CMYK 0 / 51 / 41 / 85

HEX #251216

RGB 37 18 22

HSL 347.37, 0.35%, 0.11%

LAB 7.98, 10.54, 1.32

 

CMYK 42 / 0 / 53 / 85

HEX #162612

RGB 22 38 18

HSL 108, 0.36%, 0.11%

LAB 13.23, -11.78, 11.07

 

CMYK 53 / 42 / 0 / 85

HEX #121626

RGB 18 22 38

HSL 228, 0.36%, 0.11%

LAB 7.61, 3.47, -11.62

 

CMYK 0 / 51 / 41 / 85

HEX #251216

RGB 37 18 22

HSL 347.37, 0.35%, 0.11%

LAB 7.98, 10.54, 1.32

 

CMYK 0 / 0 / 53 / 85

HEX #262612

RGB 38 38 18

HSL 60, 0.36%, 0.11%

LAB 14.64, -3.86, 13.17

 

CMYK 53 / 0 / 11 / 85

HEX #122622

RGB 18 38 34

HSL 168, 0.36%, 0.11%

LAB 13.41, -9.35, 0.11

 

CMYK 53 / 50 / 0 / 85

HEX #121326

RGB 18 19 38

HSL 237, 0.36%, 0.11%

LAB 6.63, 5.5, -13.14

 

CMYK 0 / 51 / 41 / 85

HEX #251216

RGB 37 18 22

HSL 347.37, 0.35%, 0.11%

LAB 7.98, 10.54, 1.32

 

CMYK 16 / 0 / 53 / 85

HEX #202612

RGB 32 38 18

HSL 78, 0.36%, 0.11%

LAB 14.04, -6.98, 12.28

HEX #202612

CMYK 53 / 0 / 11 / 85

HEX #122622

RGB 18 38 34

HSL 168, 0.36%, 0.11%

LAB 13.41, -9.35, 0.11

HEX #122622

CMYK 37 / 53 / 0 / 85

HEX #181226

RGB 24 18 38

HSL 258, 0.36%, 0.11%

LAB 6.93, 8.61, -12.64

HEX #181226

Description

Color code: HEX #251216CE | qconv.com Color code: HEX #251216CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 18 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 18 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 33 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 33% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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