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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24F454 it is the complementary color #DB0BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24F454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24F454 shade: #29F44F, #3AFF62, #4BFF75, #5CFF88 and #6DFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24F454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24F454 shade: #24F454, #13E241, #02D02E, #00BE1B and #00AC08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24F454 shade: #25F455, #2DF425, #65F425, #9CF425 and #D4F425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24F454 shade: #25F455, #25F48C, #25F4C4, #25EBF4 and #25B4F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24F454 shade matches the following richer shades: #25F455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24F454 shade: #25F455, #38E15F, #4ACE69, #5DBC73 and #6FA97D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24F454 shade: #66F425, #2FF425, #25F452, #25F489 and #25F4C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24F454 shade: #0ABC33, #0CE33E, #25F455, #4CF673 and #73F892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24F454 shade: #24F454, #259DF4 and #F4254B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24F454 shade: #24F454, #5225F4 and #F45225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24F454 shade: #24F454, #259DF4, #F425C7 and #F47B25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24F454 shade: #24F454, #255FF4, #F425C7 and #F4B925

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 66 / 4

HEX #24F454

RGB 36 244 84

HSL 133.85, 0.9%, 0.55%

LAB 84.85, -77.42, 61.64

 

Complementary color

CMYK 0 / 95 / 22 / 14

HEX #DB0BAB

RGB 219 11 171

HSL 313.85, 0.9%, 0.45%

LAB 49.79, 80.48, -29.95

 

CMYK 83 / 0 / 68 / 4

HEX #29F44F

RGB 41 244 79

HSL 131.23, 0.9%, 0.56%

LAB 84.86, -77.48, 63.61

 

CMYK 77 / 0 / 62 / 0

HEX #3AFF62

RGB 58 255 98

HSL 132.18, 1%, 0.61%

LAB 88.59, -77.04, 60.17

 

CMYK 71 / 0 / 54 / 0

HEX #4BFF75

RGB 75 255 117

HSL 134, 1%, 0.65%

LAB 89.06, -72.41, 52.52

 

CMYK 64 / 0 / 47 / 0

HEX #5CFF88

RGB 92 255 136

HSL 136.2, 1%, 0.68%

LAB 89.66, -66.84, 44.48

 

CMYK 57 / 0 / 39 / 0

HEX #6DFF9B

RGB 109 255 155

HSL 138.9, 1%, 0.71%

LAB 90.38, -60.43, 36.27

 

CMYK 85 / 0 / 66 / 4

HEX #24F454

RGB 36 244 84

HSL 133.85, 0.9%, 0.55%

LAB 84.85, -77.42, 61.64

 

CMYK 92 / 0 / 71 / 11

HEX #13E241

RGB 19 226 65

HSL 133.33, 0.84%, 0.48%

LAB 78.99, -75.1, 62.59

 

CMYK 99 / 0 / 78 / 18

HEX #02D02E

RGB 2 208 46

HSL 132.82, 0.98%, 0.41%

LAB 73.1, -72.15, 63.04

 

CMYK 100 / 0 / 86 / 25

HEX #00BE1B

RGB 0 190 27

HSL 128.53, 1%, 0.37%

LAB 67.21, -68.3, 62.66

 

CMYK 100 / 0 / 95 / 33

HEX #00AC08

RGB 0 172 8

HSL 122.79, 1%, 0.34%

LAB 61.24, -63.96, 60.85

 

CMYK 85 / 0 / 65 / 4

HEX #25F455

RGB 37 244 85

HSL 133.91, 0.9%, 0.55%

LAB 84.87, -77.24, 61.27

 

CMYK 82 / 0 / 85 / 4

HEX #2DF425

RGB 45 244 37

HSL 117.68, 0.9%, 0.55%

LAB 84.69, -79.87, 76.15

 

CMYK 59 / 0 / 85 / 4

HEX #65F425

RGB 101 244 37

HSL 101.45, 0.9%, 0.55%

LAB 85.81, -70.31, 77.57

 

CMYK 36 / 0 / 85 / 4

HEX #9CF425

RGB 156 244 37

HSL 85.51, 0.9%, 0.55%

LAB 87.92, -54.26, 80.23

 

CMYK 13 / 0 / 85 / 4

HEX #D4F425

RGB 212 244 37

HSL 69.28, 0.9%, 0.55%

LAB 91.16, -33.36, 84.26

 

CMYK 85 / 0 / 65 / 4

HEX #25F455

RGB 37 244 85

HSL 133.91, 0.9%, 0.55%

LAB 84.87, -77.24, 61.27

 

CMYK 85 / 0 / 43 / 4

HEX #25F48C

RGB 37 244 140

HSL 149.86, 0.9%, 0.55%

LAB 85.5, -69.64, 37.03

 

CMYK 85 / 0 / 20 / 4

HEX #25F4C4

RGB 37 244 196

HSL 166.09, 0.9%, 0.55%

LAB 86.54, -57.93, 9.89

 

CMYK 85 / 4 / 0 / 4

HEX #25EBF4

RGB 37 235 244

HSL 182.61, 0.9%, 0.55%

LAB 85.17, -41.25, -17.3

 

CMYK 85 / 26 / 0 / 4

HEX #25B4F4

RGB 37 180 244

HSL 198.55, 0.9%, 0.55%

LAB 69.16, -14.19, -41.88

 

CMYK 85 / 0 / 65 / 4

HEX #25F455

RGB 37 244 85

HSL 133.91, 0.9%, 0.55%

LAB 84.87, -77.24, 61.27

 

CMYK 85 / 0 / 65 / 4

HEX #25F455

RGB 37 244 85

HSL 133.91, 0.9%, 0.55%

LAB 84.87, -77.24, 61.27

 

CMYK 75 / 0 / 58 / 12

HEX #38E15F

RGB 56 225 95

HSL 133.85, 0.74%, 0.55%

LAB 79.34, -68.17, 50.82

 

CMYK 64 / 0 / 49 / 19

HEX #4ACE69

RGB 74 206 105

HSL 134.09, 0.57%, 0.55%

LAB 73.95, -57.21, 39.68

 

CMYK 51 / 0 / 39 / 26

HEX #5DBC73

RGB 93 188 115

HSL 133.89, 0.41%, 0.55%

LAB 69.13, -44.09, 28.54

 

CMYK 34 / 0 / 26 / 34

HEX #6FA97D

RGB 111 169 125

HSL 134.48, 0.25%, 0.55%

LAB 64.35, -28.37, 16.84

 

CMYK 58 / 0 / 85 / 4

HEX #66F425

RGB 102 244 37

HSL 101.16, 0.9%, 0.55%

LAB 85.84, -70.08, 77.61

 

CMYK 81 / 0 / 85 / 4

HEX #2FF425

RGB 47 244 37

HSL 117.1, 0.9%, 0.55%

LAB 84.71, -79.66, 76.18

 

CMYK 85 / 0 / 66 / 4

HEX #25F452

RGB 37 244 82

HSL 133.04, 0.9%, 0.55%

LAB 84.85, -77.54, 62.42

 

CMYK 85 / 0 / 44 / 4

HEX #25F489

RGB 37 244 137

HSL 148.99, 0.9%, 0.55%

LAB 85.45, -70.16, 38.44

 

CMYK 85 / 0 / 21 / 4

HEX #25F4C0

RGB 37 244 192

HSL 164.93, 0.9%, 0.55%

LAB 86.45, -58.89, 11.84

 

CMYK 95 / 0 / 73 / 26

HEX #0ABC33

RGB 10 188 51

HSL 133.82, 0.9%, 0.39%

LAB 66.73, -65.74, 55.04

 

CMYK 95 / 0 / 73 / 11

HEX #0CE33E

RGB 12 227 62

HSL 133.95, 0.9%, 0.47%

LAB 79.25, -75.94, 63.9

 

CMYK 85 / 0 / 65 / 4

HEX #25F455

RGB 37 244 85

HSL 133.91, 0.9%, 0.55%

LAB 84.87, -77.24, 61.27

 

CMYK 69 / 0 / 53 / 4

HEX #4CF673

RGB 76 246 115

HSL 133.76, 0.9%, 0.63%

LAB 86.35, -69.51, 50.16

 

CMYK 54 / 0 / 41 / 3

HEX #73F892

RGB 115 248 146

HSL 133.98, 0.9%, 0.71%

LAB 88.38, -57.84, 38.12

 

CMYK 85 / 0 / 66 / 4

HEX #24F454

RGB 36 244 84

HSL 133.85, 0.9%, 0.55%

LAB 84.85, -77.42, 61.64

 

CMYK 85 / 36 / 0 / 4

HEX #259DF4

RGB 37 157 244

HSL 205.22, 0.9%, 0.55%

LAB 62.54, -1.35, -52.31

 

CMYK 0 / 85 / 69 / 4

HEX #F4254B

RGB 244 37 75

HSL 348.99, 0.9%, 0.55%

LAB 53.02, 74.81, 33.01

 

CMYK 85 / 0 / 66 / 4

HEX #24F454

RGB 36 244 84

HSL 133.85, 0.9%, 0.55%

LAB 84.85, -77.42, 61.64

 

CMYK 66 / 85 / 0 / 4

HEX #5225F4

RGB 82 37 244

HSL 253.04, 0.9%, 0.55%

LAB 37.2, 70.38, -93.41

 

CMYK 0 / 66 / 85 / 4

HEX #F45225

RGB 244 82 37

HSL 13.04, 0.9%, 0.55%

LAB 57.46, 60.09, 57.46

 

CMYK 85 / 0 / 66 / 4

HEX #24F454

RGB 36 244 84

HSL 133.85, 0.9%, 0.55%

LAB 84.85, -77.42, 61.64

 

CMYK 85 / 36 / 0 / 4

HEX #259DF4

RGB 37 157 244

HSL 205.22, 0.9%, 0.55%

LAB 62.54, -1.35, -52.31

 

CMYK 0 / 85 / 18 / 4

HEX #F425C7

RGB 244 37 199

HSL 313.04, 0.9%, 0.55%

LAB 56.76, 85.31, -35.03

 

CMYK 0 / 50 / 85 / 4

HEX #F47B25

RGB 244 123 37

HSL 24.93, 0.9%, 0.55%

LAB 64.59, 41.53, 63.41

 

CMYK 85 / 0 / 66 / 4

HEX #24F454

RGB 36 244 84

HSL 133.85, 0.9%, 0.55%

LAB 84.85, -77.42, 61.64

 

CMYK 85 / 61 / 0 / 4

HEX #255FF4

RGB 37 95 244

HSL 223.19, 0.9%, 0.55%

LAB 45.78, 36.84, -79.34

 

CMYK 0 / 85 / 18 / 4

HEX #F425C7

RGB 244 37 199

HSL 313.04, 0.9%, 0.55%

LAB 56.76, 85.31, -35.03

 

CMYK 0 / 24 / 85 / 4

HEX #F4B925

RGB 244 185 37

HSL 42.9, 0.9%, 0.55%

LAB 78.5, 9.31, 74.89

 

Description

Color code: HEX #24F454 | qconv.com Color code: HEX #24F454 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 244 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 244 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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