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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24EE96 it is the complementary color #DB1169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24EE96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24EE96 shade: #29EE91, #3AFFA4, #4BFFB7, #5CFFCA and #6DFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24EE96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24EE96 shade: #24EE96, #13DC83, #02CA70, #00B85D and #00A64A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24EE96 shade: #25EF97, #25EF60, #25EF2A, #56EF25 and #8DEF25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24EE96 shade: #25EF97, #25EFCD, #25DAEF, #25A3EF and #256DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24EE96 shade matches the following richer shades: #25EF97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24EE96 shade: #25EF97, #38DC94, #4BC992, #5EB68F and #71A38D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24EE96 shade: #25EF28, #25EF5E, #25EF94, #25EFCA and #25DEEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24EE96 shade: #0EB36B, #10DA82, #25EF97, #4BF1A9 and #72F4BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24EE96 shade: #24EE96, #2557EF and #EF4325

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24EE96 shade: #24EE96, #9425EF and #EF9425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24EE96 shade: #24EE96, #2557EF, #EF2580 and #EFBC25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24EE96 shade: #24EE96, #2F25EF, #EF2580 and #E4EF25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 37 / 7

HEX #24EE96

RGB 36 238 150

HSL 153.86, 0.86%, 0.54%

LAB 83.82, -65.82, 29.81

 

Complementary color

CMYK 0 / 92 / 52 / 14

HEX #DB1169

RGB 219 17 105

HSL 333.86, 0.86%, 0.46%

LAB 47.6, 73.57, 6.68

 

CMYK 83 / 0 / 39 / 7

HEX #29EE91

RGB 41 238 145

HSL 151.68, 0.85%, 0.55%

LAB 83.79, -66.37, 32.3

 

CMYK 77 / 0 / 36 / 0

HEX #3AFFA4

RGB 58 255 164

HSL 152.28, 1%, 0.61%

LAB 89.44, -67.09, 30.33

 

CMYK 71 / 0 / 28 / 0

HEX #4BFFB7

RGB 75 255 183

HSL 156, 1%, 0.65%

LAB 90.06, -61.19, 21.61

 

CMYK 64 / 0 / 21 / 0

HEX #5CFFCA

RGB 92 255 202

HSL 160.49, 1%, 0.68%

LAB 90.81, -54.52, 12.97

 

CMYK 57 / 0 / 13 / 0

HEX #6DFFDD

RGB 109 255 221

HSL 166.03, 1%, 0.71%

LAB 91.68, -47.19, 4.48

 

CMYK 85 / 0 / 37 / 7

HEX #24EE96

RGB 36 238 150

HSL 153.86, 0.86%, 0.54%

LAB 83.82, -65.82, 29.81

 

CMYK 91 / 0 / 40 / 14

HEX #13DC83

RGB 19 220 131

HSL 153.43, 0.84%, 0.47%

LAB 77.85, -64.27, 31.51

 

CMYK 99 / 0 / 45 / 21

HEX #02CA70

RGB 2 202 112

HSL 153, 0.98%, 0.4%

LAB 71.84, -62.29, 33.31

 

CMYK 100 / 0 / 49 / 28

HEX #00B85D

RGB 0 184 93

HSL 150.33, 1%, 0.36%

LAB 65.8, -59.66, 35.24

 

CMYK 100 / 0 / 55 / 35

HEX #00A64A

RGB 0 166 74

HSL 146.75, 1%, 0.33%

LAB 59.68, -56.76, 37.18

 

CMYK 85 / 0 / 37 / 6

HEX #25EF97

RGB 37 239 151

HSL 153.86, 0.86%, 0.54%

LAB 84.15, -65.91, 29.75

 

CMYK 85 / 0 / 60 / 6

HEX #25EF60

RGB 37 239 96

HSL 137.52, 0.86%, 0.54%

LAB 83.43, -74.53, 55.07

 

CMYK 85 / 0 / 82 / 6

HEX #25EF2A

RGB 37 239 42

HSL 121.49, 0.86%, 0.54%

LAB 83.07, -79.02, 73.54

 

CMYK 64 / 0 / 85 / 6

HEX #56EF25

RGB 86 239 37

HSL 105.45, 0.86%, 0.54%

LAB 83.89, -72.03, 75.73

 

CMYK 41 / 0 / 85 / 6

HEX #8DEF25

RGB 141 239 37

HSL 89.11, 0.86%, 0.54%

LAB 85.77, -57.27, 78.1

 

CMYK 85 / 0 / 37 / 6

HEX #25EF97

RGB 37 239 151

HSL 153.86, 0.86%, 0.54%

LAB 84.15, -65.91, 29.75

 

CMYK 85 / 0 / 14 / 6

HEX #25EFCD

RGB 37 239 205

HSL 169.9, 0.86%, 0.54%

LAB 85.27, -53.71, 3.35

 

CMYK 85 / 9 / 0 / 6

HEX #25DAEF

RGB 37 218 239

HSL 186.24, 0.86%, 0.54%

LAB 80.05, -34.94, -22.4

 

CMYK 85 / 32 / 0 / 6

HEX #25A3EF

RGB 37 163 239

HSL 202.57, 0.86%, 0.54%

LAB 64.01, -6.59, -47.24

 

CMYK 85 / 54 / 0 / 6

HEX #256DEF

RGB 37 109 239

HSL 218.61, 0.86%, 0.54%

LAB 48.96, 26.11, -71.36

 

CMYK 85 / 0 / 37 / 6

HEX #25EF97

RGB 37 239 151

HSL 153.86, 0.86%, 0.54%

LAB 84.15, -65.91, 29.75

 

CMYK 85 / 0 / 37 / 6

HEX #25EF97

RGB 37 239 151

HSL 153.86, 0.86%, 0.54%

LAB 84.15, -65.91, 29.75

 

CMYK 75 / 0 / 33 / 14

HEX #38DC94

RGB 56 220 148

HSL 153.66, 0.7%, 0.54%

LAB 78.56, -57.69, 23.77

 

CMYK 63 / 0 / 27 / 21

HEX #4BC992

RGB 75 201 146

HSL 153.81, 0.54%, 0.54%

LAB 73.12, -47.61, 17.41

 

CMYK 48 / 0 / 21 / 29

HEX #5EB68F

RGB 94 182 143

HSL 153.41, 0.38%, 0.54%

LAB 67.89, -35.75, 11.8

 

CMYK 31 / 0 / 13 / 36

HEX #71A38D

RGB 113 163 141

HSL 153.6, 0.21%, 0.54%

LAB 63.03, -21.53, 6.12

 

CMYK 85 / 0 / 83 / 6

HEX #25EF28

RGB 37 239 40

HSL 120.89, 0.86%, 0.54%

LAB 83.06, -79.11, 74.01

 

CMYK 85 / 0 / 61 / 6

HEX #25EF5E

RGB 37 239 94

HSL 136.93, 0.86%, 0.54%

LAB 83.41, -74.77, 55.91

 

CMYK 85 / 0 / 38 / 6

HEX #25EF94

RGB 37 239 148

HSL 152.97, 0.86%, 0.54%

LAB 84.1, -66.48, 31.2

 

CMYK 85 / 0 / 15 / 6

HEX #25EFCA

RGB 37 239 202

HSL 169.01, 0.86%, 0.54%

LAB 85.2, -54.47, 4.82

 

CMYK 85 / 7 / 0 / 6

HEX #25DEEF

RGB 37 222 239

HSL 185.05, 0.86%, 0.54%

LAB 81.22, -36.81, -20.62

 

CMYK 92 / 0 / 40 / 30

HEX #0EB36B

RGB 14 179 107

HSL 153.82, 0.85%, 0.38%

LAB 64.48, -54.77, 26.3

 

CMYK 93 / 0 / 40 / 15

HEX #10DA82

RGB 16 218 130

HSL 153.86, 0.86%, 0.46%

LAB 77.2, -63.9, 31.15

 

CMYK 85 / 0 / 37 / 6

HEX #25EF97

RGB 37 239 151

HSL 153.86, 0.86%, 0.54%

LAB 84.15, -65.91, 29.75

 

CMYK 69 / 0 / 30 / 5

HEX #4BF1A9

RGB 75 241 169

HSL 153.98, 0.86%, 0.62%

LAB 85.64, -58.73, 22.68

 

CMYK 53 / 0 / 23 / 4

HEX #72F4BB

RGB 114 244 187

HSL 153.69, 0.86%, 0.7%

LAB 87.9, -48.97, 16.7

 

CMYK 85 / 0 / 37 / 7

HEX #24EE96

RGB 36 238 150

HSL 153.86, 0.86%, 0.54%

LAB 83.82, -65.82, 29.81

 

CMYK 85 / 64 / 0 / 6

HEX #2557EF

RGB 37 87 239

HSL 225.15, 0.86%, 0.54%

LAB 43.42, 40.03, -80.41

 

CMYK 0 / 72 / 85 / 6

HEX #EF4325

RGB 239 67 37

HSL 8.91, 0.86%, 0.54%

LAB 54.55, 64.04, 54.64

 

CMYK 85 / 0 / 37 / 7

HEX #24EE96

RGB 36 238 150

HSL 153.86, 0.86%, 0.54%

LAB 83.82, -65.82, 29.81

 

CMYK 38 / 85 / 0 / 6

HEX #9425EF

RGB 148 37 239

HSL 272.97, 0.86%, 0.54%

LAB 44.02, 75.78, -79.1

 

CMYK 0 / 38 / 85 / 6

HEX #EF9425

RGB 239 148 37

HSL 32.97, 0.86%, 0.54%

LAB 69.23, 26.67, 67

 

CMYK 85 / 0 / 37 / 7

HEX #24EE96

RGB 36 238 150

HSL 153.86, 0.86%, 0.54%

LAB 83.82, -65.82, 29.81

 

CMYK 85 / 64 / 0 / 6

HEX #2557EF

RGB 37 87 239

HSL 225.15, 0.86%, 0.54%

LAB 43.42, 40.03, -80.41

 

CMYK 0 / 85 / 46 / 6

HEX #EF2580

RGB 239 37 128

HSL 332.97, 0.86%, 0.54%

LAB 53.2, 76.89, 1.24

 

CMYK 0 / 21 / 85 / 6

HEX #EFBC25

RGB 239 188 37

HSL 44.85, 0.86%, 0.54%

LAB 78.72, 5.6, 74.86

 

CMYK 85 / 0 / 37 / 7

HEX #24EE96

RGB 36 238 150

HSL 153.86, 0.86%, 0.54%

LAB 83.82, -65.82, 29.81

 

CMYK 80 / 85 / 0 / 6

HEX #2F25EF

RGB 47 37 239

HSL 242.97, 0.86%, 0.54%

LAB 34.31, 67.12, -95.45

 

CMYK 0 / 85 / 46 / 6

HEX #EF2580

RGB 239 37 128

HSL 332.97, 0.86%, 0.54%

LAB 53.2, 76.89, 1.24

 

CMYK 5 / 0 / 85 / 6

HEX #E4EF25

RGB 228 239 37

HSL 63.27, 0.86%, 0.54%

LAB 90.94, -24.57, 84.55

 

Description

Color code: HEX #24EE96 | qconv.com Color code: HEX #24EE96 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 238 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 238 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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