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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24ED04 it is the complementary color #DB12FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24ED04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24ED04 shade: #29ED00, #3AFF12, #4BFF25, #5CFF38 and #6DFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24ED04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24ED04 shade: #24ED04, #13DB00, #02C900, #00B700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24ED04 shade: #24EC04, #62EC04, #A1EC04, #E0EC04 and #ECBA04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24ED04 shade: #24EC04, #04EC22, #04EC61, #04ECA0 and #04ECDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24ED04 shade matches the following richer shades: #24EC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24ED04 shade: #24EC04, #32D917, #40C52A, #4EB23E and #5C9F51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24ED04 shade: #A2EC04, #64EC04, #26EC04, #04EC1F and #04EC5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24ED04 shade: #179B02, #1DC303, #24EC04, #3CFC1D and #5FFC46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24ED04 shade: #24ED04, #04E0EC and #EC0483

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24ED04 shade: #24ED04, #0426EC and #EC0426

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24ED04 shade: #24ED04, #04E0EC, #C904EC and #EC0F04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24ED04 shade: #24ED04, #049BEC, #C904EC and #EC5504

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 98 / 7

HEX #24ED04

RGB 36 237 4

HSL 111.76, 0.97%, 0.47%

LAB 82.35, -79.64, 78.61

 

Complementary color

CMYK 13 / 93 / 0 / 2

HEX #DB12FB

RGB 219 18 251

HSL 291.76, 0.97%, 0.53%

LAB 54.51, 91.03, -68.28

 

CMYK 83 / 0 / 100 / 7

HEX #29ED00

RGB 41 237 0

HSL 109.62, 1%, 0.46%

LAB 82.4, -79.23, 79.01

 

CMYK 77 / 0 / 93 / 0

HEX #3AFF12

RGB 58 255 18

HSL 109.87, 1%, 0.54%

LAB 88.19, -82.01, 82.24

 

CMYK 71 / 0 / 85 / 0

HEX #4BFF25

RGB 75 255 37

HSL 109.54, 1%, 0.57%

LAB 88.52, -78.98, 79.71

 

CMYK 64 / 0 / 78 / 0

HEX #5CFF38

RGB 92 255 56

HSL 109.15, 1%, 0.61%

LAB 88.96, -74.97, 75.68

 

CMYK 57 / 0 / 71 / 0

HEX #6DFF4B

RGB 109 255 75

HSL 108.67, 1%, 0.65%

LAB 89.52, -70.01, 70.37

 

CMYK 85 / 0 / 98 / 7

HEX #24ED04

RGB 36 237 4

HSL 111.76, 0.97%, 0.47%

LAB 82.35, -79.64, 78.61

 

CMYK 91 / 0 / 100 / 14

HEX #13DB00

RGB 19 219 0

HSL 114.79, 1%, 0.43%

LAB 76.56, -76.06, 74.25

 

CMYK 99 / 0 / 100 / 21

HEX #02C900

RGB 2 201 0

HSL 119.4, 1%, 0.39%

LAB 70.72, -71.96, 69.54

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 85 / 0 / 98 / 7

HEX #24EC04

RGB 36 236 4

HSL 111.72, 0.97%, 0.47%

LAB 82.04, -79.37, 78.36

 

CMYK 58 / 0 / 98 / 7

HEX #62EC04

RGB 98 236 4

HSL 95.69, 0.97%, 0.47%

LAB 83.23, -69.15, 79.81

 

CMYK 32 / 0 / 98 / 7

HEX #A1EC04

RGB 161 236 4

HSL 79.4, 0.97%, 0.47%

LAB 85.79, -49.89, 82.92

 

CMYK 5 / 0 / 98 / 7

HEX #E0EC04

RGB 224 236 4

HSL 63.1, 0.97%, 0.47%

LAB 89.79, -25.27, 87.71

 

CMYK 0 / 21 / 98 / 7

HEX #ECBA04

RGB 236 186 4

HSL 47.07, 0.97%, 0.47%

LAB 77.85, 4.86, 79.51

 

CMYK 85 / 0 / 98 / 7

HEX #24EC04

RGB 36 236 4

HSL 111.72, 0.97%, 0.47%

LAB 82.04, -79.37, 78.36

 

CMYK 98 / 0 / 86 / 7

HEX #04EC22

RGB 4 236 34

HSL 127.76, 0.97%, 0.47%

LAB 81.91, -80.33, 74.21

 

CMYK 98 / 0 / 59 / 7

HEX #04EC61

RGB 4 236 97

HSL 144.05, 0.97%, 0.47%

LAB 82.31, -75.2, 53.29

 

CMYK 98 / 0 / 32 / 7

HEX #04ECA0

RGB 4 236 160

HSL 160.34, 0.97%, 0.47%

LAB 83.21, -64.55, 23.84

 

CMYK 98 / 0 / 6 / 7

HEX #04ECDE

RGB 4 236 222

HSL 176.38, 0.97%, 0.47%

LAB 84.63, -49.24, -6.54

 

CMYK 85 / 0 / 98 / 7

HEX #24EC04

RGB 36 236 4

HSL 111.72, 0.97%, 0.47%

LAB 82.04, -79.37, 78.36

 

CMYK 85 / 0 / 98 / 7

HEX #24EC04

RGB 36 236 4

HSL 111.72, 0.97%, 0.47%

LAB 82.04, -79.37, 78.36

 

CMYK 77 / 0 / 89 / 15

HEX #32D917

RGB 50 217 23

HSL 111.65, 0.81%, 0.47%

LAB 76.29, -72.07, 71.53

 

CMYK 68 / 0 / 79 / 23

HEX #40C52A

RGB 64 197 42

HSL 111.48, 0.65%, 0.47%

LAB 70.31, -62.72, 61.83

 

CMYK 56 / 0 / 65 / 30

HEX #4EB23E

RGB 78 178 62

HSL 111.72, 0.48%, 0.47%

LAB 64.81, -51.26, 48.99

 

CMYK 42 / 0 / 49 / 38

HEX #5C9F51

RGB 92 159 81

HSL 111.54, 0.33%, 0.47%

LAB 59.59, -37.1, 34.01

 

CMYK 31 / 0 / 98 / 7

HEX #A2EC04

RGB 162 236 4

HSL 79.14, 0.97%, 0.47%

LAB 85.85, -49.53, 82.99

 

CMYK 58 / 0 / 98 / 7

HEX #64EC04

RGB 100 236 4

HSL 95.17, 0.97%, 0.47%

LAB 83.29, -68.66, 79.88

 

CMYK 84 / 0 / 98 / 7

HEX #26EC04

RGB 38 236 4

HSL 111.21, 0.97%, 0.47%

LAB 82.06, -79.18, 78.38

 

CMYK 98 / 0 / 87 / 7

HEX #04EC1F

RGB 4 236 31

HSL 126.98, 0.97%, 0.47%

LAB 81.9, -80.45, 74.8

 

CMYK 98 / 0 / 61 / 7

HEX #04EC5D

RGB 4 236 93

HSL 143.02, 0.97%, 0.47%

LAB 82.27, -75.69, 54.99

 

CMYK 85 / 0 / 99 / 39

HEX #179B02

RGB 23 155 2

HSL 111.76, 0.97%, 0.31%

LAB 55.71, -57.69, 57.26

 

CMYK 85 / 0 / 98 / 24

HEX #1DC303

RGB 29 195 3

HSL 111.88, 0.97%, 0.39%

LAB 68.97, -68.65, 67.87

 

CMYK 85 / 0 / 98 / 7

HEX #24EC04

RGB 36 236 4

HSL 111.72, 0.97%, 0.47%

LAB 82.04, -79.37, 78.36

 

CMYK 76 / 0 / 88 / 1

HEX #3CFC1D

RGB 60 252 29

HSL 111.66, 0.97%, 0.55%

LAB 87.32, -80.63, 80.02

 

CMYK 62 / 0 / 72 / 1

HEX #5FFC46

RGB 95 252 70

HSL 111.76, 0.97%, 0.63%

LAB 88.21, -72.5, 70.63

 

CMYK 85 / 0 / 98 / 7

HEX #24ED04

RGB 36 237 4

HSL 111.76, 0.97%, 0.47%

LAB 82.35, -79.64, 78.61

 

CMYK 98 / 5 / 0 / 7

HEX #04E0EC

RGB 4 224 236

HSL 183.1, 0.97%, 0.47%

LAB 81.51, -39.92, -18.61

 

CMYK 0 / 98 / 44 / 7

HEX #EC0483

RGB 236 4 131

HSL 327.16, 0.97%, 0.47%

LAB 51.33, 80.46, -3.37

 

CMYK 85 / 0 / 98 / 7

HEX #24ED04

RGB 36 237 4

HSL 111.76, 0.97%, 0.47%

LAB 82.35, -79.64, 78.61

 

CMYK 98 / 84 / 0 / 7

HEX #0426EC

RGB 4 38 236

HSL 231.21, 0.97%, 0.47%

LAB 32.85, 64.85, -96.22

 

CMYK 0 / 98 / 84 / 7

HEX #EC0426

RGB 236 4 38

HSL 351.21, 0.97%, 0.47%

LAB 49.57, 75.71, 49.61

 

CMYK 85 / 0 / 98 / 7

HEX #24ED04

RGB 36 237 4

HSL 111.76, 0.97%, 0.47%

LAB 82.35, -79.64, 78.61

 

CMYK 98 / 5 / 0 / 7

HEX #04E0EC

RGB 4 224 236

HSL 183.1, 0.97%, 0.47%

LAB 81.51, -39.92, -18.61

 

CMYK 15 / 98 / 0 / 7

HEX #C904EC

RGB 201 4 236

HSL 290.95, 0.97%, 0.47%

LAB 50.17, 87.19, -67.04

 

CMYK 0 / 94 / 98 / 7

HEX #EC0F04

RGB 236 15 4

HSL 2.84, 0.97%, 0.47%

LAB 49.72, 74.38, 62.44

 

CMYK 85 / 0 / 98 / 7

HEX #24ED04

RGB 36 237 4

HSL 111.76, 0.97%, 0.47%

LAB 82.35, -79.64, 78.61

 

CMYK 98 / 34 / 0 / 7

HEX #049BEC

RGB 4 155 236

HSL 200.95, 0.97%, 0.47%

LAB 61.24, -4.61, -49.99

 

CMYK 15 / 98 / 0 / 7

HEX #C904EC

RGB 201 4 236

HSL 290.95, 0.97%, 0.47%

LAB 50.17, 87.19, -67.04

 

CMYK 0 / 64 / 98 / 7

HEX #EC5504

RGB 236 85 4

HSL 20.95, 0.97%, 0.47%

LAB 56.43, 55.72, 65.72

 

Description

Color code: HEX #24ED04 | qconv.com Color code: HEX #24ED04 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 237 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 237 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 98 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 98% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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