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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24EB6E it is the complementary color #DB1491. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24EB6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24EB6E shade: #29EB69, #3AFD7C, #4BFF8F, #5CFFA2 and #6DFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24EB6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24EB6E shade: #24EB6E, #13D95B, #02C748, #00B535 and #00A322

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24EB6E shade: #24EB6E, #24EB38, #45EB24, #7BEB24 and #B0EB24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24EB6E shade: #24EB6E, #24EBA3, #24EBD9, #24C7EB and #2491EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24EB6E shade matches the following richer shades: #24EB6E and #10FE69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24EB6E shade: #24EB6E, #37D773, #4AC478, #5EB07D and #719D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24EB6E shade: #45EB24, #24EB38, #24EB6D, #24EBA2 and #24EBD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24EB6E shade: #10AC4A, #13D25A, #24EB6E, #49EE87 and #6FF2A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24EB6E shade: #24EB6E, #247AEB and #EB242A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24EB6E shade: #24EB6E, #6D24EB and #EB6D24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24EB6E shade: #24EB6E, #247AEB, #EB24A2 and #EB9424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24EB6E shade: #24EB6E, #243EEB, #EB24A2 and #EBD024

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

Complementary color

CMYK 0 / 91 / 34 / 14

HEX #DB1491

RGB 219 20 145

HSL 322.31, 0.83%, 0.47%

LAB 49.01, 76.69, -15.64

 

CMYK 83 / 0 / 55 / 8

HEX #29EB69

RGB 41 235 105

HSL 139.79, 0.83%, 0.54%

LAB 82.33, -71.8, 49.78

 

CMYK 77 / 0 / 51 / 1

HEX #3AFD7C

RGB 58 253 124

HSL 140.31, 0.98%, 0.61%

LAB 88.26, -73.12, 48.26

 

CMYK 71 / 0 / 44 / 0

HEX #4BFF8F

RGB 75 255 143

HSL 142.67, 1%, 0.65%

LAB 89.39, -68.61, 40.7

 

CMYK 64 / 0 / 36 / 0

HEX #5CFFA2

RGB 92 255 162

HSL 145.77, 1%, 0.68%

LAB 90.05, -62.57, 32.26

 

CMYK 57 / 0 / 29 / 0

HEX #6DFFB5

RGB 109 255 181

HSL 149.59, 1%, 0.71%

LAB 90.83, -55.75, 23.82

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 91 / 0 / 58 / 15

HEX #13D95B

RGB 19 217 91

HSL 141.82, 0.84%, 0.46%

LAB 76.39, -69.66, 49.06

 

CMYK 99 / 0 / 64 / 22

HEX #02C748

RGB 2 199 72

HSL 141.32, 0.98%, 0.39%

LAB 70.4, -67.23, 50.57

 

CMYK 100 / 0 / 71 / 29

HEX #00B535

RGB 0 181 53

HSL 137.57, 1%, 0.35%

LAB 64.41, -63.95, 51.86

 

CMYK 100 / 0 / 79 / 36

HEX #00A322

RGB 0 163 34

HSL 132.52, 1%, 0.32%

LAB 58.33, -60.25, 52.53

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 85 / 0 / 76 / 8

HEX #24EB38

RGB 36 235 56

HSL 126.03, 0.83%, 0.53%

LAB 81.88, -77.17, 68.55

 

CMYK 71 / 0 / 85 / 8

HEX #45EB24

RGB 69 235 36

HSL 110.05, 0.83%, 0.53%

LAB 82.28, -74.03, 74.37

 

CMYK 48 / 0 / 85 / 8

HEX #7BEB24

RGB 123 235 36

HSL 93.77, 0.83%, 0.53%

LAB 83.84, -61.36, 76.35

 

CMYK 25 / 0 / 85 / 8

HEX #B0EB24

RGB 176 235 36

HSL 77.79, 0.83%, 0.53%

LAB 86.39, -43.36, 79.55

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 85 / 0 / 31 / 8

HEX #24EBA3

RGB 36 235 163

HSL 158.29, 0.83%, 0.53%

LAB 83.14, -62.11, 22.24

 

CMYK 85 / 0 / 8 / 8

HEX #24EBD9

RGB 36 235 217

HSL 174.57, 0.83%, 0.53%

LAB 84.38, -48.96, -4.25

 

CMYK 85 / 15 / 0 / 8

HEX #24C7EB

RGB 36 199 235

HSL 190.85, 0.83%, 0.53%

LAB 74.33, -27.1, -28.99

 

CMYK 85 / 38 / 0 / 8

HEX #2491EB

RGB 36 145 235

HSL 207.14, 0.83%, 0.53%

LAB 58.62, 2.28, -53.58

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 94 / 0 / 59 / 0

HEX #10FE69

RGB 16 254 105

HSL 142.44, 0.99%, 0.53%

LAB 87.98, -79.16, 56.39

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 74 / 0 / 47 / 16

HEX #37D773

RGB 55 215 115

HSL 142.5, 0.67%, 0.53%

LAB 76.47, -62.07, 37.83

 

CMYK 62 / 0 / 39 / 23

HEX #4AC478

RGB 74 196 120

HSL 142.62, 0.51%, 0.53%

LAB 71.07, -50.92, 28.37

 

CMYK 47 / 0 / 29 / 31

HEX #5EB07D

RGB 94 176 125

HSL 142.68, 0.34%, 0.53%

LAB 65.68, -36.73, 18.55

 

CMYK 28 / 0 / 17 / 38

HEX #719D82

RGB 113 157 130

HSL 143.18, 0.18%, 0.53%

LAB 60.99, -20.74, 9.37

 

CMYK 71 / 0 / 85 / 8

HEX #45EB24

RGB 69 235 36

HSL 110.05, 0.83%, 0.53%

LAB 82.28, -74.03, 74.37

 

CMYK 85 / 0 / 76 / 8

HEX #24EB38

RGB 36 235 56

HSL 126.03, 0.83%, 0.53%

LAB 81.88, -77.17, 68.55

 

CMYK 85 / 0 / 54 / 8

HEX #24EB6D

RGB 36 235 109

HSL 142.01, 0.83%, 0.53%

LAB 82.32, -71.69, 47.92

 

CMYK 85 / 0 / 31 / 8

HEX #24EBA2

RGB 36 235 162

HSL 157.99, 0.83%, 0.53%

LAB 83.13, -62.32, 22.73

 

CMYK 85 / 0 / 9 / 8

HEX #24EBD7

RGB 36 235 215

HSL 173.97, 0.83%, 0.53%

LAB 84.33, -49.5, -3.28

 

CMYK 91 / 0 / 57 / 33

HEX #10AC4A

RGB 16 172 74

HSL 142.31, 0.83%, 0.37%

LAB 61.75, -57.89, 39.69

 

CMYK 91 / 0 / 57 / 18

HEX #13D25A

RGB 19 210 90

HSL 142.3, 0.83%, 0.45%

LAB 74.17, -67.62, 46.91

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 69 / 0 / 43 / 7

HEX #49EE87

RGB 73 238 135

HSL 142.55, 0.83%, 0.61%

LAB 84.13, -64.24, 37.82

 

CMYK 54 / 0 / 34 / 5

HEX #6FF2A0

RGB 111 242 160

HSL 142.44, 0.83%, 0.69%

LAB 86.71, -54.03, 28.89

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 85 / 48 / 0 / 8

HEX #247AEB

RGB 36 122 235

HSL 214.07, 0.83%, 0.53%

LAB 52.17, 16.32, -63.93

 

CMYK 0 / 85 / 82 / 8

HEX #EB242A

RGB 235 36 42

HSL 358.19, 0.83%, 0.53%

LAB 50.79, 71.53, 48.6

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 54 / 85 / 0 / 8

HEX #6D24EB

RGB 109 36 235

HSL 262.01, 0.83%, 0.53%

LAB 38.74, 70.71, -85.68

 

CMYK 0 / 54 / 85 / 8

HEX #EB6D24

RGB 235 109 36

HSL 22.01, 0.83%, 0.53%

LAB 60.54, 44.93, 59.86

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 85 / 48 / 0 / 8

HEX #247AEB

RGB 36 122 235

HSL 214.07, 0.83%, 0.53%

LAB 52.17, 16.32, -63.93

 

CMYK 0 / 85 / 31 / 8

HEX #EB24A2

RGB 235 36 162

HSL 322.01, 0.83%, 0.53%

LAB 53.53, 79.37, -18.62

 

CMYK 0 / 37 / 85 / 8

HEX #EB9424

RGB 235 148 36

HSL 33.77, 0.83%, 0.53%

LAB 68.73, 24.97, 66.69

 

CMYK 85 / 0 / 53 / 8

HEX #24EB6E

RGB 36 235 110

HSL 142.31, 0.83%, 0.53%

LAB 82.33, -71.55, 47.47

 

CMYK 85 / 74 / 0 / 8

HEX #243EEB

RGB 36 62 235

HSL 232.16, 0.83%, 0.53%

LAB 37.51, 53.49, -87.88

 

CMYK 0 / 85 / 31 / 8

HEX #EB24A2

RGB 235 36 162

HSL 322.01, 0.83%, 0.53%

LAB 53.53, 79.37, -18.62

 

CMYK 0 / 11 / 85 / 8

HEX #EBD024

RGB 235 208 36

HSL 51.86, 0.83%, 0.53%

LAB 83.39, -6.43, 78.79

 

Description

Color code: HEX #24EB6E | qconv.com Color code: HEX #24EB6E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 235 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 235 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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