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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24E313 it is the complementary color #DB1CEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24E313. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24E313 shade: #29E30E, #3AF521, #4BFF34, #5CFF47 and #6DFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24E313. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24E313 shade: #24E313, #13D100, #02BF00, #00AD00 and #009B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24E313 shade: #23E212, #5BE212, #94E212, #CCE212 and #E2C112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24E313 shade: #23E212, #12E239, #12E272, #12E2AA and #12E2E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24E313 shade matches the following richer shades: #23E212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24E313 shade: #23E212, #34CF26, #44BB3A, #55A74E and #669362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24E313 shade: #93E212, #5BE212, #24E212, #12E239 and #12E270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24E313 shade: #17960C, #1DBC0F, #23E212, #3FEE30 and #63F156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24E313 shade: #24E313, #12CAE2 and #E21277

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24E313 shade: #24E313, #1224E2 and #E21224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24E313 shade: #24E313, #12CAE2, #D112E2 and #E22B12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24E313 shade: #24E313, #128CE2, #D112E2 and #E26912

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 92 / 11

HEX #24E313

RGB 36 227 19

HSL 115.1, 0.85%, 0.48%

LAB 79.25, -76.62, 74.56

 

Complementary color

CMYK 7 / 88 / 0 / 7

HEX #DB1CEC

RGB 219 28 236

HSL 295.1, 0.85%, 0.52%

LAB 53.97, 87.43, -60.75

 

CMYK 82 / 0 / 94 / 11

HEX #29E30E

RGB 41 227 14

HSL 112.39, 0.88%, 0.47%

LAB 79.29, -76.24, 75.23

 

CMYK 76 / 0 / 87 / 4

HEX #3AF521

RGB 58 245 33

HSL 112.92, 0.91%, 0.55%

LAB 85.16, -78.76, 77.43

 

CMYK 71 / 0 / 80 / 0

HEX #4BFF34

RGB 75 255 52

HSL 113.2, 1%, 0.6%

LAB 88.57, -78.31, 76.28

 

CMYK 64 / 0 / 72 / 0

HEX #5CFF47

RGB 92 255 71

HSL 113.15, 1%, 0.64%

LAB 89.04, -74.02, 71.1

 

CMYK 57 / 0 / 65 / 0

HEX #6DFF5A

RGB 109 255 90

HSL 113.09, 1%, 0.68%

LAB 89.63, -68.77, 64.88

 

CMYK 84 / 0 / 92 / 11

HEX #24E313

RGB 36 227 19

HSL 115.1, 0.85%, 0.48%

LAB 79.25, -76.62, 74.56

 

CMYK 91 / 0 / 100 / 18

HEX #13D100

RGB 19 209 0

HSL 114.55, 1%, 0.41%

LAB 73.38, -73.35, 71.7

 

CMYK 99 / 0 / 100 / 25

HEX #02BF00

RGB 2 191 0

HSL 119.37, 1%, 0.37%

LAB 67.48, -69.26, 66.94

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 85 / 0 / 92 / 11

HEX #23E212

RGB 35 226 18

HSL 115.1, 0.85%, 0.48%

LAB 78.92, -76.46, 74.42

 

CMYK 60 / 0 / 92 / 11

HEX #5BE212

RGB 91 226 18

HSL 98.94, 0.85%, 0.48%

LAB 79.99, -67.29, 75.74

 

CMYK 35 / 0 / 92 / 11

HEX #94E212

RGB 148 226 18

HSL 82.5, 0.85%, 0.48%

LAB 82.23, -50.24, 78.5

 

CMYK 10 / 0 / 92 / 11

HEX #CCE212

RGB 204 226 18

HSL 66.35, 0.85%, 0.48%

LAB 85.64, -28.63, 82.65

 

CMYK 0 / 15 / 92 / 11

HEX #E2C112

RGB 226 193 18

HSL 50.48, 0.85%, 0.48%

LAB 78.67, -2.96, 78.08

 

CMYK 85 / 0 / 92 / 11

HEX #23E212

RGB 35 226 18

HSL 115.1, 0.85%, 0.48%

LAB 78.92, -76.46, 74.42

 

CMYK 92 / 0 / 75 / 11

HEX #12E239

RGB 18 226 57

HSL 131.25, 0.85%, 0.48%

LAB 78.94, -75.78, 65.29

 

CMYK 92 / 0 / 50 / 11

HEX #12E272

RGB 18 226 114

HSL 147.69, 0.85%, 0.48%

LAB 79.46, -69.23, 42.01

 

CMYK 92 / 0 / 25 / 11

HEX #12E2AA

RGB 18 226 170

HSL 163.85, 0.85%, 0.48%

LAB 80.42, -58.23, 14.78

 

CMYK 92 / 0 / 0 / 11

HEX #12E2E2

RGB 18 226 226

HSL 180, 0.85%, 0.48%

LAB 81.84, -43.42, -12.79

 

CMYK 85 / 0 / 92 / 11

HEX #23E212

RGB 35 226 18

HSL 115.1, 0.85%, 0.48%

LAB 78.92, -76.46, 74.42

 

CMYK 85 / 0 / 92 / 11

HEX #23E212

RGB 35 226 18

HSL 115.1, 0.85%, 0.48%

LAB 78.92, -76.46, 74.42

 

CMYK 75 / 0 / 82 / 19

HEX #34CF26

RGB 52 207 38

HSL 115.03, 0.69%, 0.48%

LAB 73.22, -68.18, 65.6

 

CMYK 64 / 0 / 69 / 27

HEX #44BB3A

RGB 68 187 58

HSL 115.35, 0.53%, 0.48%

LAB 67.33, -57.32, 53.27

 

CMYK 49 / 0 / 53 / 35

HEX #55A74E

RGB 85 167 78

HSL 115.28, 0.36%, 0.48%

LAB 61.76, -43.11, 38.11

 

CMYK 31 / 0 / 33 / 42

HEX #669362

RGB 102 147 98

HSL 115.1, 0.2%, 0.48%

LAB 56.66, -25.42, 21.2

 

CMYK 35 / 0 / 92 / 11

HEX #93E212

RGB 147 226 18

HSL 82.79, 0.85%, 0.48%

LAB 82.18, -50.59, 78.44

 

CMYK 60 / 0 / 92 / 11

HEX #5BE212

RGB 91 226 18

HSL 98.94, 0.85%, 0.48%

LAB 79.99, -67.29, 75.74

 

CMYK 84 / 0 / 92 / 11

HEX #24E212

RGB 36 226 18

HSL 114.81, 0.85%, 0.48%

LAB 78.93, -76.37, 74.43

 

CMYK 92 / 0 / 75 / 11

HEX #12E239

RGB 18 226 57

HSL 131.25, 0.85%, 0.48%

LAB 78.94, -75.78, 65.29

 

CMYK 92 / 0 / 50 / 11

HEX #12E270

RGB 18 226 112

HSL 147.12, 0.85%, 0.48%

LAB 79.44, -69.54, 42.94

 

CMYK 85 / 0 / 92 / 41

HEX #17960C

RGB 23 150 12

HSL 115.22, 0.85%, 0.32%

LAB 54.05, -55.89, 54.28

 

CMYK 85 / 0 / 92 / 26

HEX #1DBC0F

RGB 29 188 15

HSL 115.14, 0.85%, 0.4%

LAB 66.72, -66.39, 64.57

 

CMYK 85 / 0 / 92 / 11

HEX #23E212

RGB 35 226 18

HSL 115.1, 0.85%, 0.48%

LAB 78.92, -76.46, 74.42

 

CMYK 74 / 0 / 80 / 7

HEX #3FEE30

RGB 63 238 48

HSL 115.26, 0.85%, 0.56%

LAB 83.14, -75.33, 72.2

 

CMYK 59 / 0 / 64 / 5

HEX #63F156

RGB 99 241 86

HSL 114.97, 0.85%, 0.64%

LAB 85.12, -66.6, 61.47

 

CMYK 84 / 0 / 92 / 11

HEX #24E313

RGB 36 227 19

HSL 115.1, 0.85%, 0.48%

LAB 79.25, -76.62, 74.56

 

CMYK 92 / 11 / 0 / 11

HEX #12CAE2

RGB 18 202 226

HSL 186.92, 0.85%, 0.48%

LAB 74.74, -32.39, -23.53

 

CMYK 0 / 92 / 47 / 11

HEX #E21277

RGB 226 18 119

HSL 330.87, 0.85%, 0.48%

LAB 49.42, 76.11, 0.88

 

CMYK 84 / 0 / 92 / 11

HEX #24E313

RGB 36 227 19

HSL 115.1, 0.85%, 0.48%

LAB 79.25, -76.62, 74.56

 

CMYK 92 / 84 / 0 / 11

HEX #1224E2

RGB 18 36 226

HSL 234.81, 0.85%, 0.48%

LAB 31.54, 62.93, -92.7

 

CMYK 0 / 92 / 84 / 11

HEX #E21224

RGB 226 18 36

HSL 354.81, 0.85%, 0.48%

LAB 47.92, 71.97, 48.37

 

CMYK 84 / 0 / 92 / 11

HEX #24E313

RGB 36 227 19

HSL 115.1, 0.85%, 0.48%

LAB 79.25, -76.62, 74.56

 

CMYK 92 / 11 / 0 / 11

HEX #12CAE2

RGB 18 202 226

HSL 186.92, 0.85%, 0.48%

LAB 74.74, -32.39, -23.53

 

CMYK 8 / 92 / 0 / 11

HEX #D112E2

RGB 209 18 226

HSL 295.1, 0.85%, 0.48%

LAB 51.24, 85.6, -59.58

 

CMYK 0 / 81 / 92 / 11

HEX #E22B12

RGB 226 43 18

HSL 7.21, 0.85%, 0.48%

LAB 49.42, 67.05, 57.27

 

CMYK 84 / 0 / 92 / 11

HEX #24E313

RGB 36 227 19

HSL 115.1, 0.85%, 0.48%

LAB 79.25, -76.62, 74.56

 

CMYK 92 / 38 / 0 / 11

HEX #128CE2

RGB 18 140 226

HSL 204.81, 0.85%, 0.48%

LAB 56.46, 0.84, -52.03

 

CMYK 8 / 92 / 0 / 11

HEX #D112E2

RGB 209 18 226

HSL 295.1, 0.85%, 0.48%

LAB 51.24, 85.6, -59.58

 

CMYK 0 / 54 / 92 / 11

HEX #E26912

RGB 226 105 18

HSL 25.1, 0.85%, 0.48%

LAB 58.34, 43.1, 63.23

 

Description

Color code: HEX #24E313 | qconv.com Color code: HEX #24E313 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 227 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 227 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 92 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 92% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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