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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24E175 it is the complementary color #DB1E8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24E175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24E175 shade: #29E170, #3AF383, #4BFF96, #5CFFA9 and #6DFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24E175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24E175 shade: #24E175, #13CF62, #02BD4F, #00AB3C and #009929

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24E175 shade: #23E174, #23E141, #38E123, #6BE123 and #9FE123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24E175 shade: #23E174, #23E1A8, #23E1DB, #23B4E1 and #2381E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24E175 shade matches the following richer shades: #23E174 and #0FF572

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24E175 shade: #23E174, #37CD77, #4CB97A, #60A47D and #749080

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24E175 shade: #39E123, #23E140, #23E172, #23E1A5 and #23E1D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24E175 shade: #159C4F, #1AC162, #23E174, #47E68B and #6CEBA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24E175 shade: #24E175, #236CE1 and #E12623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24E175 shade: #24E175, #7223E1 and #E17223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24E175 shade: #24E175, #236CE1, #E12392 and #E19823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24E175 shade: #24E175, #2333E1, #E12392 and #E1D123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 48 / 12

HEX #24E175

RGB 36 225 117

HSL 145.71, 0.76%, 0.51%

LAB 79.33, -67.25, 40.42

 

Complementary color

CMYK 0 / 86 / 37 / 14

HEX #DB1E8A

RGB 219 30 138

HSL 325.71, 0.76%, 0.49%

LAB 49.28, 74.47, -11.01

 

CMYK 82 / 0 / 50 / 12

HEX #29E170

RGB 41 225 112

HSL 143.15, 0.75%, 0.52%

LAB 79.32, -67.58, 42.84

 

CMYK 76 / 0 / 46 / 5

HEX #3AF383

RGB 58 243 131

HSL 143.68, 0.89%, 0.59%

LAB 85.32, -68.74, 41.25

 

CMYK 71 / 0 / 41 / 0

HEX #4BFF96

RGB 75 255 150

HSL 145, 1%, 0.65%

LAB 89.49, -67.44, 37.41

 

CMYK 64 / 0 / 34 / 0

HEX #5CFFA9

RGB 92 255 169

HSL 148.34, 1%, 0.68%

LAB 90.16, -61.28, 28.91

 

CMYK 57 / 0 / 26 / 0

HEX #6DFFBC

RGB 109 255 188

HSL 152.47, 1%, 0.71%

LAB 90.96, -54.37, 20.44

 

CMYK 84 / 0 / 48 / 12

HEX #24E175

RGB 36 225 117

HSL 145.71, 0.76%, 0.51%

LAB 79.33, -67.25, 40.42

 

CMYK 91 / 0 / 53 / 19

HEX #13CF62

RGB 19 207 98

HSL 145.21, 0.83%, 0.44%

LAB 73.32, -65.54, 42.11

 

CMYK 99 / 0 / 58 / 26

HEX #02BD4F

RGB 2 189 79

HSL 144.71, 0.98%, 0.37%

LAB 67.26, -63.29, 43.82

 

CMYK 100 / 0 / 65 / 33

HEX #00AB3C

RGB 0 171 60

HSL 141.05, 1%, 0.34%

LAB 61.18, -60.21, 45.47

 

CMYK 100 / 0 / 73 / 40

HEX #009929

RGB 0 153 41

HSL 136.08, 1%, 0.3%

LAB 55.01, -56.72, 46.73

 

CMYK 84 / 0 / 48 / 12

HEX #23E174

RGB 35 225 116

HSL 145.58, 0.76%, 0.51%

LAB 79.31, -67.5, 40.88

 

CMYK 84 / 0 / 71 / 12

HEX #23E141

RGB 35 225 65

HSL 129.47, 0.76%, 0.51%

LAB 78.8, -73.69, 62.43

 

CMYK 75 / 0 / 84 / 12

HEX #38E123

RGB 56 225 35

HSL 113.37, 0.76%, 0.51%

LAB 78.93, -73.13, 71.53

 

CMYK 52 / 0 / 84 / 12

HEX #6BE123

RGB 107 225 35

HSL 97.26, 0.76%, 0.51%

LAB 80.23, -62.35, 73.18

 

CMYK 29 / 0 / 84 / 12

HEX #9FE123

RGB 159 225 35

HSL 80.84, 0.76%, 0.51%

LAB 82.56, -45.44, 76.11

 

CMYK 84 / 0 / 48 / 12

HEX #23E174

RGB 35 225 116

HSL 145.58, 0.76%, 0.51%

LAB 79.31, -67.5, 40.88

 

CMYK 84 / 0 / 25 / 12

HEX #23E1A8

RGB 35 225 168

HSL 162, 0.76%, 0.51%

LAB 80.2, -57.34, 15.54

 

CMYK 84 / 0 / 3 / 12

HEX #23E1DB

RGB 35 225 219

HSL 178.11, 0.76%, 0.51%

LAB 81.47, -44.17, -9.63

 

CMYK 84 / 20 / 0 / 12

HEX #23B4E1

RGB 35 180 225

HSL 194.21, 0.76%, 0.51%

LAB 68.34, -20.83, -32.8

 

CMYK 84 / 43 / 0 / 12

HEX #2381E1

RGB 35 129 225

HSL 210.32, 0.76%, 0.51%

LAB 53.49, 8.11, -56.21

 

CMYK 84 / 0 / 48 / 12

HEX #23E174

RGB 35 225 116

HSL 145.58, 0.76%, 0.51%

LAB 79.31, -67.5, 40.88

 

CMYK 94 / 0 / 53 / 4

HEX #0FF572

RGB 15 245 114

HSL 145.83, 0.92%, 0.51%

LAB 85.31, -75.31, 49.2

 

CMYK 84 / 0 / 48 / 12

HEX #23E174

RGB 35 225 116

HSL 145.58, 0.76%, 0.51%

LAB 79.31, -67.5, 40.88

 

CMYK 73 / 0 / 42 / 20

HEX #37CD77

RGB 55 205 119

HSL 145.6, 0.6%, 0.51%

LAB 73.42, -57.82, 31.89

 

CMYK 59 / 0 / 34 / 27

HEX #4CB97A

RGB 76 185 122

HSL 145.32, 0.44%, 0.51%

LAB 67.75, -45.67, 22.89

 

CMYK 41 / 0 / 24 / 36

HEX #60A47D

RGB 96 164 125

HSL 145.59, 0.27%, 0.51%

LAB 62.1, -30.57, 13.6

 

CMYK 19 / 0 / 11 / 44

HEX #749080

RGB 116 144 128

HSL 145.71, 0.11%, 0.51%

LAB 57.29, -13.28, 5.24

 

CMYK 75 / 0 / 84 / 12

HEX #39E123

RGB 57 225 35

HSL 113.05, 0.76%, 0.51%

LAB 78.95, -72.99, 71.55

 

CMYK 84 / 0 / 72 / 12

HEX #23E140

RGB 35 225 64

HSL 129.16, 0.76%, 0.51%

LAB 78.8, -73.78, 62.79

 

CMYK 84 / 0 / 49 / 12

HEX #23E172

RGB 35 225 114

HSL 144.95, 0.76%, 0.51%

LAB 79.28, -67.81, 41.81

 

CMYK 84 / 0 / 27 / 12

HEX #23E1A5

RGB 35 225 165

HSL 161.05, 0.76%, 0.51%

LAB 80.14, -58.03, 17.03

 

CMYK 84 / 0 / 4 / 12

HEX #23E1D8

RGB 35 225 216

HSL 177.16, 0.76%, 0.51%

LAB 81.38, -45.02, -8.16

 

CMYK 87 / 0 / 49 / 39

HEX #159C4F

RGB 21 156 79

HSL 145.78, 0.76%, 0.35%

LAB 56.59, -51.29, 30.86

 

CMYK 87 / 0 / 49 / 24

HEX #1AC162

RGB 26 193 98

HSL 145.87, 0.76%, 0.43%

LAB 68.93, -60.46, 36.69

 

CMYK 84 / 0 / 48 / 12

HEX #23E174

RGB 35 225 116

HSL 145.58, 0.76%, 0.51%

LAB 79.31, -67.5, 40.88

 

CMYK 69 / 0 / 40 / 10

HEX #47E68B

RGB 71 230 139

HSL 145.66, 0.76%, 0.59%

LAB 81.73, -60.97, 32.68

 

CMYK 54 / 0 / 31 / 8

HEX #6CEBA2

RGB 108 235 162

HSL 145.51, 0.76%, 0.67%

LAB 84.59, -51.51, 24.98

 

CMYK 84 / 0 / 48 / 12

HEX #24E175

RGB 36 225 117

HSL 145.71, 0.76%, 0.51%

LAB 79.33, -67.25, 40.42

 

CMYK 84 / 52 / 0 / 12

HEX #236CE1

RGB 35 108 225

HSL 216.95, 0.76%, 0.51%

LAB 47.65, 21.29, -65.62

 

CMYK 0 / 83 / 84 / 12

HEX #E12623

RGB 225 38 35

HSL 0.95, 0.76%, 0.51%

LAB 48.9, 68.26, 49.66

 

CMYK 84 / 0 / 48 / 12

HEX #24E175

RGB 36 225 117

HSL 145.71, 0.76%, 0.51%

LAB 79.33, -67.25, 40.42

 

CMYK 49 / 84 / 0 / 12

HEX #7223E1

RGB 114 35 225

HSL 264.95, 0.76%, 0.51%

LAB 38.23, 69.16, -80.82

 

CMYK 0 / 49 / 84 / 12

HEX #E17223

RGB 225 114 35

HSL 24.95, 0.76%, 0.51%

LAB 60.04, 38.56, 59.21

 

CMYK 84 / 0 / 48 / 12

HEX #24E175

RGB 36 225 117

HSL 145.71, 0.76%, 0.51%

LAB 79.33, -67.25, 40.42

 

CMYK 84 / 52 / 0 / 12

HEX #236CE1

RGB 35 108 225

HSL 216.95, 0.76%, 0.51%

LAB 47.65, 21.29, -65.62

 

CMYK 0 / 84 / 35 / 12

HEX #E12392

RGB 225 35 146

HSL 324.95, 0.76%, 0.51%

LAB 51.02, 75.68, -13.09

 

CMYK 0 / 32 / 84 / 12

HEX #E19823

RGB 225 152 35

HSL 36.95, 0.76%, 0.51%

LAB 68.45, 18.58, 66.28

 

CMYK 84 / 0 / 48 / 12

HEX #24E175

RGB 36 225 117

HSL 145.71, 0.76%, 0.51%

LAB 79.33, -67.25, 40.42

 

CMYK 84 / 77 / 0 / 12

HEX #2333E1

RGB 35 51 225

HSL 234.95, 0.76%, 0.51%

LAB 34.32, 56.1, -87.49

 

CMYK 0 / 84 / 35 / 12

HEX #E12392

RGB 225 35 146

HSL 324.95, 0.76%, 0.51%

LAB 51.02, 75.68, -13.09

 

CMYK 0 / 7 / 84 / 12

HEX #E1D123

RGB 225 209 35

HSL 54.95, 0.76%, 0.51%

LAB 82.77, -11.22, 78.14

 

Description

Color code: HEX #24E175 | qconv.com Color code: HEX #24E175 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 225 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 225 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 48 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 48% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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