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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24DFEE it is the complementary color #DB2011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24DFEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24DFEE shade: #29DFE9, #3AF1FC, #4BFFFF, #5CFFFF and #6DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24DFEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24DFEE shade: #24DFEE, #13CDDB, #02BBC8, #00A9B5 and #0097A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24DFEE shade: #25E0EF, #25A9EF, #2573EF, #253CEF and #4425EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24DFEE shade: #25E0EF, #25A9EF, #2573EF, #253CEF and #2525EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24DFEE shade matches the following richer shades: #25E0EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24DFEE shade: #25E0EF, #38CFDC, #4BBFC9, #5EAFB6 and #719FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24DFEE shade: #25EF90, #25EFC6, #25E1EF, #25ABEF and #2576EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24DFEE shade: #0EA7B3, #10CBDA, #25E0EF, #4BE5F1 and #72EBF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24DFEE shade: #24DFEE, #5B25EF and #EFAB25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24DFEE shade: #24DFEE, #EF25E1 and #E1EF25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24DFEE shade: #24DFEE, #5B25EF, #EF3225 and #B9EF25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24DFEE shade: #24DFEE, #9725EF, #EF3225 and #7CEF25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 6 / 0 / 7

HEX #24DFEE

RGB 36 223 238

HSL 184.46, 0.86%, 0.54%

LAB 81.47, -37.64, -19.71

 

Complementary color

CMYK 0 / 85 / 92 / 14

HEX #DB2011

RGB 219 32 17

HSL 4.46, 0.86%, 0.46%

LAB 47.15, 67.6, 55.48

 

CMYK 82 / 4 / 0 / 9

HEX #29DFE9

RGB 41 223 233

HSL 183.13, 0.81%, 0.54%

LAB 81.36, -38.8, -17.21

 

CMYK 77 / 4 / 0 / 1

HEX #3AF1FC

RGB 58 241 252

HSL 183.4, 0.97%, 0.61%

LAB 87.41, -40.03, -18.1

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 85 / 6 / 0 / 7

HEX #24DFEE

RGB 36 223 238

HSL 184.46, 0.86%, 0.54%

LAB 81.47, -37.64, -19.71

 

CMYK 91 / 6 / 0 / 14

HEX #13CDDB

RGB 19 205 219

HSL 184.2, 0.84%, 0.47%

LAB 75.4, -35.97, -18.75

 

CMYK 99 / 7 / 0 / 22

HEX #02BBC8

RGB 2 187 200

HSL 183.94, 0.98%, 0.4%

LAB 69.27, -33.99, -17.69

 

CMYK 100 / 7 / 0 / 29

HEX #00A9B5

RGB 0 169 181

HSL 183.98, 1%, 0.35%

LAB 63.1, -31.53, -16.51

 

CMYK 100 / 7 / 0 / 36

HEX #0097A2

RGB 0 151 162

HSL 184.07, 1%, 0.32%

LAB 56.82, -28.97, -15.29

 

CMYK 85 / 6 / 0 / 6

HEX #25E0EF

RGB 37 224 239

HSL 184.46, 0.86%, 0.54%

LAB 81.8, -37.74, -19.74

 

CMYK 85 / 29 / 0 / 6

HEX #25A9EF

RGB 37 169 239

HSL 200.79, 0.86%, 0.54%

LAB 65.75, -9.94, -44.5

 

CMYK 85 / 52 / 0 / 6

HEX #2573EF

RGB 37 115 239

HSL 216.83, 0.86%, 0.54%

LAB 50.55, 22.31, -68.77

 

CMYK 85 / 75 / 0 / 6

HEX #253CEF

RGB 37 60 239

HSL 233.17, 0.86%, 0.54%

LAB 37.58, 55.94, -90.03

 

CMYK 72 / 85 / 0 / 6

HEX #4425EF

RGB 68 37 239

HSL 249.21, 0.86%, 0.54%

LAB 35.57, 68.16, -93.33

 

CMYK 85 / 6 / 0 / 6

HEX #25E0EF

RGB 37 224 239

HSL 184.46, 0.86%, 0.54%

LAB 81.8, -37.74, -19.74

 

CMYK 85 / 29 / 0 / 6

HEX #25A9EF

RGB 37 169 239

HSL 200.79, 0.86%, 0.54%

LAB 65.75, -9.94, -44.5

 

CMYK 85 / 52 / 0 / 6

HEX #2573EF

RGB 37 115 239

HSL 216.83, 0.86%, 0.54%

LAB 50.55, 22.31, -68.77

 

CMYK 85 / 75 / 0 / 6

HEX #253CEF

RGB 37 60 239

HSL 233.17, 0.86%, 0.54%

LAB 37.58, 55.94, -90.03

 

CMYK 85 / 85 / 0 / 6

HEX #2525EF

RGB 37 37 239

HSL 240, 0.86%, 0.54%

LAB 33.88, 66.76, -96.19

 

CMYK 85 / 6 / 0 / 6

HEX #25E0EF

RGB 37 224 239

HSL 184.46, 0.86%, 0.54%

LAB 81.8, -37.74, -19.74

 

CMYK 85 / 6 / 0 / 6

HEX #25E0EF

RGB 37 224 239

HSL 184.46, 0.86%, 0.54%

LAB 81.8, -37.74, -19.74

 

CMYK 75 / 6 / 0 / 14

HEX #38CFDC

RGB 56 207 220

HSL 184.76, 0.7%, 0.54%

LAB 76.46, -33.89, -17.65

 

CMYK 63 / 5 / 0 / 21

HEX #4BBFC9

RGB 75 191 201

HSL 184.76, 0.54%, 0.54%

LAB 71.54, -29.21, -14.72

 

CMYK 48 / 4 / 0 / 29

HEX #5EAFB6

RGB 94 175 182

HSL 184.77, 0.38%, 0.54%

LAB 66.84, -22.83, -11.26

 

CMYK 31 / 2 / 0 / 36

HEX #719FA3

RGB 113 159 163

HSL 184.8, 0.21%, 0.54%

LAB 62.47, -14.4, -7.07

 

CMYK 85 / 0 / 40 / 6

HEX #25EF90

RGB 37 239 144

HSL 151.78, 0.86%, 0.54%

LAB 84.04, -67.23, 33.12

 

CMYK 85 / 0 / 17 / 6

HEX #25EFC6

RGB 37 239 198

HSL 167.82, 0.86%, 0.54%

LAB 85.1, -55.48, 6.78

 

CMYK 85 / 6 / 0 / 6

HEX #25E1EF

RGB 37 225 239

HSL 184.16, 0.86%, 0.54%

LAB 82.1, -38.19, -19.3

 

CMYK 85 / 28 / 0 / 6

HEX #25ABEF

RGB 37 171 239

HSL 200.2, 0.86%, 0.54%

LAB 66.33, -11.04, -43.59

 

CMYK 85 / 51 / 0 / 6

HEX #2576EF

RGB 37 118 239

HSL 215.94, 0.86%, 0.54%

LAB 51.36, 20.42, -67.46

 

CMYK 92 / 7 / 0 / 30

HEX #0EA7B3

RGB 14 167 179

HSL 184.36, 0.85%, 0.38%

LAB 62.5, -30.71, -16.31

 

CMYK 93 / 7 / 0 / 15

HEX #10CBDA

RGB 16 203 218

HSL 184.46, 0.86%, 0.46%

LAB 74.75, -35.46, -19.19

 

CMYK 85 / 6 / 0 / 6

HEX #25E0EF

RGB 37 224 239

HSL 184.46, 0.86%, 0.54%

LAB 81.8, -37.74, -19.74

 

CMYK 69 / 5 / 0 / 5

HEX #4BE5F1

RGB 75 229 241

HSL 184.34, 0.86%, 0.62%

LAB 83.91, -35.81, -17.56

 

CMYK 53 / 4 / 0 / 4

HEX #72EBF4

RGB 114 235 244

HSL 184.15, 0.86%, 0.7%

LAB 86.76, -31.46, -14.74

 

CMYK 85 / 6 / 0 / 7

HEX #24DFEE

RGB 36 223 238

HSL 184.46, 0.86%, 0.54%

LAB 81.47, -37.64, -19.71

 

CMYK 62 / 85 / 0 / 6

HEX #5B25EF

RGB 91 37 239

HSL 256.04, 0.86%, 0.54%

LAB 37.44, 69.77, -90.16

 

CMYK 0 / 28 / 85 / 6

HEX #EFAB25

RGB 239 171 37

HSL 39.8, 0.86%, 0.54%

LAB 74.58, 14.53, 71.44

 

CMYK 85 / 6 / 0 / 7

HEX #24DFEE

RGB 36 223 238

HSL 184.46, 0.86%, 0.54%

LAB 81.47, -37.64, -19.71

 

CMYK 0 / 85 / 6 / 6

HEX #EF25E1

RGB 239 37 225

HSL 304.16, 0.86%, 0.54%

LAB 57.18, 87.78, -49.23

 

CMYK 6 / 0 / 85 / 6

HEX #E1EF25

RGB 225 239 37

HSL 64.16, 0.86%, 0.54%

LAB 90.72, -25.79, 84.27

 

CMYK 85 / 6 / 0 / 7

HEX #24DFEE

RGB 36 223 238

HSL 184.46, 0.86%, 0.54%

LAB 81.47, -37.64, -19.71

 

CMYK 62 / 85 / 0 / 6

HEX #5B25EF

RGB 91 37 239

HSL 256.04, 0.86%, 0.54%

LAB 37.44, 69.77, -90.16

 

CMYK 0 / 79 / 85 / 6

HEX #EF3225

RGB 239 50 37

HSL 3.86, 0.86%, 0.54%

LAB 52.69, 69.23, 53.05

 

CMYK 23 / 0 / 85 / 6

HEX #B9EF25

RGB 185 239 37

HSL 76.04, 0.86%, 0.54%

LAB 88.06, -41.66, 80.97

 

CMYK 85 / 6 / 0 / 7

HEX #24DFEE

RGB 36 223 238

HSL 184.46, 0.86%, 0.54%

LAB 81.47, -37.64, -19.71

 

CMYK 37 / 85 / 0 / 6

HEX #9725EF

RGB 151 37 239

HSL 273.86, 0.86%, 0.54%

LAB 44.43, 76.17, -78.42

 

CMYK 0 / 79 / 85 / 6

HEX #EF3225

RGB 239 50 37

HSL 3.86, 0.86%, 0.54%

LAB 52.69, 69.23, 53.05

 

CMYK 48 / 0 / 85 / 6

HEX #7CEF25

RGB 124 239 37

HSL 94.16, 0.86%, 0.54%

LAB 85.07, -62.5, 77.23

 

Description

Color code: HEX #24DFEE | qconv.com Color code: HEX #24DFEE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 223 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 223 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 6 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 6% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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