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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24D25F it is the complementary color #DB2DA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24D25F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24D25F shade: #29D25A, #3AE46D, #4BF680, #5CFF93 and #6DFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24D25F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24D25F shade: #24D25F, #13C04C, #02AE39, #009C26 and #008A13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24D25F shade: #23D15E, #23D130, #46D123, #75D123 and #A4D123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24D25F shade: #23D15E, #23D18D, #23D1BC, #23B8D1 and #2389D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24D25F shade matches the following richer shades: #23D15E and #10E558

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24D25F shade: #23D15E, #37BD65, #4BAA6B, #5F9672 and #738278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24D25F shade: #46D123, #23D12F, #23D15D, #23D18C and #23D1BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24D25F shade: #188B3F, #1EAE4F, #23D15E, #40DF75 and #63E58F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24D25F shade: #24D25F, #2375D1 and #D1232F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24D25F shade: #24D25F, #5D23D1 and #D15D23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24D25F shade: #24D25F, #2375D1, #D12397 and #D18023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24D25F shade: #24D25F, #2340D1, #D12397 and #D1B423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 55 / 18

HEX #24D25F

RGB 36 210 95

HSL 140.34, 0.71%, 0.48%

LAB 74.38, -65.65, 44.86

 

Complementary color

CMYK 0 / 79 / 27 / 14

HEX #DB2DA0

RGB 219 45 160

HSL 320.34, 0.71%, 0.52%

LAB 51.24, 73.6, -21.2

 

CMYK 80 / 0 / 57 / 18

HEX #29D25A

RGB 41 210 90

HSL 137.4, 0.67%, 0.49%

LAB 74.38, -65.81, 47.21

 

CMYK 75 / 0 / 52 / 11

HEX #3AE46D

RGB 58 228 109

HSL 138, 0.76%, 0.56%

LAB 80.45, -67.02, 45.71

 

CMYK 70 / 0 / 48 / 4

HEX #4BF680

RGB 75 246 128

HSL 138.6, 0.9%, 0.63%

LAB 86.49, -67.83, 44.23

 

CMYK 64 / 0 / 42 / 0

HEX #5CFF93

RGB 92 255 147

HSL 140.25, 1%, 0.68%

LAB 89.81, -65.13, 39.37

 

CMYK 57 / 0 / 35 / 0

HEX #6DFFA6

RGB 109 255 166

HSL 143.42, 1%, 0.71%

LAB 90.56, -58.54, 31.03

 

CMYK 83 / 0 / 55 / 18

HEX #24D25F

RGB 36 210 95

HSL 140.34, 0.71%, 0.48%

LAB 74.38, -65.65, 44.86

 

CMYK 90 / 0 / 60 / 25

HEX #13C04C

RGB 19 192 76

HSL 139.77, 0.82%, 0.41%

LAB 68.28, -63.82, 46.42

 

CMYK 99 / 0 / 67 / 32

HEX #02AE39

RGB 2 174 57

HSL 139.19, 0.98%, 0.35%

LAB 62.15, -61.36, 47.83

 

CMYK 100 / 0 / 76 / 39

HEX #009C26

RGB 0 156 38

HSL 134.62, 1%, 0.31%

LAB 56, -57.88, 48.87

 

CMYK 100 / 0 / 86 / 46

HEX #008A13

RGB 0 138 19

HSL 128.26, 1%, 0.27%

LAB 49.77, -53.85, 48.91

 

CMYK 83 / 0 / 55 / 18

HEX #23D15E

RGB 35 209 94

HSL 140.34, 0.71%, 0.48%

LAB 74.04, -65.56, 44.93

 

CMYK 83 / 0 / 77 / 18

HEX #23D130

RGB 35 209 48

HSL 124.48, 0.71%, 0.48%

LAB 73.66, -70.3, 63.04

 

CMYK 67 / 0 / 83 / 18

HEX #46D123

RGB 70 209 35

HSL 107.93, 0.71%, 0.48%

LAB 74.21, -65.79, 67.4

 

CMYK 44 / 0 / 83 / 18

HEX #75D123

RGB 117 209 35

HSL 91.72, 0.71%, 0.48%

LAB 75.76, -53.45, 69.38

 

CMYK 22 / 0 / 83 / 18

HEX #A4D123

RGB 164 209 35

HSL 75.52, 0.71%, 0.48%

LAB 78.24, -36.52, 72.5

 

CMYK 83 / 0 / 55 / 18

HEX #23D15E

RGB 35 209 94

HSL 140.34, 0.71%, 0.48%

LAB 74.04, -65.56, 44.93

 

CMYK 83 / 0 / 33 / 18

HEX #23D18D

RGB 35 209 141

HSL 156.55, 0.71%, 0.48%

LAB 74.75, -57.28, 22.19

 

CMYK 83 / 0 / 10 / 18

HEX #23D1BC

RGB 35 209 188

HSL 172.76, 0.71%, 0.48%

LAB 75.82, -45.87, -1.39

 

CMYK 83 / 12 / 0 / 18

HEX #23B8D1

RGB 35 184 209

HSL 188.62, 0.71%, 0.48%

LAB 68.93, -28.13, -23.14

 

CMYK 83 / 34 / 0 / 18

HEX #2389D1

RGB 35 137 209

HSL 204.83, 0.71%, 0.48%

LAB 54.92, -2.71, -44.92

 

CMYK 83 / 0 / 55 / 18

HEX #23D15E

RGB 35 209 94

HSL 140.34, 0.71%, 0.48%

LAB 74.04, -65.56, 44.93

 

CMYK 93 / 0 / 62 / 10

HEX #10E558

RGB 16 229 88

HSL 140.28, 0.87%, 0.48%

LAB 80.1, -73.8, 54.66

 

CMYK 83 / 0 / 55 / 18

HEX #23D15E

RGB 35 209 94

HSL 140.34, 0.71%, 0.48%

LAB 74.04, -65.56, 44.93

 

CMYK 71 / 0 / 47 / 26

HEX #37BD65

RGB 55 189 101

HSL 140.6, 0.55%, 0.48%

LAB 68.13, -55.06, 34.26

 

CMYK 56 / 0 / 37 / 33

HEX #4BAA6B

RGB 75 170 107

HSL 140.21, 0.39%, 0.48%

LAB 62.77, -42.46, 24.23

 

CMYK 37 / 0 / 24 / 41

HEX #5F9672

RGB 95 150 114

HSL 140.73, 0.22%, 0.48%

LAB 57.52, -26.29, 13.36

 

CMYK 12 / 0 / 8 / 49

HEX #738278

RGB 115 130 120

HSL 140, 0.06%, 0.48%

LAB 52.91, -7.57, 3.55

 

CMYK 67 / 0 / 83 / 18

HEX #46D123

RGB 70 209 35

HSL 107.93, 0.71%, 0.48%

LAB 74.21, -65.79, 67.4

 

CMYK 83 / 0 / 78 / 18

HEX #23D12F

RGB 35 209 47

HSL 124.14, 0.71%, 0.48%

LAB 73.65, -70.37, 63.34

 

CMYK 83 / 0 / 56 / 18

HEX #23D15D

RGB 35 209 93

HSL 140, 0.71%, 0.48%

LAB 74.03, -65.7, 45.38

 

CMYK 83 / 0 / 33 / 18

HEX #23D18C

RGB 35 209 140

HSL 156.21, 0.71%, 0.48%

LAB 74.73, -57.49, 22.69

 

CMYK 83 / 0 / 11 / 18

HEX #23D1BA

RGB 35 209 186

HSL 172.07, 0.71%, 0.48%

LAB 75.76, -46.41, -0.39

 

CMYK 83 / 0 / 55 / 45

HEX #188B3F

RGB 24 139 63

HSL 140.35, 0.71%, 0.32%

LAB 50.71, -47.57, 31.88

 

CMYK 83 / 0 / 55 / 32

HEX #1EAE4F

RGB 30 174 79

HSL 140.42, 0.71%, 0.4%

LAB 62.6, -56.63, 38.31

 

CMYK 83 / 0 / 55 / 18

HEX #23D15E

RGB 35 209 94

HSL 140.34, 0.71%, 0.48%

LAB 74.04, -65.56, 44.93

 

CMYK 71 / 0 / 48 / 13

HEX #40DF75

RGB 64 223 117

HSL 140, 0.71%, 0.56%

LAB 79.13, -63.24, 40.25

 

CMYK 57 / 0 / 38 / 10

HEX #63E58F

RGB 99 229 143

HSL 140.31, 0.71%, 0.64%

LAB 82.2, -54.55, 31.42

 

CMYK 83 / 0 / 55 / 18

HEX #24D25F

RGB 36 210 95

HSL 140.34, 0.71%, 0.48%

LAB 74.38, -65.65, 44.86

 

CMYK 83 / 44 / 0 / 18

HEX #2375D1

RGB 35 117 209

HSL 211.72, 0.71%, 0.48%

LAB 49.11, 9.45, -54.18

 

CMYK 0 / 83 / 78 / 18

HEX #D1232F

RGB 209 35 47

HSL 355.86, 0.71%, 0.48%

LAB 45.58, 64.89, 38.96

 

CMYK 83 / 0 / 55 / 18

HEX #24D25F

RGB 36 210 95

HSL 140.34, 0.71%, 0.48%

LAB 74.38, -65.65, 44.86

 

CMYK 56 / 83 / 0 / 18

HEX #5D23D1

RGB 93 35 209

HSL 260, 0.71%, 0.48%

LAB 34.26, 62.99, -78.24

 

CMYK 0 / 56 / 83 / 18

HEX #D15D23

RGB 209 93 35

HSL 20, 0.71%, 0.48%

LAB 53.5, 42.8, 52.61

 

CMYK 83 / 0 / 55 / 18

HEX #24D25F

RGB 36 210 95

HSL 140.34, 0.71%, 0.48%

LAB 74.38, -65.65, 44.86

 

CMYK 83 / 44 / 0 / 18

HEX #2375D1

RGB 35 117 209

HSL 211.72, 0.71%, 0.48%

LAB 49.11, 9.45, -54.18

 

CMYK 0 / 83 / 28 / 18

HEX #D12397

RGB 209 35 151

HSL 320, 0.71%, 0.48%

LAB 48.25, 72.63, -20.58

 

CMYK 0 / 39 / 83 / 18

HEX #D18023

RGB 209 128 35

HSL 32.07, 0.71%, 0.48%

LAB 60.88, 24.64, 59.07

 

CMYK 83 / 0 / 55 / 18

HEX #24D25F

RGB 36 210 95

HSL 140.34, 0.71%, 0.48%

LAB 74.38, -65.65, 44.86

 

CMYK 83 / 69 / 0 / 18

HEX #2340D1

RGB 35 64 209

HSL 230, 0.71%, 0.48%

LAB 35.26, 43.34, -76.72

 

CMYK 0 / 83 / 28 / 18

HEX #D12397

RGB 209 35 151

HSL 320, 0.71%, 0.48%

LAB 48.25, 72.63, -20.58

 

CMYK 0 / 14 / 83 / 18

HEX #D1B423

RGB 209 180 35

HSL 50, 0.71%, 0.48%

LAB 73.75, -3.27, 70.05

 

Description

Color code: HEX #24D25F | qconv.com Color code: HEX #24D25F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 210 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 210 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 55 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 55% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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