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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24CA8F it is the complementary color #DB3570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24CA8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24CA8F shade: #29CA8A, #3ADC9D, #4BEEB0, #5CFFC3 and #6DFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24CA8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24CA8F shade: #24CA8F, #13B87C, #02A669, #009456 and #008243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24CA8F shade: #24CC90, #24CC63, #24CC36, #40CC24 and #6DCC24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24CA8F shade: #24CC90, #24CCBD, #24ADCC, #2480CC and #2452CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24CA8F shade matches the following richer shades: #24CC90 and #11DF96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24CA8F shade: #24CC90, #37B88A, #4BA585, #5E927F and #727E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24CA8F shade: #24CC35, #24CC61, #24CC8E, #24CCBB and #24B0CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24CA8F shade: #18865E, #1EA977, #24CC90, #3CDDA4 and #5FE3B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24CA8F shade: #24CA8F, #2440CC and #CC4B24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24CA8F shade: #24CA8F, #8E24CC and #CC8E24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24CA8F shade: #24CA8F, #2440CC, #CC2461 and #CCB024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24CA8F shade: #24CA8F, #3A24CC, #CC2461 and #B5CC24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 29 / 21

HEX #24CA8F

RGB 36 202 143

HSL 158.67, 0.7%, 0.47%

LAB 72.63, -54.12, 18.22

 

Complementary color

CMYK 0 / 76 / 49 / 14

HEX #DB3570

RGB 219 53 112

HSL 338.67, 0.7%, 0.53%

LAB 50.42, 66.56, 6.43

 

CMYK 80 / 0 / 32 / 21

HEX #29CA8A

RGB 41 202 138

HSL 156.15, 0.66%, 0.48%

LAB 72.59, -54.72, 20.84

 

CMYK 74 / 0 / 29 / 14

HEX #3ADC9D

RGB 58 220 157

HSL 156.67, 0.7%, 0.55%

LAB 78.76, -55.55, 19.36

 

CMYK 68 / 0 / 26 / 7

HEX #4BEEB0

RGB 75 238 176

HSL 157.18, 0.83%, 0.61%

LAB 84.88, -56.1, 18.02

 

CMYK 64 / 0 / 24 / 0

HEX #5CFFC3

RGB 92 255 195

HSL 157.91, 1%, 0.68%

LAB 90.66, -56.05, 16.36

 

CMYK 57 / 0 / 16 / 0

HEX #6DFFD6

RGB 109 255 214

HSL 163.15, 1%, 0.71%

LAB 91.52, -48.8, 7.86

 

CMYK 82 / 0 / 29 / 21

HEX #24CA8F

RGB 36 202 143

HSL 158.67, 0.7%, 0.47%

LAB 72.63, -54.12, 18.22

 

CMYK 90 / 0 / 33 / 28

HEX #13B87C

RGB 19 184 124

HSL 158.18, 0.81%, 0.4%

LAB 66.42, -52.78, 19.83

 

CMYK 99 / 0 / 37 / 35

HEX #02A669

RGB 2 166 105

HSL 157.68, 0.98%, 0.33%

LAB 60.16, -51.01, 21.6

 

CMYK 100 / 0 / 42 / 42

HEX #009456

RGB 0 148 86

HSL 154.86, 1%, 0.29%

LAB 53.87, -48.46, 23.59

 

CMYK 100 / 0 / 48 / 49

HEX #008243

RGB 0 130 67

HSL 150.92, 1%, 0.25%

LAB 47.46, -45.66, 25.66

 

CMYK 82 / 0 / 29 / 20

HEX #24CC90

RGB 36 204 144

HSL 158.57, 0.7%, 0.47%

LAB 73.27, -54.66, 18.57

 

CMYK 82 / 0 / 51 / 20

HEX #24CC63

RGB 36 204 99

HSL 142.5, 0.7%, 0.47%

LAB 72.54, -63.1, 40.71

 

CMYK 82 / 0 / 74 / 20

HEX #24CC36

RGB 36 204 54

HSL 126.43, 0.7%, 0.47%

LAB 72.11, -68.28, 59.52

 

CMYK 69 / 0 / 82 / 20

HEX #40CC24

RGB 64 204 36

HSL 110, 0.7%, 0.47%

LAB 72.5, -65.31, 65.55

 

CMYK 47 / 0 / 82 / 20

HEX #6DCC24

RGB 109 204 36

HSL 93.93, 0.7%, 0.47%

LAB 73.91, -53.99, 67.35

 

CMYK 82 / 0 / 29 / 20

HEX #24CC90

RGB 36 204 144

HSL 158.57, 0.7%, 0.47%

LAB 73.27, -54.66, 18.57

 

CMYK 82 / 0 / 7 / 20

HEX #24CCBD

RGB 36 204 189

HSL 174.64, 0.7%, 0.47%

LAB 74.34, -43.36, -4.1

 

CMYK 82 / 15 / 0 / 20

HEX #24ADCC

RGB 36 173 204

HSL 191.07, 0.7%, 0.47%

LAB 65.45, -24.16, -25.7

 

CMYK 82 / 37 / 0 / 20

HEX #2480CC

RGB 36 128 204

HSL 207.14, 0.7%, 0.47%

LAB 52.03, 0.87, -46.67

 

CMYK 82 / 60 / 0 / 20

HEX #2452CC

RGB 36 82 204

HSL 223.57, 0.7%, 0.47%

LAB 39.19, 30.16, -67.38

 

CMYK 82 / 0 / 29 / 20

HEX #24CC90

RGB 36 204 144

HSL 158.57, 0.7%, 0.47%

LAB 73.27, -54.66, 18.57

 

CMYK 92 / 0 / 33 / 13

HEX #11DF96

RGB 17 223 150

HSL 158.74, 0.86%, 0.47%

LAB 79.1, -61.62, 23.4

 

CMYK 82 / 0 / 29 / 20

HEX #24CC90

RGB 36 204 144

HSL 158.57, 0.7%, 0.47%

LAB 73.27, -54.66, 18.57

 

CMYK 70 / 0 / 25 / 28

HEX #37B88A

RGB 55 184 138

HSL 158.6, 0.54%, 0.47%

LAB 67.22, -45.78, 13.43

 

CMYK 55 / 0 / 19 / 35

HEX #4BA585

RGB 75 165 133

HSL 158.67, 0.38%, 0.47%

LAB 61.74, -34.79, 8.52

 

CMYK 36 / 0 / 13 / 43

HEX #5E927F

RGB 94 146 127

HSL 158.08, 0.22%, 0.47%

LAB 56.56, -21.8, 4.59

 

CMYK 10 / 0 / 3 / 51

HEX #727E7A

RGB 114 126 122

HSL 160, 0.05%, 0.47%

LAB 51.73, -5.27, 0.65

 

CMYK 82 / 0 / 74 / 20

HEX #24CC35

RGB 36 204 53

HSL 126.07, 0.7%, 0.47%

LAB 72.11, -68.36, 59.86

 

CMYK 82 / 0 / 52 / 20

HEX #24CC61

RGB 36 204 97

HSL 141.79, 0.7%, 0.47%

LAB 72.51, -63.4, 41.65

 

CMYK 82 / 0 / 30 / 20

HEX #24CC8E

RGB 36 204 142

HSL 157.86, 0.7%, 0.47%

LAB 73.23, -55.1, 19.58

 

CMYK 82 / 0 / 8 / 20

HEX #24CCBB

RGB 36 204 187

HSL 173.93, 0.7%, 0.47%

LAB 74.28, -43.91, -3.1

 

CMYK 82 / 14 / 0 / 20

HEX #24B0CC

RGB 36 176 204

HSL 190, 0.7%, 0.47%

LAB 66.36, -25.68, -24.31

 

CMYK 82 / 0 / 30 / 47

HEX #18865E

RGB 24 134 94

HSL 158.18, 0.7%, 0.31%

LAB 49.56, -39.5, 13.31

 

CMYK 82 / 0 / 30 / 34

HEX #1EA977

RGB 30 169 119

HSL 158.42, 0.7%, 0.39%

LAB 61.64, -47.24, 15.99

 

CMYK 82 / 0 / 29 / 20

HEX #24CC90

RGB 36 204 144

HSL 158.57, 0.7%, 0.47%

LAB 73.27, -54.66, 18.57

 

CMYK 73 / 0 / 26 / 13

HEX #3CDDA4

RGB 60 221 164

HSL 158.76, 0.7%, 0.55%

LAB 79.24, -54.14, 16.36

 

CMYK 58 / 0 / 21 / 11

HEX #5FE3B4

RGB 95 227 180

HSL 158.64, 0.7%, 0.63%

LAB 82.2, -47.25, 12.22

 

CMYK 82 / 0 / 29 / 21

HEX #24CA8F

RGB 36 202 143

HSL 158.67, 0.7%, 0.47%

LAB 72.63, -54.12, 18.22

 

CMYK 82 / 69 / 0 / 20

HEX #2440CC

RGB 36 64 204

HSL 230, 0.7%, 0.47%

LAB 34.81, 41.63, -74.57

 

CMYK 0 / 63 / 82 / 20

HEX #CC4B24

RGB 204 75 36

HSL 13.93, 0.7%, 0.47%

LAB 49.49, 49.35, 48.25

 

CMYK 82 / 0 / 29 / 21

HEX #24CA8F

RGB 36 202 143

HSL 158.67, 0.7%, 0.47%

LAB 72.63, -54.12, 18.22

 

CMYK 30 / 82 / 0 / 20

HEX #8E24CC

RGB 142 36 204

HSL 277.86, 0.7%, 0.47%

LAB 40.2, 67.91, -65.35

 

CMYK 0 / 30 / 82 / 20

HEX #CC8E24

RGB 204 142 36

HSL 37.86, 0.7%, 0.47%

LAB 63.6, 14.92, 60.85

 

CMYK 82 / 0 / 29 / 21

HEX #24CA8F

RGB 36 202 143

HSL 158.67, 0.7%, 0.47%

LAB 72.63, -54.12, 18.22

 

CMYK 82 / 69 / 0 / 20

HEX #2440CC

RGB 36 64 204

HSL 230, 0.7%, 0.47%

LAB 34.81, 41.63, -74.57

 

CMYK 0 / 82 / 52 / 20

HEX #CC2461

RGB 204 36 97

HSL 338.21, 0.7%, 0.47%

LAB 45.58, 66.02, 8.36

 

CMYK 0 / 14 / 82 / 20

HEX #CCB024

RGB 204 176 36

HSL 50, 0.7%, 0.47%

LAB 72.24, -3.33, 68.31

 

CMYK 82 / 0 / 29 / 21

HEX #24CA8F

RGB 36 202 143

HSL 158.67, 0.7%, 0.47%

LAB 72.63, -54.12, 18.22

 

CMYK 72 / 82 / 0 / 20

HEX #3A24CC

RGB 58 36 204

HSL 247.86, 0.7%, 0.47%

LAB 30.69, 58.17, -81.33

 

CMYK 0 / 82 / 52 / 20

HEX #CC2461

RGB 204 36 97

HSL 338.21, 0.7%, 0.47%

LAB 45.58, 66.02, 8.36

 

CMYK 11 / 0 / 82 / 20

HEX #B5CC24

RGB 181 204 36

HSL 68.21, 0.7%, 0.47%

LAB 77.96, -27.29, 72.47

 

Description

Color code: HEX #24CA8F | qconv.com Color code: HEX #24CA8F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 202 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 202 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 29 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 29% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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