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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24C6A4 it is the complementary color #DB395B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24C6A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24C6A4 shade: #29C69F, #3AD8B2, #4BEAC5, #5CFCD8 and #6DFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24C6A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24C6A4 shade: #24C6A4, #13B491, #02A27E, #00906B and #007E58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24C6A4 shade: #24C6A4, #24C679, #24C64D, #27C624 and #53C624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24C6A4 shade: #24C6A4, #24BDC6, #2491C6, #2465C6 and #243AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24C6A4 shade matches the following richer shades: #24C6A4 and #11D9AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24C6A4 shade: #24C6A4, #37B399, #4AA08E, #5D8D83 and #707A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24C6A4 shade: #24C64D, #24C678, #24C6A3, #24BEC6 and #2493C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24C6A4 shade: #18816A, #1EA387, #24C6A4, #39DBB9 and #5CE1C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24C6A4 shade: #24C6A4, #2427C6 and #C66224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24C6A4 shade: #24C6A4, #A324C6 and #C6A324

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24C6A4 shade: #24C6A4, #2427C6, #C62447 and #C6C424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24C6A4 shade: #24C6A4, #5224C6, #C62447 and #98C624

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

Complementary color

CMYK 0 / 74 / 58 / 14

HEX #DB395B

RGB 219 57 91

HSL 347.41, 0.69%, 0.54%

LAB 50.38, 63.73, 19.1

 

CMYK 79 / 0 / 20 / 22

HEX #29C69F

RGB 41 198 159

HSL 165.1, 0.66%, 0.47%

LAB 71.8, -48.29, 8.47

 

CMYK 73 / 0 / 18 / 15

HEX #3AD8B2

RGB 58 216 178

HSL 165.57, 0.67%, 0.54%

LAB 78.01, -49.1, 7.18

 

CMYK 68 / 0 / 16 / 8

HEX #4BEAC5

RGB 75 234 197

HSL 166.04, 0.79%, 0.61%

LAB 84.16, -49.67, 6.02

 

CMYK 63 / 0 / 14 / 1

HEX #5CFCD8

RGB 92 252 216

HSL 166.5, 0.96%, 0.67%

LAB 90.25, -50.06, 4.95

 

CMYK 57 / 0 / 8 / 0

HEX #6DFFEB

RGB 109 255 235

HSL 171.78, 1%, 0.71%

LAB 92.03, -43.84, -2.26

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 89 / 0 / 19 / 29

HEX #13B491

RGB 19 180 145

HSL 166.96, 0.81%, 0.39%

LAB 65.61, -46.18, 7.23

 

CMYK 99 / 0 / 22 / 36

HEX #02A27E

RGB 2 162 126

HSL 166.5, 0.98%, 0.32%

LAB 59.31, -44.49, 8.79

 

CMYK 100 / 0 / 26 / 44

HEX #00906B

RGB 0 144 107

HSL 164.58, 1%, 0.28%

LAB 52.96, -42.11, 10.57

 

CMYK 100 / 0 / 30 / 51

HEX #007E58

RGB 0 126 88

HSL 161.9, 1%, 0.25%

LAB 46.48, -39.55, 12.47

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 82 / 0 / 39 / 22

HEX #24C679

RGB 36 198 121

HSL 151.48, 0.69%, 0.46%

LAB 70.97, -57.21, 27.58

 

CMYK 82 / 0 / 61 / 22

HEX #24C64D

RGB 36 198 77

HSL 135.19, 0.69%, 0.46%

LAB 70.38, -64.14, 48.43

 

CMYK 80 / 0 / 82 / 22

HEX #27C624

RGB 39 198 36

HSL 118.89, 0.69%, 0.46%

LAB 70.14, -67.35, 63.21

 

CMYK 58 / 0 / 82 / 22

HEX #53C624

RGB 83 198 36

HSL 102.59, 0.69%, 0.46%

LAB 71.11, -59.11, 64.47

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 82 / 5 / 0 / 22

HEX #24BDC6

RGB 36 189 198

HSL 183.33, 0.69%, 0.46%

LAB 70.07, -33.92, -15.37

 

CMYK 82 / 27 / 0 / 22

HEX #2491C6

RGB 36 145 198

HSL 199.63, 0.69%, 0.46%

LAB 56.78, -11.24, -35.78

 

CMYK 82 / 49 / 0 / 22

HEX #2465C6

RGB 36 101 198

HSL 215.93, 0.69%, 0.46%

LAB 43.89, 15.48, -56.28

 

CMYK 82 / 71 / 0 / 22

HEX #243AC6

RGB 36 58 198

HSL 231.85, 0.69%, 0.46%

LAB 32.87, 43.16, -74.26

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 92 / 0 / 19 / 15

HEX #11D9AF

RGB 17 217 175

HSL 167.4, 0.85%, 0.46%

LAB 77.78, -53.58, 8.4

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 69 / 0 / 15 / 30

HEX #37B399

RGB 55 179 153

HSL 167.42, 0.53%, 0.46%

LAB 66.02, -39.97, 3.47

 

CMYK 54 / 0 / 11 / 37

HEX #4AA08E

RGB 74 160 142

HSL 167.44, 0.37%, 0.46%

LAB 60.38, -30.47, 1.5

 

CMYK 34 / 0 / 7 / 45

HEX #5D8D83

RGB 93 141 131

HSL 167.5, 0.21%, 0.46%

LAB 55.09, -18.56, 0.16

 

CMYK 8 / 0 / 2 / 52

HEX #707A78

RGB 112 122 120

HSL 168, 0.04%, 0.46%

LAB 50.36, -4.14, -0.19

 

CMYK 82 / 0 / 61 / 22

HEX #24C64D

RGB 36 198 77

HSL 135.19, 0.69%, 0.46%

LAB 70.38, -64.14, 48.43

 

CMYK 82 / 0 / 39 / 22

HEX #24C678

RGB 36 198 120

HSL 151.11, 0.69%, 0.46%

LAB 70.95, -57.41, 28.08

 

CMYK 82 / 0 / 18 / 22

HEX #24C6A3

RGB 36 198 163

HSL 167.04, 0.69%, 0.46%

LAB 71.83, -47.75, 6.33

 

CMYK 82 / 4 / 0 / 22

HEX #24BEC6

RGB 36 190 198

HSL 182.96, 0.69%, 0.46%

LAB 70.37, -34.39, -14.91

 

CMYK 82 / 26 / 0 / 22

HEX #2493C6

RGB 36 147 198

HSL 198.89, 0.69%, 0.46%

LAB 57.39, -12.36, -34.84

 

CMYK 81 / 0 / 18 / 49

HEX #18816A

RGB 24 129 106

HSL 166.86, 0.69%, 0.3%

LAB 48.18, -34.24, 4.38

 

CMYK 82 / 0 / 17 / 36

HEX #1EA387

RGB 30 163 135

HSL 167.37, 0.69%, 0.38%

LAB 60.09, -40.8, 4.89

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 74 / 0 / 16 / 14

HEX #39DBB9

RGB 57 219 185

HSL 167.41, 0.69%, 0.54%

LAB 79.06, -48.74, 4.97

 

CMYK 59 / 0 / 12 / 12

HEX #5CE1C5

RGB 92 225 197

HSL 167.37, 0.69%, 0.62%

LAB 81.92, -43.02, 2.84

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 82 / 80 / 0 / 22

HEX #2427C6

RGB 36 39 198

HSL 238.89, 0.69%, 0.46%

LAB 29.17, 53.66, -80.39

 

CMYK 0 / 51 / 82 / 22

HEX #C66224

RGB 198 98 36

HSL 22.96, 0.69%, 0.46%

LAB 52.81, 36.02, 50.93

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 18 / 82 / 0 / 22

HEX #A324C6

RGB 163 36 198

HSL 287.04, 0.69%, 0.46%

LAB 42.95, 70.17, -57.25

 

CMYK 0 / 18 / 82 / 22

HEX #C6A324

RGB 198 163 36

HSL 47.04, 0.69%, 0.46%

LAB 68.26, 0.91, 64.66

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 82 / 80 / 0 / 22

HEX #2427C6

RGB 36 39 198

HSL 238.89, 0.69%, 0.46%

LAB 29.17, 53.66, -80.39

 

CMYK 0 / 82 / 64 / 22

HEX #C62447

RGB 198 36 71

HSL 347.04, 0.69%, 0.46%

LAB 43.83, 62.7, 21.95

 

CMYK 0 / 1 / 82 / 22

HEX #C6C424

RGB 198 196 36

HSL 59.26, 0.69%, 0.46%

LAB 77.05, -16.21, 72.2

 

CMYK 82 / 0 / 17 / 22

HEX #24C6A4

RGB 36 198 164

HSL 167.41, 0.69%, 0.46%

LAB 71.86, -47.49, 5.83

 

CMYK 59 / 82 / 0 / 22

HEX #5224C6

RGB 82 36 198

HSL 257.04, 0.69%, 0.46%

LAB 32.11, 58.59, -75.41

 

CMYK 0 / 82 / 64 / 22

HEX #C62447

RGB 198 36 71

HSL 347.04, 0.69%, 0.46%

LAB 43.83, 62.7, 21.95

 

CMYK 23 / 0 / 82 / 22

HEX #98C624

RGB 152 198 36

HSL 77.04, 0.69%, 0.46%

LAB 74.31, -36.22, 68.54

 

Description

Color code: HEX #24C6A4 | qconv.com Color code: HEX #24C6A4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 198 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 198 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 17 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 17% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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