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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24BD56 it is the complementary color #DB42A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24BD56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24BD56 shade: #29BD51, #3ACF64, #4BE177, #5CF38A and #6DFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24BD56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24BD56 shade: #24BD56, #13AB43, #029930, #00871D and #00750A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24BD56 shade: #24BC56, #24BC2D, #44BC24, #6DBC24 and #97BC24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24BD56 shade: #24BC56, #24BC7F, #24BCA8, #24A8BC and #247FBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24BD56 shade matches the following richer shades: #24BC56 and #12CF4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24BD56 shade: #24BC56, #36AA5C, #489862, #5A8669 and #6D746F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24BD56 shade: #45BC24, #24BC2C, #24BC54, #24BC7D and #24BCA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24BD56 shade: #177736, #1D9A46, #24BC56, #32D868 and #54DF82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24BD56 shade: #24BD56, #246EBC and #BC2431

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24BD56 shade: #24BD56, #5424BC and #BC5424

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24BD56 shade: #24BD56, #246EBC, #BC248C and #BC7324

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24BD56 shade: #24BD56, #2440BC, #BC248C and #BCA124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 54 / 26

HEX #24BD56

RGB 36 189 86

HSL 139.61, 0.68%, 0.44%

LAB 67.61, -60.01, 40.98

 

Complementary color

CMYK 0 / 70 / 23 / 14

HEX #DB42A9

RGB 219 66 169

HSL 319.61, 0.68%, 0.56%

LAB 53.84, 68.36, -22.51

 

CMYK 78 / 0 / 57 / 26

HEX #29BD51

RGB 41 189 81

HSL 136.22, 0.64%, 0.45%

LAB 67.62, -60.11, 43.4

 

CMYK 72 / 0 / 52 / 19

HEX #3ACF64

RGB 58 207 100

HSL 136.91, 0.61%, 0.52%

LAB 73.83, -61.16, 41.9

 

CMYK 67 / 0 / 47 / 12

HEX #4BE177

RGB 75 225 119

HSL 137.6, 0.71%, 0.59%

LAB 80, -61.81, 40.42

 

CMYK 62 / 0 / 43 / 5

HEX #5CF38A

RGB 92 243 138

HSL 138.28, 0.86%, 0.66%

LAB 86.11, -62.19, 38.99

 

CMYK 57 / 0 / 38 / 0

HEX #6DFF9D

RGB 109 255 157

HSL 139.73, 1%, 0.71%

LAB 90.42, -60.1, 35.32

 

CMYK 81 / 0 / 54 / 26

HEX #24BD56

RGB 36 189 86

HSL 139.61, 0.68%, 0.44%

LAB 67.61, -60.01, 40.98

 

CMYK 89 / 0 / 61 / 33

HEX #13AB43

RGB 19 171 67

HSL 138.95, 0.8%, 0.37%

LAB 61.37, -58.3, 42.55

 

CMYK 99 / 0 / 69 / 40

HEX #029930

RGB 2 153 48

HSL 138.28, 0.97%, 0.3%

LAB 55.08, -55.9, 43.96

 

CMYK 100 / 0 / 79 / 47

HEX #00871D

RGB 0 135 29

HSL 132.89, 1%, 0.26%

LAB 48.78, -52.3, 44.9

 

CMYK 100 / 0 / 91 / 54

HEX #00750A

RGB 0 117 10

HSL 125.13, 1%, 0.23%

LAB 42.38, -48.03, 44.5

 

CMYK 81 / 0 / 54 / 26

HEX #24BC56

RGB 36 188 86

HSL 139.74, 0.68%, 0.44%

LAB 67.29, -59.68, 40.6

 

CMYK 81 / 0 / 76 / 26

HEX #24BC2D

RGB 36 188 45

HSL 123.55, 0.68%, 0.44%

LAB 66.92, -64.13, 57.42

 

CMYK 64 / 0 / 81 / 26

HEX #44BC24

RGB 68 188 36

HSL 107.37, 0.68%, 0.44%

LAB 67.52, -59.24, 61

 

CMYK 42 / 0 / 81 / 26

HEX #6DBC24

RGB 109 188 36

HSL 91.18, 0.68%, 0.44%

LAB 69, -47.7, 62.9

 

CMYK 20 / 0 / 81 / 26

HEX #97BC24

RGB 151 188 36

HSL 74.61, 0.68%, 0.44%

LAB 71.33, -32.02, 65.88

 

CMYK 81 / 0 / 54 / 26

HEX #24BC56

RGB 36 188 86

HSL 139.74, 0.68%, 0.44%

LAB 67.29, -59.68, 40.6

 

CMYK 81 / 0 / 32 / 26

HEX #24BC7F

RGB 36 188 127

HSL 155.92, 0.68%, 0.44%

LAB 67.93, -52.26, 20.3

 

CMYK 81 / 0 / 11 / 26

HEX #24BCA8

RGB 36 188 168

HSL 172.11, 0.68%, 0.44%

LAB 68.87, -42.18, -0.68

 

CMYK 81 / 11 / 0 / 26

HEX #24A8BC

RGB 36 168 188

HSL 187.89, 0.68%, 0.44%

LAB 63.35, -26.85, -20.02

 

CMYK 81 / 32 / 0 / 26

HEX #247FBC

RGB 36 127 188

HSL 204.08, 0.68%, 0.44%

LAB 50.9, -4.5, -39.32

 

CMYK 81 / 0 / 54 / 26

HEX #24BC56

RGB 36 188 86

HSL 139.74, 0.68%, 0.44%

LAB 67.29, -59.68, 40.6

 

CMYK 91 / 0 / 62 / 19

HEX #12CF4F

RGB 18 207 79

HSL 139.37, 0.84%, 0.44%

LAB 73.1, -68.14, 50.6

 

CMYK 81 / 0 / 54 / 26

HEX #24BC56

RGB 36 188 86

HSL 139.74, 0.68%, 0.44%

LAB 67.29, -59.68, 40.6

 

CMYK 68 / 0 / 46 / 33

HEX #36AA5C

RGB 54 170 92

HSL 139.66, 0.52%, 0.44%

LAB 61.92, -49.64, 30.97

 

CMYK 53 / 0 / 36 / 40

HEX #489862

RGB 72 152 98

HSL 139.5, 0.36%, 0.44%

LAB 56.8, -37.1, 21.14

 

CMYK 33 / 0 / 22 / 47

HEX #5A8669

RGB 90 134 105

HSL 140.45, 0.2%, 0.44%

LAB 52.11, -21.65, 10.88

 

CMYK 6 / 0 / 4 / 55

HEX #6D746F

RGB 109 116 111

HSL 137.14, 0.03%, 0.44%

LAB 48.12, -3.67, 1.84

 

CMYK 63 / 0 / 81 / 26

HEX #45BC24

RGB 69 188 36

HSL 106.97, 0.68%, 0.44%

LAB 67.55, -59.01, 61.03

 

CMYK 81 / 0 / 77 / 26

HEX #24BC2C

RGB 36 188 44

HSL 123.16, 0.68%, 0.44%

LAB 66.92, -64.21, 57.75

 

CMYK 81 / 0 / 55 / 26

HEX #24BC54

RGB 36 188 84

HSL 138.95, 0.68%, 0.44%

LAB 67.26, -59.96, 41.53

 

CMYK 81 / 0 / 34 / 26

HEX #24BC7D

RGB 36 188 125

HSL 155.13, 0.68%, 0.44%

LAB 67.89, -52.69, 21.32

 

CMYK 81 / 0 / 12 / 26

HEX #24BCA6

RGB 36 188 166

HSL 171.32, 0.68%, 0.44%

LAB 68.82, -42.73, 0.34

 

CMYK 81 / 0 / 55 / 53

HEX #177736

RGB 23 119 54

HSL 139.38, 0.68%, 0.28%

LAB 43.72, -41.83, 28.04

 

CMYK 81 / 0 / 55 / 40

HEX #1D9A46

RGB 29 154 70

HSL 139.68, 0.68%, 0.36%

LAB 55.9, -51.2, 34.65

 

CMYK 81 / 0 / 54 / 26

HEX #24BC56

RGB 36 188 86

HSL 139.74, 0.68%, 0.44%

LAB 67.29, -59.68, 40.6

 

CMYK 77 / 0 / 52 / 15

HEX #32D868

RGB 50 216 104

HSL 139.52, 0.68%, 0.52%

LAB 76.55, -64.78, 43.28

 

CMYK 62 / 0 / 42 / 13

HEX #54DF82

RGB 84 223 130

HSL 139.86, 0.68%, 0.6%

LAB 79.77, -57.6, 34.71

 

CMYK 81 / 0 / 54 / 26

HEX #24BD56

RGB 36 189 86

HSL 139.61, 0.68%, 0.44%

LAB 67.61, -60.01, 40.98

 

CMYK 81 / 41 / 0 / 26

HEX #246EBC

RGB 36 110 188

HSL 210.79, 0.68%, 0.44%

LAB 45.85, 5.87, -47.35

 

CMYK 0 / 81 / 74 / 26

HEX #BC2431

RGB 188 36 49

HSL 354.87, 0.68%, 0.44%

LAB 41.49, 58.83, 32.09

 

CMYK 81 / 0 / 54 / 26

HEX #24BD56

RGB 36 189 86

HSL 139.61, 0.68%, 0.44%

LAB 67.61, -60.01, 40.98

 

CMYK 55 / 81 / 0 / 26

HEX #5424BC

RGB 84 36 188

HSL 258.95, 0.68%, 0.44%

LAB 31.29, 56.14, -70.86

 

CMYK 0 / 55 / 81 / 26

HEX #BC5424

RGB 188 84 36

HSL 18.95, 0.68%, 0.44%

LAB 48.46, 39.18, 46.33

 

CMYK 81 / 0 / 54 / 26

HEX #24BD56

RGB 36 189 86

HSL 139.61, 0.68%, 0.44%

LAB 67.61, -60.01, 40.98

 

CMYK 81 / 41 / 0 / 26

HEX #246EBC

RGB 36 110 188

HSL 210.79, 0.68%, 0.44%

LAB 45.85, 5.87, -47.35

 

CMYK 0 / 81 / 26 / 26

HEX #BC248C

RGB 188 36 140

HSL 318.95, 0.68%, 0.44%

LAB 44.01, 66.33, -20.78

 

CMYK 0 / 39 / 81 / 26

HEX #BC7324

RGB 188 115 36

HSL 31.18, 0.68%, 0.44%

LAB 55.15, 22.74, 52.57

 

CMYK 81 / 0 / 54 / 26

HEX #24BD56

RGB 36 189 86

HSL 139.61, 0.68%, 0.44%

LAB 67.61, -60.01, 40.98

 

CMYK 81 / 66 / 0 / 26

HEX #2440BC

RGB 36 64 188

HSL 228.95, 0.68%, 0.44%

LAB 33.29, 35.82, -67.7

 

CMYK 0 / 81 / 26 / 26

HEX #BC248C

RGB 188 36 140

HSL 318.95, 0.68%, 0.44%

LAB 44.01, 66.33, -20.78

 

CMYK 0 / 14 / 81 / 26

HEX #BCA124

RGB 188 161 36

HSL 49.34, 0.68%, 0.44%

LAB 66.75, -2.46, 62.96

 

Description

Color code: HEX #24BD56 | qconv.com Color code: HEX #24BD56 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 189 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 189 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 54 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 54% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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