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Color name
HEX #24B42C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24B42C it is the complementary color #DB4BD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24B42C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24B42C shade: #29B427, #3AC63A, #4BD84D, #5CEA60 and #6DFC73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24B42C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24B42C shade: #24B42C, #13A219, #029006, #007E00 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24B42C shade: #23B32B, #42B323, #69B323, #8FB323 and #B3B023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24B42C shade: #23B32B, #23B352, #23B379, #23B39F and #23A0B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24B42C shade matches the following richer shades: #23B32B, #12C41C and #01D60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24B42C shade: #23B32B, #35A23B, #46904A, #577F5A and #696E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24B42C shade: #69B323, #42B323, #23B32B, #23B351 and #23B377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24B42C shade: #166E1B, #1D9023, #23B32B, #2AD534 and #4DDC55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24B42C shade: #24B42C, #238FB3 and #B32356

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24B42C shade: #24B42C, #2B23B3 and #B32B23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24B42C shade: #24B42C, #238FB3, #B323AC and #B34723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24B42C shade: #24B42C, #2364B3, #B323AC and #B37223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 76 / 29

HEX #24B42C

RGB 36 180 44

HSL 123.33, 0.67%, 0.42%

LAB 64.32, -61.75, 55.18

 

Complementary color

CMYK 0 / 66 / 4 / 14

HEX #DB4BD3

RGB 219 75 211

HSL 303.33, 0.67%, 0.58%

LAB 56.88, 71.16, -41.99

 

CMYK 77 / 0 / 78 / 29

HEX #29B427

RGB 41 180 39

HSL 119.15, 0.64%, 0.43%

LAB 64.37, -61.43, 56.91

 

CMYK 71 / 0 / 71 / 22

HEX #3AC63A

RGB 58 198 58

HSL 120, 0.55%, 0.5%

LAB 70.59, -63, 56.61

 

CMYK 65 / 0 / 64 / 15

HEX #4BD84D

RGB 75 216 77

HSL 120.85, 0.64%, 0.57%

LAB 76.77, -64.03, 55.79

 

CMYK 61 / 0 / 59 / 8

HEX #5CEA60

RGB 92 234 96

HSL 121.69, 0.77%, 0.64%

LAB 82.9, -64.68, 54.71

 

CMYK 57 / 0 / 54 / 1

HEX #6DFC73

RGB 109 252 115

HSL 122.52, 0.96%, 0.71%

LAB 88.97, -65.07, 53.51

 

CMYK 80 / 0 / 76 / 29

HEX #24B42C

RGB 36 180 44

HSL 123.33, 0.67%, 0.42%

LAB 64.32, -61.75, 55.18

 

CMYK 88 / 0 / 85 / 36

HEX #13A219

RGB 19 162 25

HSL 122.52, 0.79%, 0.35%

LAB 58.08, -59.33, 54.97

 

CMYK 99 / 0 / 96 / 44

HEX #029006

RGB 2 144 6

HSL 121.69, 0.97%, 0.29%

LAB 51.81, -55.98, 53.32

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 80 / 0 / 76 / 30

HEX #23B32B

RGB 35 179 43

HSL 123.33, 0.67%, 0.42%

LAB 63.98, -61.64, 55.18

 

CMYK 63 / 0 / 80 / 30

HEX #42B323

RGB 66 179 35

HSL 107.08, 0.67%, 0.42%

LAB 64.58, -56.67, 58.52

 

CMYK 41 / 0 / 80 / 30

HEX #69B323

RGB 105 179 35

HSL 90.83, 0.67%, 0.42%

LAB 66.03, -45.44, 60.4

 

CMYK 20 / 0 / 80 / 30

HEX #8FB323

RGB 143 179 35

HSL 75, 0.67%, 0.42%

LAB 68.17, -31.09, 63.13

 

CMYK 0 / 2 / 80 / 30

HEX #B3B023

RGB 179 176 35

HSL 58.75, 0.67%, 0.42%

LAB 70, -14.32, 65.78

 

CMYK 80 / 0 / 76 / 30

HEX #23B32B

RGB 35 179 43

HSL 123.33, 0.67%, 0.42%

LAB 63.98, -61.64, 55.18

 

CMYK 80 / 0 / 54 / 30

HEX #23B352

RGB 35 179 82

HSL 139.58, 0.67%, 0.42%

LAB 64.33, -57.33, 38.95

 

CMYK 80 / 0 / 32 / 30

HEX #23B379

RGB 35 179 121

HSL 155.83, 0.67%, 0.42%

LAB 64.95, -50.2, 19.46

 

CMYK 80 / 0 / 11 / 30

HEX #23B39F

RGB 35 179 159

HSL 171.67, 0.67%, 0.42%

LAB 65.83, -40.8, -0.17

 

CMYK 80 / 11 / 0 / 30

HEX #23A0B3

RGB 35 160 179

HSL 187.92, 0.67%, 0.42%

LAB 60.56, -25.83, -19.22

 

CMYK 80 / 0 / 76 / 30

HEX #23B32B

RGB 35 179 43

HSL 123.33, 0.67%, 0.42%

LAB 63.98, -61.64, 55.18

 

CMYK 91 / 0 / 86 / 23

HEX #12C41C

RGB 18 196 28

HSL 123.37, 0.83%, 0.42%

LAB 69.25, -69.08, 64.29

 

CMYK 100 / 0 / 94 / 16

HEX #01D60C

RGB 1 214 12

HSL 123.1, 0.99%, 0.42%

LAB 74.9, -75.25, 71.71

 

CMYK 80 / 0 / 76 / 30

HEX #23B32B

RGB 35 179 43

HSL 123.33, 0.67%, 0.42%

LAB 63.98, -61.64, 55.18

 

CMYK 67 / 0 / 64 / 36

HEX #35A23B

RGB 53 162 59

HSL 123.3, 0.51%, 0.42%

LAB 58.89, -51.55, 43.54

 

CMYK 51 / 0 / 49 / 44

HEX #46904A

RGB 70 144 74

HSL 123.24, 0.35%, 0.42%

LAB 53.75, -38.28, 30.18

 

CMYK 31 / 0 / 29 / 50

HEX #577F5A

RGB 87 127 90

HSL 124.5, 0.19%, 0.42%

LAB 49.43, -22.01, 15.78

 

CMYK 5 / 0 / 5 / 57

HEX #696E69

RGB 105 110 105

HSL 120, 0.02%, 0.42%

LAB 45.87, -2.94, 2.12

 

CMYK 41 / 0 / 80 / 30

HEX #69B323

RGB 105 179 35

HSL 90.83, 0.67%, 0.42%

LAB 66.03, -45.44, 60.4

 

CMYK 63 / 0 / 80 / 30

HEX #42B323

RGB 66 179 35

HSL 107.08, 0.67%, 0.42%

LAB 64.58, -56.67, 58.52

 

CMYK 80 / 0 / 76 / 30

HEX #23B32B

RGB 35 179 43

HSL 123.33, 0.67%, 0.42%

LAB 63.98, -61.64, 55.18

 

CMYK 80 / 0 / 55 / 30

HEX #23B351

RGB 35 179 81

HSL 139.17, 0.67%, 0.42%

LAB 64.32, -57.48, 39.42

 

CMYK 80 / 0 / 34 / 30

HEX #23B377

RGB 35 179 119

HSL 155, 0.67%, 0.42%

LAB 64.91, -50.63, 20.49

 

CMYK 80 / 0 / 75 / 57

HEX #166E1B

RGB 22 110 27

HSL 123.41, 0.67%, 0.26%

LAB 40.25, -42.21, 37.14

 

CMYK 80 / 0 / 76 / 44

HEX #1D9023

RGB 29 144 35

HSL 123.13, 0.66%, 0.34%

LAB 52.21, -51.95, 46.24

 

CMYK 80 / 0 / 76 / 30

HEX #23B32B

RGB 35 179 43

HSL 123.33, 0.67%, 0.42%

LAB 63.98, -61.64, 55.18

 

CMYK 80 / 0 / 76 / 16

HEX #2AD534

RGB 42 213 52

HSL 123.51, 0.67%, 0.5%

LAB 75.03, -70.45, 63.13

 

CMYK 65 / 0 / 61 / 14

HEX #4DDC55

RGB 77 220 85

HSL 123.36, 0.67%, 0.58%

LAB 78.12, -64.16, 53.94

 

CMYK 80 / 0 / 76 / 29

HEX #24B42C

RGB 36 180 44

HSL 123.33, 0.67%, 0.42%

LAB 64.32, -61.75, 55.18

 

CMYK 80 / 20 / 0 / 30

HEX #238FB3

RGB 35 143 179

HSL 195, 0.67%, 0.42%

LAB 55.34, -16.92, -27.24

 

CMYK 0 / 80 / 52 / 30

HEX #B32356

RGB 179 35 86

HSL 338.75, 0.67%, 0.42%

LAB 40.34, 58.8, 7.16

 

CMYK 80 / 0 / 76 / 29

HEX #24B42C

RGB 36 180 44

HSL 123.33, 0.67%, 0.42%

LAB 64.32, -61.75, 55.18

 

CMYK 76 / 80 / 0 / 30

HEX #2B23B3

RGB 43 35 179

HSL 243.33, 0.67%, 0.42%

LAB 26.65, 50.09, -73.31

 

CMYK 0 / 76 / 80 / 30

HEX #B32B23

RGB 179 43 35

HSL 3.33, 0.67%, 0.42%

LAB 40.3, 53.52, 38.35

 

CMYK 80 / 0 / 76 / 29

HEX #24B42C

RGB 36 180 44

HSL 123.33, 0.67%, 0.42%

LAB 64.32, -61.75, 55.18

 

CMYK 80 / 20 / 0 / 30

HEX #238FB3

RGB 35 143 179

HSL 195, 0.67%, 0.42%

LAB 55.34, -16.92, -27.24

 

CMYK 0 / 80 / 4 / 30

HEX #B323AC

RGB 179 35 172

HSL 302.92, 0.67%, 0.42%

LAB 43.89, 69.05, -40.31

 

CMYK 0 / 60 / 80 / 30

HEX #B34723

RGB 179 71 35

HSL 15, 0.67%, 0.42%

LAB 44.53, 42.05, 42.53

 

CMYK 80 / 0 / 76 / 29

HEX #24B42C

RGB 36 180 44

HSL 123.33, 0.67%, 0.42%

LAB 64.32, -61.75, 55.18

 

CMYK 80 / 44 / 0 / 30

HEX #2364B3

RGB 35 100 179

HSL 212.92, 0.67%, 0.42%

LAB 42.35, 8.65, -47.71

 

CMYK 0 / 80 / 4 / 30

HEX #B323AC

RGB 179 35 172

HSL 302.92, 0.67%, 0.42%

LAB 43.89, 69.05, -40.31

 

CMYK 0 / 36 / 80 / 30

HEX #B37223

RGB 179 114 35

HSL 32.92, 0.67%, 0.42%

LAB 53.75, 19.33, 51.25

 

Description

Color code: HEX #24B42C | qconv.com Color code: HEX #24B42C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 180 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 180 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 76 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 76% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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