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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24B40D it is the complementary color #DB4BF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24B40D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24B40D shade: #29B408, #3AC61B, #4BD82E, #5CEA41 and #6DFC54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24B40D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24B40D shade: #24B40D, #13A200, #029000, #007E00 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24B40D shade: #24B50D, #51B50D, #7FB50D, #ACB50D and #B5910D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24B40D shade: #24B50D, #0DB523, #0DB550, #0DB57E and #0DB5AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24B40D shade matches the following richer shades: #24B50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24B40D shade: #24B50D, #2FA61C, #3B962C, #46863C and #51764B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24B40D shade: #80B50D, #53B50D, #26B50D, #0DB520 and #0DB54D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24B40D shade: #156807, #1C8F0A, #24B50D, #2BDC0F and #40F025

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24B40D shade: #24B40D, #0DADB5 and #B50D69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24B40D shade: #24B40D, #0D26B5 and #B50D26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24B40D shade: #24B40D, #0DADB5, #9C0DB5 and #B5150D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24B40D shade: #24B40D, #0D7AB5, #9C0DB5 and #B5480D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 93 / 29

HEX #24B40D

RGB 36 180 13

HSL 111.74, 0.87%, 0.38%

LAB 64.2, -63.3, 62.78

 

Complementary color

CMYK 10 / 69 / 0 / 5

HEX #DB4BF2

RGB 219 75 242

HSL 291.74, 0.87%, 0.62%

LAB 58.51, 76.33, -56.84

 

CMYK 77 / 0 / 96 / 29

HEX #29B408

RGB 41 180 8

HSL 108.49, 0.91%, 0.37%

LAB 64.27, -62.73, 63.51

 

CMYK 71 / 0 / 86 / 22

HEX #3AC61B

RGB 58 198 27

HSL 109.12, 0.76%, 0.44%

LAB 70.43, -64.92, 65.76

 

CMYK 65 / 0 / 79 / 15

HEX #4BD82E

RGB 75 216 46

HSL 109.76, 0.69%, 0.51%

LAB 76.56, -66.47, 66.67

 

CMYK 61 / 0 / 72 / 8

HEX #5CEA41

RGB 92 234 65

HSL 110.41, 0.8%, 0.59%

LAB 82.65, -67.54, 66.7

 

CMYK 57 / 0 / 67 / 1

HEX #6DFC54

RGB 109 252 84

HSL 111.07, 0.97%, 0.66%

LAB 88.69, -68.26, 66.2

 

CMYK 80 / 0 / 93 / 29

HEX #24B40D

RGB 36 180 13

HSL 111.74, 0.87%, 0.38%

LAB 64.2, -63.3, 62.78

 

CMYK 88 / 0 / 100 / 36

HEX #13A200

RGB 19 162 0

HSL 112.96, 1%, 0.32%

LAB 58.02, -60.18, 59.41

 

CMYK 99 / 0 / 100 / 44

HEX #029000

RGB 2 144 0

HSL 119.17, 1%, 0.28%

LAB 51.79, -56.17, 54.36

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 80 / 0 / 93 / 29

HEX #24B50D

RGB 36 181 13

HSL 111.79, 0.87%, 0.38%

LAB 64.53, -63.6, 63.05

 

CMYK 55 / 0 / 93 / 29

HEX #51B50D

RGB 81 181 13

HSL 95.71, 0.87%, 0.38%

LAB 65.61, -54.44, 64.4

 

CMYK 30 / 0 / 93 / 29

HEX #7FB50D

RGB 127 181 13

HSL 79.29, 0.87%, 0.38%

LAB 67.72, -39, 66.98

 

CMYK 5 / 0 / 93 / 29

HEX #ACB50D

RGB 172 181 13

HSL 63.21, 0.87%, 0.38%

LAB 70.77, -20.42, 70.69

 

CMYK 0 / 20 / 93 / 29

HEX #B5910D

RGB 181 145 13

HSL 47.14, 0.87%, 0.38%

LAB 61.74, 2.49, 64.13

 

CMYK 80 / 0 / 93 / 29

HEX #24B50D

RGB 36 181 13

HSL 111.79, 0.87%, 0.38%

LAB 64.53, -63.6, 63.05

 

CMYK 93 / 0 / 81 / 29

HEX #0DB523

RGB 13 181 35

HSL 127.86, 0.87%, 0.38%

LAB 64.37, -64.73, 58.01

 

CMYK 93 / 0 / 56 / 29

HEX #0DB550

RGB 13 181 80

HSL 143.93, 0.87%, 0.38%

LAB 64.73, -60.13, 40.36

 

CMYK 93 / 0 / 30 / 29

HEX #0DB57E

RGB 13 181 126

HSL 160.36, 0.87%, 0.38%

LAB 65.47, -51.51, 17.43

 

CMYK 93 / 0 / 6 / 29

HEX #0DB5AB

RGB 13 181 171

HSL 176.43, 0.87%, 0.38%

LAB 66.58, -39.72, -5.74

 

CMYK 80 / 0 / 93 / 29

HEX #24B50D

RGB 36 181 13

HSL 111.79, 0.87%, 0.38%

LAB 64.53, -63.6, 63.05

 

CMYK 80 / 0 / 93 / 29

HEX #24B50D

RGB 36 181 13

HSL 111.79, 0.87%, 0.38%

LAB 64.53, -63.6, 63.05

 

CMYK 72 / 0 / 83 / 35

HEX #2FA61C

RGB 47 166 28

HSL 111.74, 0.71%, 0.38%

LAB 59.85, -56.64, 55.95

 

CMYK 61 / 0 / 71 / 41

HEX #3B962C

RGB 59 150 44

HSL 111.51, 0.55%, 0.38%

LAB 54.99, -47.31, 45.82

 

CMYK 48 / 0 / 55 / 47

HEX #46863C

RGB 70 134 60

HSL 111.89, 0.38%, 0.38%

LAB 50.31, -35.92, 33.24

 

CMYK 31 / 0 / 36 / 54

HEX #51764B

RGB 81 118 75

HSL 111.63, 0.22%, 0.38%

LAB 45.93, -22.22, 19.63

 

CMYK 29 / 0 / 93 / 29

HEX #80B50D

RGB 128 181 13

HSL 78.93, 0.87%, 0.38%

LAB 67.77, -38.62, 67.05

 

CMYK 54 / 0 / 93 / 29

HEX #53B50D

RGB 83 181 13

HSL 95, 0.87%, 0.38%

LAB 65.68, -53.88, 64.48

 

CMYK 79 / 0 / 93 / 29

HEX #26B50D

RGB 38 181 13

HSL 111.07, 0.87%, 0.38%

LAB 64.55, -63.34, 63.09

 

CMYK 93 / 0 / 82 / 29

HEX #0DB520

RGB 13 181 32

HSL 126.79, 0.87%, 0.38%

LAB 64.35, -64.91, 58.85

 

CMYK 93 / 0 / 57 / 29

HEX #0DB54D

RGB 13 181 77

HSL 142.86, 0.87%, 0.38%

LAB 64.7, -60.55, 41.75

 

CMYK 80 / 0 / 93 / 59

HEX #156807

RGB 21 104 7

HSL 111.34, 0.87%, 0.22%

LAB 37.98, -41.66, 41.5

 

CMYK 80 / 0 / 93 / 44

HEX #1C8F0A

RGB 28 143 10

HSL 111.88, 0.87%, 0.3%

LAB 51.74, -53.17, 52.69

 

CMYK 80 / 0 / 93 / 29

HEX #24B50D

RGB 36 181 13

HSL 111.79, 0.87%, 0.38%

LAB 64.53, -63.6, 63.05

 

CMYK 80 / 0 / 93 / 14

HEX #2BDC0F

RGB 43 220 15

HSL 111.8, 0.87%, 0.46%

LAB 77.12, -74.02, 73.33

 

CMYK 73 / 0 / 85 / 6

HEX #40F025

RGB 64 240 37

HSL 112.02, 0.87%, 0.54%

LAB 83.73, -76.29, 75.41

 

CMYK 80 / 0 / 93 / 29

HEX #24B40D

RGB 36 180 13

HSL 111.74, 0.87%, 0.38%

LAB 64.2, -63.3, 62.78

 

CMYK 93 / 4 / 0 / 29

HEX #0DADB5

RGB 13 173 181

HSL 182.86, 0.87%, 0.38%

LAB 64.41, -33, -14.53

 

CMYK 0 / 93 / 42 / 29

HEX #B50D69

RGB 181 13 105

HSL 327.14, 0.87%, 0.38%

LAB 39.8, 65.3, -5.61

 

CMYK 80 / 0 / 93 / 29

HEX #24B40D

RGB 36 180 13

HSL 111.74, 0.87%, 0.38%

LAB 64.2, -63.3, 62.78

 

CMYK 93 / 79 / 0 / 29

HEX #0D26B5

RGB 13 38 181

HSL 231.07, 0.87%, 0.38%

LAB 26.18, 47.76, -75.32

 

CMYK 0 / 93 / 79 / 29

HEX #B50D26

RGB 181 13 38

HSL 351.07, 0.87%, 0.38%

LAB 38.29, 61.14, 34.7

 

CMYK 80 / 0 / 93 / 29

HEX #24B40D

RGB 36 180 13

HSL 111.74, 0.87%, 0.38%

LAB 64.2, -63.3, 62.78

 

CMYK 93 / 4 / 0 / 29

HEX #0DADB5

RGB 13 173 181

HSL 182.86, 0.87%, 0.38%

LAB 64.41, -33, -14.53

 

CMYK 14 / 93 / 0 / 29

HEX #9C0DB5

RGB 156 13 181

HSL 291.07, 0.87%, 0.38%

LAB 39.06, 70.58, -53.62

 

CMYK 0 / 88 / 93 / 29

HEX #B5150D

RGB 181 21 13

HSL 2.86, 0.87%, 0.38%

LAB 38.53, 59.32, 47.57

 

CMYK 80 / 0 / 93 / 29

HEX #24B40D

RGB 36 180 13

HSL 111.74, 0.87%, 0.38%

LAB 64.2, -63.3, 62.78

 

CMYK 93 / 33 / 0 / 29

HEX #0D7AB5

RGB 13 122 181

HSL 201.07, 0.87%, 0.38%

LAB 48.69, -5.85, -38.81

 

CMYK 14 / 93 / 0 / 29

HEX #9C0DB5

RGB 156 13 181

HSL 291.07, 0.87%, 0.38%

LAB 39.06, 70.58, -53.62

 

CMYK 0 / 60 / 93 / 29

HEX #B5480D

RGB 181 72 13

HSL 21.07, 0.87%, 0.38%

LAB 44.92, 41.79, 51.86

 

Description

Color code: HEX #24B40D | qconv.com Color code: HEX #24B40D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 180 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 180 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 93 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 93% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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