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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24B125 it is the complementary color #DB4EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24B125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24B125 shade: #29B120, #3AC333, #4BD546, #5CE759 and #6DF96C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24B125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24B125 shade: #24B125, #139F12, #028D00, #007B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24B125 shade: #24B225, #4AB224, #70B224, #96B224 and #B2A824

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24B125 shade: #24B225, #24B24C, #24B272, #24B298 and #24A6B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24B125 shade matches the following richer shades: #24B225, #13C314 and #02D403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24B125 shade: #24B225, #36A037, #478F48, #587E59 and #6A6C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24B125 shade: #70B224, #4AB224, #24B224, #24B24A and #24B270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24B125 shade: #166D17, #1D901E, #24B225, #2CD42D and #4EDB4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24B125 shade: #24B125, #2496B2 and #B2245D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24B125 shade: #24B125, #2424B2 and #B22424

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24B125 shade: #24B125, #2496B2, #B224B2 and #B24124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24B125 shade: #24B125, #246BB2, #B224B2 and #B26B24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 79 / 31

HEX #24B125

RGB 36 177 37

HSL 120.43, 0.66%, 0.42%

LAB 63.3, -61.31, 56.48

 

Complementary color

CMYK 0 / 64 / 0 / 14

HEX #DB4EDA

RGB 219 78 218

HSL 300.43, 0.66%, 0.58%

LAB 57.63, 71.16, -44.77

 

CMYK 77 / 0 / 82 / 31

HEX #29B120

RGB 41 177 32

HSL 116.28, 0.69%, 0.41%

LAB 63.36, -60.92, 58.04

 

CMYK 70 / 0 / 74 / 24

HEX #3AC333

RGB 58 195 51

HSL 117.08, 0.59%, 0.48%

LAB 69.59, -62.59, 58.14

 

CMYK 65 / 0 / 67 / 16

HEX #4BD546

RGB 75 213 70

HSL 117.9, 0.63%, 0.55%

LAB 75.78, -63.69, 57.56

 

CMYK 60 / 0 / 61 / 9

HEX #5CE759

RGB 92 231 89

HSL 118.73, 0.75%, 0.63%

LAB 81.92, -64.39, 56.62

 

CMYK 56 / 0 / 57 / 2

HEX #6DF96C

RGB 109 249 108

HSL 119.57, 0.92%, 0.7%

LAB 88.01, -64.81, 55.5

 

CMYK 80 / 0 / 79 / 31

HEX #24B125

RGB 36 177 37

HSL 120.43, 0.66%, 0.42%

LAB 63.3, -61.31, 56.48

 

CMYK 88 / 0 / 89 / 38

HEX #139F12

RGB 19 159 18

HSL 119.57, 0.8%, 0.35%

LAB 57.05, -58.76, 55.7

 

CMYK 99 / 0 / 100 / 45

HEX #028D00

RGB 2 141 0

HSL 119.15, 1%, 0.28%

LAB 50.76, -55.31, 53.54

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 80 / 0 / 79 / 30

HEX #24B225

RGB 36 178 37

HSL 120.42, 0.66%, 0.42%

LAB 63.63, -61.62, 56.8

 

CMYK 58 / 0 / 80 / 30

HEX #4AB224

RGB 74 178 36

HSL 103.94, 0.66%, 0.42%

LAB 64.5, -54.32, 58.24

 

CMYK 37 / 0 / 80 / 30

HEX #70B224

RGB 112 178 36

HSL 87.89, 0.66%, 0.42%

LAB 66.07, -42.52, 60.26

 

CMYK 16 / 0 / 80 / 30

HEX #96B224

RGB 150 178 36

HSL 71.83, 0.66%, 0.42%

LAB 68.35, -27.69, 63.19

 

CMYK 0 / 6 / 80 / 30

HEX #B2A824

RGB 178 168 36

HSL 55.77, 0.66%, 0.42%

LAB 67.72, -10.59, 63.46

 

CMYK 80 / 0 / 79 / 30

HEX #24B225

RGB 36 178 37

HSL 120.42, 0.66%, 0.42%

LAB 63.63, -61.62, 56.8

 

CMYK 80 / 0 / 57 / 30

HEX #24B24C

RGB 36 178 76

HSL 136.9, 0.66%, 0.42%

LAB 63.95, -57.72, 41.4

 

CMYK 80 / 0 / 36 / 30

HEX #24B272

RGB 36 178 114

HSL 152.96, 0.66%, 0.42%

LAB 64.51, -51.19, 22.64

 

CMYK 80 / 0 / 15 / 30

HEX #24B298

RGB 36 178 152

HSL 169.01, 0.66%, 0.42%

LAB 65.34, -42.17, 3

 

CMYK 80 / 7 / 0 / 30

HEX #24A6B2

RGB 36 166 178

HSL 185.07, 0.66%, 0.42%

LAB 62.39, -29.05, -15.88

 

CMYK 80 / 0 / 79 / 30

HEX #24B225

RGB 36 178 37

HSL 120.42, 0.66%, 0.42%

LAB 63.63, -61.62, 56.8

 

CMYK 90 / 0 / 90 / 24

HEX #13C314

RGB 19 195 20

HSL 120.34, 0.82%, 0.42%

LAB 68.91, -69.04, 65.59

 

CMYK 99 / 0 / 99 / 17

HEX #02D403

RGB 2 212 3

HSL 120.29, 0.98%, 0.42%

LAB 74.26, -74.85, 72.08

 

CMYK 80 / 0 / 79 / 30

HEX #24B225

RGB 36 178 37

HSL 120.42, 0.66%, 0.42%

LAB 63.63, -61.62, 56.8

 

CMYK 66 / 0 / 66 / 37

HEX #36A037

RGB 54 160 55

HSL 120.57, 0.5%, 0.42%

LAB 58.23, -51.06, 44.59

 

CMYK 50 / 0 / 50 / 44

HEX #478F48

RGB 71 143 72

HSL 120.83, 0.34%, 0.42%

LAB 53.44, -37.86, 30.85

 

CMYK 30 / 0 / 29 / 51

HEX #587E59

RGB 88 126 89

HSL 121.58, 0.18%, 0.42%

LAB 49.15, -21.32, 15.99

 

CMYK 2 / 0 / 2 / 58

HEX #6A6C6A

RGB 106 108 106

HSL 120, 0.01%, 0.42%

LAB 45.4, -1.18, 0.84

 

CMYK 37 / 0 / 80 / 30

HEX #70B224

RGB 112 178 36

HSL 87.89, 0.66%, 0.42%

LAB 66.07, -42.52, 60.26

 

CMYK 58 / 0 / 80 / 30

HEX #4AB224

RGB 74 178 36

HSL 103.94, 0.66%, 0.42%

LAB 64.5, -54.32, 58.24

 

CMYK 80 / 0 / 80 / 30

HEX #24B224

RGB 36 178 36

HSL 120, 0.66%, 0.42%

LAB 63.63, -61.69, 57.1

 

CMYK 80 / 0 / 58 / 30

HEX #24B24A

RGB 36 178 74

HSL 136.06, 0.66%, 0.42%

LAB 63.93, -57.99, 42.32

 

CMYK 80 / 0 / 37 / 30

HEX #24B270

RGB 36 178 112

HSL 152.11, 0.66%, 0.42%

LAB 64.47, -51.6, 23.67

 

CMYK 80 / 0 / 79 / 57

HEX #166D17

RGB 22 109 23

HSL 120.69, 0.66%, 0.26%

LAB 39.86, -42.22, 38.34

 

CMYK 80 / 0 / 79 / 44

HEX #1D901E

RGB 29 144 30

HSL 120.52, 0.66%, 0.34%

LAB 52.18, -52.33, 47.98

 

CMYK 80 / 0 / 79 / 30

HEX #24B225

RGB 36 178 37

HSL 120.42, 0.66%, 0.42%

LAB 63.63, -61.62, 56.8

 

CMYK 79 / 0 / 79 / 17

HEX #2CD42D

RGB 44 212 45

HSL 120.36, 0.66%, 0.5%

LAB 74.71, -70.38, 64.99

 

CMYK 64 / 0 / 64 / 14

HEX #4EDB4F

RGB 78 219 79

HSL 120.43, 0.66%, 0.58%

LAB 77.78, -64.25, 56.11

 

CMYK 80 / 0 / 79 / 31

HEX #24B125

RGB 36 177 37

HSL 120.43, 0.66%, 0.42%

LAB 63.3, -61.31, 56.48

 

CMYK 80 / 16 / 0 / 30

HEX #2496B2

RGB 36 150 178

HSL 191.83, 0.66%, 0.42%

LAB 57.47, -20.91, -23.39

 

CMYK 0 / 80 / 48 / 30

HEX #B2245D

RGB 178 36 93

HSL 335.92, 0.66%, 0.42%

LAB 40.44, 58.84, 2.84

 

CMYK 80 / 0 / 79 / 31

HEX #24B125

RGB 36 177 37

HSL 120.43, 0.66%, 0.42%

LAB 63.3, -61.31, 56.48

 

CMYK 80 / 80 / 0 / 30

HEX #2424B2

RGB 36 36 178

HSL 240, 0.66%, 0.42%

LAB 26.31, 48.82, -73.29

 

CMYK 0 / 80 / 80 / 30

HEX #B22424

RGB 178 36 36

HSL 0, 0.66%, 0.42%

LAB 39.33, 55.42, 36.75

 

CMYK 80 / 0 / 79 / 31

HEX #24B125

RGB 36 177 37

HSL 120.43, 0.66%, 0.42%

LAB 63.3, -61.31, 56.48

 

CMYK 80 / 16 / 0 / 30

HEX #2496B2

RGB 36 150 178

HSL 191.83, 0.66%, 0.42%

LAB 57.47, -20.91, -23.39

 

CMYK 0 / 80 / 0 / 30

HEX #B224B2

RGB 178 36 178

HSL 300, 0.66%, 0.42%

LAB 44.15, 69.53, -43.47

 

CMYK 0 / 63 / 80 / 30

HEX #B24124

RGB 178 65 36

HSL 12.25, 0.66%, 0.42%

LAB 43.32, 44.5, 40.77

 

CMYK 80 / 0 / 79 / 31

HEX #24B125

RGB 36 177 37

HSL 120.43, 0.66%, 0.42%

LAB 63.3, -61.31, 56.48

 

CMYK 80 / 40 / 0 / 30

HEX #246BB2

RGB 36 107 178

HSL 210, 0.66%, 0.42%

LAB 44.38, 3.92, -43.87

 

CMYK 0 / 80 / 0 / 30

HEX #B224B2

RGB 178 36 178

HSL 300, 0.66%, 0.42%

LAB 44.15, 69.53, -43.47

 

CMYK 0 / 40 / 80 / 30

HEX #B26B24

RGB 178 107 36

HSL 30, 0.66%, 0.42%

LAB 51.96, 22.82, 49.12

 

Description

Color code: HEX #24B125 | qconv.com Color code: HEX #24B125 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 177 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 177 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 79 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 79% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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