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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24AC7E it is the complementary color #DB5381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24AC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24AC7E shade: #29AC79, #3ABE8C, #4BD09F, #5CE2B2 and #6DF4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24AC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24AC7E shade: #24AC7E, #139A6B, #028858, #007645 and #006432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24AC7E shade: #25AD7F, #25AD5A, #25AD35, #39AD25 and #5DAD25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24AC7E shade: #25AD7F, #25ADA3, #2591AD, #256DAD and #2548AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24AC7E shade matches the following richer shades: #25AD7F, #14BD84 and #03CE89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24AC7E shade: #25AD7F, #369C79, #468B74, #577A6E and #686969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24AC7E shade: #25AD34, #25AD59, #25AD7D, #25ADA1 and #2594AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24AC7E shade: #16684D, #1D8A66, #25AD7F, #2CCF98 and #4BD9A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24AC7E shade: #24AC7E, #2539AD and #AD4725

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24AC7E shade: #24AC7E, #7D25AD and #AD7D25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24AC7E shade: #24AC7E, #2539AD, #AD2554 and #AD9825

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24AC7E shade: #24AC7E, #3925AD, #AD2554 and #98AD25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 27 / 33

HEX #24AC7E

RGB 36 172 126

HSL 159.71, 0.65%, 0.41%

LAB 62.83, -46.19, 13.81

 

Complementary color

CMYK 0 / 62 / 41 / 14

HEX #DB5381

RGB 219 83 129

HSL 339.71, 0.65%, 0.59%

LAB 54.9, 57.07, 2.67

 

CMYK 76 / 0 / 30 / 33

HEX #29AC79

RGB 41 172 121

HSL 156.64, 0.62%, 0.42%

LAB 62.81, -46.73, 16.53

 

CMYK 69 / 0 / 26 / 25

HEX #3ABE8C

RGB 58 190 140

HSL 157.27, 0.53%, 0.49%

LAB 69.2, -47.34, 15.11

 

CMYK 64 / 0 / 24 / 18

HEX #4BD09F

RGB 75 208 159

HSL 157.89, 0.59%, 0.55%

LAB 75.52, -47.68, 13.83

 

CMYK 59 / 0 / 21 / 11

HEX #5CE2B2

RGB 92 226 178

HSL 158.51, 0.7%, 0.62%

LAB 81.77, -47.86, 12.66

 

CMYK 55 / 0 / 19 / 4

HEX #6DF4C5

RGB 109 244 197

HSL 159.11, 0.86%, 0.69%

LAB 87.96, -47.91, 11.58

 

CMYK 79 / 0 / 27 / 33

HEX #24AC7E

RGB 36 172 126

HSL 159.71, 0.65%, 0.41%

LAB 62.83, -46.19, 13.81

 

CMYK 88 / 0 / 31 / 40

HEX #139A6B

RGB 19 154 107

HSL 159.11, 0.78%, 0.34%

LAB 56.4, -45.03, 15.39

 

CMYK 99 / 0 / 35 / 47

HEX #028858

RGB 2 136 88

HSL 158.51, 0.97%, 0.27%

LAB 49.89, -43.4, 17.15

 

CMYK 100 / 0 / 42 / 54

HEX #007645

RGB 0 118 69

HSL 155.08, 1%, 0.23%

LAB 43.34, -40.82, 19.19

 

CMYK 100 / 0 / 50 / 61

HEX #006432

RGB 0 100 50

HSL 150, 1%, 0.2%

LAB 36.64, -37.9, 21.35

 

CMYK 79 / 0 / 27 / 32

HEX #25AD7F

RGB 37 173 127

HSL 159.71, 0.65%, 0.41%

LAB 63.19, -46.24, 13.75

 

CMYK 79 / 0 / 48 / 32

HEX #25AD5A

RGB 37 173 90

HSL 143.38, 0.65%, 0.41%

LAB 62.52, -53.73, 32.7

 

CMYK 79 / 0 / 69 / 32

HEX #25AD35

RGB 37 173 53

HSL 127.06, 0.65%, 0.41%

LAB 62.12, -58.63, 49.54

 

CMYK 67 / 0 / 79 / 32

HEX #39AD25

RGB 57 173 37

HSL 111.18, 0.65%, 0.41%

LAB 62.42, -56.48, 55.78

 

CMYK 46 / 0 / 79 / 32

HEX #5DAD25

RGB 93 173 37

HSL 95.29, 0.65%, 0.41%

LAB 63.63, -46.87, 57.36

 

CMYK 79 / 0 / 27 / 32

HEX #25AD7F

RGB 37 173 127

HSL 159.71, 0.65%, 0.41%

LAB 63.19, -46.24, 13.75

 

CMYK 79 / 0 / 6 / 32

HEX #25ADA3

RGB 37 173 163

HSL 175.59, 0.65%, 0.41%

LAB 64.1, -36.79, -4.93

 

CMYK 79 / 16 / 0 / 32

HEX #2591AD

RGB 37 145 173

HSL 192.35, 0.65%, 0.41%

LAB 55.75, -19.85, -23.18

 

CMYK 79 / 37 / 0 / 32

HEX #256DAD

RGB 37 109 173

HSL 208.24, 0.65%, 0.41%

LAB 44.73, 0.88, -40.4

 

CMYK 79 / 58 / 0 / 32

HEX #2548AD

RGB 37 72 173

HSL 224.56, 0.65%, 0.41%

LAB 34.08, 25, -57.53

 

CMYK 79 / 0 / 27 / 32

HEX #25AD7F

RGB 37 173 127

HSL 159.71, 0.65%, 0.41%

LAB 63.19, -46.24, 13.75

 

CMYK 89 / 0 / 30 / 26

HEX #14BD84

RGB 20 189 132

HSL 159.76, 0.81%, 0.41%

LAB 68.18, -52.83, 17.93

 

CMYK 99 / 0 / 33 / 19

HEX #03CE89

RGB 3 206 137

HSL 159.61, 0.97%, 0.41%

LAB 73.52, -58.73, 22.59

 

CMYK 79 / 0 / 27 / 32

HEX #25AD7F

RGB 37 173 127

HSL 159.71, 0.65%, 0.41%

LAB 63.19, -46.24, 13.75

 

CMYK 65 / 0 / 22 / 39

HEX #369C79

RGB 54 156 121

HSL 159.41, 0.49%, 0.41%

LAB 57.98, -37.94, 9.83

 

CMYK 50 / 0 / 17 / 45

HEX #468B74

RGB 70 139 116

HSL 160, 0.33%, 0.41%

LAB 52.98, -27.66, 5.63

 

CMYK 29 / 0 / 10 / 52

HEX #577A6E

RGB 87 122 110

HSL 159.43, 0.17%, 0.41%

LAB 48.35, -15.18, 2.57

 

CMYK 1 / 0 / 0 / 59

HEX #686969

RGB 104 105 105

HSL 180, 0%, 0.41%

LAB 44.33, -0.38, -0.14

 

CMYK 79 / 0 / 70 / 32

HEX #25AD34

RGB 37 173 52

HSL 126.62, 0.65%, 0.41%

LAB 62.11, -58.73, 49.93

 

CMYK 79 / 0 / 49 / 32

HEX #25AD59

RGB 37 173 89

HSL 142.94, 0.65%, 0.41%

LAB 62.51, -53.9, 33.2

 

CMYK 79 / 0 / 28 / 32

HEX #25AD7D

RGB 37 173 125

HSL 158.82, 0.65%, 0.41%

LAB 63.14, -46.71, 14.79

 

CMYK 79 / 0 / 7 / 32

HEX #25ADA1

RGB 37 173 161

HSL 174.71, 0.65%, 0.41%

LAB 64.04, -37.37, -3.9

 

CMYK 79 / 14 / 0 / 32

HEX #2594AD

RGB 37 148 173

HSL 191.03, 0.65%, 0.41%

LAB 56.67, -21.43, -21.76

 

CMYK 79 / 0 / 26 / 59

HEX #16684D

RGB 22 104 77

HSL 160.24, 0.65%, 0.25%

LAB 38.91, -30.96, 8.47

 

CMYK 79 / 0 / 26 / 46

HEX #1D8A66

RGB 29 138 102

HSL 160.18, 0.65%, 0.33%

LAB 51.15, -38.65, 10.94

 

CMYK 79 / 0 / 27 / 32

HEX #25AD7F

RGB 37 173 127

HSL 159.71, 0.65%, 0.41%

LAB 63.19, -46.24, 13.75

 

CMYK 79 / 0 / 27 / 19

HEX #2CCF98

RGB 44 207 152

HSL 159.75, 0.65%, 0.49%

LAB 74.46, -53.25, 15.99

 

CMYK 65 / 0 / 22 / 15

HEX #4BD9A9

RGB 75 217 169

HSL 159.72, 0.65%, 0.57%

LAB 78.45, -49.17, 12.65

 

CMYK 79 / 0 / 27 / 33

HEX #24AC7E

RGB 36 172 126

HSL 159.71, 0.65%, 0.41%

LAB 62.83, -46.19, 13.81

 

CMYK 79 / 67 / 0 / 32

HEX #2539AD

RGB 37 57 173

HSL 231.18, 0.65%, 0.41%

LAB 30.25, 34.87, -63.79

 

CMYK 0 / 59 / 79 / 32

HEX #AD4725

RGB 173 71 37

HSL 15, 0.65%, 0.41%

LAB 43.54, 39.85, 40.2

 

CMYK 79 / 0 / 27 / 33

HEX #24AC7E

RGB 36 172 126

HSL 159.71, 0.65%, 0.41%

LAB 62.83, -46.19, 13.81

 

CMYK 28 / 79 / 0 / 32

HEX #7D25AD

RGB 125 37 173

HSL 278.82, 0.65%, 0.41%

LAB 35.4, 58.28, -55.02

 

CMYK 0 / 28 / 79 / 32

HEX #AD7D25

RGB 173 125 37

HSL 38.82, 0.65%, 0.41%

LAB 55.77, 10.58, 52.08

 

CMYK 79 / 0 / 27 / 33

HEX #24AC7E

RGB 36 172 126

HSL 159.71, 0.65%, 0.41%

LAB 62.83, -46.19, 13.81

 

CMYK 79 / 67 / 0 / 32

HEX #2539AD

RGB 37 57 173

HSL 231.18, 0.65%, 0.41%

LAB 30.25, 34.87, -63.79

 

CMYK 0 / 79 / 51 / 32

HEX #AD2554

RGB 173 37 84

HSL 339.26, 0.65%, 0.41%

LAB 39.32, 56.41, 6.82

 

CMYK 0 / 12 / 79 / 32

HEX #AD9825

RGB 173 152 37

HSL 50.74, 0.65%, 0.41%

LAB 62.91, -4.3, 58.66

 

CMYK 79 / 0 / 27 / 33

HEX #24AC7E

RGB 36 172 126

HSL 159.71, 0.65%, 0.41%

LAB 62.83, -46.19, 13.81

 

CMYK 67 / 79 / 0 / 32

HEX #3925AD

RGB 57 37 173

HSL 248.82, 0.65%, 0.41%

LAB 27.33, 48.44, -68.56

 

CMYK 0 / 79 / 51 / 32

HEX #AD2554

RGB 173 37 84

HSL 339.26, 0.65%, 0.41%

LAB 39.32, 56.41, 6.82

 

CMYK 12 / 0 / 79 / 32

HEX #98AD25

RGB 152 173 37

HSL 69.26, 0.65%, 0.41%

LAB 67.05, -24.38, 61.77

 

Description

Color code: HEX #24AC7E | qconv.com Color code: HEX #24AC7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 172 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 172 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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