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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24A684 it is the complementary color #DB597B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24A684. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24A684 shade: #29A67F, #3AB892, #4BCAA5, #5CDCB8 and #6DEECB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24A684. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24A684 shade: #24A684, #139471, #02825E, #00704B and #005E38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24A684 shade: #25A785, #25A762, #25A73F, #2EA725 and #51A725

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24A684 shade: #25A785, #25A6A7, #2583A7, #2560A7 and #253DA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24A684 shade matches the following richer shades: #25A785, #14B88D and #04C895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24A684 shade: #25A785, #35977D, #468675, #56766E and #676566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24A684 shade: #25A73F, #25A762, #25A784, #25A7A7 and #2584A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24A684 shade: #16644F, #1D856A, #25A785, #2CC9A0 and #48D7B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24A684 shade: #24A684, #252DA7 and #A75025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24A684 shade: #24A684, #8425A7 and #A78425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24A684 shade: #24A684, #252DA7, #A72548 and #A79F25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24A684 shade: #24A684, #4325A7, #A72548 and #89A725

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 20 / 35

HEX #24A684

RGB 36 166 132

HSL 164.31, 0.64%, 0.4%

LAB 61.06, -42.23, 7.97

 

Complementary color

CMYK 0 / 59 / 44 / 14

HEX #DB597B

RGB 219 89 123

HSL 344.31, 0.64%, 0.6%

LAB 55.72, 53.83, 7.4

 

CMYK 75 / 0 / 23 / 35

HEX #29A67F

RGB 41 166 127

HSL 161.28, 0.6%, 0.41%

LAB 61.02, -42.86, 10.72

 

CMYK 68 / 0 / 21 / 28

HEX #3AB892

RGB 58 184 146

HSL 161.9, 0.52%, 0.47%

LAB 67.47, -43.43, 9.41

 

CMYK 63 / 0 / 18 / 21

HEX #4BCAA5

RGB 75 202 165

HSL 162.52, 0.55%, 0.54%

LAB 73.84, -43.75, 8.23

 

CMYK 58 / 0 / 16 / 14

HEX #5CDCB8

RGB 92 220 184

HSL 163.13, 0.65%, 0.61%

LAB 80.14, -43.92, 7.15

 

CMYK 54 / 0 / 15 / 7

HEX #6DEECB

RGB 109 238 203

HSL 163.72, 0.79%, 0.68%

LAB 86.36, -43.98, 6.16

 

CMYK 78 / 0 / 20 / 35

HEX #24A684

RGB 36 166 132

HSL 164.31, 0.64%, 0.4%

LAB 61.06, -42.23, 7.97

 

CMYK 87 / 0 / 24 / 42

HEX #139471

RGB 19 148 113

HSL 163.72, 0.77%, 0.33%

LAB 54.56, -41.11, 9.44

 

CMYK 98 / 0 / 28 / 49

HEX #02825E

RGB 2 130 94

HSL 163.13, 0.97%, 0.26%

LAB 47.99, -39.55, 11.09

 

CMYK 100 / 0 / 33 / 56

HEX #00704B

RGB 0 112 75

HSL 160.18, 1%, 0.22%

LAB 41.37, -37.06, 13.04

 

CMYK 100 / 0 / 40 / 63

HEX #005E38

RGB 0 94 56

HSL 155.74, 1%, 0.18%

LAB 34.58, -34.29, 15.15

 

CMYK 78 / 0 / 20 / 35

HEX #25A785

RGB 37 167 133

HSL 164.31, 0.64%, 0.4%

LAB 61.42, -42.28, 7.92

 

CMYK 78 / 0 / 41 / 35

HEX #25A762

RGB 37 167 98

HSL 148.15, 0.64%, 0.4%

LAB 60.7, -50.1, 26.16

 

CMYK 78 / 0 / 62 / 35

HEX #25A73F

RGB 37 167 63

HSL 132, 0.64%, 0.4%

LAB 60.24, -55.57, 43.16

 

CMYK 72 / 0 / 78 / 35

HEX #2EA725

RGB 46 167 37

HSL 115.85, 0.64%, 0.4%

LAB 60.21, -56.6, 53.56

 

CMYK 51 / 0 / 78 / 35

HEX #51A725

RGB 81 167 37

HSL 99.69, 0.64%, 0.4%

LAB 61.24, -48.23, 54.91

 

CMYK 78 / 0 / 20 / 35

HEX #25A785

RGB 37 167 133

HSL 164.31, 0.64%, 0.4%

LAB 61.42, -42.28, 7.92

 

CMYK 78 / 1 / 0 / 35

HEX #25A6A7

RGB 37 166 167

HSL 180.46, 0.64%, 0.4%

LAB 62.05, -32.35, -10.23

 

CMYK 78 / 22 / 0 / 35

HEX #2583A7

RGB 37 131 167

HSL 196.62, 0.64%, 0.4%

LAB 51.17, -14.29, -26.79

 

CMYK 78 / 43 / 0 / 35

HEX #2560A7

RGB 37 96 167

HSL 212.77, 0.64%, 0.4%

LAB 40.49, 6.79, -43.61

 

CMYK 78 / 63 / 0 / 35

HEX #253DA7

RGB 37 61 167

HSL 228.92, 0.64%, 0.4%

LAB 30.69, 30.03, -59.47

 

CMYK 78 / 0 / 20 / 35

HEX #25A785

RGB 37 167 133

HSL 164.31, 0.64%, 0.4%

LAB 61.42, -42.28, 7.92

 

CMYK 89 / 0 / 23 / 28

HEX #14B88D

RGB 20 184 141

HSL 164.27, 0.8%, 0.4%

LAB 66.79, -48.76, 11.1

 

CMYK 98 / 0 / 26 / 22

HEX #04C895

RGB 4 200 149

HSL 164.39, 0.96%, 0.4%

LAB 71.9, -53.75, 13.95

 

CMYK 78 / 0 / 20 / 35

HEX #25A785

RGB 37 167 133

HSL 164.31, 0.64%, 0.4%

LAB 61.42, -42.28, 7.92

 

CMYK 65 / 0 / 17 / 41

HEX #35977D

RGB 53 151 125

HSL 164.08, 0.48%, 0.4%

LAB 56.46, -34.88, 5.38

 

CMYK 48 / 0 / 13 / 47

HEX #468675

RGB 70 134 117

HSL 164.06, 0.31%, 0.4%

LAB 51.42, -24.93, 2.81

 

CMYK 27 / 0 / 7 / 54

HEX #56766E

RGB 86 118 110

HSL 165, 0.16%, 0.4%

LAB 47.05, -13.31, 0.68

 

CMYK 0 / 2 / 1 / 60

HEX #676566

RGB 103 101 102

HSL 330, 0.01%, 0.4%

LAB 42.99, 0.99, -0.29

 

CMYK 78 / 0 / 62 / 35

HEX #25A73F

RGB 37 167 63

HSL 132, 0.64%, 0.4%

LAB 60.24, -55.57, 43.16

 

CMYK 78 / 0 / 41 / 35

HEX #25A762

RGB 37 167 98

HSL 148.15, 0.64%, 0.4%

LAB 60.7, -50.1, 26.16

 

CMYK 78 / 0 / 21 / 35

HEX #25A784

RGB 37 167 132

HSL 163.85, 0.64%, 0.4%

LAB 61.39, -42.54, 8.45

 

CMYK 78 / 0 / 0 / 35

HEX #25A7A7

RGB 37 167 167

HSL 180, 0.64%, 0.4%

LAB 62.36, -32.82, -9.76

 

CMYK 78 / 21 / 0 / 35

HEX #2584A7

RGB 37 132 167

HSL 196.15, 0.64%, 0.4%

LAB 51.48, -14.85, -26.31

 

CMYK 78 / 0 / 21 / 61

HEX #16644F

RGB 22 100 79

HSL 163.85, 0.64%, 0.24%

LAB 37.57, -28.57, 5.35

 

CMYK 78 / 0 / 20 / 48

HEX #1D856A

RGB 29 133 106

HSL 164.42, 0.64%, 0.32%

LAB 49.59, -35.44, 6.42

 

CMYK 78 / 0 / 20 / 35

HEX #25A785

RGB 37 167 133

HSL 164.31, 0.64%, 0.4%

LAB 61.42, -42.28, 7.92

 

CMYK 78 / 0 / 20 / 21

HEX #2CC9A0

RGB 44 201 160

HSL 164.33, 0.64%, 0.48%

LAB 72.79, -48.96, 9.34

 

CMYK 67 / 0 / 18 / 16

HEX #48D7B1

RGB 72 215 177

HSL 164.06, 0.64%, 0.56%

LAB 77.97, -46.95, 7.69

 

CMYK 78 / 0 / 20 / 35

HEX #24A684

RGB 36 166 132

HSL 164.31, 0.64%, 0.4%

LAB 61.06, -42.23, 7.97

 

CMYK 78 / 73 / 0 / 35

HEX #252DA7

RGB 37 45 167

HSL 236.31, 0.64%, 0.4%

LAB 26.91, 40.2, -65.69

 

CMYK 0 / 52 / 78 / 35

HEX #A75025

RGB 167 80 37

HSL 19.85, 0.64%, 0.4%

LAB 44.36, 32.91, 40.71

 

CMYK 78 / 0 / 20 / 35

HEX #24A684

RGB 36 166 132

HSL 164.31, 0.64%, 0.4%

LAB 61.06, -42.23, 7.97

 

CMYK 21 / 78 / 0 / 35

HEX #8425A7

RGB 132 37 167

HSL 283.85, 0.64%, 0.4%

LAB 36.02, 58.33, -50.37

 

CMYK 0 / 21 / 78 / 35

HEX #A78425

RGB 167 132 37

HSL 43.85, 0.64%, 0.4%

LAB 56.93, 3.95, 52.93

 

CMYK 78 / 0 / 20 / 35

HEX #24A684

RGB 36 166 132

HSL 164.31, 0.64%, 0.4%

LAB 61.06, -42.23, 7.97

 

CMYK 78 / 73 / 0 / 35

HEX #252DA7

RGB 37 45 167

HSL 236.31, 0.64%, 0.4%

LAB 26.91, 40.2, -65.69

 

CMYK 0 / 78 / 57 / 35

HEX #A72548

RGB 167 37 72

HSL 343.85, 0.64%, 0.4%

LAB 37.85, 53.76, 12.25

 

CMYK 0 / 5 / 78 / 35

HEX #A79F25

RGB 167 159 37

HSL 56.31, 0.64%, 0.4%

LAB 64.28, -10.71, 59.7

 

CMYK 78 / 0 / 20 / 35

HEX #24A684

RGB 36 166 132

HSL 164.31, 0.64%, 0.4%

LAB 61.06, -42.23, 7.97

 

CMYK 60 / 78 / 0 / 35

HEX #4325A7

RGB 67 37 167

HSL 253.85, 0.64%, 0.4%

LAB 27.59, 47.77, -64.48

 

CMYK 0 / 78 / 57 / 35

HEX #A72548

RGB 167 37 72

HSL 343.85, 0.64%, 0.4%

LAB 37.85, 53.76, 12.25

 

CMYK 18 / 0 / 78 / 35

HEX #89A725

RGB 137 167 37

HSL 73.85, 0.64%, 0.4%

LAB 64.23, -27.76, 58.8

 

Description

Color code: HEX #24A684 | qconv.com Color code: HEX #24A684 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 166 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 166 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 20 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 20% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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