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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #249EE0 it is the complementary color #DB611F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #249EE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #249EE0 shade: #299EDB, #3AB0EE, #4BC2FF, #5CD4FF and #6DE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #249EE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #249EE0 shade: #249EE0, #138CCD, #027ABA, #0068A7 and #005694

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #249EE0 shade: #249EE0, #246BE0, #2439E0, #4224E0 and #7524E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #249EE0 shade: #249EE0, #246BE0, #2439E0 and #2424E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #249EE0 shade matches the following richer shades: #249EE0 and #10A4F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #249EE0 shade: #249EE0, #3998CC, #4D92B7, #618CA3 and #75868F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #249EE0 shade: #24E0BD, #24D0E0, #249EE0, #246CE0 and #243AE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #249EE0 shade: #166D9B, #1B86BF, #249EE0, #48AEE5 and #6DBEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #249EE0 shade: #249EE0, #8B24E0 and #E0D624

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #249EE0 shade: #249EE0, #E0249E and #9EE024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #249EE0 shade: #249EE0, #8B24E0, #E06624 and #79E024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #249EE0 shade: #249EE0, #C424E0, #E06624 and #40E024

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

Complementary color

CMYK 0 / 56 / 86 / 14

HEX #DB611F

RGB 219 97 31

HSL 21.06, 0.75%, 0.49%

LAB 55.79, 44.55, 56.78

 

CMYK 81 / 28 / 0 / 14

HEX #299EDB

RGB 41 158 219

HSL 200.56, 0.71%, 0.51%

LAB 61.69, -10.59, -39.85

 

CMYK 76 / 26 / 0 / 7

HEX #3AB0EE

RGB 58 176 238

HSL 200.67, 0.84%, 0.58%

LAB 68.11, -12.19, -40.23

 

CMYK 71 / 24 / 0 / 0

HEX #4BC2FF

RGB 75 194 255

HSL 200.33, 1%, 0.65%

LAB 74.38, -14.12, -39.62

 

CMYK 64 / 17 / 0 / 0

HEX #5CD4FF

RGB 92 212 255

HSL 195.83, 1%, 0.68%

LAB 79.94, -20.97, -30.98

 

CMYK 57 / 10 / 0 / 0

HEX #6DE6FF

RGB 109 230 255

HSL 190.27, 1%, 0.71%

LAB 85.54, -27.01, -22.39

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 91 / 32 / 0 / 20

HEX #138CCD

RGB 19 140 205

HSL 200.97, 0.83%, 0.44%

LAB 55.38, -7.02, -41.95

 

CMYK 99 / 34 / 0 / 27

HEX #027ABA

RGB 2 122 186

HSL 200.87, 0.98%, 0.37%

LAB 48.86, -4.35, -41.44

 

CMYK 100 / 38 / 0 / 35

HEX #0068A7

RGB 0 104 167

HSL 202.63, 1%, 0.33%

LAB 42.29, -0.95, -40.77

 

CMYK 100 / 42 / 0 / 42

HEX #005694

RGB 0 86 148

HSL 205.14, 1%, 0.29%

LAB 35.58, 2.76, -40.12

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 84 / 52 / 0 / 12

HEX #246BE0

RGB 36 107 224

HSL 217.34, 0.75%, 0.51%

LAB 47.33, 21.62, -65.57

 

CMYK 84 / 75 / 0 / 12

HEX #2439E0

RGB 36 57 224

HSL 233.3, 0.75%, 0.51%

LAB 35.37, 52.61, -85.17

 

CMYK 71 / 84 / 0 / 12

HEX #4224E0

RGB 66 36 224

HSL 249.57, 0.75%, 0.51%

LAB 33.57, 64.33, -88.11

 

CMYK 48 / 84 / 0 / 12

HEX #7524E0

RGB 117 36 224

HSL 265.85, 0.75%, 0.51%

LAB 38.6, 68.96, -79.63

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 84 / 52 / 0 / 12

HEX #246BE0

RGB 36 107 224

HSL 217.34, 0.75%, 0.51%

LAB 47.33, 21.62, -65.57

 

CMYK 84 / 75 / 0 / 12

HEX #2439E0

RGB 36 57 224

HSL 233.3, 0.75%, 0.51%

LAB 35.37, 52.61, -85.17

 

CMYK 84 / 84 / 0 / 12

HEX #2424E0

RGB 36 36 224

HSL 240, 0.75%, 0.51%

LAB 31.85, 62.83, -91.01

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 93 / 33 / 0 / 4

HEX #10A4F4

RGB 16 164 244

HSL 201.05, 0.91%, 0.51%

LAB 64.32, -6.45, -49.51

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 72 / 25 / 0 / 20

HEX #3998CC

RGB 57 152 204

HSL 201.22, 0.59%, 0.51%

LAB 59.6, -10.67, -34.72

 

CMYK 58 / 20 / 0 / 28

HEX #4D92B7

RGB 77 146 183

HSL 200.94, 0.42%, 0.51%

LAB 57.61, -10.82, -25.91

 

CMYK 40 / 14 / 0 / 36

HEX #618CA3

RGB 97 140 163

HSL 200.91, 0.26%, 0.51%

LAB 56.03, -8.59, -16.83

 

CMYK 18 / 6 / 0 / 44

HEX #75868F

RGB 117 134 143

HSL 200.77, 0.1%, 0.51%

LAB 54.88, -4.12, -6.9

 

CMYK 84 / 0 / 16 / 12

HEX #24E0BD

RGB 36 224 189

HSL 168.83, 0.75%, 0.51%

LAB 80.38, -51.78, 4.72

 

CMYK 84 / 7 / 0 / 12

HEX #24D0E0

RGB 36 208 224

HSL 185.11, 0.75%, 0.51%

LAB 76.6, -34.92, -19.61

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 84 / 52 / 0 / 12

HEX #246CE0

RGB 36 108 224

HSL 217.02, 0.75%, 0.51%

LAB 47.6, 20.98, -65.13

 

CMYK 84 / 74 / 0 / 12

HEX #243AE0

RGB 36 58 224

HSL 232.98, 0.75%, 0.51%

LAB 35.56, 52.06, -84.85

 

CMYK 86 / 30 / 0 / 39

HEX #166D9B

RGB 22 109 155

HSL 200.75, 0.75%, 0.35%

LAB 43.47, -7.5, -31.8

 

CMYK 86 / 30 / 0 / 25

HEX #1B86BF

RGB 27 134 191

HSL 200.85, 0.75%, 0.43%

LAB 53, -8.26, -37.75

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 69 / 24 / 0 / 10

HEX #48AEE5

RGB 72 174 229

HSL 201.02, 0.75%, 0.59%

LAB 67.51, -12.28, -36.23

 

CMYK 53 / 19 / 0 / 8

HEX #6DBEEA

RGB 109 190 234

HSL 201.12, 0.75%, 0.67%

LAB 73.56, -12.67, -29.48

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 38 / 84 / 0 / 12

HEX #8B24E0

RGB 139 36 224

HSL 272.87, 0.75%, 0.51%

LAB 41.43, 71.69, -74.88

 

CMYK 0 / 4 / 84 / 12

HEX #E0D624

RGB 224 214 36

HSL 56.81, 0.75%, 0.51%

LAB 84, -14.12, 78.9

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 0 / 84 / 29 / 12

HEX #E0249E

RGB 224 36 158

HSL 321.06, 0.75%, 0.51%

LAB 51.36, 76.53, -19.75

 

CMYK 29 / 0 / 84 / 12

HEX #9EE024

RGB 158 224 36

HSL 81.06, 0.75%, 0.51%

LAB 82.22, -45.35, 75.58

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 38 / 84 / 0 / 12

HEX #8B24E0

RGB 139 36 224

HSL 272.87, 0.75%, 0.51%

LAB 41.43, 71.69, -74.88

 

CMYK 0 / 54 / 84 / 12

HEX #E06624

RGB 224 102 36

HSL 21.06, 0.75%, 0.51%

LAB 57.54, 44.15, 56.63

 

CMYK 46 / 0 / 84 / 12

HEX #79E024

RGB 121 224 36

HSL 92.87, 0.75%, 0.51%

LAB 80.46, -57.88, 73.36

 

CMYK 84 / 29 / 0 / 12

HEX #249EE0

RGB 36 158 224

HSL 201.06, 0.75%, 0.51%

LAB 61.84, -9.23, -42.4

 

CMYK 13 / 84 / 0 / 12

HEX #C424E0

RGB 196 36 224

HSL 291.06, 0.75%, 0.51%

LAB 49.95, 80.31, -60.63

 

CMYK 0 / 54 / 84 / 12

HEX #E06624

RGB 224 102 36

HSL 21.06, 0.75%, 0.51%

LAB 57.54, 44.15, 56.63

 

CMYK 71 / 0 / 84 / 12

HEX #40E024

RGB 64 224 36

HSL 111.06, 0.75%, 0.51%

LAB 78.77, -71.54, 71.21

 

Description

Color code: HEX #249EE0 | qconv.com Color code: HEX #249EE0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 158 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 158 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 29 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 29% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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