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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #249B7E it is the complementary color #DB6481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #249B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #249B7E shade: #299B79, #3AAD8C, #4BBF9F, #5CD1B2 and #6DE3C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #249B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #249B7E shade: #249B7E, #13896B, #027758, #006545 and #005332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #249B7E shade: #24997C, #24995D, #24993D, #2A9924 and #4A9924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #249B7E shade: #24997C, #249699, #247699, #245799 and #243799

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #249B7E shade matches the following richer shades: #24997C, #15A884 and #05B78C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #249B7E shade: #24997C, #338A75, #427A6D, #526B65 and #615C5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #249B7E shade: #24993D, #24995C, #24997C, #249799 and #247899

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #249B7E shade: #145646, #1C7761, #24997C, #2CBA98 and #3ED2AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #249B7E shade: #249B7E, #242A99 and #994D24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #249B7E shade: #249B7E, #7C2499 and #997C24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #249B7E shade: #249B7E, #242A99, #992441 and #999324

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #249B7E shade: #249B7E, #412499, #992441 and #7C9924

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 19 / 39

HEX #249B7E

RGB 36 155 126

HSL 165.38, 0.62%, 0.37%

LAB 57.39, -39.03, 6.1

 

Complementary color

CMYK 0 / 54 / 41 / 14

HEX #DB6481

RGB 219 100 129

HSL 345.38, 0.62%, 0.63%

LAB 57.81, 49.34, 6.86

 

CMYK 74 / 0 / 22 / 39

HEX #299B79

RGB 41 155 121

HSL 162.11, 0.58%, 0.38%

LAB 57.36, -39.64, 8.91

 

CMYK 66 / 0 / 19 / 32

HEX #3AAD8C

RGB 58 173 140

HSL 162.78, 0.5%, 0.45%

LAB 63.9, -40.12, 7.63

 

CMYK 61 / 0 / 17 / 25

HEX #4BBF9F

RGB 75 191 159

HSL 163.45, 0.48%, 0.52%

LAB 70.36, -40.37, 6.49

 

CMYK 56 / 0 / 15 / 18

HEX #5CD1B2

RGB 92 209 178

HSL 164.1, 0.56%, 0.59%

LAB 76.73, -40.48, 5.46

 

CMYK 52 / 0 / 13 / 11

HEX #6DE3C5

RGB 109 227 197

HSL 164.75, 0.68%, 0.66%

LAB 83.03, -40.5, 4.51

 

CMYK 77 / 0 / 19 / 39

HEX #249B7E

RGB 36 155 126

HSL 165.38, 0.62%, 0.37%

LAB 57.39, -39.03, 6.1

 

CMYK 86 / 0 / 22 / 46

HEX #13896B

RGB 19 137 107

HSL 164.75, 0.76%, 0.31%

LAB 50.79, -37.99, 7.53

 

CMYK 98 / 0 / 26 / 53

HEX #027758

RGB 2 119 88

HSL 164.1, 0.97%, 0.24%

LAB 44.11, -36.51, 9.16

 

CMYK 100 / 0 / 32 / 60

HEX #006545

RGB 0 101 69

HSL 160.99, 1%, 0.2%

LAB 37.37, -34, 11.11

 

CMYK 100 / 0 / 40 / 67

HEX #005332

RGB 0 83 50

HSL 156.14, 1%, 0.16%

LAB 30.44, -31.19, 13.24

 

CMYK 76 / 0 / 19 / 40

HEX #24997C

RGB 36 153 124

HSL 165.13, 0.62%, 0.37%

LAB 56.7, -38.67, 6.25

 

CMYK 76 / 0 / 39 / 40

HEX #24995D

RGB 36 153 93

HSL 149.23, 0.62%, 0.37%

LAB 56.04, -45.85, 22.69

 

CMYK 76 / 0 / 60 / 40

HEX #24993D

RGB 36 153 61

HSL 132.82, 0.62%, 0.37%

LAB 55.58, -51.17, 38.72

 

CMYK 73 / 0 / 76 / 40

HEX #2A9924

RGB 42 153 36

HSL 116.92, 0.62%, 0.37%

LAB 55.48, -52.74, 49.23

 

CMYK 52 / 0 / 76 / 40

HEX #4A9924

RGB 74 153 36

HSL 100.51, 0.62%, 0.37%

LAB 56.45, -44.92, 50.51

 

CMYK 76 / 0 / 19 / 40

HEX #24997C

RGB 36 153 124

HSL 165.13, 0.62%, 0.37%

LAB 56.7, -38.67, 6.25

 

CMYK 76 / 2 / 0 / 40

HEX #249699

RGB 36 150 153

HSL 181.54, 0.62%, 0.37%

LAB 56.57, -29, -10.49

 

CMYK 76 / 23 / 0 / 40

HEX #247699

RGB 36 118 153

HSL 197.95, 0.62%, 0.37%

LAB 46.49, -12.02, -25.88

 

CMYK 76 / 43 / 0 / 40

HEX #245799

RGB 36 87 153

HSL 213.85, 0.62%, 0.37%

LAB 36.91, 7.06, -40.97

 

CMYK 76 / 64 / 0 / 40

HEX #243799

RGB 36 55 153

HSL 230.26, 0.62%, 0.37%

LAB 27.87, 28.61, -55.61

 

CMYK 76 / 0 / 19 / 40

HEX #24997C

RGB 36 153 124

HSL 165.13, 0.62%, 0.37%

LAB 56.7, -38.67, 6.25

 

CMYK 88 / 0 / 21 / 34

HEX #15A884

RGB 21 168 132

HSL 165.31, 0.78%, 0.37%

LAB 61.51, -44.44, 8.59

 

CMYK 97 / 0 / 23 / 28

HEX #05B78C

RGB 5 183 140

HSL 165.51, 0.95%, 0.37%

LAB 66.36, -49.27, 11.03

 

CMYK 76 / 0 / 19 / 40

HEX #24997C

RGB 36 153 124

HSL 165.13, 0.62%, 0.37%

LAB 56.7, -38.67, 6.25

 

CMYK 63 / 0 / 15 / 46

HEX #338A75

RGB 51 138 117

HSL 165.52, 0.46%, 0.37%

LAB 52.02, -31.27, 3.59

 

CMYK 46 / 0 / 11 / 52

HEX #427A6D

RGB 66 122 109

HSL 166.07, 0.3%, 0.37%

LAB 47.21, -21.86, 1.37

 

CMYK 23 / 0 / 6 / 58

HEX #526B65

RGB 82 107 101

HSL 165.6, 0.13%, 0.37%

LAB 43.14, -10.6, 0.33

 

CMYK 0 / 5 / 4 / 62

HEX #615C5D

RGB 97 92 93

HSL 348, 0.03%, 0.37%

LAB 39.56, 2.2, 0.14

 

CMYK 76 / 0 / 60 / 40

HEX #24993D

RGB 36 153 61

HSL 132.82, 0.62%, 0.37%

LAB 55.58, -51.17, 38.72

 

CMYK 76 / 0 / 40 / 40

HEX #24995C

RGB 36 153 92

HSL 148.72, 0.62%, 0.37%

LAB 56.02, -46.05, 23.21

 

CMYK 76 / 0 / 19 / 40

HEX #24997C

RGB 36 153 124

HSL 165.13, 0.62%, 0.37%

LAB 56.7, -38.67, 6.25

 

CMYK 76 / 1 / 0 / 40

HEX #249799

RGB 36 151 153

HSL 181.03, 0.62%, 0.37%

LAB 56.89, -29.49, -10.02

 

CMYK 76 / 22 / 0 / 40

HEX #247899

RGB 36 120 153

HSL 196.92, 0.62%, 0.37%

LAB 47.12, -13.16, -24.91

 

CMYK 77 / 0 / 19 / 66

HEX #145646

RGB 20 86 70

HSL 165.45, 0.62%, 0.21%

LAB 32.36, -24.65, 3.48

 

CMYK 76 / 0 / 18 / 53

HEX #1C7761

RGB 28 119 97

HSL 165.49, 0.62%, 0.29%

LAB 44.67, -31.64, 4.66

 

CMYK 76 / 0 / 19 / 40

HEX #24997C

RGB 36 153 124

HSL 165.13, 0.62%, 0.37%

LAB 56.7, -38.67, 6.25

 

CMYK 76 / 0 / 18 / 27

HEX #2CBA98

RGB 44 186 152

HSL 165.63, 0.62%, 0.45%

LAB 67.96, -44.72, 6.79

 

CMYK 70 / 0 / 17 / 18

HEX #3ED2AE

RGB 62 210 174

HSL 165.41, 0.62%, 0.53%

LAB 76.18, -47.05, 6.7

 

CMYK 77 / 0 / 19 / 39

HEX #249B7E

RGB 36 155 126

HSL 165.38, 0.62%, 0.37%

LAB 57.39, -39.03, 6.1

 

CMYK 76 / 73 / 0 / 40

HEX #242A99

RGB 36 42 153

HSL 236.92, 0.62%, 0.37%

LAB 24.74, 37, -60.75

 

CMYK 0 / 50 / 76 / 40

HEX #994D24

RGB 153 77 36

HSL 21.03, 0.62%, 0.37%

LAB 41.54, 28.67, 37.65

 

CMYK 77 / 0 / 19 / 39

HEX #249B7E

RGB 36 155 126

HSL 165.38, 0.62%, 0.37%

LAB 57.39, -39.03, 6.1

 

CMYK 19 / 76 / 0 / 40

HEX #7C2499

RGB 124 36 153

HSL 285.13, 0.62%, 0.37%

LAB 33.66, 54.29, -45.77

 

CMYK 0 / 19 / 76 / 40

HEX #997C24

RGB 153 124 36

HSL 45.13, 0.62%, 0.37%

LAB 53.29, 1.97, 49.34

 

CMYK 77 / 0 / 19 / 39

HEX #249B7E

RGB 36 155 126

HSL 165.38, 0.62%, 0.37%

LAB 57.39, -39.03, 6.1

 

CMYK 76 / 73 / 0 / 40

HEX #242A99

RGB 36 42 153

HSL 236.92, 0.62%, 0.37%

LAB 24.74, 37, -60.75

 

CMYK 0 / 76 / 58 / 40

HEX #992441

RGB 153 36 65

HSL 345.13, 0.62%, 0.37%

LAB 34.83, 49.41, 12.18

 

CMYK 0 / 4 / 76 / 40

HEX #999324

RGB 153 147 36

HSL 56.92, 0.62%, 0.37%

LAB 59.68, -10.66, 55.36

 

CMYK 77 / 0 / 19 / 39

HEX #249B7E

RGB 36 155 126

HSL 165.38, 0.62%, 0.37%

LAB 57.39, -39.03, 6.1

 

CMYK 58 / 76 / 0 / 40

HEX #412499

RGB 65 36 153

HSL 254.87, 0.62%, 0.37%

LAB 25.82, 43.87, -58.89

 

CMYK 0 / 76 / 58 / 40

HEX #992441

RGB 153 36 65

HSL 345.13, 0.62%, 0.37%

LAB 34.83, 49.41, 12.18

 

CMYK 19 / 0 / 76 / 40

HEX #7C9924

RGB 124 153 36

HSL 74.87, 0.62%, 0.37%

LAB 59.15, -26.44, 54.05

 

Description

Color code: HEX #249B7E | qconv.com Color code: HEX #249B7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 155 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 155 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 19 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 19% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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