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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2497AF it is the complementary color #DB6850. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2497AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2497AF shade: #2997AA, #3AA9BD, #4BBBD0, #5CCDE3 and #6DDFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2497AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2497AF shade: #2497AF, #13859C, #027389, #006176 and #004F63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2497AF shade: #2496AE, #2471AE, #244BAE, #2426AE and #4624AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2497AF shade: #2496AE, #2471AE, #244BAE, #2426AE and #2424AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2497AF shade matches the following richer shades: #2496AE, #13A1BE and #02ACCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2497AF shade: #2496AE, #348B9D, #45808C, #56757B and #67696A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2497AF shade: #24AE7B, #24AEA0, #2497AE, #2472AE and #244DAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2497AF shade: #165B69, #1D788B, #2496AE, #2BB3D0 and #4AC1DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2497AF shade: #2497AF, #5624AE and #AE8D24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2497AF shade: #2497AF, #AE2497 and #97AE24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2497AF shade: #2497AF, #5624AE, #AE3B24 and #7BAE24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2497AF shade: #2497AF, #8024AE, #AE3B24 and #52AE24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 14 / 0 / 31

HEX #2497AF

RGB 36 151 175

HSL 190.36, 0.66%, 0.41%

LAB 57.66, -22.44, -21.39

 

Complementary color

CMYK 0 / 53 / 63 / 14

HEX #DB6850

RGB 219 104 80

HSL 10.36, 0.66%, 0.59%

LAB 57.6, 43.23, 34.77

 

CMYK 76 / 11 / 0 / 33

HEX #2997AA

RGB 41 151 170

HSL 188.84, 0.61%, 0.41%

LAB 57.57, -23.53, -18.68

 

CMYK 69 / 11 / 0 / 26

HEX #3AA9BD

RGB 58 169 189

HSL 189.16, 0.53%, 0.48%

LAB 64.12, -24.48, -19.37

 

CMYK 64 / 10 / 0 / 18

HEX #4BBBD0

RGB 75 187 208

HSL 189.47, 0.59%, 0.55%

LAB 70.59, -25.18, -19.98

 

CMYK 59 / 10 / 0 / 11

HEX #5CCDE3

RGB 92 205 227

HSL 189.78, 0.71%, 0.63%

LAB 76.97, -25.7, -20.55

 

CMYK 56 / 9 / 0 / 4

HEX #6DDFF6

RGB 109 223 246

HSL 190.07, 0.88%, 0.7%

LAB 83.27, -26.09, -21.07

 

CMYK 79 / 14 / 0 / 31

HEX #2497AF

RGB 36 151 175

HSL 190.36, 0.66%, 0.41%

LAB 57.66, -22.44, -21.39

 

CMYK 88 / 15 / 0 / 39

HEX #13859C

RGB 19 133 156

HSL 190.07, 0.78%, 0.34%

LAB 51.05, -20.89, -20.62

 

CMYK 99 / 16 / 0 / 46

HEX #027389

RGB 2 115 137

HSL 189.78, 0.97%, 0.27%

LAB 44.35, -18.91, -19.75

 

CMYK 100 / 18 / 0 / 54

HEX #006176

RGB 0 97 118

HSL 190.68, 1%, 0.23%

LAB 37.59, -16.09, -18.67

 

CMYK 100 / 20 / 0 / 61

HEX #004F63

RGB 0 79 99

HSL 192.12, 1%, 0.19%

LAB 30.62, -13.02, -17.57

 

CMYK 79 / 14 / 0 / 32

HEX #2496AE

RGB 36 150 174

HSL 190.43, 0.66%, 0.41%

LAB 57.31, -22.25, -21.35

 

CMYK 79 / 35 / 0 / 32

HEX #2471AE

RGB 36 113 174

HSL 206.52, 0.66%, 0.41%

LAB 45.96, -1.32, -39.03

 

CMYK 79 / 57 / 0 / 32

HEX #244BAE

RGB 36 75 174

HSL 223.04, 0.66%, 0.41%

LAB 34.93, 23.28, -56.74

 

CMYK 79 / 78 / 0 / 32

HEX #2426AE

RGB 36 38 174

HSL 239.13, 0.66%, 0.41%

LAB 26.21, 46.48, -71.06

 

CMYK 60 / 79 / 0 / 32

HEX #4624AE

RGB 70 36 174

HSL 254.78, 0.66%, 0.41%

LAB 28.43, 50.63, -67.3

 

CMYK 79 / 14 / 0 / 32

HEX #2496AE

RGB 36 150 174

HSL 190.43, 0.66%, 0.41%

LAB 57.31, -22.25, -21.35

 

CMYK 79 / 35 / 0 / 32

HEX #2471AE

RGB 36 113 174

HSL 206.52, 0.66%, 0.41%

LAB 45.96, -1.32, -39.03

 

CMYK 79 / 57 / 0 / 32

HEX #244BAE

RGB 36 75 174

HSL 223.04, 0.66%, 0.41%

LAB 34.93, 23.28, -56.74

 

CMYK 79 / 78 / 0 / 32

HEX #2426AE

RGB 36 38 174

HSL 239.13, 0.66%, 0.41%

LAB 26.21, 46.48, -71.06

 

CMYK 79 / 79 / 0 / 32

HEX #2424AE

RGB 36 36 174

HSL 240, 0.66%, 0.41%

LAB 25.84, 47.53, -71.67

 

CMYK 79 / 14 / 0 / 32

HEX #2496AE

RGB 36 150 174

HSL 190.43, 0.66%, 0.41%

LAB 57.31, -22.25, -21.35

 

CMYK 90 / 15 / 0 / 25

HEX #13A1BE

RGB 19 161 190

HSL 190.18, 0.82%, 0.41%

LAB 61.09, -23.85, -24.62

 

CMYK 99 / 17 / 0 / 19

HEX #02ACCF

RGB 2 172 207

HSL 190.24, 0.98%, 0.41%

LAB 64.98, -24.31, -28.11

 

CMYK 79 / 14 / 0 / 32

HEX #2496AE

RGB 36 150 174

HSL 190.43, 0.66%, 0.41%

LAB 57.31, -22.25, -21.35

 

CMYK 67 / 11 / 0 / 38

HEX #348B9D

RGB 52 139 157

HSL 190.29, 0.5%, 0.41%

LAB 53.63, -19.9, -17.2

 

CMYK 51 / 9 / 0 / 45

HEX #45808C

RGB 69 128 140

HSL 190.14, 0.34%, 0.41%

LAB 50.21, -15.76, -12.44

 

CMYK 30 / 5 / 0 / 52

HEX #56757B

RGB 86 117 123

HSL 189.73, 0.18%, 0.41%

LAB 47.15, -9.55, -6.91

 

CMYK 3 / 1 / 0 / 58

HEX #67696A

RGB 103 105 106

HSL 200, 0.01%, 0.41%

LAB 44.27, -0.56, -0.84

 

CMYK 79 / 0 / 29 / 32

HEX #24AE7B

RGB 36 174 123

HSL 157.83, 0.66%, 0.41%

LAB 63.41, -47.68, 16.25

 

CMYK 79 / 0 / 8 / 32

HEX #24AEA0

RGB 36 174 160

HSL 173.91, 0.66%, 0.41%

LAB 64.31, -38.2, -2.95

 

CMYK 79 / 13 / 0 / 32

HEX #2497AE

RGB 36 151 174

HSL 190, 0.66%, 0.41%

LAB 57.62, -22.77, -20.88

 

CMYK 79 / 34 / 0 / 32

HEX #2472AE

RGB 36 114 174

HSL 206.09, 0.66%, 0.41%

LAB 46.27, -1.93, -38.55

 

CMYK 79 / 56 / 0 / 32

HEX #244DAE

RGB 36 77 174

HSL 222.17, 0.66%, 0.41%

LAB 35.48, 21.94, -55.85

 

CMYK 79 / 13 / 0 / 59

HEX #165B69

RGB 22 91 105

HSL 190.12, 0.65%, 0.25%

LAB 35.35, -15.58, -14.05

 

CMYK 79 / 14 / 0 / 45

HEX #1D788B

RGB 29 120 139

HSL 190.36, 0.65%, 0.33%

LAB 46.39, -18.9, -17.78

 

CMYK 79 / 14 / 0 / 32

HEX #2496AE

RGB 36 150 174

HSL 190.43, 0.66%, 0.41%

LAB 57.31, -22.25, -21.35

 

CMYK 79 / 14 / 0 / 18

HEX #2BB3D0

RGB 43 179 208

HSL 190.55, 0.66%, 0.49%

LAB 67.51, -25.28, -24.75

 

CMYK 66 / 11 / 0 / 15

HEX #4AC1DA

RGB 74 193 218

HSL 190.42, 0.66%, 0.57%

LAB 72.67, -25.34, -22.28

 

CMYK 79 / 14 / 0 / 31

HEX #2497AF

RGB 36 151 175

HSL 190.36, 0.66%, 0.41%

LAB 57.66, -22.44, -21.39

 

CMYK 51 / 79 / 0 / 32

HEX #5624AE

RGB 86 36 174

HSL 261.74, 0.66%, 0.41%

LAB 30.15, 52.67, -64.41

 

CMYK 0 / 19 / 79 / 32

HEX #AE8D24

RGB 174 141 36

HSL 45.65, 0.66%, 0.41%

LAB 60.05, 2.1, 56.44

 

CMYK 79 / 14 / 0 / 31

HEX #2497AF

RGB 36 151 175

HSL 190.36, 0.66%, 0.41%

LAB 57.66, -22.44, -21.39

 

CMYK 0 / 79 / 13 / 32

HEX #AE2497

RGB 174 36 151

HSL 310, 0.66%, 0.41%

LAB 41.99, 64.62, -30.79

 

CMYK 13 / 0 / 79 / 32

HEX #97AE24

RGB 151 174 36

HSL 70, 0.66%, 0.41%

LAB 67.26, -25.33, 62.23

 

CMYK 79 / 14 / 0 / 31

HEX #2497AF

RGB 36 151 175

HSL 190.36, 0.66%, 0.41%

LAB 57.66, -22.44, -21.39

 

CMYK 51 / 79 / 0 / 32

HEX #5624AE

RGB 86 36 174

HSL 261.74, 0.66%, 0.41%

LAB 30.15, 52.67, -64.41

 

CMYK 0 / 66 / 79 / 32

HEX #AE3B24

RGB 174 59 36

HSL 10, 0.66%, 0.41%

LAB 41.62, 45.73, 38.83

 

CMYK 29 / 0 / 79 / 32

HEX #7BAE24

RGB 123 174 36

HSL 82.17, 0.66%, 0.41%

LAB 65.44, -36.69, 59.9

 

CMYK 79 / 14 / 0 / 31

HEX #2497AF

RGB 36 151 175

HSL 190.36, 0.66%, 0.41%

LAB 57.66, -22.44, -21.39

 

CMYK 26 / 79 / 0 / 32

HEX #8024AE

RGB 128 36 174

HSL 280, 0.66%, 0.41%

LAB 35.8, 59.37, -54.94

 

CMYK 0 / 66 / 79 / 32

HEX #AE3B24

RGB 174 59 36

HSL 10, 0.66%, 0.41%

LAB 41.62, 45.73, 38.83

 

CMYK 53 / 0 / 79 / 32

HEX #52AE24

RGB 82 174 36

HSL 100, 0.66%, 0.41%

LAB 63.5, -50.67, 57.39

 

Description

Color code: HEX #2497AF | qconv.com Color code: HEX #2497AF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 151 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 151 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 14 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 14% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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