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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24954D it is the complementary color #DB6AB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24954D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24954D shade: #299548, #3AA75B, #4BB96E, #5CCB81 and #6DDD94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24954D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24954D shade: #24954D, #13833A, #027127, #005F14 and #004D01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24954D shade: #24944C, #24942E, #389424, #569424 and #749424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24954D shade: #24944C, #24946B, #249489, #248194 and #246294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24954D shade matches the following richer shades: #24944C, #15A348 and #06B244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24954D shade: #24944C, #338551, #427655, #506759 and #5F585D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24954D shade: #389424, #24942D, #24944B, #249469 and #249487

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24954D shade: #14512A, #1C733B, #24944C, #2CB55E and #3BCF71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24954D shade: #24954D, #245694 and #942429

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24954D shade: #24954D, #4B2494 and #944B24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24954D shade: #24954D, #245694, #94246D and #946124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24954D shade: #24954D, #243594, #94246D and #948324

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 48 / 42

HEX #24954D

RGB 36 149 77

HSL 141.77, 0.61%, 0.36%

LAB 54.45, -47.3, 29.27

 

Complementary color

CMYK 0 / 52 / 19 / 14

HEX #DB6AB2

RGB 219 106 178

HSL 321.77, 0.61%, 0.64%

LAB 60.41, 52.69, -17.67

 

CMYK 72 / 0 / 52 / 42

HEX #299548

RGB 41 149 72

HSL 137.22, 0.57%, 0.37%

LAB 54.48, -47.32, 31.94

 

CMYK 65 / 0 / 46 / 35

HEX #3AA75B

RGB 58 167 91

HSL 138.17, 0.48%, 0.44%

LAB 61.04, -47.88, 30.38

 

CMYK 59 / 0 / 41 / 27

HEX #4BB96E

RGB 75 185 110

HSL 139.09, 0.44%, 0.51%

LAB 67.52, -48.11, 28.92

 

CMYK 55 / 0 / 36 / 20

HEX #5CCB81

RGB 92 203 129

HSL 140, 0.52%, 0.58%

LAB 73.92, -48.15, 27.55

 

CMYK 51 / 0 / 33 / 13

HEX #6DDD94

RGB 109 221 148

HSL 140.89, 0.62%, 0.65%

LAB 80.24, -48.07, 26.28

 

CMYK 76 / 0 / 48 / 42

HEX #24954D

RGB 36 149 77

HSL 141.77, 0.61%, 0.36%

LAB 54.45, -47.3, 29.27

 

CMYK 85 / 0 / 56 / 49

HEX #13833A

RGB 19 131 58

HSL 140.89, 0.75%, 0.29%

LAB 47.85, -46.07, 30.97

 

CMYK 98 / 0 / 65 / 56

HEX #027127

RGB 2 113 39

HSL 140, 0.97%, 0.23%

LAB 41.17, -44.1, 32.65

 

CMYK 100 / 0 / 79 / 63

HEX #005F14

RGB 0 95 20

HSL 132.63, 1%, 0.19%

LAB 34.47, -40.5, 33.99

 

CMYK 100 / 0 / 99 / 70

HEX #004D01

RGB 0 77 1

HSL 120.78, 1%, 0.15%

LAB 27.6, -36.14, 34.52

 

CMYK 76 / 0 / 49 / 42

HEX #24944C

RGB 36 148 76

HSL 141.43, 0.61%, 0.36%

LAB 54.11, -47.1, 29.36

 

CMYK 76 / 0 / 69 / 42

HEX #24942E

RGB 36 148 46

HSL 125.36, 0.61%, 0.36%

LAB 53.76, -51.2, 43.5

 

CMYK 62 / 0 / 76 / 42

HEX #389424

RGB 56 148 36

HSL 109.29, 0.61%, 0.36%

LAB 54.18, -47.98, 48.06

 

CMYK 42 / 0 / 76 / 42

HEX #569424

RGB 86 148 36

HSL 93.21, 0.61%, 0.36%

LAB 55.37, -38.94, 49.62

 

CMYK 22 / 0 / 76 / 42

HEX #749424

RGB 116 148 36

HSL 77.14, 0.61%, 0.36%

LAB 57.1, -27.35, 51.9

 

CMYK 76 / 0 / 49 / 42

HEX #24944C

RGB 36 148 76

HSL 141.43, 0.61%, 0.36%

LAB 54.11, -47.1, 29.36

 

CMYK 76 / 0 / 28 / 42

HEX #24946B

RGB 36 148 107

HSL 158.04, 0.61%, 0.36%

LAB 54.68, -40.76, 13.03

 

CMYK 76 / 0 / 7 / 42

HEX #249489

RGB 36 148 137

HSL 174.11, 0.61%, 0.36%

LAB 55.44, -32.83, -3

 

CMYK 76 / 13 / 0 / 42

HEX #248194

RGB 36 129 148

HSL 190.18, 0.61%, 0.36%

LAB 49.75, -19.85, -17.92

 

CMYK 76 / 34 / 0 / 42

HEX #246294

RGB 36 98 148

HSL 206.79, 0.61%, 0.36%

LAB 40, -1.9, -33.07

 

CMYK 76 / 0 / 49 / 42

HEX #24944C

RGB 36 148 76

HSL 141.43, 0.61%, 0.36%

LAB 54.11, -47.1, 29.36

 

CMYK 87 / 0 / 56 / 36

HEX #15A348

RGB 21 163 72

HSL 141.55, 0.77%, 0.36%

LAB 58.81, -54.82, 37.15

 

CMYK 97 / 0 / 62 / 30

HEX #06B244

RGB 6 178 68

HSL 141.63, 0.93%, 0.36%

LAB 63.59, -61.12, 44.63

 

CMYK 76 / 0 / 49 / 42

HEX #24944C

RGB 36 148 76

HSL 141.43, 0.61%, 0.36%

LAB 54.11, -47.1, 29.36

 

CMYK 62 / 0 / 39 / 48

HEX #338551

RGB 51 133 81

HSL 141.95, 0.45%, 0.36%

LAB 49.58, -37.28, 20.84

 

CMYK 44 / 0 / 28 / 54

HEX #427655

RGB 66 118 85

HSL 141.92, 0.28%, 0.36%

LAB 45.32, -25.43, 12.86

 

CMYK 22 / 0 / 14 / 60

HEX #506759

RGB 80 103 89

HSL 143.48, 0.13%, 0.36%

LAB 41.42, -11.75, 5.1

 

CMYK 0 / 7 / 2 / 63

HEX #5F585D

RGB 95 88 93

HSL 317.14, 0.04%, 0.36%

LAB 38.2, 3.85, -1.87

 

CMYK 62 / 0 / 76 / 42

HEX #389424

RGB 56 148 36

HSL 109.29, 0.61%, 0.36%

LAB 54.18, -47.98, 48.06

 

CMYK 76 / 0 / 70 / 42

HEX #24942D

RGB 36 148 45

HSL 124.82, 0.61%, 0.36%

LAB 53.75, -51.3, 43.91

 

CMYK 76 / 0 / 49 / 42

HEX #24944B

RGB 36 148 75

HSL 140.89, 0.61%, 0.36%

LAB 54.09, -47.27, 29.86

 

CMYK 76 / 0 / 29 / 42

HEX #249469

RGB 36 148 105

HSL 156.96, 0.61%, 0.36%

LAB 54.63, -41.23, 14.1

 

CMYK 76 / 0 / 9 / 42

HEX #249487

RGB 36 148 135

HSL 173.04, 0.61%, 0.36%

LAB 55.38, -33.4, -1.94

 

CMYK 75 / 0 / 48 / 68

HEX #14512A

RGB 20 81 42

HSL 141.64, 0.6%, 0.2%

LAB 29.91, -29.23, 17.47

 

CMYK 76 / 0 / 49 / 55

HEX #1C733B

RGB 28 115 59

HSL 141.38, 0.61%, 0.28%

LAB 42.5, -38.65, 23.82

 

CMYK 76 / 0 / 49 / 42

HEX #24944C

RGB 36 148 76

HSL 141.43, 0.61%, 0.36%

LAB 54.11, -47.1, 29.36

 

CMYK 76 / 0 / 48 / 29

HEX #2CB55E

RGB 44 181 94

HSL 141.9, 0.61%, 0.44%

LAB 65.27, -55, 34.16

 

CMYK 71 / 0 / 45 / 19

HEX #3BCF71

RGB 59 207 113

HSL 141.89, 0.61%, 0.52%

LAB 74.03, -58.97, 35.73

 

CMYK 76 / 0 / 48 / 42

HEX #24954D

RGB 36 149 77

HSL 141.77, 0.61%, 0.36%

LAB 54.45, -47.3, 29.27

 

CMYK 76 / 42 / 0 / 42

HEX #245694

RGB 36 86 148

HSL 213.21, 0.61%, 0.36%

LAB 36.31, 5.77, -38.92

 

CMYK 0 / 76 / 72 / 42

HEX #942429

RGB 148 36 41

HSL 357.32, 0.61%, 0.36%

LAB 33.39, 46.34, 25.5

 

CMYK 76 / 0 / 48 / 42

HEX #24954D

RGB 36 149 77

HSL 141.77, 0.61%, 0.36%

LAB 54.45, -47.3, 29.27

 

CMYK 49 / 76 / 0 / 42

HEX #4B2494

RGB 75 36 148

HSL 260.89, 0.61%, 0.36%

LAB 26.44, 43.95, -54.76

 

CMYK 0 / 49 / 76 / 42

HEX #944B24

RGB 148 75 36

HSL 20.89, 0.61%, 0.36%

LAB 40.34, 27.65, 36.15

 

CMYK 76 / 0 / 48 / 42

HEX #24954D

RGB 36 149 77

HSL 141.77, 0.61%, 0.36%

LAB 54.45, -47.3, 29.27

 

CMYK 76 / 42 / 0 / 42

HEX #245694

RGB 36 86 148

HSL 213.21, 0.61%, 0.36%

LAB 36.31, 5.77, -38.92

 

CMYK 0 / 76 / 26 / 42

HEX #94246D

RGB 148 36 109

HSL 320.89, 0.61%, 0.36%

LAB 35.32, 52.55, -15.53

 

CMYK 0 / 34 / 76 / 42

HEX #946124

RGB 148 97 36

HSL 32.68, 0.61%, 0.36%

LAB 45.6, 15.13, 41.58

 

CMYK 76 / 0 / 48 / 42

HEX #24954D

RGB 36 149 77

HSL 141.77, 0.61%, 0.36%

LAB 54.45, -47.3, 29.27

 

CMYK 76 / 64 / 0 / 42

HEX #243594

RGB 36 53 148

HSL 230.89, 0.61%, 0.36%

LAB 26.9, 28.05, -54.12

 

CMYK 0 / 76 / 26 / 42

HEX #94246D

RGB 148 36 109

HSL 320.89, 0.61%, 0.36%

LAB 35.32, 52.55, -15.53

 

CMYK 0 / 11 / 76 / 42

HEX #948324

RGB 148 131 36

HSL 50.89, 0.61%, 0.36%

LAB 54.72, -4.24, 50.53

 

Description

Color code: HEX #24954D | qconv.com Color code: HEX #24954D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 149 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 149 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 48 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 48% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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