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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24939E it is the complementary color #DB6C61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24939E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24939E shade: #299399, #3AA5AC, #4BB7BF, #5CC9D2 and #6DDBE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24939E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24939E shade: #24939E, #13818B, #026F78, #005D65 and #004B52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24939E shade: #24939E, #24729E, #24519E, #24309E and #38249E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24939E shade: #24939E, #24729E, #24519E, #24309E and #24249E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24939E shade matches the following richer shades: #24939E, #14A0AE and #04ADBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24939E shade: #24939E, #34868E, #43797F, #536C6F and #63605F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24939E shade: #249E67, #249E88, #24949E, #24739E and #24539E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24939E shade: #15545B, #1C747C, #24939E, #2BB2C0 and #41C6D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24939E shade: #24939E, #46249E and #9E7724

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24939E shade: #24939E, #9E2494 and #949E24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24939E shade: #24939E, #46249E, #9E2E24 and #7B9E24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24939E shade: #24939E, #6B249E, #9E2E24 and #579E24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

Complementary color

CMYK 0 / 51 / 56 / 14

HEX #DB6C61

RGB 219 108 97

HSL 5.41, 0.63%, 0.62%

LAB 58.65, 42.45, 26.53

 

CMYK 73 / 4 / 0 / 40

HEX #299399

RGB 41 147 153

HSL 183.21, 0.58%, 0.38%

LAB 55.72, -26.9, -11.76

 

CMYK 66 / 4 / 0 / 33

HEX #3AA5AC

RGB 58 165 172

HSL 183.68, 0.5%, 0.45%

LAB 62.33, -27.65, -12.57

 

CMYK 61 / 4 / 0 / 25

HEX #4BB7BF

RGB 75 183 191

HSL 184.14, 0.48%, 0.52%

LAB 68.84, -28.17, -13.29

 

CMYK 56 / 4 / 0 / 18

HEX #5CC9D2

RGB 92 201 210

HSL 184.58, 0.57%, 0.59%

LAB 75.27, -28.52, -13.96

 

CMYK 52 / 4 / 0 / 10

HEX #6DDBE5

RGB 109 219 229

HSL 185, 0.7%, 0.66%

LAB 81.6, -28.77, -14.57

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 86 / 7 / 0 / 45

HEX #13818B

RGB 19 129 139

HSL 185, 0.76%, 0.31%

LAB 49.13, -24.6, -13.61

 

CMYK 98 / 8 / 0 / 53

HEX #026F78

RGB 2 111 120

HSL 184.58, 0.97%, 0.24%

LAB 42.37, -22.84, -12.58

 

CMYK 100 / 8 / 0 / 60

HEX #005D65

RGB 0 93 101

HSL 184.75, 1%, 0.2%

LAB 35.53, -20.17, -11.3

 

CMYK 100 / 9 / 0 / 68

HEX #004B52

RGB 0 75 82

HSL 185.12, 1%, 0.16%

LAB 28.49, -17.28, -9.96

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 77 / 28 / 0 / 38

HEX #24729E

RGB 36 114 158

HSL 201.64, 0.63%, 0.38%

LAB 45.47, -7.88, -30.42

 

CMYK 77 / 49 / 0 / 38

HEX #24519E

RGB 36 81 158

HSL 217.87, 0.63%, 0.38%

LAB 35.46, 12.99, -46.32

 

CMYK 77 / 70 / 0 / 38

HEX #24309E

RGB 36 48 158

HSL 234.1, 0.63%, 0.38%

LAB 26.61, 35.04, -60.72

 

CMYK 65 / 77 / 0 / 38

HEX #38249E

RGB 56 36 158

HSL 249.84, 0.63%, 0.38%

LAB 25.48, 44.23, -62.54

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 77 / 28 / 0 / 38

HEX #24729E

RGB 36 114 158

HSL 201.64, 0.63%, 0.38%

LAB 45.47, -7.88, -30.42

 

CMYK 77 / 49 / 0 / 38

HEX #24519E

RGB 36 81 158

HSL 217.87, 0.63%, 0.38%

LAB 35.46, 12.99, -46.32

 

CMYK 77 / 70 / 0 / 38

HEX #24309E

RGB 36 48 158

HSL 234.1, 0.63%, 0.38%

LAB 26.61, 35.04, -60.72

 

CMYK 77 / 77 / 0 / 38

HEX #24249E

RGB 36 36 158

HSL 240, 0.63%, 0.38%

LAB 24.02, 42.26, -65

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 89 / 8 / 0 / 32

HEX #14A0AE

RGB 20 160 174

HSL 185.45, 0.79%, 0.38%

LAB 60.2, -28.6, -16.97

 

CMYK 98 / 8 / 0 / 26

HEX #04ADBD

RGB 4 173 189

HSL 185.19, 0.96%, 0.38%

LAB 64.63, -30.75, -18.65

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 63 / 6 / 0 / 44

HEX #34868E

RGB 52 134 142

HSL 185.33, 0.46%, 0.38%

LAB 51.53, -21.96, -11.67

 

CMYK 47 / 5 / 0 / 50

HEX #43797F

RGB 67 121 127

HSL 186, 0.31%, 0.38%

LAB 47.5, -16.18, -8.87

 

CMYK 25 / 3 / 0 / 56

HEX #536C6F

RGB 83 108 111

HSL 186.43, 0.14%, 0.38%

LAB 43.82, -8.41, -4.7

 

CMYK 0 / 3 / 4 / 61

HEX #63605F

RGB 99 96 95

HSL 15, 0.02%, 0.38%

LAB 40.97, 0.99, 0.99

 

CMYK 77 / 0 / 35 / 38

HEX #249E67

RGB 36 158 103

HSL 152.95, 0.63%, 0.38%

LAB 57.85, -45.74, 19.64

 

CMYK 77 / 0 / 14 / 38

HEX #249E88

RGB 36 158 136

HSL 169.18, 0.63%, 0.38%

LAB 58.61, -37.69, 2.2

 

CMYK 77 / 6 / 0 / 38

HEX #24949E

RGB 36 148 158

HSL 184.92, 0.63%, 0.38%

LAB 56.11, -26.44, -14.05

 

CMYK 77 / 27 / 0 / 38

HEX #24739E

RGB 36 115 158

HSL 201.15, 0.63%, 0.38%

LAB 45.78, -8.47, -29.94

 

CMYK 77 / 47 / 0 / 38

HEX #24539E

RGB 36 83 158

HSL 216.89, 0.63%, 0.38%

LAB 36.04, 11.66, -45.38

 

CMYK 77 / 8 / 0 / 64

HEX #15545B

RGB 21 84 91

HSL 186, 0.63%, 0.22%

LAB 32.38, -16.71, -9.77

 

CMYK 77 / 6 / 0 / 51

HEX #1C747C

RGB 28 116 124

HSL 185, 0.63%, 0.3%

LAB 44.51, -21.95, -11.71

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 78 / 7 / 0 / 25

HEX #2BB2C0

RGB 43 178 192

HSL 185.64, 0.63%, 0.46%

LAB 66.64, -29.86, -17.23

 

CMYK 69 / 7 / 0 / 17

HEX #41C6D4

RGB 65 198 212

HSL 185.71, 0.63%, 0.54%

LAB 73.72, -30.88, -17.44

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 56 / 77 / 0 / 38

HEX #46249E

RGB 70 36 158

HSL 256.72, 0.63%, 0.38%

LAB 26.83, 46.03, -60.27

 

CMYK 0 / 25 / 77 / 38

HEX #9E7724

RGB 158 119 36

HSL 40.82, 0.63%, 0.38%

LAB 52.5, 7.1, 48.77

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 0 / 77 / 6 / 38

HEX #9E2494

RGB 158 36 148

HSL 304.92, 0.63%, 0.38%

LAB 39.02, 60.63, -33.85

 

CMYK 6 / 0 / 77 / 38

HEX #949E24

RGB 148 158 36

HSL 64.92, 0.63%, 0.38%

LAB 62.4, -18.62, 57.73

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 56 / 77 / 0 / 38

HEX #46249E

RGB 70 36 158

HSL 256.72, 0.63%, 0.38%

LAB 26.83, 46.03, -60.27

 

CMYK 0 / 71 / 77 / 38

HEX #9E2E24

RGB 158 46 36

HSL 4.92, 0.63%, 0.38%

LAB 36.65, 45.62, 32.73

 

CMYK 22 / 0 / 77 / 38

HEX #7B9E24

RGB 123 158 36

HSL 77.21, 0.63%, 0.38%

LAB 60.6, -29.27, 55.39

 

CMYK 77 / 7 / 0 / 38

HEX #24939E

RGB 36 147 158

HSL 185.41, 0.63%, 0.38%

LAB 55.8, -25.93, -14.52

 

CMYK 32 / 77 / 0 / 38

HEX #6B249E

RGB 107 36 158

HSL 274.92, 0.63%, 0.38%

LAB 31.48, 52.08, -52.48

 

CMYK 0 / 71 / 77 / 38

HEX #9E2E24

RGB 158 46 36

HSL 4.92, 0.63%, 0.38%

LAB 36.65, 45.62, 32.73

 

CMYK 45 / 0 / 77 / 38

HEX #579E24

RGB 87 158 36

HSL 94.92, 0.63%, 0.38%

LAB 58.61, -42.8, 52.8

 

Description

Color code: HEX #24939E | qconv.com Color code: HEX #24939E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 147 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 147 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 7 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 7% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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