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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #248746 it is the complementary color #DB78B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #248746. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #248746 shade: #298741, #3A9954, #4BAB67, #5CBD7A and #6DCF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #248746. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #248746 shade: #248746, #137533, #026320, #00510D and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #248746 shade: #248947, #24892C, #388924, #538924 and #6E8924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #248746 shade: #248947, #248962, #24897D, #247A89 and #245F89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #248746 shade matches the following richer shades: #248947, #169743 and #08A53E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #248746 shade: #248947, #327B4B, #406D50, #4E5F54 and #5D5159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #248746 shade: #398924, #24892B, #248946, #248961 and #24897C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #248746 shade: #134825, #1C6836, #248947, #2DAA58 and #36CA69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #248746 shade: #248746, #245389 and #89242B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #248746 shade: #248746, #462489 and #894624

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #248746 shade: #248746, #245389, #892467 and #895A24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #248746 shade: #248746, #243589, #892467 and #897824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 48 / 47

HEX #248746

RGB 36 135 70

HSL 140.61, 0.58%, 0.34%

LAB 49.67, -43.18, 26.94

 

Complementary color

CMYK 0 / 45 / 16 / 14

HEX #DB78B9

RGB 219 120 185

HSL 320.61, 0.58%, 0.66%

LAB 63.34, 46.81, -17.22

 

CMYK 70 / 0 / 52 / 47

HEX #298741

RGB 41 135 65

HSL 135.32, 0.53%, 0.35%

LAB 49.71, -43.09, 29.69

 

CMYK 62 / 0 / 45 / 40

HEX #3A9954

RGB 58 153 84

HSL 136.42, 0.45%, 0.41%

LAB 56.41, -43.5, 28.15

 

CMYK 56 / 0 / 40 / 33

HEX #4BAB67

RGB 75 171 103

HSL 137.5, 0.39%, 0.48%

LAB 63.01, -43.61, 26.7

 

CMYK 51 / 0 / 35 / 26

HEX #5CBD7A

RGB 92 189 122

HSL 138.56, 0.42%, 0.55%

LAB 69.52, -43.54, 25.36

 

CMYK 47 / 0 / 32 / 19

HEX #6DCF8D

RGB 109 207 141

HSL 139.59, 0.51%, 0.62%

LAB 75.95, -43.39, 24.12

 

CMYK 73 / 0 / 48 / 47

HEX #248746

RGB 36 135 70

HSL 140.61, 0.58%, 0.34%

LAB 49.67, -43.18, 26.94

 

CMYK 84 / 0 / 56 / 54

HEX #137533

RGB 19 117 51

HSL 139.59, 0.72%, 0.27%

LAB 42.91, -42.11, 28.64

 

CMYK 98 / 0 / 68 / 61

HEX #026320

RGB 2 99 32

HSL 138.56, 0.96%, 0.2%

LAB 36.06, -40.27, 30.3

 

CMYK 100 / 0 / 84 / 68

HEX #00510D

RGB 0 81 13

HSL 129.63, 1%, 0.16%

LAB 29.19, -36.52, 31.48

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 74 / 0 / 48 / 46

HEX #248947

RGB 36 137 71

HSL 140.79, 0.58%, 0.34%

LAB 50.36, -43.78, 27.28

 

CMYK 74 / 0 / 68 / 46

HEX #24892C

RGB 36 137 44

HSL 124.75, 0.58%, 0.34%

LAB 50.04, -47.59, 40.33

 

CMYK 59 / 0 / 74 / 46

HEX #388924

RGB 56 137 36

HSL 108.12, 0.58%, 0.34%

LAB 50.52, -43.85, 44.36

 

CMYK 39 / 0 / 74 / 46

HEX #538924

RGB 83 137 36

HSL 92.08, 0.58%, 0.34%

LAB 51.68, -35.21, 45.9

 

CMYK 20 / 0 / 74 / 46

HEX #6E8924

RGB 110 137 36

HSL 76.04, 0.58%, 0.34%

LAB 53.31, -24.45, 48.08

 

CMYK 74 / 0 / 48 / 46

HEX #248947

RGB 36 137 71

HSL 140.79, 0.58%, 0.34%

LAB 50.36, -43.78, 27.28

 

CMYK 74 / 0 / 28 / 46

HEX #248962

RGB 36 137 98

HSL 156.83, 0.58%, 0.34%

LAB 50.86, -38.21, 12.85

 

CMYK 74 / 0 / 9 / 46

HEX #24897D

RGB 36 137 125

HSL 172.87, 0.58%, 0.34%

LAB 51.55, -31.1, -1.79

 

CMYK 74 / 11 / 0 / 46

HEX #247A89

RGB 36 122 137

HSL 188.91, 0.58%, 0.34%

LAB 47.11, -19.77, -15.49

 

CMYK 74 / 31 / 0 / 46

HEX #245F89

RGB 36 95 137

HSL 204.95, 0.58%, 0.34%

LAB 38.49, -4.18, -28.8

 

CMYK 74 / 0 / 48 / 46

HEX #248947

RGB 36 137 71

HSL 140.79, 0.58%, 0.34%

LAB 50.36, -43.78, 27.28

 

CMYK 85 / 0 / 56 / 41

HEX #169743

RGB 22 151 67

HSL 140.93, 0.75%, 0.34%

LAB 54.77, -51.39, 34.77

 

CMYK 95 / 0 / 62 / 35

HEX #08A53E

RGB 8 165 62

HSL 140.64, 0.91%, 0.34%

LAB 59.26, -57.69, 42.42

 

CMYK 74 / 0 / 48 / 46

HEX #248947

RGB 36 137 71

HSL 140.79, 0.58%, 0.34%

LAB 50.36, -43.78, 27.28

 

CMYK 59 / 0 / 39 / 52

HEX #327B4B

RGB 50 123 75

HSL 140.55, 0.42%, 0.34%

LAB 46.11, -34.32, 19.62

 

CMYK 41 / 0 / 27 / 57

HEX #406D50

RGB 64 109 80

HSL 141.33, 0.26%, 0.34%

LAB 42.16, -22.55, 11.43

 

CMYK 18 / 0 / 12 / 63

HEX #4E5F54

RGB 78 95 84

HSL 141.18, 0.1%, 0.34%

LAB 38.63, -8.98, 4.14

 

CMYK 0 / 13 / 4 / 64

HEX #5D5159

RGB 93 81 89

HSL 320, 0.07%, 0.34%

LAB 35.86, 6.55, -2.85

 

CMYK 58 / 0 / 74 / 46

HEX #398924

RGB 57 137 36

HSL 107.52, 0.58%, 0.34%

LAB 50.56, -43.58, 44.41

 

CMYK 74 / 0 / 69 / 46

HEX #24892B

RGB 36 137 43

HSL 124.16, 0.58%, 0.34%

LAB 50.03, -47.7, 40.76

 

CMYK 74 / 0 / 49 / 46

HEX #248946

RGB 36 137 70

HSL 140.2, 0.58%, 0.34%

LAB 50.34, -43.95, 27.79

 

CMYK 74 / 0 / 29 / 46

HEX #248961

RGB 36 137 97

HSL 156.24, 0.58%, 0.34%

LAB 50.84, -38.45, 13.39

 

CMYK 74 / 0 / 9 / 46

HEX #24897C

RGB 36 137 124

HSL 172.28, 0.58%, 0.34%

LAB 51.52, -31.38, -1.25

 

CMYK 74 / 0 / 49 / 72

HEX #134825

RGB 19 72 37

HSL 140.38, 0.58%, 0.18%

LAB 26.47, -26.45, 16.05

 

CMYK 73 / 0 / 48 / 59

HEX #1C6836

RGB 28 104 54

HSL 140.53, 0.58%, 0.26%

LAB 38.58, -35.11, 21.63

 

CMYK 74 / 0 / 48 / 46

HEX #248947

RGB 36 137 71

HSL 140.79, 0.58%, 0.34%

LAB 50.36, -43.78, 27.28

 

CMYK 74 / 0 / 48 / 33

HEX #2DAA58

RGB 45 170 88

HSL 140.64, 0.58%, 0.42%

LAB 61.66, -51.85, 32.68

 

CMYK 73 / 0 / 48 / 21

HEX #36CA69

RGB 54 202 105

HSL 140.68, 0.58%, 0.5%

LAB 72.26, -59.25, 37.47

 

CMYK 73 / 0 / 48 / 47

HEX #248746

RGB 36 135 70

HSL 140.61, 0.58%, 0.34%

LAB 49.67, -43.18, 26.94

 

CMYK 74 / 39 / 0 / 46

HEX #245389

RGB 36 83 137

HSL 212.08, 0.58%, 0.34%

LAB 34.74, 3.45, -34.73

 

CMYK 0 / 74 / 69 / 46

HEX #89242B

RGB 137 36 43

HSL 355.84, 0.58%, 0.34%

LAB 31.24, 42.83, 21.12

 

CMYK 73 / 0 / 48 / 47

HEX #248746

RGB 36 135 70

HSL 140.61, 0.58%, 0.34%

LAB 49.67, -43.18, 26.94

 

CMYK 49 / 74 / 0 / 46

HEX #462489

RGB 70 36 137

HSL 260.2, 0.58%, 0.34%

LAB 24.86, 39.97, -50.54

 

CMYK 0 / 49 / 74 / 46

HEX #894624

RGB 137 70 36

HSL 20.2, 0.58%, 0.34%

LAB 37.53, 25.73, 32.63

 

CMYK 73 / 0 / 48 / 47

HEX #248746

RGB 36 135 70

HSL 140.61, 0.58%, 0.34%

LAB 49.67, -43.18, 26.94

 

CMYK 74 / 39 / 0 / 46

HEX #245389

RGB 36 83 137

HSL 212.08, 0.58%, 0.34%

LAB 34.74, 3.45, -34.73

 

CMYK 0 / 74 / 25 / 46

HEX #892467

RGB 137 36 103

HSL 320.2, 0.58%, 0.34%

LAB 33.05, 48.79, -15.37

 

CMYK 0 / 34 / 74 / 46

HEX #895A24

RGB 137 90 36

HSL 32.08, 0.58%, 0.34%

LAB 42.4, 14.17, 37.84

 

CMYK 73 / 0 / 48 / 47

HEX #248746

RGB 36 135 70

HSL 140.61, 0.58%, 0.34%

LAB 49.67, -43.18, 26.94

 

CMYK 74 / 61 / 0 / 46

HEX #243589

RGB 36 53 137

HSL 229.9, 0.58%, 0.34%

LAB 25.94, 23.85, -48.89

 

CMYK 0 / 74 / 25 / 46

HEX #892467

RGB 137 36 103

HSL 320.2, 0.58%, 0.34%

LAB 33.05, 48.79, -15.37

 

CMYK 0 / 12 / 74 / 46

HEX #897824

RGB 137 120 36

HSL 49.9, 0.58%, 0.34%

LAB 50.54, -3.19, 46.11

 

Description

Color code: HEX #248746 | qconv.com Color code: HEX #248746 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 135 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 135 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 48 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 48% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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