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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24800B it is the complementary color #DB7FF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24800B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24800B shade: #298006, #3A9219, #4BA42C, #5CB63F and #6DC852

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24800B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24800B shade: #24800B, #136E00, #025C00, #004A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24800B shade: #247F0B, #437F0B, #627F0B, #7F7C0B and #7F5D0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24800B shade: #247F0B, #0B7F11, #0B7F31, #0B7F50 and #0B7F6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24800B shade matches the following richer shades: #247F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24800B shade: #247F0B, #2A7416, #306821, #375D2C and #3D5238

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24800B shade: #627F0B, #437F0B, #247F0B, #0B7F11 and #0B7F30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24800B shade: #0E3304, #195908, #247F0B, #2EA50E and #39CB12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24800B shade: #24800B, #0B7F7D and #7F0B52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24800B shade: #24800B, #0B247F and #7F0B24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24800B shade: #24800B, #0B7F7D, #660B7F and #7F0B0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24800B shade: #24800B, #0B5E7F, #660B7F and #7F2C0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 91 / 50

HEX #24800B

RGB 36 128 11

HSL 107.18, 0.84%, 0.27%

LAB 46.76, -46.86, 48.31

 

Complementary color

CMYK 10 / 48 / 0 / 4

HEX #DB7FF4

RGB 219 127 244

HSL 287.18, 0.84%, 0.73%

LAB 67.1, 53.68, -44.33

 

CMYK 68 / 0 / 95 / 50

HEX #298006

RGB 41 128 6

HSL 102.79, 0.91%, 0.26%

LAB 46.87, -45.96, 49.45

 

CMYK 60 / 0 / 83 / 43

HEX #3A9219

RGB 58 146 25

HSL 103.64, 0.71%, 0.34%

LAB 53.52, -47.45, 51.07

 

CMYK 54 / 0 / 73 / 36

HEX #4BA42C

RGB 75 164 44

HSL 104.5, 0.58%, 0.41%

LAB 60.09, -48.33, 51.25

 

CMYK 49 / 0 / 65 / 29

HEX #5CB63F

RGB 92 182 63

HSL 105.38, 0.49%, 0.48%

LAB 66.59, -48.81, 50.66

 

CMYK 46 / 0 / 59 / 22

HEX #6DC852

RGB 109 200 82

HSL 106.27, 0.52%, 0.55%

LAB 73, -49.04, 49.7

 

CMYK 72 / 0 / 91 / 50

HEX #24800B

RGB 36 128 11

HSL 107.18, 0.84%, 0.27%

LAB 46.76, -46.86, 48.31

 

CMYK 83 / 0 / 100 / 57

HEX #136E00

RGB 19 110 0

HSL 109.64, 1%, 0.22%

LAB 40.07, -44.31, 45.05

 

CMYK 98 / 0 / 100 / 64

HEX #025C00

RGB 2 92 0

HSL 118.7, 1%, 0.18%

LAB 33.28, -40.67, 39.53

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 72 / 0 / 91 / 50

HEX #247F0B

RGB 36 127 11

HSL 107.07, 0.84%, 0.27%

LAB 46.42, -46.52, 48.01

 

CMYK 47 / 0 / 91 / 50

HEX #437F0B

RGB 67 127 11

HSL 91.03, 0.84%, 0.27%

LAB 47.49, -37.9, 49.35

 

CMYK 23 / 0 / 91 / 50

HEX #627F0B

RGB 98 127 11

HSL 75, 0.84%, 0.27%

LAB 49.25, -25.73, 51.54

 

CMYK 0 / 2 / 91 / 50

HEX #7F7C0B

RGB 127 124 11

HSL 58.45, 0.84%, 0.27%

LAB 50.63, -11.01, 53.61

 

CMYK 0 / 27 / 91 / 50

HEX #7F5D0B

RGB 127 93 11

HSL 42.41, 0.84%, 0.27%

LAB 41.79, 6.7, 46.58

 

CMYK 72 / 0 / 91 / 50

HEX #247F0B

RGB 36 127 11

HSL 107.07, 0.84%, 0.27%

LAB 46.42, -46.52, 48.01

 

CMYK 91 / 0 / 87 / 50

HEX #0B7F11

RGB 11 127 17

HSL 123.1, 0.84%, 0.27%

LAB 46.03, -49.82, 46.08

 

CMYK 91 / 0 / 61 / 50

HEX #0B7F31

RGB 11 127 49

HSL 139.66, 0.84%, 0.27%

LAB 46.27, -46.75, 33.64

 

CMYK 91 / 0 / 37 / 50

HEX #0B7F50

RGB 11 127 80

HSL 155.69, 0.84%, 0.27%

LAB 46.75, -41.1, 17.47

 

CMYK 91 / 0 / 13 / 50

HEX #0B7F6F

RGB 11 127 111

HSL 171.72, 0.84%, 0.27%

LAB 47.49, -33.03, 0.43

 

CMYK 72 / 0 / 91 / 50

HEX #247F0B

RGB 36 127 11

HSL 107.07, 0.84%, 0.27%

LAB 46.42, -46.52, 48.01

 

CMYK 72 / 0 / 91 / 50

HEX #247F0B

RGB 36 127 11

HSL 107.07, 0.84%, 0.27%

LAB 46.42, -46.52, 48.01

 

CMYK 64 / 0 / 81 / 55

HEX #2A7416

RGB 42 116 22

HSL 107.23, 0.68%, 0.27%

LAB 42.82, -40.58, 41.77

 

CMYK 54 / 0 / 68 / 59

HEX #306821

RGB 48 104 33

HSL 107.32, 0.52%, 0.27%

LAB 38.97, -33.04, 33.35

 

CMYK 41 / 0 / 53 / 64

HEX #375D2C

RGB 55 93 44

HSL 106.53, 0.36%, 0.27%

LAB 35.64, -24.12, 23.83

 

CMYK 26 / 0 / 32 / 68

HEX #3D5238

RGB 61 82 56

HSL 108.46, 0.19%, 0.27%

LAB 32.51, -13.88, 12.71

 

CMYK 23 / 0 / 91 / 50

HEX #627F0B

RGB 98 127 11

HSL 75, 0.84%, 0.27%

LAB 49.25, -25.73, 51.54

 

CMYK 47 / 0 / 91 / 50

HEX #437F0B

RGB 67 127 11

HSL 91.03, 0.84%, 0.27%

LAB 47.49, -37.9, 49.35

 

CMYK 72 / 0 / 91 / 50

HEX #247F0B

RGB 36 127 11

HSL 107.07, 0.84%, 0.27%

LAB 46.42, -46.52, 48.01

 

CMYK 91 / 0 / 87 / 50

HEX #0B7F11

RGB 11 127 17

HSL 123.1, 0.84%, 0.27%

LAB 46.03, -49.82, 46.08

 

CMYK 91 / 0 / 62 / 50

HEX #0B7F30

RGB 11 127 48

HSL 139.14, 0.84%, 0.27%

LAB 46.26, -46.89, 34.12

 

CMYK 73 / 0 / 92 / 80

HEX #0E3304

RGB 14 51 4

HSL 107.23, 0.85%, 0.11%

LAB 17.78, -23.43, 23.24

 

CMYK 72 / 0 / 91 / 65

HEX #195908

RGB 25 89 8

HSL 107.41, 0.84%, 0.19%

LAB 32.63, -35.46, 36.55

 

CMYK 72 / 0 / 91 / 50

HEX #247F0B

RGB 36 127 11

HSL 107.07, 0.84%, 0.27%

LAB 46.42, -46.52, 48.01

 

CMYK 72 / 0 / 92 / 35

HEX #2EA50E

RGB 46 165 14

HSL 107.28, 0.84%, 0.35%

LAB 59.46, -57.09, 58.69

 

CMYK 72 / 0 / 91 / 20

HEX #39CB12

RGB 57 203 18

HSL 107.35, 0.84%, 0.43%

LAB 71.98, -66.95, 68.72

 

CMYK 72 / 0 / 91 / 50

HEX #24800B

RGB 36 128 11

HSL 107.18, 0.84%, 0.27%

LAB 46.76, -46.86, 48.31

 

CMYK 91 / 0 / 2 / 50

HEX #0B7F7D

RGB 11 127 125

HSL 178.97, 0.84%, 0.27%

LAB 47.92, -28.72, -7.21

 

CMYK 0 / 91 / 35 / 50

HEX #7F0B52

RGB 127 11 82

HSL 323.28, 0.84%, 0.27%

LAB 27.74, 50.58, -9.96

 

CMYK 72 / 0 / 91 / 50

HEX #24800B

RGB 36 128 11

HSL 107.18, 0.84%, 0.27%

LAB 46.76, -46.86, 48.31

 

CMYK 91 / 72 / 0 / 50

HEX #0B247F

RGB 11 36 127

HSL 227.07, 0.84%, 0.27%

LAB 19.5, 29.21, -53.22

 

CMYK 0 / 91 / 72 / 50

HEX #7F0B24

RGB 127 11 36

HSL 347.07, 0.84%, 0.27%

LAB 26.39, 46.79, 19.22

 

CMYK 72 / 0 / 91 / 50

HEX #24800B

RGB 36 128 11

HSL 107.18, 0.84%, 0.27%

LAB 46.76, -46.86, 48.31

 

CMYK 91 / 0 / 2 / 50

HEX #0B7F7D

RGB 11 127 125

HSL 178.97, 0.84%, 0.27%

LAB 47.92, -28.72, -7.21

 

CMYK 20 / 91 / 0 / 50

HEX #660B7F

RGB 102 11 127

HSL 287.07, 0.84%, 0.27%

LAB 25.55, 52.36, -42.93

 

CMYK 0 / 91 / 90 / 50

HEX #7F0B0D

RGB 127 11 13

HSL 358.97, 0.84%, 0.27%

LAB 26.1, 45.96, 33.1

 

CMYK 72 / 0 / 91 / 50

HEX #24800B

RGB 36 128 11

HSL 107.18, 0.84%, 0.27%

LAB 46.76, -46.86, 48.31

 

CMYK 91 / 26 / 0 / 50

HEX #0B5E7F

RGB 11 94 127

HSL 197.07, 0.84%, 0.27%

LAB 37.13, -10.15, -24.88

 

CMYK 20 / 91 / 0 / 50

HEX #660B7F

RGB 102 11 127

HSL 287.07, 0.84%, 0.27%

LAB 25.55, 52.36, -42.93

 

CMYK 0 / 65 / 91 / 50

HEX #7F2C0B

RGB 127 44 11

HSL 17.07, 0.84%, 0.27%

LAB 30.25, 34.42, 37.47

 

Description

Color code: HEX #24800B | qconv.com Color code: HEX #24800B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 128 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 128 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 91 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 91% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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