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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #247F73 it is the complementary color #DB808C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #247F73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #247F73 shade: #297F6E, #3A9181, #4BA394, #5CB5A7 and #6DC7BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #247F73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #247F73 shade: #247F73, #136D60, #025B4D, #00493A and #003727

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #247F73 shade: #247F73, #247F5B, #247F42, #247F29 and #377F24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #247F73 shade: #247F73, #24737F, #245A7F, #24417F and #24297F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #247F73 shade matches the following richer shades: #247F73, #178C7D and #099A87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #247F73 shade: #247F73, #31726A, #3E6560, #4C5856 and #594A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #247F73 shade: #247F42, #247F5B, #247F73, #24737F and #245B7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #247F73 shade: #123F39, #1B5F56, #247F73, #2D9F90 and #36C0AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #247F73 shade: #247F73, #2A247F and #7F4F24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #247F73 shade: #247F73, #73247F and #7F7324

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #247F73 shade: #247F73, #2A247F, #7F2430 and #797F24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #247F73 shade: #247F73, #45247F, #7F2430 and #5E7F24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

Complementary color

CMYK 0 / 42 / 36 / 14

HEX #DB808C

RGB 219 128 140

HSL 352.09, 0.56%, 0.68%

LAB 63.67, 36.44, 8.87

 

CMYK 68 / 0 / 13 / 50

HEX #297F6E

RGB 41 127 110

HSL 168.14, 0.51%, 0.33%

LAB 47.98, -29.77, 1.79

 

CMYK 60 / 0 / 11 / 43

HEX #3A9181

RGB 58 145 129

HSL 168.97, 0.43%, 0.4%

LAB 54.8, -30.05, 0.71

 

CMYK 54 / 0 / 9 / 36

HEX #4BA394

RGB 75 163 148

HSL 169.77, 0.37%, 0.47%

LAB 61.51, -30.16, -0.23

 

CMYK 49 / 0 / 8 / 29

HEX #5CB5A7

RGB 92 181 167

HSL 170.56, 0.38%, 0.54%

LAB 68.1, -30.17, -1.09

 

CMYK 45 / 0 / 7 / 22

HEX #6DC7BA

RGB 109 199 186

HSL 171.33, 0.45%, 0.6%

LAB 74.6, -30.12, -1.88

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 83 / 0 / 12 / 57

HEX #136D60

RGB 19 109 96

HSL 171.33, 0.7%, 0.25%

LAB 41.09, -28.34, 0.06

 

CMYK 98 / 0 / 15 / 64

HEX #025B4D

RGB 2 91 77

HSL 170.56, 0.96%, 0.18%

LAB 34.05, -27.06, 1.48

 

CMYK 100 / 0 / 21 / 71

HEX #00493A

RGB 0 73 58

HSL 167.67, 1%, 0.14%

LAB 26.93, -24.52, 3.3

 

CMYK 100 / 0 / 29 / 78

HEX #003727

RGB 0 55 39

HSL 162.55, 1%, 0.11%

LAB 19.55, -21.66, 5.35

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 72 / 0 / 28 / 50

HEX #247F5B

RGB 36 127 91

HSL 156.26, 0.56%, 0.32%

LAB 47.38, -35.53, 12.05

 

CMYK 72 / 0 / 48 / 50

HEX #247F42

RGB 36 127 66

HSL 139.78, 0.56%, 0.32%

LAB 46.91, -40.74, 25.6

 

CMYK 72 / 0 / 68 / 50

HEX #247F29

RGB 36 127 41

HSL 123.3, 0.56%, 0.32%

LAB 46.6, -44.33, 37.91

 

CMYK 57 / 0 / 72 / 50

HEX #377F24

RGB 55 127 36

HSL 107.47, 0.56%, 0.32%

LAB 47.13, -40.2, 40.84

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 72 / 9 / 0 / 50

HEX #24737F

RGB 36 115 127

HSL 187.91, 0.56%, 0.32%

LAB 44.47, -19.32, -13.54

 

CMYK 72 / 29 / 0 / 50

HEX #245A7F

RGB 36 90 127

HSL 204.4, 0.56%, 0.32%

LAB 36.4, -4.82, -25.98

 

CMYK 72 / 49 / 0 / 50

HEX #24417F

RGB 36 65 127

HSL 220.88, 0.56%, 0.32%

LAB 28.61, 11.64, -38.34

 

CMYK 72 / 68 / 0 / 50

HEX #24297F

RGB 36 41 127

HSL 236.7, 0.56%, 0.32%

LAB 21.92, 28.19, -49.2

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 84 / 0 / 11 / 45

HEX #178C7D

RGB 23 140 125

HSL 172.31, 0.72%, 0.32%

LAB 52.31, -33.98, -0.71

 

CMYK 94 / 0 / 12 / 40

HEX #099A87

RGB 9 154 135

HSL 172.14, 0.89%, 0.32%

LAB 57, -38.32, 0.38

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 57 / 0 / 7 / 55

HEX #31726A

RGB 49 114 106

HSL 172.62, 0.4%, 0.32%

LAB 43.84, -22.8, -1.85

 

CMYK 39 / 0 / 5 / 60

HEX #3E6560

RGB 62 101 96

HSL 172.31, 0.24%, 0.32%

LAB 39.88, -15.06, -1.54

 

CMYK 14 / 0 / 2 / 65

HEX #4C5856

RGB 76 88 86

HSL 170, 0.07%, 0.32%

LAB 36.34, -5.14, -0.43

 

CMYK 0 / 17 / 15 / 65

HEX #594A4C

RGB 89 74 76

HSL 352, 0.09%, 0.32%

LAB 33.01, 6.7, 1.16

 

CMYK 72 / 0 / 48 / 50

HEX #247F42

RGB 36 127 66

HSL 139.78, 0.56%, 0.32%

LAB 46.91, -40.74, 25.6

 

CMYK 72 / 0 / 28 / 50

HEX #247F5B

RGB 36 127 91

HSL 156.26, 0.56%, 0.32%

LAB 47.38, -35.53, 12.05

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 72 / 9 / 0 / 50

HEX #24737F

RGB 36 115 127

HSL 187.91, 0.56%, 0.32%

LAB 44.47, -19.32, -13.54

 

CMYK 72 / 28 / 0 / 50

HEX #245B7F

RGB 36 91 127

HSL 203.74, 0.56%, 0.32%

LAB 36.72, -5.43, -25.48

 

CMYK 71 / 0 / 10 / 75

HEX #123F39

RGB 18 63 57

HSL 172, 0.56%, 0.16%

LAB 23.6, -16.91, -0.83

 

CMYK 72 / 0 / 9 / 63

HEX #1B5F56

RGB 27 95 86

HSL 172.06, 0.56%, 0.24%

LAB 36.16, -23.28, -1

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 72 / 0 / 9 / 38

HEX #2D9F90

RGB 45 159 144

HSL 172.11, 0.56%, 0.4%

LAB 59.31, -34.78, -1.28

 

CMYK 72 / 0 / 9 / 25

HEX #36C0AE

RGB 54 192 174

HSL 172.17, 0.56%, 0.48%

LAB 70.55, -40.33, -1.48

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 67 / 72 / 0 / 50

HEX #2A247F

RGB 42 36 127

HSL 243.96, 0.56%, 0.32%

LAB 21.16, 32.26, -50.43

 

CMYK 0 / 38 / 72 / 50

HEX #7F4F24

RGB 127 79 36

HSL 28.35, 0.56%, 0.32%

LAB 38.25, 16.05, 33.01

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 9 / 72 / 0 / 50

HEX #73247F

RGB 115 36 127

HSL 292.09, 0.56%, 0.32%

LAB 30.49, 47.12, -34.86

 

CMYK 0 / 9 / 72 / 50

HEX #7F7324

RGB 127 115 36

HSL 52.09, 0.56%, 0.32%

LAB 48.13, -5.04, 43.38

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 67 / 72 / 0 / 50

HEX #2A247F

RGB 42 36 127

HSL 243.96, 0.56%, 0.32%

LAB 21.16, 32.26, -50.43

 

CMYK 0 / 72 / 62 / 50

HEX #7F2430

RGB 127 36 48

HSL 352.09, 0.56%, 0.32%

LAB 29.38, 39.78, 15.08

 

CMYK 5 / 0 / 72 / 50

HEX #797F24

RGB 121 127 36

HSL 63.96, 0.56%, 0.32%

LAB 51.12, -14.42, 46.19

 

CMYK 72 / 0 / 9 / 50

HEX #247F73

RGB 36 127 115

HSL 172.09, 0.56%, 0.32%

LAB 48, -29.18, -1.15

 

CMYK 46 / 72 / 0 / 50

HEX #45247F

RGB 69 36 127

HSL 261.76, 0.56%, 0.32%

LAB 23.87, 36.9, -45.89

 

CMYK 0 / 72 / 62 / 50

HEX #7F2430

RGB 127 36 48

HSL 352.09, 0.56%, 0.32%

LAB 29.38, 39.78, 15.08

 

CMYK 26 / 0 / 72 / 50

HEX #5E7F24

RGB 94 127 36

HSL 81.76, 0.56%, 0.32%

LAB 49.11, -26.23, 43.51

 

Description

Color code: HEX #247F73 | qconv.com Color code: HEX #247F73 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 127 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 127 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 9 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 9% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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