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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #247BF7 it is the complementary color #DB8408. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #247BF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #247BF7 shade: #297BF2, #3A8DFF, #4B9FFF, #5CB1FF and #6DC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #247BF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #247BF7 shade: #247BF7, #1369E4, #0257D1, #0045BE and #0033AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #247BF7 shade: #227AF7, #2240F7, #3D22F7, #7622F7 and #B022F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #247BF7 shade: #227AF7, #2240F7 and #2222F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #247BF7 shade matches the following richer shades: #227AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #247BF7 shade: #227AF7, #347DE4, #4780D2, #5983BF and #6C87AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #247BF7 shade: #22ECF7, #22B3F7, #227AF7, #2242F7 and #3A22F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #247BF7 shade: #0753BF, #0864E7, #227AF7, #4992F8 and #71AAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #247BF7 shade: #247BF7, #C922F7 and #D0F722

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #247BF7 shade: #247BF7, #F7227A and #7AF722

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #247BF7 shade: #247BF7, #C922F7, #F79E22 and #50F722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #247BF7 shade: #247BF7, #F722E5, #F79E22 and #22F733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 50 / 0 / 3

HEX #247BF7

RGB 36 123 247

HSL 215.26, 0.93%, 0.55%

LAB 53.23, 20.24, -68.89

 

Complementary color

CMYK 0 / 40 / 96 / 14

HEX #DB8408

RGB 219 132 8

HSL 35.26, 0.93%, 0.45%

LAB 62.99, 26.25, 67.83

 

CMYK 83 / 49 / 0 / 5

HEX #297BF2

RGB 41 123 242

HSL 215.52, 0.89%, 0.55%

LAB 53, 18.71, -66.48

 

CMYK 77 / 45 / 0 / 0

HEX #3A8DFF

RGB 58 141 255

HSL 214.72, 1%, 0.61%

LAB 59.13, 14, -63.77

 

CMYK 71 / 38 / 0 / 0

HEX #4B9FFF

RGB 75 159 255

HSL 212, 1%, 0.65%

LAB 64.57, 5.36, -55.04

 

CMYK 64 / 31 / 0 / 0

HEX #5CB1FF

RGB 92 177 255

HSL 208.71, 1%, 0.68%

LAB 70.13, -2.32, -46.22

 

CMYK 57 / 24 / 0 / 0

HEX #6DC3FF

RGB 109 195 255

HSL 204.66, 1%, 0.71%

LAB 75.76, -9.11, -37.39

 

CMYK 85 / 50 / 0 / 3

HEX #247BF7

RGB 36 123 247

HSL 215.26, 0.93%, 0.55%

LAB 53.23, 20.24, -68.89

 

CMYK 92 / 54 / 0 / 11

HEX #1369E4

RGB 19 105 228

HSL 215.31, 0.85%, 0.48%

LAB 46.77, 23.45, -68.75

 

CMYK 99 / 58 / 0 / 18

HEX #0257D1

RGB 2 87 209

HSL 215.36, 0.98%, 0.41%

LAB 40.3, 27.18, -68.47

 

CMYK 100 / 64 / 0 / 25

HEX #0045BE

RGB 0 69 190

HSL 218.21, 1%, 0.37%

LAB 33.93, 31.53, -67.86

 

CMYK 100 / 70 / 0 / 33

HEX #0033AB

RGB 0 51 171

HSL 222.11, 1%, 0.34%

LAB 27.59, 35.99, -67

 

CMYK 86 / 51 / 0 / 3

HEX #227AF7

RGB 34 122 247

HSL 215.21, 0.93%, 0.55%

LAB 52.92, 20.73, -69.39

 

CMYK 86 / 74 / 0 / 3

HEX #2240F7

RGB 34 64 247

HSL 231.55, 0.93%, 0.55%

LAB 39.11, 56.25, -92.02

 

CMYK 75 / 86 / 0 / 3

HEX #3D22F7

RGB 61 34 247

HSL 247.61, 0.93%, 0.55%

LAB 35.7, 70.98, -97.65

 

CMYK 52 / 86 / 0 / 3

HEX #7622F7

RGB 118 34 247

HSL 263.66, 0.93%, 0.55%

LAB 40.75, 75.01, -89.11

 

CMYK 29 / 86 / 0 / 3

HEX #B022F7

RGB 176 34 247

HSL 280, 0.93%, 0.55%

LAB 48.37, 81.82, -76.32

 

CMYK 86 / 51 / 0 / 3

HEX #227AF7

RGB 34 122 247

HSL 215.21, 0.93%, 0.55%

LAB 52.92, 20.73, -69.39

 

CMYK 86 / 74 / 0 / 3

HEX #2240F7

RGB 34 64 247

HSL 231.55, 0.93%, 0.55%

LAB 39.11, 56.25, -92.02

 

CMYK 86 / 86 / 0 / 3

HEX #2222F7

RGB 34 34 247

HSL 240, 0.93%, 0.55%

LAB 34.4, 70.02, -99.85

 

CMYK 86 / 51 / 0 / 3

HEX #227AF7

RGB 34 122 247

HSL 215.21, 0.93%, 0.55%

LAB 52.92, 20.73, -69.39

 

CMYK 86 / 51 / 0 / 3

HEX #227AF7

RGB 34 122 247

HSL 215.21, 0.93%, 0.55%

LAB 52.92, 20.73, -69.39

 

CMYK 77 / 45 / 0 / 11

HEX #347DE4

RGB 52 125 228

HSL 215.11, 0.77%, 0.55%

LAB 52.95, 13.27, -58.73

 

CMYK 66 / 39 / 0 / 18

HEX #4780D2

RGB 71 128 210

HSL 215.4, 0.61%, 0.55%

LAB 53.42, 7.55, -47.81

 

CMYK 53 / 31 / 0 / 25

HEX #5983BF

RGB 89 131 191

HSL 215.29, 0.44%, 0.55%

LAB 54.15, 2.93, -35.8

 

CMYK 38 / 22 / 0 / 32

HEX #6C87AD

RGB 108 135 173

HSL 215.08, 0.28%, 0.55%

LAB 55.62, 0.11, -23.14

 

CMYK 86 / 4 / 0 / 3

HEX #22ECF7

RGB 34 236 247

HSL 183.1, 0.93%, 0.55%

LAB 85.53, -40.99, -18.34

 

CMYK 86 / 28 / 0 / 3

HEX #22B3F7

RGB 34 179 247

HSL 199.15, 0.93%, 0.55%

LAB 68.96, -12.8, -43.82

 

CMYK 86 / 51 / 0 / 3

HEX #227AF7

RGB 34 122 247

HSL 215.21, 0.93%, 0.55%

LAB 52.92, 20.73, -69.39

 

CMYK 86 / 73 / 0 / 3

HEX #2242F7

RGB 34 66 247

HSL 230.99, 0.93%, 0.55%

LAB 39.5, 55.15, -91.37

 

CMYK 77 / 86 / 0 / 3

HEX #3A22F7

RGB 58 34 247

HSL 246.76, 0.93%, 0.55%

LAB 35.52, 70.84, -97.95

 

CMYK 96 / 57 / 0 / 25

HEX #0753BF

RGB 7 83 191

HSL 215.22, 0.93%, 0.39%

LAB 37.83, 22.82, -62.06

 

CMYK 97 / 57 / 0 / 9

HEX #0864E7

RGB 8 100 231

HSL 215.25, 0.93%, 0.47%

LAB 45.55, 27.49, -72.44

 

CMYK 86 / 51 / 0 / 3

HEX #227AF7

RGB 34 122 247

HSL 215.21, 0.93%, 0.55%

LAB 52.92, 20.73, -69.39

 

CMYK 71 / 41 / 0 / 3

HEX #4992F8

RGB 73 146 248

HSL 214.97, 0.93%, 0.63%

LAB 60.56, 10.31, -57.61

 

CMYK 55 / 32 / 0 / 2

HEX #71AAFA

RGB 113 170 250

HSL 215.04, 0.93%, 0.71%

LAB 68.87, 3.95, -45.44

 

CMYK 85 / 50 / 0 / 3

HEX #247BF7

RGB 36 123 247

HSL 215.26, 0.93%, 0.55%

LAB 53.23, 20.24, -68.89

 

CMYK 19 / 86 / 0 / 3

HEX #C922F7

RGB 201 34 247

HSL 287.04, 0.93%, 0.55%

LAB 52.15, 85.42, -70.01

 

CMYK 16 / 0 / 86 / 3

HEX #D0F722

RGB 208 247 34

HSL 70.99, 0.93%, 0.55%

LAB 91.71, -36.38, 85.18

 

CMYK 85 / 50 / 0 / 3

HEX #247BF7

RGB 36 123 247

HSL 215.26, 0.93%, 0.55%

LAB 53.23, 20.24, -68.89

 

CMYK 0 / 86 / 51 / 3

HEX #F7227A

RGB 247 34 122

HSL 335.21, 0.93%, 0.55%

LAB 54.37, 78.86, 6.73

 

CMYK 51 / 0 / 86 / 3

HEX #7AF722

RGB 122 247 34

HSL 95.21, 0.93%, 0.55%

LAB 87.38, -66.03, 79.79

 

CMYK 85 / 50 / 0 / 3

HEX #247BF7

RGB 36 123 247

HSL 215.26, 0.93%, 0.55%

LAB 53.23, 20.24, -68.89

 

CMYK 19 / 86 / 0 / 3

HEX #C922F7

RGB 201 34 247

HSL 287.04, 0.93%, 0.55%

LAB 52.15, 85.42, -70.01

 

CMYK 0 / 36 / 86 / 3

HEX #F79E22

RGB 247 158 34

HSL 34.93, 0.93%, 0.55%

LAB 72.46, 24.68, 70.93

 

CMYK 68 / 0 / 86 / 3

HEX #50F722

RGB 80 247 34

HSL 107.04, 0.93%, 0.55%

LAB 86.18, -75.81, 78.29

 

CMYK 85 / 50 / 0 / 3

HEX #247BF7

RGB 36 123 247

HSL 215.26, 0.93%, 0.55%

LAB 53.23, 20.24, -68.89

 

CMYK 0 / 86 / 7 / 3

HEX #F722E5

RGB 247 34 229

HSL 305.07, 0.93%, 0.55%

LAB 58.58, 90.27, -49.18

 

CMYK 0 / 36 / 86 / 3

HEX #F79E22

RGB 247 158 34

HSL 34.93, 0.93%, 0.55%

LAB 72.46, 24.68, 70.93

 

CMYK 86 / 0 / 79 / 3

HEX #22F733

RGB 34 247 51

HSL 124.79, 0.93%, 0.55%

LAB 85.55, -81.01, 73.52

 

Description

Color code: HEX #247BF7 | qconv.com Color code: HEX #247BF7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 123 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 123 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 50 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 50% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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