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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #247010 it is the complementary color #DB8FEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #247010. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #247010 shade: #29700B, #3A821E, #4B9431, #5CA644 and #6DB857

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #247010. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #247010 shade: #247010, #135E00, #024C00, #003A00 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #247010 shade: #247010, #3E7010, #577010, #706E10 and #705410

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #247010 shade: #247010, #107016, #107030, #107049 and #107063

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #247010 shade matches the following richer shades: #247010 and #1E7A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #247010 shade: #247010, #2A651A, #305B25, #36512F and #3C4639

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #247010 shade: #587010, #3E7010, #257010, #107015 and #10702E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #247010 shade: #0D2706, #184B0B, #247010, #2F9415 and #3BB81A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #247010 shade: #247010, #10706E and #70104B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #247010 shade: #247010, #102570 and #701025

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #247010 shade: #247010, #10706E, #5B1070 and #701012

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #247010 shade: #247010, #105470, #5B1070 and #702B10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

Complementary color

CMYK 8 / 40 / 0 / 6

HEX #DB8FEF

RGB 219 143 239

HSL 287.5, 0.75%, 0.75%

LAB 70.13, 44.43, -36.86

 

CMYK 63 / 0 / 90 / 56

HEX #29700B

RGB 41 112 11

HSL 102.18, 0.82%, 0.24%

LAB 41.35, -39.94, 43.65

 

CMYK 55 / 0 / 77 / 49

HEX #3A821E

RGB 58 130 30

HSL 103.2, 0.63%, 0.31%

LAB 48.21, -41.02, 44.35

 

CMYK 49 / 0 / 67 / 42

HEX #4B9431

RGB 75 148 49

HSL 104.24, 0.5%, 0.39%

LAB 54.97, -41.54, 43.85

 

CMYK 45 / 0 / 59 / 35

HEX #5CA644

RGB 92 166 68

HSL 105.31, 0.42%, 0.46%

LAB 61.62, -41.76, 42.86

 

CMYK 41 / 0 / 53 / 28

HEX #6DB857

RGB 109 184 87

HSL 106.39, 0.41%, 0.53%

LAB 68.18, -41.78, 41.69

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 80 / 0 / 100 / 63

HEX #135E00

RGB 19 94 0

HSL 107.87, 1%, 0.18%

LAB 34.28, -38.96, 40.44

 

CMYK 97 / 0 / 100 / 70

HEX #024C00

RGB 2 76 0

HSL 118.42, 1%, 0.15%

LAB 27.25, -35.57, 34.64

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 45 / 0 / 86 / 56

HEX #3E7010

RGB 62 112 16

HSL 91.25, 0.75%, 0.25%

LAB 42.23, -33.03, 43.43

 

CMYK 22 / 0 / 86 / 56

HEX #577010

RGB 87 112 16

HSL 75.63, 0.75%, 0.25%

LAB 43.73, -22.85, 45.33

 

CMYK 0 / 2 / 86 / 56

HEX #706E10

RGB 112 110 16

HSL 58.75, 0.75%, 0.25%

LAB 45.13, -10.23, 47.33

 

CMYK 0 / 25 / 86 / 56

HEX #705410

RGB 112 84 16

HSL 42.5, 0.75%, 0.25%

LAB 37.52, 4.92, 40.75

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 86 / 0 / 80 / 56

HEX #107016

RGB 16 112 22

HSL 123.75, 0.75%, 0.25%

LAB 40.83, -44.18, 39.63

 

CMYK 86 / 0 / 57 / 56

HEX #107030

RGB 16 112 48

HSL 140, 0.75%, 0.25%

LAB 41.08, -41.11, 28

 

CMYK 86 / 0 / 35 / 56

HEX #107049

RGB 16 112 73

HSL 155.63, 0.75%, 0.25%

LAB 41.5, -36.18, 14.42

 

CMYK 86 / 0 / 12 / 56

HEX #107063

RGB 16 112 99

HSL 171.88, 0.75%, 0.25%

LAB 42.15, -29.19, -0.2

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 75 / 0 / 95 / 52

HEX #1E7A06

RGB 30 122 6

HSL 107.59, 0.91%, 0.25%

LAB 44.53, -46.18, 47.38

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 58 / 0 / 74 / 60

HEX #2A651A

RGB 42 101 26

HSL 107.2, 0.59%, 0.25%

LAB 37.62, -34.31, 35.01

 

CMYK 47 / 0 / 59 / 64

HEX #305B25

RGB 48 91 37

HSL 107.78, 0.42%, 0.25%

LAB 34.49, -26.66, 26.22

 

CMYK 33 / 0 / 42 / 68

HEX #36512F

RGB 54 81 47

HSL 107.65, 0.27%, 0.25%

LAB 31.52, -17.77, 16.84

 

CMYK 14 / 0 / 19 / 73

HEX #3C4639

RGB 60 70 57

HSL 106.15, 0.1%, 0.25%

LAB 28.48, -6.99, 6.49

 

CMYK 21 / 0 / 86 / 56

HEX #587010

RGB 88 112 16

HSL 75, 0.75%, 0.25%

LAB 43.8, -22.41, 45.42

 

CMYK 45 / 0 / 86 / 56

HEX #3E7010

RGB 62 112 16

HSL 91.25, 0.75%, 0.25%

LAB 42.23, -33.03, 43.43

 

CMYK 67 / 0 / 86 / 56

HEX #257010

RGB 37 112 16

HSL 106.88, 0.75%, 0.25%

LAB 41.25, -40.71, 42.16

 

CMYK 86 / 0 / 81 / 56

HEX #107015

RGB 16 112 21

HSL 123.13, 0.75%, 0.25%

LAB 40.82, -44.26, 39.98

 

CMYK 86 / 0 / 59 / 56

HEX #10702E

RGB 16 112 46

HSL 138.75, 0.75%, 0.25%

LAB 41.05, -41.43, 29.02

 

CMYK 67 / 0 / 85 / 85

HEX #0D2706

RGB 13 39 6

HSL 107.27, 0.73%, 0.09%

LAB 12.92, -17.93, 16.23

 

CMYK 68 / 0 / 85 / 71

HEX #184B0B

RGB 24 75 11

HSL 107.81, 0.74%, 0.17%

LAB 27.44, -30.04, 30.7

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 68 / 0 / 86 / 42

HEX #2F9415

RGB 47 148 21

HSL 107.72, 0.75%, 0.33%

LAB 53.86, -50.98, 52.34

 

CMYK 68 / 0 / 86 / 28

HEX #3BB81A

RGB 59 184 26

HSL 107.47, 0.75%, 0.41%

LAB 65.97, -60.3, 62.06

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 86 / 0 / 2 / 56

HEX #10706E

RGB 16 112 110

HSL 178.75, 0.75%, 0.25%

LAB 42.5, -25.76, -6.33

 

CMYK 0 / 86 / 33 / 56

HEX #70104B

RGB 112 16 75

HSL 323.13, 0.75%, 0.25%

LAB 24.71, 44.88, -10.16

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 86 / 67 / 0 / 56

HEX #102570

RGB 16 37 112

HSL 226.88, 0.75%, 0.25%

LAB 18.38, 22.78, -45.45

 

CMYK 0 / 86 / 67 / 56

HEX #701025

RGB 112 16 37

HSL 346.88, 0.75%, 0.25%

LAB 23.5, 41.31, 14.19

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 86 / 0 / 2 / 56

HEX #10706E

RGB 16 112 110

HSL 178.75, 0.75%, 0.25%

LAB 42.5, -25.76, -6.33

 

CMYK 19 / 86 / 0 / 56

HEX #5B1070

RGB 91 16 112

HSL 286.88, 0.75%, 0.25%

LAB 22.88, 46.16, -37.77

 

CMYK 0 / 86 / 84 / 56

HEX #701012

RGB 112 16 18

HSL 358.75, 0.75%, 0.25%

LAB 23.2, 40.38, 26.42

 

CMYK 68 / 0 / 86 / 56

HEX #247010

RGB 36 112 16

HSL 107.5, 0.75%, 0.25%

LAB 41.22, -40.96, 42.13

 

CMYK 86 / 25 / 0 / 56

HEX #105470

RGB 16 84 112

HSL 197.5, 0.75%, 0.25%

LAB 33.18, -9.54, -21.77

 

CMYK 19 / 86 / 0 / 56

HEX #5B1070

RGB 91 16 112

HSL 286.88, 0.75%, 0.25%

LAB 22.88, 46.16, -37.77

 

CMYK 0 / 62 / 86 / 56

HEX #702B10

RGB 112 43 16

HSL 16.88, 0.75%, 0.25%

LAB 27.32, 29.04, 31.55

 

Description

Color code: HEX #247010 | qconv.com Color code: HEX #247010 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 112 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 112 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 86 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 86% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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