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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #246AE700 it is the complementary color #DB951800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #246AE700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #246AE700 shade: #296AE200, #3A7CF500, #4B8EFF00, #5CA0FF00 and #6DB2FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #246AE700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #246AE700 shade: #246AE700, #1358D400, #0246C100, #0034AE00 and #00229B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #246AE700 shade: #2369E7, #2334E7, #4623E7, #7B23E7 and #B023E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #246AE700 shade: #2369E7, #2334E7 and #2323E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #246AE700 shade matches the following richer shades: #2369E7 and #0F63FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #246AE700 shade: #2369E7, #366FD3, #4A74BF, #5E7AAB and #727F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #246AE700 shade: #23D3E7, #239FE7, #236AE7, #2336E7 and #4323E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #246AE700 shade: #1247A4, #1657CA, #2369E7, #4882EB and #6D9CEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #246AE700 shade: #246AE7, #C623E7 and #B9E723

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #246AE700 shade: #246AE7, #E7236A and #6AE723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #246AE700 shade: #246AE7, #C623E7, #E79F23 and #43E723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #246AE700 shade: #246AE7, #E723CC, #E79F23 and #23E73D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #246AE700

RGBA 36 106 231 0

HSLA 218.46, 0.8%, 0.52%, 0

LABA 47.56, 24.92, -69.14, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #DB951800

RGBA 219 149 24 0

HSLA 38.46, 0.8%, 0.48%, 0

LABA 66.99, 17.36, 67.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #296AE200

RGBA 41 106 226 0

HSLA 218.92, 0.76%, 0.52%, 0

LABA 47.33, 23.42, -66.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3A7CF500

RGBA 58 124 245 0

HSLA 218.82, 0.9%, 0.59%, 0

LABA 53.93, 20.79, -66.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4B8EFF00

RGBA 75 142 255 0

HSLA 217.67, 1%, 0.65%, 0

LABA 59.94, 15.43, -62.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5CA0FF00

RGBA 92 160 255 0

HSLA 214.97, 1%, 0.68%, 0

LABA 65.47, 7.36, -53.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6DB2FF00

RGBA 109 178 255 0

HSLA 211.64, 1%, 0.71%, 0

LABA 71.09, 0.19, -44.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #246AE700

RGBA 36 106 231 0

HSLA 218.46, 0.8%, 0.52%, 0

LABA 47.56, 24.92, -69.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1358D400

RGBA 19 88 212 0

HSLA 218.55, 0.84%, 0.45%, 0

LABA 41.01, 28.27, -69.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0246C100

RGBA 2 70 193 0

HSLA 218.64, 0.98%, 0.38%, 0

LABA 34.48, 32.11, -68.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0034AE00

RGBA 0 52 174 0

HSLA 222.07, 1%, 0.34%, 0

LABA 28.15, 36.49, -67.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00229B00

RGBA 0 34 155 0

HSLA 226.84, 1%, 0.3%, 0

LABA 21.98, 40.63, -66.57, 0

 

CMYK 85 / 55 / 0 / 9

HEX #2369E7

RGB 35 105 231

HSL 218.57, 0.8%, 0.52%

LAB 47.27, 25.49, -69.61

 

CMYK 85 / 77 / 0 / 9

HEX #2334E7

RGB 35 52 231

HSL 234.8, 0.8%, 0.52%

LAB 35.17, 57.49, -89.5

 

CMYK 70 / 85 / 0 / 9

HEX #4623E7

RGB 70 35 231

HSL 250.71, 0.8%, 0.52%

LAB 34.55, 66.85, -90.47

 

CMYK 47 / 85 / 0 / 9

HEX #7B23E7

RGB 123 35 231

HSL 266.94, 0.8%, 0.52%

LAB 39.89, 71.56, -81.47

 

CMYK 24 / 85 / 0 / 9

HEX #B023E7

RGB 176 35 231

HSL 283.16, 0.8%, 0.52%

LAB 47.24, 78.59, -69.15

 

CMYK 85 / 55 / 0 / 9

HEX #2369E7

RGB 35 105 231

HSL 218.57, 0.8%, 0.52%

LAB 47.27, 25.49, -69.61

 

CMYK 85 / 77 / 0 / 9

HEX #2334E7

RGB 35 52 231

HSL 234.8, 0.8%, 0.52%

LAB 35.17, 57.49, -89.5

 

CMYK 85 / 85 / 0 / 9

HEX #2323E7

RGB 35 35 231

HSL 240, 0.8%, 0.52%

LAB 32.54, 65.2, -93.86

 

CMYK 85 / 55 / 0 / 9

HEX #2369E7

RGB 35 105 231

HSL 218.57, 0.8%, 0.52%

LAB 47.27, 25.49, -69.61

 

CMYK 94 / 60 / 0 / 2

HEX #0F63FA

RGB 15 99 250

HSL 218.55, 0.96%, 0.52%

LAB 46.88, 35.56, -80.91

 

CMYK 85 / 55 / 0 / 9

HEX #2369E7

RGB 35 105 231

HSL 218.57, 0.8%, 0.52%

LAB 47.27, 25.49, -69.61

 

CMYK 74 / 47 / 0 / 17

HEX #366FD3

RGB 54 111 211

HSL 218.22, 0.64%, 0.52%

LAB 48.08, 15.97, -56.95

 

CMYK 61 / 39 / 0 / 25

HEX #4A74BF

RGB 74 116 191

HSL 218.46, 0.48%, 0.52%

LAB 49.14, 8.85, -43.75

 

CMYK 45 / 29 / 0 / 33

HEX #5E7AAB

RGB 94 122 171

HSL 218.18, 0.31%, 0.52%

LAB 50.97, 3.33, -29.25

 

CMYK 25 / 16 / 0 / 41

HEX #727F97

RGB 114 127 151

HSL 218.92, 0.15%, 0.52%

LAB 52.94, 0.81, -14.48

 

CMYK 85 / 9 / 0 / 9

HEX #23D3E7

RGB 35 211 231

HSL 186.12, 0.8%, 0.52%

LAB 77.71, -34.24, -21.69

 

CMYK 85 / 31 / 0 / 9

HEX #239FE7

RGB 35 159 231

HSL 202.04, 0.8%, 0.52%

LAB 62.44, -7.35, -45.31

 

CMYK 85 / 54 / 0 / 9

HEX #236AE7

RGB 35 106 231

HSL 218.27, 0.8%, 0.52%

LAB 47.54, 24.85, -69.18

 

CMYK 85 / 77 / 0 / 9

HEX #2336E7

RGB 35 54 231

HSL 234.18, 0.8%, 0.52%

LAB 35.53, 56.46, -88.9

 

CMYK 71 / 85 / 0 / 9

HEX #4323E7

RGB 67 35 231

HSL 249.8, 0.8%, 0.52%

LAB 34.32, 66.66, -90.85

 

CMYK 89 / 57 / 0 / 36

HEX #1247A4

RGB 18 71 164

HSL 218.22, 0.8%, 0.36%

LAB 32.51, 20.49, -54.71

 

CMYK 89 / 57 / 0 / 21

HEX #1657CA

RGB 22 87 202

HSL 218.33, 0.8%, 0.44%

LAB 40, 25.17, -64.91

 

CMYK 85 / 55 / 0 / 9

HEX #2369E7

RGB 35 105 231

HSL 218.57, 0.8%, 0.52%

LAB 47.27, 25.49, -69.61

 

CMYK 69 / 45 / 0 / 8

HEX #4882EB

RGB 72 130 235

HSL 218.65, 0.8%, 0.6%

LAB 55.42, 15.26, -58.64

 

CMYK 54 / 35 / 0 / 6

HEX #6D9CEF

RGB 109 156 239

HSL 218.31, 0.8%, 0.68%

LAB 64.37, 7.73, -46.52

 

CMYK 84 / 54 / 0 / 9

HEX #246AE7

RGB 36 106 231

HSL 218.46, 0.8%, 0.52%

LAB 47.56, 24.92, -69.14

 

CMYK 14 / 85 / 0 / 9

HEX #C623E7

RGB 198 35 231

HSL 289.9, 0.8%, 0.52%

LAB 50.66, 82.02, -63.44

 

CMYK 20 / 0 / 85 / 9

HEX #B9E723

RGB 185 231 35

HSL 74.08, 0.8%, 0.52%

LAB 85.8, -38.18, 79.47

 

CMYK 84 / 54 / 0 / 9

HEX #246AE7

RGB 36 106 231

HSL 218.46, 0.8%, 0.52%

LAB 47.56, 24.92, -69.14

 

CMYK 0 / 85 / 54 / 9

HEX #E7236A

RGB 231 35 106

HSL 338.27, 0.8%, 0.52%

LAB 50.96, 73.68, 11.14

 

CMYK 54 / 0 / 85 / 9

HEX #6AE723

RGB 106 231 35

HSL 98.27, 0.8%, 0.52%

LAB 82.02, -64.73, 74.74

 

CMYK 84 / 54 / 0 / 9

HEX #246AE7

RGB 36 106 231

HSL 218.46, 0.8%, 0.52%

LAB 47.56, 24.92, -69.14

 

CMYK 14 / 85 / 0 / 9

HEX #C623E7

RGB 198 35 231

HSL 289.9, 0.8%, 0.52%

LAB 50.66, 82.02, -63.44

 

CMYK 0 / 31 / 85 / 9

HEX #E79F23

RGB 231 159 35

HSL 37.96, 0.8%, 0.52%

LAB 70.81, 17.42, 68.52

 

CMYK 71 / 0 / 85 / 9

HEX #43E723

RGB 67 231 35

HSL 110.2, 0.8%, 0.52%

LAB 81, -73.2, 73.44

 

CMYK 84 / 54 / 0 / 9

HEX #246AE7

RGB 36 106 231

HSL 218.46, 0.8%, 0.52%

LAB 47.56, 24.92, -69.14

 

CMYK 0 / 85 / 12 / 9

HEX #E723CC

RGB 231 35 204

HSL 308.27, 0.8%, 0.52%

LAB 54.61, 83.78, -41.44

 

CMYK 0 / 31 / 85 / 9

HEX #E79F23

RGB 231 159 35

HSL 37.96, 0.8%, 0.52%

LAB 70.81, 17.42, 68.52

 

CMYK 85 / 0 / 74 / 9

HEX #23E73D

RGB 35 231 61

HSL 127.96, 0.8%, 0.52%

LAB 80.65, -75.76, 65.71

 

Description

Color code: HEX #246AE700 | qconv.com Color code: HEX #246AE700 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 106 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 106 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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