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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #246A73 it is the complementary color #DB958C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #246A73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #246A73 shade: #296A6E, #3A7C81, #4B8E94, #5CA0A7 and #6DB2BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #246A73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #246A73 shade: #246A73, #135860, #02464D, #00343A and #002227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #246A73 shade: #256B74, #255674, #254074, #252B74 and #342574

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #246A73 shade: #256B74, #255674, #254074, #252B74 and #252574

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #246A73 shade matches the following richer shades: #256B74, #187581 and #0C7E8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #246A73 shade: #256B74, #316268, #3D585C, #4A4F4F and #564543

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #246A73 shade: #257452, #257467, #256C74, #255774 and #254274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #246A73 shade: #113136, #1B4E55, #256B74, #2F8894 and #39A5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #246A73 shade: #246A73, #3D2574 and #745C25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #246A73 shade: #246A73, #74256C and #6C7425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #246A73 shade: #246A73, #3D2574, #742D25 and #5C7425

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #246A73 shade: #246A73, #542574, #742D25 and #457425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 8 / 0 / 55

HEX #246A73

RGB 36 106 115

HSL 186.84, 0.52%, 0.3%

LAB 41.09, -18.38, -11.43

 

Complementary color

CMYK 0 / 32 / 36 / 14

HEX #DB958C

RGB 219 149 140

HSL 6.84, 0.52%, 0.7%

LAB 68.35, 25.24, 15.47

 

CMYK 63 / 4 / 0 / 57

HEX #296A6E

RGB 41 106 110

HSL 183.48, 0.46%, 0.3%

LAB 41.07, -19.07, -8.42

 

CMYK 55 / 4 / 0 / 49

HEX #3A7C81

RGB 58 124 129

HSL 184.23, 0.38%, 0.37%

LAB 48.13, -19.39, -9.14

 

CMYK 49 / 4 / 0 / 42

HEX #4B8E94

RGB 75 142 148

HSL 184.93, 0.33%, 0.44%

LAB 55.05, -19.55, -9.78

 

CMYK 45 / 4 / 0 / 35

HEX #5CA0A7

RGB 92 160 167

HSL 185.6, 0.3%, 0.51%

LAB 61.83, -19.63, -10.38

 

CMYK 41 / 4 / 0 / 27

HEX #6DB2BA

RGB 109 178 186

HSL 186.23, 0.36%, 0.58%

LAB 68.49, -19.66, -10.94

 

CMYK 69 / 8 / 0 / 55

HEX #246A73

RGB 36 106 115

HSL 186.84, 0.52%, 0.3%

LAB 41.09, -18.38, -11.43

 

CMYK 80 / 8 / 0 / 62

HEX #135860

RGB 19 88 96

HSL 186.23, 0.67%, 0.23%

LAB 33.9, -17.47, -10.62

 

CMYK 97 / 9 / 0 / 70

HEX #02464D

RGB 2 70 77

HSL 185.6, 0.95%, 0.15%

LAB 26.53, -16.12, -9.68

 

CMYK 100 / 10 / 0 / 77

HEX #00343A

RGB 0 52 58

HSL 186.21, 1%, 0.11%

LAB 19.06, -13.28, -8.34

 

CMYK 100 / 13 / 0 / 85

HEX #002227

RGB 0 34 39

HSL 187.69, 1%, 0.08%

LAB 11.21, -10.02, -6.89

 

CMYK 68 / 8 / 0 / 55

HEX #256B74

RGB 37 107 116

HSL 186.84, 0.52%, 0.3%

LAB 41.48, -18.43, -11.44

 

CMYK 68 / 26 / 0 / 55

HEX #255674

RGB 37 86 116

HSL 202.78, 0.52%, 0.3%

LAB 34.62, -6.21, -21.97

 

CMYK 68 / 45 / 0 / 55

HEX #254074

RGB 37 64 116

HSL 219.49, 0.52%, 0.3%

LAB 27.63, 8.2, -32.99

 

CMYK 68 / 63 / 0 / 55

HEX #252B74

RGB 37 43 116

HSL 235.44, 0.52%, 0.3%

LAB 21.51, 22.85, -42.86

 

CMYK 55 / 68 / 0 / 55

HEX #342574

RGB 52 37 116

HSL 251.39, 0.52%, 0.3%

LAB 21.26, 29.57, -43.21

 

CMYK 68 / 8 / 0 / 55

HEX #256B74

RGB 37 107 116

HSL 186.84, 0.52%, 0.3%

LAB 41.48, -18.43, -11.44

 

CMYK 68 / 26 / 0 / 55

HEX #255674

RGB 37 86 116

HSL 202.78, 0.52%, 0.3%

LAB 34.62, -6.21, -21.97

 

CMYK 68 / 45 / 0 / 55

HEX #254074

RGB 37 64 116

HSL 219.49, 0.52%, 0.3%

LAB 27.63, 8.2, -32.99

 

CMYK 68 / 63 / 0 / 55

HEX #252B74

RGB 37 43 116

HSL 235.44, 0.52%, 0.3%

LAB 21.51, 22.85, -42.86

 

CMYK 68 / 68 / 0 / 55

HEX #252574

RGB 37 37 116

HSL 240, 0.52%, 0.3%

LAB 19.95, 26.94, -45.4

 

CMYK 68 / 8 / 0 / 55

HEX #256B74

RGB 37 107 116

HSL 186.84, 0.52%, 0.3%

LAB 41.48, -18.43, -11.44

 

CMYK 81 / 9 / 0 / 49

HEX #187581

RGB 24 117 129

HSL 186.86, 0.69%, 0.3%

LAB 44.94, -21.26, -14.04

 

CMYK 91 / 11 / 0 / 45

HEX #0C7E8D

RGB 12 126 141

HSL 186.98, 0.84%, 0.3%

LAB 48.16, -22.84, -16.27

 

CMYK 68 / 8 / 0 / 55

HEX #256B74

RGB 37 107 116

HSL 186.84, 0.52%, 0.3%

LAB 41.48, -18.43, -11.44

 

CMYK 53 / 6 / 0 / 59

HEX #316268

RGB 49 98 104

HSL 186.55, 0.36%, 0.3%

LAB 38.53, -14.71, -8.52

 

CMYK 34 / 4 / 0 / 64

HEX #3D585C

RGB 61 88 92

HSL 187.74, 0.2%, 0.3%

LAB 35.49, -8.95, -5.56

 

CMYK 6 / 0 / 0 / 69

HEX #4A4F4F

RGB 74 79 79

HSL 180, 0.03%, 0.3%

LAB 33.16, -2.01, -0.7

 

CMYK 0 / 20 / 22 / 66

HEX #564543

RGB 86 69 67

HSL 6.32, 0.12%, 0.3%

LAB 30.97, 6.9, 3.94

 

CMYK 68 / 0 / 29 / 55

HEX #257452

RGB 37 116 82

HSL 154.18, 0.52%, 0.3%

LAB 43.5, -32.58, 11.93

 

CMYK 68 / 0 / 11 / 55

HEX #257467

RGB 37 116 103

HSL 170.13, 0.52%, 0.3%

LAB 44.04, -27.09, 0.2

 

CMYK 68 / 7 / 0 / 55

HEX #256C74

RGB 37 108 116

HSL 186.08, 0.52%, 0.3%

LAB 41.81, -18.97, -10.94

 

CMYK 68 / 25 / 0 / 55

HEX #255774

RGB 37 87 116

HSL 202.03, 0.52%, 0.3%

LAB 34.94, -6.82, -21.47

 

CMYK 68 / 43 / 0 / 55

HEX #254274

RGB 37 66 116

HSL 217.97, 0.52%, 0.3%

LAB 28.25, 6.84, -32

 

CMYK 69 / 9 / 0 / 79

HEX #113136

RGB 17 49 54

HSL 188.11, 0.52%, 0.14%

LAB 18.29, -9.85, -6.72

 

CMYK 68 / 8 / 0 / 67

HEX #1B4E55

RGB 27 78 85

HSL 187.24, 0.52%, 0.22%

LAB 30.25, -14.33, -9.16

 

CMYK 68 / 8 / 0 / 55

HEX #256B74

RGB 37 107 116

HSL 186.84, 0.52%, 0.3%

LAB 41.48, -18.43, -11.44

 

CMYK 68 / 8 / 0 / 42

HEX #2F8894

RGB 47 136 148

HSL 187.13, 0.52%, 0.38%

LAB 52.23, -21.98, -14.13

 

CMYK 68 / 8 / 0 / 30

HEX #39A5B3

RGB 57 165 179

HSL 186.89, 0.52%, 0.46%

LAB 62.54, -25.69, -16.18

 

CMYK 69 / 8 / 0 / 55

HEX #246A73

RGB 36 106 115

HSL 186.84, 0.52%, 0.3%

LAB 41.09, -18.38, -11.43

 

CMYK 47 / 68 / 0 / 55

HEX #3D2574

RGB 61 37 116

HSL 258.23, 0.52%, 0.3%

LAB 22.22, 31.42, -41.61

 

CMYK 0 / 21 / 68 / 55

HEX #745C25

RGB 116 92 37

HSL 41.77, 0.52%, 0.3%

LAB 40.41, 3.16, 34.46

 

CMYK 69 / 8 / 0 / 55

HEX #246A73

RGB 36 106 115

HSL 186.84, 0.52%, 0.3%

LAB 41.09, -18.38, -11.43

 

CMYK 0 / 68 / 7 / 55

HEX #74256C

RGB 116 37 108

HSL 306.08, 0.52%, 0.3%

LAB 29.71, 43.42, -24.05

 

CMYK 7 / 0 / 68 / 55

HEX #6C7425

RGB 108 116 37

HSL 66.08, 0.52%, 0.3%

LAB 46.73, -14.33, 40.95

 

CMYK 69 / 8 / 0 / 55

HEX #246A73

RGB 36 106 115

HSL 186.84, 0.52%, 0.3%

LAB 41.09, -18.38, -11.43

 

CMYK 47 / 68 / 0 / 55

HEX #3D2574

RGB 61 37 116

HSL 258.23, 0.52%, 0.3%

LAB 22.22, 31.42, -41.61

 

CMYK 0 / 61 / 68 / 55

HEX #742D25

RGB 116 45 37

HSL 6.08, 0.52%, 0.3%

LAB 28.7, 30.69, 20.93

 

CMYK 21 / 0 / 68 / 55

HEX #5C7425

RGB 92 116 37

HSL 78.23, 0.52%, 0.3%

LAB 45.5, -21.46, 39.28

 

CMYK 69 / 8 / 0 / 55

HEX #246A73

RGB 36 106 115

HSL 186.84, 0.52%, 0.3%

LAB 41.09, -18.38, -11.43

 

CMYK 28 / 68 / 0 / 55

HEX #542574

RGB 84 37 116

HSL 275.7, 0.52%, 0.3%

LAB 25.16, 36.74, -36.7

 

CMYK 0 / 61 / 68 / 55

HEX #742D25

RGB 116 45 37

HSL 6.08, 0.52%, 0.3%

LAB 28.7, 30.69, 20.93

 

CMYK 41 / 0 / 68 / 55

HEX #457425

RGB 69 116 37

HSL 95.7, 0.52%, 0.3%

LAB 44.07, -30.76, 37.34

 

Description

Color code: HEX #246A73 | qconv.com Color code: HEX #246A73 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 106 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 106 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 8 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 8% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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