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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #245671 it is the complementary color #DBA98E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #245671. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #245671 shade: #29566C, #3A687F, #4B7A92, #5C8CA5 and #6D9EB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #245671. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #245671 shade: #245671, #13445E, #02324B, #002038 and #000E25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #245671 shade: #235570, #234170, #232C70, #302370 and #452370

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #245671 shade: #235570, #234170, #232C70 and #232370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #245671 shade matches the following richer shades: #235570, #18597C and #0C5D88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #245671 shade: #235570, #2F5264, #3B4E58, #474B4D and #534741

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #245671 shade: #237062, #236A70, #235570, #234170 and #232C70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #245671 shade: #102632, #1A3E51, #235570, #2D6D90 and #3785AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #245671 shade: #245671, #4E2370 and #706D23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #245671 shade: #245671, #702355 and #557023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #245671 shade: #245671, #4E2370, #703E23 and #467023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #245671 shade: #245671, #652370, #703E23 and #2F7023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 24 / 0 / 56

HEX #245671

RGB 36 86 113

HSL 201.04, 0.52%, 0.29%

LAB 34.44, -7.48, -20.38

 

Complementary color

CMYK 0 / 23 / 35 / 14

HEX #DBA98E

RGB 219 169 142

HSL 21.04, 0.52%, 0.71%

LAB 73.15, 14.7, 21

 

CMYK 62 / 20 / 0 / 58

HEX #29566C

RGB 41 86 108

HSL 199.7, 0.45%, 0.29%

LAB 34.42, -8.24, -17.29

 

CMYK 54 / 18 / 0 / 50

HEX #3A687F

RGB 58 104 127

HSL 200, 0.37%, 0.36%

LAB 41.74, -8.77, -17.64

 

CMYK 49 / 16 / 0 / 43

HEX #4B7A92

RGB 75 122 146

HSL 200.28, 0.32%, 0.43%

LAB 48.87, -9.12, -17.97

 

CMYK 44 / 15 / 0 / 35

HEX #5C8CA5

RGB 92 140 165

HSL 200.55, 0.29%, 0.5%

LAB 55.83, -9.37, -18.3

 

CMYK 41 / 14 / 0 / 28

HEX #6D9EB8

RGB 109 158 184

HSL 200.8, 0.35%, 0.57%

LAB 62.65, -9.56, -18.63

 

CMYK 68 / 24 / 0 / 56

HEX #245671

RGB 36 86 113

HSL 201.04, 0.52%, 0.29%

LAB 34.44, -7.48, -20.38

 

CMYK 80 / 28 / 0 / 63

HEX #13445E

RGB 19 68 94

HSL 200.8, 0.66%, 0.22%

LAB 26.96, -6.26, -20.02

 

CMYK 97 / 33 / 0 / 71

HEX #02324B

RGB 2 50 75

HSL 200.55, 0.95%, 0.15%

LAB 19.23, -4.46, -19.64

 

CMYK 100 / 43 / 0 / 78

HEX #002038

RGB 0 32 56

HSL 205.71, 1%, 0.11%

LAB 11.4, -0.72, -18.85

 

CMYK 100 / 62 / 0 / 85

HEX #000E25

RGB 0 14 37

HSL 217.3, 1%, 0.07%

LAB 4.04, 2.68, -16.49

 

CMYK 69 / 24 / 0 / 56

HEX #235570

RGB 35 85 112

HSL 201.04, 0.52%, 0.29%

LAB 34.03, -7.42, -20.4

 

CMYK 69 / 42 / 0 / 56

HEX #234170

RGB 35 65 112

HSL 216.62, 0.52%, 0.29%

LAB 27.59, 5.58, -30.52

 

CMYK 69 / 61 / 0 / 56

HEX #232C70

RGB 35 44 112

HSL 232.99, 0.52%, 0.29%

LAB 21.31, 20.29, -40.62

 

CMYK 57 / 69 / 0 / 56

HEX #302370

RGB 48 35 112

HSL 250.13, 0.52%, 0.29%

LAB 20.05, 28.73, -42.64

 

CMYK 38 / 69 / 0 / 56

HEX #452370

RGB 69 35 112

HSL 266.49, 0.52%, 0.29%

LAB 22.43, 33.2, -38.65

 

CMYK 69 / 24 / 0 / 56

HEX #235570

RGB 35 85 112

HSL 201.04, 0.52%, 0.29%

LAB 34.03, -7.42, -20.4

 

CMYK 69 / 42 / 0 / 56

HEX #234170

RGB 35 65 112

HSL 216.62, 0.52%, 0.29%

LAB 27.59, 5.58, -30.52

 

CMYK 69 / 61 / 0 / 56

HEX #232C70

RGB 35 44 112

HSL 232.99, 0.52%, 0.29%

LAB 21.31, 20.29, -40.62

 

CMYK 69 / 69 / 0 / 56

HEX #232370

RGB 35 35 112

HSL 240, 0.52%, 0.29%

LAB 18.93, 26.49, -44.51

 

CMYK 69 / 24 / 0 / 56

HEX #235570

RGB 35 85 112

HSL 201.04, 0.52%, 0.29%

LAB 34.03, -7.42, -20.4

 

CMYK 81 / 28 / 0 / 51

HEX #18597C

RGB 24 89 124

HSL 201, 0.68%, 0.29%

LAB 35.58, -7.06, -25.44

 

CMYK 91 / 32 / 0 / 47

HEX #0C5D88

RGB 12 93 136

HSL 200.81, 0.84%, 0.29%

LAB 37.27, -5.93, -30.15

 

CMYK 69 / 24 / 0 / 56

HEX #235570

RGB 35 85 112

HSL 201.04, 0.52%, 0.29%

LAB 34.03, -7.42, -20.4

 

CMYK 53 / 18 / 0 / 61

HEX #2F5264

RGB 47 82 100

HSL 200.38, 0.36%, 0.29%

LAB 33.05, -7.05, -14.35

 

CMYK 33 / 11 / 0 / 65

HEX #3B4E58

RGB 59 78 88

HSL 200.69, 0.2%, 0.29%

LAB 32, -4.64, -8.28

 

CMYK 8 / 3 / 0 / 70

HEX #474B4D

RGB 71 75 77

HSL 200, 0.04%, 0.29%

LAB 31.6, -1.17, -1.76

 

CMYK 0 / 14 / 22 / 67

HEX #534741

RGB 83 71 65

HSL 20, 0.12%, 0.29%

LAB 31.18, 3.96, 5.48

 

CMYK 69 / 0 / 13 / 56

HEX #237062

RGB 35 112 98

HSL 169.09, 0.52%, 0.29%

LAB 42.5, -26.9, 0.96

 

CMYK 69 / 5 / 0 / 56

HEX #236A70

RGB 35 106 112

HSL 184.68, 0.52%, 0.29%

LAB 40.95, -19.53, -9.82

 

CMYK 69 / 24 / 0 / 56

HEX #235570

RGB 35 85 112

HSL 201.04, 0.52%, 0.29%

LAB 34.03, -7.42, -20.4

 

CMYK 69 / 42 / 0 / 56

HEX #234170

RGB 35 65 112

HSL 216.62, 0.52%, 0.29%

LAB 27.59, 5.58, -30.52

 

CMYK 69 / 61 / 0 / 56

HEX #232C70

RGB 35 44 112

HSL 232.99, 0.52%, 0.29%

LAB 21.31, 20.29, -40.62

 

CMYK 68 / 24 / 0 / 80

HEX #102632

RGB 16 38 50

HSL 201.18, 0.52%, 0.13%

LAB 13.98, -4.31, -10.49

 

CMYK 68 / 23 / 0 / 68

HEX #1A3E51

RGB 26 62 81

HSL 200.73, 0.51%, 0.21%

LAB 24.51, -6.17, -15.35

 

CMYK 69 / 24 / 0 / 56

HEX #235570

RGB 35 85 112

HSL 201.04, 0.52%, 0.29%

LAB 34.03, -7.42, -20.4

 

CMYK 69 / 24 / 0 / 44

HEX #2D6D90

RGB 45 109 144

HSL 201.21, 0.52%, 0.37%

LAB 43.52, -8.65, -25.14

 

CMYK 69 / 24 / 0 / 31

HEX #3785AF

RGB 55 133 175

HSL 201, 0.52%, 0.45%

LAB 52.6, -10.16, -29.16

 

CMYK 68 / 24 / 0 / 56

HEX #245671

RGB 36 86 113

HSL 201.04, 0.52%, 0.29%

LAB 34.44, -7.48, -20.38

 

CMYK 30 / 69 / 0 / 56

HEX #4E2370

RGB 78 35 112

HSL 273.51, 0.52%, 0.29%

LAB 23.64, 35.33, -36.63

 

CMYK 0 / 3 / 69 / 56

HEX #706D23

RGB 112 109 35

HSL 57.66, 0.52%, 0.29%

LAB 44.95, -8.74, 40.11

 

CMYK 68 / 24 / 0 / 56

HEX #245671

RGB 36 86 113

HSL 201.04, 0.52%, 0.29%

LAB 34.44, -7.48, -20.38

 

CMYK 0 / 69 / 24 / 56

HEX #702355

RGB 112 35 85

HSL 321.04, 0.52%, 0.29%

LAB 27.58, 39.4, -12.46

 

CMYK 24 / 0 / 69 / 56

HEX #557023

RGB 85 112 35

HSL 81.04, 0.52%, 0.29%

LAB 43.71, -22.58, 38.15

 

CMYK 68 / 24 / 0 / 56

HEX #245671

RGB 36 86 113

HSL 201.04, 0.52%, 0.29%

LAB 34.44, -7.48, -20.38

 

CMYK 30 / 69 / 0 / 56

HEX #4E2370

RGB 78 35 112

HSL 273.51, 0.52%, 0.29%

LAB 23.64, 35.33, -36.63

 

CMYK 0 / 45 / 69 / 56

HEX #703E23

RGB 112 62 35

HSL 21.04, 0.52%, 0.29%

LAB 31.83, 19.23, 25.74

 

CMYK 38 / 0 / 69 / 56

HEX #467023

RGB 70 112 35

HSL 92.73, 0.52%, 0.29%

LAB 42.78, -28.69, 36.88

 

CMYK 68 / 24 / 0 / 56

HEX #245671

RGB 36 86 113

HSL 201.04, 0.52%, 0.29%

LAB 34.44, -7.48, -20.38

 

CMYK 10 / 69 / 0 / 56

HEX #652370

RGB 101 35 112

HSL 291.43, 0.52%, 0.29%

LAB 27.13, 41.1, -30.86

 

CMYK 0 / 45 / 69 / 56

HEX #703E23

RGB 112 62 35

HSL 21.04, 0.52%, 0.29%

LAB 31.83, 19.23, 25.74

 

CMYK 58 / 0 / 69 / 56

HEX #2F7023

RGB 47 112 35

HSL 110.65, 0.52%, 0.29%

LAB 41.71, -36.51, 35.41

 

Description

Color code: HEX #245671 | qconv.com Color code: HEX #245671 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 86 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 86 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 24 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 24% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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