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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #245451 it is the complementary color #DBABAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #245451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #245451 shade: #29544C, #3A665F, #4B7872, #5C8A85 and #6D9C98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #245451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #245451 shade: #245451, #13423E, #02302B, #001E18 and #000C05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #245451 shade: #255653, #255645, #255638, #25562B and #2C5625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #245451 shade: #255653, #254C56, #253E56, #253156 and #252556

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #245451 shade matches the following richer shades: #255653, #1B605B, #116964 and #07736D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #245451 shade: #255653, #2F4C4A, #394241, #423839 and #4C2E30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #245451 shade: #255638, #255645, #255652, #254C56 and #253F56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #245451 shade: #0C1C1B, #183937, #255653, #31736E and #3D8F8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #245451 shade: #245451, #2B2556 and #563F25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #245451 shade: #245451, #522556 and #565225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #245451 shade: #245451, #2B2556, #562528 and #4F5625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #245451 shade: #245451, #3A2556, #562528 and #405625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 4 / 67

HEX #245451

RGB 36 84 81

HSL 176.25, 0.4%, 0.24%

LAB 32.5, -17.05, -3.21

 

Complementary color

CMYK 0 / 22 / 21 / 14

HEX #DBABAE

RGB 219 171 174

HSL 356.25, 0.4%, 0.76%

LAB 74.34, 17.99, 5.2

 

CMYK 51 / 0 / 10 / 67

HEX #29544C

RGB 41 84 76

HSL 168.84, 0.34%, 0.25%

LAB 32.56, -17.2, 0.06

 

CMYK 43 / 0 / 7 / 60

HEX #3A665F

RGB 58 102 95

HSL 170.45, 0.28%, 0.31%

LAB 39.96, -17.08, -0.83

 

CMYK 38 / 0 / 5 / 53

HEX #4B7872

RGB 75 120 114

HSL 172, 0.23%, 0.38%

LAB 47.16, -16.93, -1.61

 

CMYK 33 / 0 / 4 / 46

HEX #5C8A85

RGB 92 138 133

HSL 173.48, 0.2%, 0.45%

LAB 54.18, -16.79, -2.33

 

CMYK 30 / 0 / 3 / 39

HEX #6D9C98

RGB 109 156 152

HSL 174.89, 0.19%, 0.52%

LAB 61.04, -16.65, -2.99

 

CMYK 57 / 0 / 4 / 67

HEX #245451

RGB 36 84 81

HSL 176.25, 0.4%, 0.24%

LAB 32.5, -17.05, -3.21

 

CMYK 71 / 0 / 6 / 74

HEX #13423E

RGB 19 66 62

HSL 174.89, 0.55%, 0.17%

LAB 24.9, -16.77, -2.24

 

CMYK 96 / 0 / 10 / 81

HEX #02302B

RGB 2 48 43

HSL 173.48, 0.92%, 0.1%

LAB 16.99, -16.3, -1.07

 

CMYK 100 / 0 / 20 / 88

HEX #001E18

RGB 0 30 24

HSL 168, 1%, 0.06%

LAB 8.95, -12.79, 0.81

 

CMYK 100 / 0 / 58 / 95

HEX #000C05

RGB 0 12 5

HSL 145, 1%, 0.02%

LAB 2.47, -4.16, 1.58

 

CMYK 57 / 0 / 3 / 66

HEX #255653

RGB 37 86 83

HSL 176.33, 0.4%, 0.24%

LAB 33.29, -17.31, -3.3

 

CMYK 57 / 0 / 20 / 66

HEX #255645

RGB 37 86 69

HSL 159.18, 0.4%, 0.24%

LAB 32.87, -21.27, 4.91

 

CMYK 57 / 0 / 35 / 66

HEX #255638

RGB 37 86 56

HSL 143.27, 0.4%, 0.24%

LAB 32.56, -24.42, 12.56

 

CMYK 57 / 0 / 50 / 66

HEX #25562B

RGB 37 86 43

HSL 127.35, 0.4%, 0.24%

LAB 32.31, -26.99, 20.06

 

CMYK 49 / 0 / 57 / 66

HEX #2C5625

RGB 44 86 37

HSL 111.43, 0.4%, 0.24%

LAB 32.53, -25.67, 23.84

 

CMYK 57 / 0 / 3 / 66

HEX #255653

RGB 37 86 83

HSL 176.33, 0.4%, 0.24%

LAB 33.29, -17.31, -3.3

 

CMYK 57 / 12 / 0 / 66

HEX #254C56

RGB 37 76 86

HSL 192.24, 0.4%, 0.24%

LAB 30, -10.57, -10.15

 

CMYK 57 / 28 / 0 / 66

HEX #253E56

RGB 37 62 86

HSL 209.39, 0.4%, 0.24%

LAB 25.29, -1.7, -17.37

 

CMYK 57 / 43 / 0 / 66

HEX #253156

RGB 37 49 86

HSL 225.31, 0.4%, 0.24%

LAB 21.06, 7.24, -24.01

 

CMYK 57 / 57 / 0 / 66

HEX #252556

RGB 37 37 86

HSL 240, 0.4%, 0.24%

LAB 17.41, 15.83, -29.85

 

CMYK 57 / 0 / 3 / 66

HEX #255653

RGB 37 86 83

HSL 176.33, 0.4%, 0.24%

LAB 33.29, -17.31, -3.3

 

CMYK 72 / 0 / 5 / 62

HEX #1B605B

RGB 27 96 91

HSL 175.65, 0.56%, 0.24%

LAB 36.66, -22.26, -3.36

 

CMYK 84 / 0 / 5 / 59

HEX #116964

RGB 17 105 100

HSL 176.59, 0.72%, 0.24%

LAB 39.82, -25.35, -4.24

 

CMYK 94 / 0 / 5 / 55

HEX #07736D

RGB 7 115 109

HSL 176.67, 0.89%, 0.24%

LAB 43.38, -28.21, -4.44

 

CMYK 57 / 0 / 3 / 66

HEX #255653

RGB 37 86 83

HSL 176.33, 0.4%, 0.24%

LAB 33.29, -17.31, -3.3

 

CMYK 38 / 0 / 3 / 70

HEX #2F4C4A

RGB 47 76 74

HSL 175.86, 0.24%, 0.24%

LAB 30.08, -11.35, -2.27

 

CMYK 14 / 0 / 2 / 74

HEX #394241

RGB 57 66 65

HSL 173.33, 0.07%, 0.24%

LAB 27.15, -3.93, -0.65

 

CMYK 0 / 15 / 14 / 74

HEX #423839

RGB 66 56 57

HSL 354, 0.08%, 0.24%

LAB 24.58, 4.6, 1

 

CMYK 0 / 39 / 37 / 70

HEX #4C2E30

RGB 76 46 48

HSL 356, 0.25%, 0.24%

LAB 22.67, 14.09, 4.47

 

CMYK 57 / 0 / 35 / 66

HEX #255638

RGB 37 86 56

HSL 143.27, 0.4%, 0.24%

LAB 32.56, -24.42, 12.56

 

CMYK 57 / 0 / 20 / 66

HEX #255645

RGB 37 86 69

HSL 159.18, 0.4%, 0.24%

LAB 32.87, -21.27, 4.91

 

CMYK 57 / 0 / 5 / 66

HEX #255652

RGB 37 86 82

HSL 175.1, 0.4%, 0.24%

LAB 33.26, -17.61, -2.72

 

CMYK 57 / 12 / 0 / 66

HEX #254C56

RGB 37 76 86

HSL 192.24, 0.4%, 0.24%

LAB 30, -10.57, -10.15

 

CMYK 57 / 27 / 0 / 66

HEX #253F56

RGB 37 63 86

HSL 208.16, 0.4%, 0.24%

LAB 25.62, -2.36, -16.86

 

CMYK 57 / 0 / 4 / 89

HEX #0C1C1B

RGB 12 28 27

HSL 176.25, 0.4%, 0.08%

LAB 8.89, -6.99, -1.44

 

CMYK 58 / 0 / 4 / 78

HEX #183937

RGB 24 57 55

HSL 176.36, 0.41%, 0.16%

LAB 21.57, -12.64, -2.47

 

CMYK 57 / 0 / 3 / 66

HEX #255653

RGB 37 86 83

HSL 176.33, 0.4%, 0.24%

LAB 33.29, -17.31, -3.3

 

CMYK 57 / 0 / 4 / 55

HEX #31736E

RGB 49 115 110

HSL 175.45, 0.4%, 0.32%

LAB 44.29, -22.18, -3.58

 

CMYK 57 / 0 / 3 / 44

HEX #3D8F8A

RGB 61 143 138

HSL 176.34, 0.4%, 0.4%

LAB 54.52, -26, -4.86

 

CMYK 57 / 0 / 4 / 67

HEX #245451

RGB 36 84 81

HSL 176.25, 0.4%, 0.24%

LAB 32.5, -17.05, -3.21

 

CMYK 50 / 57 / 0 / 66

HEX #2B2556

RGB 43 37 86

HSL 247.35, 0.4%, 0.24%

LAB 17.96, 17.36, -28.94

 

CMYK 0 / 27 / 57 / 66

HEX #563F25

RGB 86 63 37

HSL 31.84, 0.4%, 0.24%

LAB 28.56, 6.47, 19.75

 

CMYK 57 / 0 / 4 / 67

HEX #245451

RGB 36 84 81

HSL 176.25, 0.4%, 0.24%

LAB 32.5, -17.05, -3.21

 

CMYK 5 / 57 / 0 / 66

HEX #522556

RGB 82 37 86

HSL 295.1, 0.4%, 0.24%

LAB 22.96, 29.15, -20.68

 

CMYK 0 / 5 / 57 / 66

HEX #565225

RGB 86 82 37

HSL 55.1, 0.4%, 0.24%

LAB 34.29, -5.3, 26.67

 

CMYK 57 / 0 / 4 / 67

HEX #245451

RGB 36 84 81

HSL 176.25, 0.4%, 0.24%

LAB 32.5, -17.05, -3.21

 

CMYK 50 / 57 / 0 / 66

HEX #2B2556

RGB 43 37 86

HSL 247.35, 0.4%, 0.24%

LAB 17.96, 17.36, -28.94

 

CMYK 0 / 57 / 53 / 66

HEX #562528

RGB 86 37 40

HSL 356.33, 0.4%, 0.24%

LAB 21.78, 23.02, 8.93

 

CMYK 8 / 0 / 57 / 66

HEX #4F5625

RGB 79 86 37

HSL 68.57, 0.4%, 0.24%

LAB 34.91, -10.98, 27.24

 

CMYK 57 / 0 / 4 / 67

HEX #245451

RGB 36 84 81

HSL 176.25, 0.4%, 0.24%

LAB 32.5, -17.05, -3.21

 

CMYK 33 / 57 / 0 / 66

HEX #3A2556

RGB 58 37 86

HSL 265.71, 0.4%, 0.24%

LAB 19.62, 21.64, -26.19

 

CMYK 0 / 57 / 53 / 66

HEX #562528

RGB 86 37 40

HSL 356.33, 0.4%, 0.24%

LAB 21.78, 23.02, 8.93

 

CMYK 26 / 0 / 57 / 66

HEX #405625

RGB 64 86 37

HSL 86.94, 0.4%, 0.24%

LAB 33.73, -17.78, 25.56

 

Description

Color code: HEX #245451 | qconv.com Color code: HEX #245451 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 84 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 84 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 4 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 4% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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