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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #244C9ACE it is the complementary color #DBB365CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #244C9ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #244C9ACE shade: #294C95CE, #3A5EA8CE, #4B70BBCE, #5C82CECE and #6D94E1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #244C9ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #244C9ACE shade: #244C9ACE, #133A87CE, #022874CE, #001661CE and #00044ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #244C9ACE shade: #244C99, #242C99, #3B2499, #5B2499 and #7A2499

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #244C9ACE shade: #244C99, #242C99 and #242499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #244C9ACE shade matches the following richer shades: #244C99, #1547A8 and #0542B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #244C9ACE shade: #244C99, #33508A, #42557A, #525A6B and #615F5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #244C9ACE shade: #248B99, #246C99, #244D99, #242E99 and #392499

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #244C9ACE shade: #142A56, #1C3B77, #244C99, #2C5CBA and #3E70D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #244C9ACE shade: #244C9A, #872499 and #7C9924

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #244C9ACE shade: #244C9A, #99244D and #4D9924

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #244C9ACE shade: #244C9A, #872499, #997024 and #359924

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #244C9ACE shade: #244C9A, #992487, #997024 and #249935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 41 / 0 / 32

HEX #244C9ACE

RGBA 36 76 154 0.81

HSLA 219.66, 0.62%, 0.37%, 0.81

LABA 33.73, 14.78, -46.7, 0.81

 

Complementary color

CMYK 0 / 15 / 44 / 11

HEX #DBB365CE

RGBA 219 179 101 0.81

HSLA 39.66, 0.62%, 0.63%, 0.81

LABA 74.98, 5.15, 44.88, 0.81

 

CMYK 59 / 40 / 0 / 34

HEX #294C95CE

RGBA 41 76 149 0.81

HSLA 220.56, 0.57%, 0.37%, 0.81

LABA 33.58, 13.52, -43.88, 0.81

 

CMYK 53 / 36 / 0 / 28

HEX #3A5EA8CE

RGBA 58 94 168 0.81

HSLA 220.36, 0.49%, 0.44%, 0.81

LABA 40.79, 11.62, -43.68, 0.81

 

CMYK 49 / 32 / 0 / 22

HEX #4B70BBCE

RGBA 75 112 187 0.81

HSLA 220.18, 0.45%, 0.51%, 0.81

LABA 47.84, 10.15, -43.5, 0.81

 

CMYK 45 / 30 / 0 / 16

HEX #5C82CECE

RGBA 92 130 206 0.81

HSLA 220, 0.54%, 0.58%, 0.81

LABA 54.76, 8.99, -43.36, 0.81

 

CMYK 42 / 28 / 0 / 10

HEX #6D94E1CE

RGBA 109 148 225 0.81

HSLA 219.83, 0.66%, 0.65%, 0.81

LABA 61.54, 8.04, -43.25, 0.81

 

CMYK 62 / 41 / 0 / 32

HEX #244C9ACE

RGBA 36 76 154 0.81

HSLA 219.66, 0.62%, 0.37%, 0.81

LABA 33.73, 14.78, -46.7, 0.81

 

CMYK 70 / 46 / 0 / 38

HEX #133A87CE

RGBA 19 58 135 0.81

HSLA 219.83, 0.75%, 0.3%, 0.81

LABA 26.49, 17.65, -46.79, 0.81

 

CMYK 80 / 53 / 0 / 44

HEX #022874CE

RGBA 2 40 116 0.81

HSLA 220, 0.97%, 0.23%, 0.81

LABA 19.19, 21.31, -46.72, 0.81

 

CMYK 81 / 63 / 0 / 50

HEX #001661CE

RGBA 0 22 97 0.81

HSLA 226.39, 1%, 0.19%, 0.81

LABA 12.2, 26.03, -45.8, 0.81

 

CMYK 81 / 77 / 0 / 56

HEX #00044ECE

RGBA 0 4 78 0.81

HSLA 236.92, 1%, 0.15%, 0.81

LABA 5.75, 29.34, -43.58, 0.81

 

CMYK 76 / 50 / 0 / 40

HEX #244C99

RGB 36 76 153

HSL 219.49, 0.62%, 0.37%

LAB 33.66, 14.38, -46.2

 

CMYK 76 / 71 / 0 / 40

HEX #242C99

RGB 36 44 153

HSL 235.9, 0.62%, 0.37%

LAB 25.19, 35.76, -60.01

 

CMYK 61 / 76 / 0 / 40

HEX #3B2499

RGB 59 36 153

HSL 251.79, 0.62%, 0.37%

LAB 25.23, 43.06, -59.87

 

CMYK 41 / 76 / 0 / 40

HEX #5B2499

RGB 91 36 153

HSL 268.21, 0.62%, 0.37%

LAB 28.87, 48, -53.78

 

CMYK 20 / 76 / 0 / 40

HEX #7A2499

RGB 122 36 153

HSL 284.1, 0.62%, 0.37%

LAB 33.35, 53.88, -46.3

 

CMYK 76 / 50 / 0 / 40

HEX #244C99

RGB 36 76 153

HSL 219.49, 0.62%, 0.37%

LAB 33.66, 14.38, -46.2

 

CMYK 76 / 71 / 0 / 40

HEX #242C99

RGB 36 44 153

HSL 235.9, 0.62%, 0.37%

LAB 25.19, 35.76, -60.01

 

CMYK 76 / 76 / 0 / 40

HEX #242499

RGB 36 36 153

HSL 240, 0.62%, 0.37%

LAB 23.46, 40.57, -62.86

 

CMYK 76 / 50 / 0 / 40

HEX #244C99

RGB 36 76 153

HSL 219.49, 0.62%, 0.37%

LAB 33.66, 14.38, -46.2

 

CMYK 88 / 58 / 0 / 34

HEX #1547A8

RGB 21 71 168

HSL 219.59, 0.78%, 0.37%

LAB 32.9, 22.3, -56.48

 

CMYK 97 / 64 / 0 / 28

HEX #0542B7

RGB 5 66 183

HSL 219.44, 0.95%, 0.37%

LAB 32.59, 30.93, -65.93

 

CMYK 76 / 50 / 0 / 40

HEX #244C99

RGB 36 76 153

HSL 219.49, 0.62%, 0.37%

LAB 33.66, 14.38, -46.2

 

CMYK 63 / 42 / 0 / 46

HEX #33508A

RGB 51 80 138

HSL 220, 0.46%, 0.37%

LAB 34.55, 8.48, -35.6

 

CMYK 46 / 30 / 0 / 52

HEX #42557A

RGB 66 85 122

HSL 219.64, 0.3%, 0.37%

LAB 36.1, 3.39, -23.26

 

CMYK 23 / 16 / 0 / 58

HEX #525A6B

RGB 82 90 107

HSL 220.8, 0.13%, 0.37%

LAB 38.14, 1.01, -10.76

 

CMYK 0 / 2 / 5 / 62

HEX #615F5C

RGB 97 95 92

HSL 36, 0.03%, 0.37%

LAB 40.41, 0.18, 1.99

 

CMYK 76 / 9 / 0 / 40

HEX #248B99

RGB 36 139 153

HSL 187.18, 0.62%, 0.37%

LAB 53.1, -23.46, -15.73

 

CMYK 76 / 29 / 0 / 40

HEX #246C99

RGB 36 108 153

HSL 203.08, 0.62%, 0.37%

LAB 43.36, -6.15, -30.76

 

CMYK 76 / 50 / 0 / 40

HEX #244D99

RGB 36 77 153

HSL 218.97, 0.62%, 0.37%

LAB 33.95, 13.71, -45.73

 

CMYK 76 / 70 / 0 / 40

HEX #242E99

RGB 36 46 153

HSL 234.87, 0.62%, 0.37%

LAB 25.65, 34.5, -59.25

 

CMYK 63 / 76 / 0 / 40

HEX #392499

RGB 57 36 153

HSL 250.77, 0.62%, 0.37%

LAB 25.05, 42.8, -60.18

 

CMYK 77 / 51 / 0 / 66

HEX #142A56

RGB 20 42 86

HSL 220, 0.62%, 0.21%

LAB 17.81, 8.61, -29.26

 

CMYK 76 / 50 / 0 / 53

HEX #1C3B77

RGB 28 59 119

HSL 219.56, 0.62%, 0.29%

LAB 25.88, 11.36, -37.71

 

CMYK 76 / 50 / 0 / 40

HEX #244C99

RGB 36 76 153

HSL 219.49, 0.62%, 0.37%

LAB 33.66, 14.38, -46.2

 

CMYK 76 / 51 / 0 / 27

HEX #2C5CBA

RGB 44 92 186

HSL 219.72, 0.62%, 0.45%

LAB 40.79, 17.55, -54.29

 

CMYK 70 / 47 / 0 / 18

HEX #3E70D2

RGB 62 112 210

HSL 219.73, 0.62%, 0.53%

LAB 48.59, 16.04, -55.54

 

CMYK 77 / 51 / 0 / 40

HEX #244C9A

RGB 36 76 154

HSL 219.66, 0.62%, 0.37%

LAB 33.73, 14.78, -46.7

 

CMYK 12 / 76 / 0 / 40

HEX #872499

RGB 135 36 153

HSL 290.77, 0.62%, 0.37%

LAB 35.42, 56.54, -42.85

 

CMYK 19 / 0 / 76 / 40

HEX #7C9924

RGB 124 153 36

HSL 74.87, 0.62%, 0.37%

LAB 59.15, -26.44, 54.05

 

CMYK 77 / 51 / 0 / 40

HEX #244C9A

RGB 36 76 154

HSL 219.66, 0.62%, 0.37%

LAB 33.73, 14.78, -46.7

 

CMYK 0 / 76 / 50 / 40

HEX #99244D

RGB 153 36 77

HSL 338.97, 0.62%, 0.37%

LAB 35.14, 50.4, 4.83

 

CMYK 50 / 0 / 76 / 40

HEX #4D9924

RGB 77 153 36

HSL 98.97, 0.62%, 0.37%

LAB 56.57, -44, 50.67

 

CMYK 77 / 51 / 0 / 40

HEX #244C9A

RGB 36 76 154

HSL 219.66, 0.62%, 0.37%

LAB 33.73, 14.78, -46.7

 

CMYK 12 / 76 / 0 / 40

HEX #872499

RGB 135 36 153

HSL 290.77, 0.62%, 0.37%

LAB 35.42, 56.54, -42.85

 

CMYK 0 / 27 / 76 / 40

HEX #997024

RGB 153 112 36

HSL 38.97, 0.62%, 0.37%

LAB 50.08, 8.79, 46.24

 

CMYK 65 / 0 / 76 / 40

HEX #359924

RGB 53 153 36

HSL 111.28, 0.62%, 0.37%

LAB 55.75, -50.49, 49.59

 

CMYK 77 / 51 / 0 / 40

HEX #244C9A

RGB 36 76 154

HSL 219.66, 0.62%, 0.37%

LAB 33.73, 14.78, -46.7

 

CMYK 0 / 76 / 12 / 40

HEX #992487

RGB 153 36 135

HSL 309.23, 0.62%, 0.37%

LAB 37.45, 57.49, -28.41

 

CMYK 0 / 27 / 76 / 40

HEX #997024

RGB 153 112 36

HSL 38.97, 0.62%, 0.37%

LAB 50.08, 8.79, 46.24

 

CMYK 76 / 0 / 65 / 40

HEX #249935

RGB 36 153 53

HSL 128.72, 0.62%, 0.37%

LAB 55.5, -52.15, 42.34

 

Description

Color code: HEX #244C9ACE | qconv.com Color code: HEX #244C9ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 76 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 76 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 41 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 41% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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