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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #244280 it is the complementary color #DBBD7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #244280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #244280 shade: #29427B, #3A548E, #4B66A1, #5C78B4 and #6D8AC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #244280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #244280 shade: #244280, #13306D, #021E5A, #000C47 and #000034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #244280 shade: #24427F, #24297F, #37247F, #50247F and #69247F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #244280 shade: #24427F, #24297F and #24247F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #244280 shade matches the following richer shades: #24427F, #173D8C and #09399A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #244280 shade: #24427F, #314672, #3E4B65, #4C4F58 and #59544A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #244280 shade: #24737F, #245B7F, #24427F, #242A7F and #36247F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #244280 shade: #12203F, #1B315F, #24427F, #2D529F and #3663C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #244280 shade: #244280, #73247F and #677F24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #244280 shade: #244280, #7F2442 and #427F24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #244280 shade: #244280, #73247F, #7F6124 and #307F24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #244280 shade: #244280, #7F2470, #7F6124 and #247F33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 48 / 0 / 50

HEX #244280

RGB 36 66 128

HSL 220.43, 0.56%, 0.32%

LAB 28.98, 11.35, -38.37

 

Complementary color

CMYK 0 / 14 / 42 / 14

HEX #DBBD7F

RGB 219 189 127

HSL 40.43, 0.56%, 0.68%

LAB 77.87, 2.34, 35.26

 

CMYK 67 / 46 / 0 / 52

HEX #29427B

RGB 41 66 123

HSL 221.71, 0.5%, 0.32%

LAB 28.9, 10.29, -35.36

 

CMYK 59 / 41 / 0 / 44

HEX #3A548E

RGB 58 84 142

HSL 221.43, 0.42%, 0.39%

LAB 36.35, 8.78, -35.15

 

CMYK 53 / 37 / 0 / 37

HEX #4B66A1

RGB 75 102 161

HSL 221.16, 0.36%, 0.46%

LAB 43.61, 7.65, -35

 

CMYK 49 / 33 / 0 / 29

HEX #5C78B4

RGB 92 120 180

HSL 220.91, 0.37%, 0.53%

LAB 50.69, 6.77, -34.9

 

CMYK 45 / 31 / 0 / 22

HEX #6D8AC7

RGB 109 138 199

HSL 220.67, 0.45%, 0.6%

LAB 57.61, 6.06, -34.85

 

CMYK 72 / 48 / 0 / 50

HEX #244280

RGB 36 66 128

HSL 220.43, 0.56%, 0.32%

LAB 28.98, 11.35, -38.37

 

CMYK 83 / 56 / 0 / 57

HEX #13306D

RGB 19 48 109

HSL 220.67, 0.7%, 0.25%

LAB 21.42, 13.87, -38.55

 

CMYK 98 / 67 / 0 / 65

HEX #021E5A

RGB 2 30 90

HSL 220.91, 0.96%, 0.18%

LAB 13.71, 17.3, -38.64

 

CMYK 100 / 83 / 0 / 72

HEX #000C47

RGB 0 12 71

HSL 229.86, 1%, 0.14%

LAB 6.48, 21.69, -37.48

 

CMYK 100 / 100 / 0 / 80

HEX #000034

RGB 0 0 52

HSL 240, 1%, 0.1%

LAB 2.24, 15.74, -30.68

 

CMYK 72 / 48 / 0 / 50

HEX #24427F

RGB 36 66 127

HSL 220.22, 0.56%, 0.32%

LAB 28.91, 10.95, -37.85

 

CMYK 72 / 68 / 0 / 50

HEX #24297F

RGB 36 41 127

HSL 236.7, 0.56%, 0.32%

LAB 21.92, 28.19, -49.2

 

CMYK 57 / 72 / 0 / 50

HEX #37247F

RGB 55 36 127

HSL 252.53, 0.56%, 0.32%

LAB 22.32, 34.3, -48.47

 

CMYK 37 / 72 / 0 / 50

HEX #50247F

RGB 80 36 127

HSL 269.01, 0.56%, 0.32%

LAB 25.26, 39.16, -43.56

 

CMYK 17 / 72 / 0 / 50

HEX #69247F

RGB 105 36 127

HSL 285.49, 0.56%, 0.32%

LAB 28.9, 44.77, -37.51

 

CMYK 72 / 48 / 0 / 50

HEX #24427F

RGB 36 66 127

HSL 220.22, 0.56%, 0.32%

LAB 28.91, 10.95, -37.85

 

CMYK 72 / 68 / 0 / 50

HEX #24297F

RGB 36 41 127

HSL 236.7, 0.56%, 0.32%

LAB 21.92, 28.19, -49.2

 

CMYK 72 / 72 / 0 / 50

HEX #24247F

RGB 36 36 127

HSL 240, 0.56%, 0.32%

LAB 20.71, 31.45, -51.18

 

CMYK 72 / 48 / 0 / 50

HEX #24427F

RGB 36 66 127

HSL 220.22, 0.56%, 0.32%

LAB 28.91, 10.95, -37.85

 

CMYK 84 / 56 / 0 / 45

HEX #173D8C

RGB 23 61 140

HSL 220.51, 0.72%, 0.32%

LAB 27.88, 17.98, -47.62

 

CMYK 94 / 63 / 0 / 40

HEX #09399A

RGB 9 57 154

HSL 220.14, 0.89%, 0.32%

LAB 27.62, 25.56, -56.66

 

CMYK 72 / 48 / 0 / 50

HEX #24427F

RGB 36 66 127

HSL 220.22, 0.56%, 0.32%

LAB 28.91, 10.95, -37.85

 

CMYK 57 / 39 / 0 / 55

HEX #314672

RGB 49 70 114

HSL 220.62, 0.4%, 0.32%

LAB 30.03, 6, -27.87

 

CMYK 39 / 26 / 0 / 60

HEX #3E4B65

RGB 62 75 101

HSL 220, 0.24%, 0.32%

LAB 31.8, 2.07, -16.83

 

CMYK 14 / 10 / 0 / 65

HEX #4C4F58

RGB 76 79 88

HSL 225, 0.07%, 0.32%

LAB 33.63, 0.89, -5.69

 

CMYK 0 / 6 / 17 / 65

HEX #59544A

RGB 89 84 74

HSL 40, 0.09%, 0.32%

LAB 35.91, 0.1, 6.58

 

CMYK 72 / 9 / 0 / 50

HEX #24737F

RGB 36 115 127

HSL 187.91, 0.56%, 0.32%

LAB 44.47, -19.32, -13.54

 

CMYK 72 / 28 / 0 / 50

HEX #245B7F

RGB 36 91 127

HSL 203.74, 0.56%, 0.32%

LAB 36.72, -5.43, -25.48

 

CMYK 72 / 48 / 0 / 50

HEX #24427F

RGB 36 66 127

HSL 220.22, 0.56%, 0.32%

LAB 28.91, 10.95, -37.85

 

CMYK 72 / 67 / 0 / 50

HEX #242A7F

RGB 36 42 127

HSL 236.04, 0.56%, 0.32%

LAB 22.17, 27.52, -48.78

 

CMYK 57 / 72 / 0 / 50

HEX #36247F

RGB 54 36 127

HSL 251.87, 0.56%, 0.32%

LAB 22.23, 34.13, -48.64

 

CMYK 71 / 49 / 0 / 75

HEX #12203F

RGB 18 32 63

HSL 221.33, 0.56%, 0.16%

LAB 12.74, 5.94, -21.63

 

CMYK 72 / 48 / 0 / 63

HEX #1B315F

RGB 27 49 95

HSL 220.59, 0.56%, 0.24%

LAB 21.04, 8.5, -30.03

 

CMYK 72 / 48 / 0 / 50

HEX #24427F

RGB 36 66 127

HSL 220.22, 0.56%, 0.32%

LAB 28.91, 10.95, -37.85

 

CMYK 72 / 48 / 0 / 38

HEX #2D529F

RGB 45 82 159

HSL 220.53, 0.56%, 0.4%

LAB 36.17, 13.96, -45.76

 

CMYK 72 / 48 / 0 / 25

HEX #3663C0

RGB 54 99 192

HSL 220.43, 0.56%, 0.48%

LAB 43.53, 16.57, -53.36

 

CMYK 72 / 48 / 0 / 50

HEX #244280

RGB 36 66 128

HSL 220.43, 0.56%, 0.32%

LAB 28.98, 11.35, -38.37

 

CMYK 9 / 72 / 0 / 50

HEX #73247F

RGB 115 36 127

HSL 292.09, 0.56%, 0.32%

LAB 30.49, 47.12, -34.86

 

CMYK 19 / 0 / 72 / 50

HEX #677F24

RGB 103 127 36

HSL 75.82, 0.56%, 0.32%

LAB 49.73, -22.41, 44.33

 

CMYK 72 / 48 / 0 / 50

HEX #244280

RGB 36 66 128

HSL 220.43, 0.56%, 0.32%

LAB 28.98, 11.35, -38.37

 

CMYK 0 / 72 / 48 / 50

HEX #7F2442

RGB 127 36 66

HSL 340.22, 0.56%, 0.32%

LAB 29.83, 41.35, 3.77

 

CMYK 48 / 0 / 72 / 50

HEX #427F24

RGB 66 127 36

HSL 100.22, 0.56%, 0.32%

LAB 47.58, -36.79, 41.45

 

CMYK 72 / 48 / 0 / 50

HEX #244280

RGB 36 66 128

HSL 220.43, 0.56%, 0.32%

LAB 28.98, 11.35, -38.37

 

CMYK 9 / 72 / 0 / 50

HEX #73247F

RGB 115 36 127

HSL 292.09, 0.56%, 0.32%

LAB 30.49, 47.12, -34.86

 

CMYK 0 / 24 / 72 / 50

HEX #7F6124

RGB 127 97 36

HSL 40.22, 0.56%, 0.32%

LAB 43.05, 5.37, 38.14

 

CMYK 62 / 0 / 72 / 50

HEX #307F24

RGB 48 127 36

HSL 112.09, 0.56%, 0.32%

LAB 46.89, -42.11, 40.51

 

CMYK 72 / 48 / 0 / 50

HEX #244280

RGB 36 66 128

HSL 220.43, 0.56%, 0.32%

LAB 28.98, 11.35, -38.37

 

CMYK 0 / 72 / 12 / 50

HEX #7F2470

RGB 127 36 112

HSL 309.89, 0.56%, 0.32%

LAB 31.68, 47.45, -23.38

 

CMYK 0 / 24 / 72 / 50

HEX #7F6124

RGB 127 97 36

HSL 40.22, 0.56%, 0.32%

LAB 43.05, 5.37, 38.14

 

CMYK 72 / 0 / 60 / 50

HEX #247F33

RGB 36 127 51

HSL 129.89, 0.56%, 0.32%

LAB 46.7, -43.09, 33.24

 

Description

Color code: HEX #244280 | qconv.com Color code: HEX #244280 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 66 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 66 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 48 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 48% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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