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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2440F0 it is the complementary color #DBBF0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2440F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2440F0 shade: #2940EB, #3A52FE, #4B64FF, #5C76FF and #6D88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2440F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2440F0 shade: #2440F0, #132EDD, #021CCA, #000AB7 and #0000A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2440F0 shade: #2440F0, #3F24F0, #7624F0, #AD24F0 and #E424F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2440F0 shade: #2440F0 and #2424F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2440F0 shade matches the following richer shades: #2440F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2440F0 shade: #2440F0, #374DDD, #4A5BCA, #5D69B7 and #7077A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2440F0 shade: #24AFF0, #2479F0, #2442F0, #3B24F0 and #7224F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2440F0 shade: #0D24B4, #0F2BDB, #2440F0, #4A61F2 and #7183F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2440F0 shade: #2440F0, #F024E6 and #94F024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2440F0 shade: #2440F0, #F02442 and #42F024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2440F0 shade: #2440F0, #F024E6, #F0D124 and #24F02E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2440F0 shade: #2440F0, #F024A8, #F0D124 and #24F06B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

Complementary color

CMYK 0 / 13 / 93 / 14

HEX #DBBF0F

RGB 219 191 15

HSL 51.76, 0.87%, 0.46%

LAB 77.49, -5.01, 77.32

 

CMYK 83 / 73 / 0 / 8

HEX #2940EB

RGB 41 64 235

HSL 232.89, 0.83%, 0.54%

LAB 38.09, 52.63, -86.93

 

CMYK 77 / 68 / 0 / 0

HEX #3A52FE

RGB 58 82 254

HSL 232.65, 0.99%, 0.61%

LAB 44.36, 49.82, -87.23

 

CMYK 71 / 61 / 0 / 0

HEX #4B64FF

RGB 75 100 255

HSL 231.67, 1%, 0.65%

LAB 49.29, 41.1, -79.68

 

CMYK 64 / 54 / 0 / 0

HEX #5C76FF

RGB 92 118 255

HSL 230.43, 1%, 0.68%

LAB 54.5, 32.49, -71.16

 

CMYK 57 / 47 / 0 / 0

HEX #6D88FF

RGB 109 136 255

HSL 228.9, 1%, 0.71%

LAB 59.96, 24.58, -62.32

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 91 / 79 / 0 / 13

HEX #132EDD

RGB 19 46 221

HSL 231.98, 0.84%, 0.47%

LAB 32.51, 56.82, -88.21

 

CMYK 99 / 86 / 0 / 21

HEX #021CCA

RGB 2 28 202

HSL 232.2, 0.98%, 0.4%

LAB 27.04, 58.89, -86.3

 

CMYK 100 / 95 / 0 / 28

HEX #000AB7

RGB 0 10 183

HSL 236.72, 1%, 0.36%

LAB 22.43, 59.31, -82.77

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 74 / 85 / 0 / 6

HEX #3F24F0

RGB 63 36 240

HSL 247.94, 0.87%, 0.54%

LAB 35.22, 68.51, -94.48

 

CMYK 51 / 85 / 0 / 6

HEX #7624F0

RGB 118 36 240

HSL 264.12, 0.87%, 0.54%

LAB 40.25, 72.81, -85.99

 

CMYK 28 / 85 / 0 / 6

HEX #AD24F0

RGB 173 36 240

HSL 280.29, 0.87%, 0.54%

LAB 47.54, 79.62, -73.76

 

CMYK 5 / 85 / 0 / 6

HEX #E424F0

RGB 228 36 240

HSL 296.47, 0.87%, 0.54%

LAB 56.13, 88.22, -59.45

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 85 / 85 / 0 / 6

HEX #2424F0

RGB 36 36 240

HSL 240, 0.87%, 0.54%

LAB 33.83, 67.39, -96.83

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 75 / 65 / 0 / 13

HEX #374DDD

RGB 55 77 221

HSL 232.05, 0.71%, 0.54%

LAB 40.15, 41.24, -75.55

 

CMYK 63 / 55 / 0 / 21

HEX #4A5BCA

RGB 74 91 202

HSL 232.03, 0.55%, 0.54%

LAB 43.07, 28.36, -59.84

 

CMYK 49 / 43 / 0 / 28

HEX #5D69B7

RGB 93 105 183

HSL 232, 0.38%, 0.54%

LAB 46.78, 17.15, -42.81

 

CMYK 32 / 27 / 0 / 36

HEX #7077A4

RGB 112 119 164

HSL 231.92, 0.22%, 0.54%

LAB 51.06, 8.25, -24.94

 

CMYK 85 / 27 / 0 / 6

HEX #24AFF0

RGB 36 175 240

HSL 199.12, 0.87%, 0.54%

LAB 67.52, -12.95, -42.27

 

CMYK 85 / 50 / 0 / 6

HEX #2479F0

RGB 36 121 240

HSL 215, 0.87%, 0.54%

LAB 52.22, 18.84, -66.63

 

CMYK 85 / 73 / 0 / 6

HEX #2442F0

RGB 36 66 240

HSL 231.18, 0.87%, 0.54%

LAB 38.83, 52.91, -88.53

 

CMYK 75 / 85 / 0 / 6

HEX #3B24F0

RGB 59 36 240

HSL 246.76, 0.87%, 0.54%

LAB 34.97, 68.3, -94.91

 

CMYK 53 / 85 / 0 / 6

HEX #7224F0

RGB 114 36 240

HSL 262.94, 0.87%, 0.54%

LAB 39.8, 72.41, -86.76

 

CMYK 93 / 80 / 0 / 29

HEX #0D24B4

RGB 13 36 180

HSL 231.74, 0.87%, 0.38%

LAB 25.69, 48.49, -75.53

 

CMYK 93 / 80 / 0 / 14

HEX #0F2BDB

RGB 15 43 219

HSL 231.76, 0.87%, 0.46%

LAB 31.68, 57.58, -88.44

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 69 / 60 / 0 / 5

HEX #4A61F2

RGB 74 97 242

HSL 231.79, 0.87%, 0.62%

LAB 47.52, 38.37, -75.33

 

CMYK 54 / 47 / 0 / 4

HEX #7183F5

RGB 113 131 245

HSL 231.82, 0.87%, 0.7%

LAB 58.35, 25.18, -59.37

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 0 / 85 / 4 / 6

HEX #F024E6

RGB 240 36 230

HSL 302.94, 0.87%, 0.54%

LAB 57.56, 88.83, -51.44

 

CMYK 38 / 0 / 85 / 6

HEX #94F024

RGB 148 240 36

HSL 87.06, 0.87%, 0.54%

LAB 86.38, -55.4, 78.96

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 0 / 85 / 73 / 6

HEX #F02442

RGB 240 36 66

HSL 351.18, 0.87%, 0.54%

LAB 52.04, 73.6, 36.92

 

CMYK 73 / 0 / 85 / 6

HEX #42F024

RGB 66 240 36

HSL 111.18, 0.87%, 0.54%

LAB 83.76, -76.02, 75.66

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 0 / 85 / 4 / 6

HEX #F024E6

RGB 240 36 230

HSL 302.94, 0.87%, 0.54%

LAB 57.56, 88.83, -51.44

 

CMYK 0 / 13 / 85 / 6

HEX #F0D124

RGB 240 209 36

HSL 50.88, 0.87%, 0.54%

LAB 84.1, -4.8, 79.55

 

CMYK 85 / 0 / 81 / 6

HEX #24F02E

RGB 36 240 46

HSL 122.94, 0.87%, 0.54%

LAB 83.39, -79.18, 72.83

 

CMYK 85 / 73 / 0 / 6

HEX #2440F0

RGB 36 64 240

HSL 231.76, 0.87%, 0.54%

LAB 38.43, 54.03, -89.19

 

CMYK 0 / 85 / 30 / 6

HEX #F024A8

RGB 240 36 168

HSL 321.18, 0.87%, 0.54%

LAB 54.67, 81.09, -20.32

 

CMYK 0 / 13 / 85 / 6

HEX #F0D124

RGB 240 209 36

HSL 50.88, 0.87%, 0.54%

LAB 84.1, -4.8, 79.55

 

CMYK 85 / 0 / 55 / 6

HEX #24F06B

RGB 36 240 107

HSL 140.88, 0.87%, 0.54%

LAB 83.84, -73.53, 50.66

 

Description

Color code: HEX #2440F0 | qconv.com Color code: HEX #2440F0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 64 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 64 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 73 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 73% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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