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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #243CEE it is the complementary color #DBC311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #243CEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #243CEE shade: #293CE9, #3A4EFC, #4B60FF, #5C72FF and #6D84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #243CEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #243CEE shade: #243CEE, #132ADB, #0218C8, #0006B5 and #0000A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #243CEE shade: #243CEE, #4324EE, #7924EE, #B024EE and #E624EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #243CEE shade: #243CEE and #2424EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #243CEE shade matches the following richer shades: #243CEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #243CEE shade: #243CEE, #374BDB, #4A59C8, #5D68B5 and #7076A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #243CEE shade: #24ABEE, #2475EE, #243FEE, #3F24EE and #7524EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #243CEE shade: #0D21B3, #1028D9, #243CEE, #4B5EF1 and #7181F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #243CEE shade: #243CEE, #EE24E1 and #90EE24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #243CEE shade: #243CEE, #EE243F and #3FEE24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #243CEE shade: #243CEE, #EE24E1, #EED324 and #24EE32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #243CEE shade: #243CEE, #EE24A4, #EED324 and #24EE6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

Complementary color

CMYK 0 / 11 / 92 / 14

HEX #DBC311

RGB 219 195 17

HSL 52.87, 0.86%, 0.46%

LAB 78.54, -7.04, 77.84

 

CMYK 82 / 74 / 0 / 9

HEX #293CE9

RGB 41 60 233

HSL 234.06, 0.81%, 0.54%

LAB 37.09, 54.19, -87.45

 

CMYK 77 / 69 / 0 / 1

HEX #3A4EFC

RGB 58 78 252

HSL 233.81, 0.97%, 0.61%

LAB 43.33, 51.47, -87.83

 

CMYK 71 / 62 / 0 / 0

HEX #4B60FF

RGB 75 96 255

HSL 233, 1%, 0.65%

LAB 48.36, 43.51, -81.19

 

CMYK 64 / 55 / 0 / 0

HEX #5C72FF

RGB 92 114 255

HSL 231.9, 1%, 0.68%

LAB 53.52, 34.91, -72.75

 

CMYK 57 / 48 / 0 / 0

HEX #6D84FF

RGB 109 132 255

HSL 230.55, 1%, 0.71%

LAB 58.95, 26.96, -63.94

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 91 / 81 / 0 / 14

HEX #132ADB

RGB 19 42 219

HSL 233.1, 0.84%, 0.47%

LAB 31.6, 58.15, -88.57

 

CMYK 99 / 88 / 0 / 22

HEX #0218C8

RGB 2 24 200

HSL 233.33, 0.98%, 0.4%

LAB 26.26, 59.84, -86.42

 

CMYK 100 / 97 / 0 / 29

HEX #0006B5

RGB 0 6 181

HSL 238.01, 1%, 0.35%

LAB 21.82, 59.74, -82.59

 

CMYK 100 / 100 / 0 / 36

HEX #0000A2

RGB 0 0 162

HSL 240, 1%, 0.32%

LAB 18.4, 56.41, -76.82

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 72 / 85 / 0 / 7

HEX #4324EE

RGB 67 36 238

HSL 249.21, 0.86%, 0.54%

LAB 35.26, 68.19, -93.28

 

CMYK 49 / 85 / 0 / 7

HEX #7924EE

RGB 121 36 238

HSL 265.25, 0.86%, 0.54%

LAB 40.41, 72.66, -84.59

 

CMYK 26 / 85 / 0 / 7

HEX #B024EE

RGB 176 36 238

HSL 281.58, 0.86%, 0.54%

LAB 47.84, 79.67, -72.13

 

CMYK 3 / 85 / 0 / 7

HEX #E624EE

RGB 230 36 238

HSL 297.62, 0.86%, 0.54%

LAB 56.34, 88.26, -57.97

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 85 / 85 / 0 / 7

HEX #2424EE

RGB 36 36 238

HSL 240, 0.86%, 0.54%

LAB 33.58, 66.83, -96.11

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 75 / 66 / 0 / 14

HEX #374BDB

RGB 55 75 219

HSL 232.68, 0.69%, 0.54%

LAB 39.51, 41.76, -75.45

 

CMYK 63 / 56 / 0 / 22

HEX #4A59C8

RGB 74 89 200

HSL 232.86, 0.53%, 0.54%

LAB 42.42, 28.93, -59.74

 

CMYK 49 / 43 / 0 / 29

HEX #5D68B5

RGB 93 104 181

HSL 232.5, 0.37%, 0.54%

LAB 46.4, 17.14, -42.25

 

CMYK 31 / 27 / 0 / 36

HEX #7076A2

RGB 112 118 162

HSL 232.8, 0.21%, 0.54%

LAB 50.7, 8.31, -24.33

 

CMYK 85 / 28 / 0 / 7

HEX #24ABEE

RGB 36 171 238

HSL 199.9, 0.86%, 0.54%

LAB 66.27, -11.47, -43.14

 

CMYK 85 / 51 / 0 / 7

HEX #2475EE

RGB 36 117 238

HSL 215.94, 0.86%, 0.54%

LAB 51, 20.6, -67.49

 

CMYK 85 / 74 / 0 / 7

HEX #243FEE

RGB 36 63 238

HSL 231.98, 0.86%, 0.54%

LAB 38.03, 53.93, -88.73

 

CMYK 74 / 85 / 0 / 7

HEX #3F24EE

RGB 63 36 238

HSL 248.02, 0.86%, 0.54%

LAB 34.99, 67.96, -93.74

 

CMYK 51 / 85 / 0 / 7

HEX #7524EE

RGB 117 36 238

HSL 264.06, 0.86%, 0.54%

LAB 39.94, 72.24, -85.38

 

CMYK 93 / 82 / 0 / 30

HEX #0D21B3

RGB 13 33 179

HSL 232.77, 0.86%, 0.38%

LAB 25.04, 49.7, -76.02

 

CMYK 93 / 82 / 0 / 15

HEX #1028D9

RGB 16 40 217

HSL 232.84, 0.86%, 0.46%

LAB 30.97, 58.41, -88.47

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 69 / 61 / 0 / 5

HEX #4B5EF1

RGB 75 94 241

HSL 233.13, 0.86%, 0.62%

LAB 46.78, 39.99, -75.97

 

CMYK 54 / 47 / 0 / 4

HEX #7181F4

RGB 113 129 244

HSL 232.67, 0.86%, 0.7%

LAB 57.79, 26.06, -59.72

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 0 / 85 / 5 / 7

HEX #EE24E1

RGB 238 36 225

HSL 303.86, 0.86%, 0.54%

LAB 56.95, 87.77, -49.6

 

CMYK 39 / 0 / 85 / 7

HEX #90EE24

RGB 144 238 36

HSL 87.92, 0.86%, 0.54%

LAB 85.61, -55.94, 78.23

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 0 / 85 / 74 / 7

HEX #EE243F

RGB 238 36 63

HSL 351.98, 0.86%, 0.54%

LAB 51.61, 72.97, 38.06

 

CMYK 74 / 0 / 85 / 7

HEX #3FEE24

RGB 63 238 36

HSL 111.98, 0.86%, 0.54%

LAB 83.09, -75.89, 75.05

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 0 / 85 / 5 / 7

HEX #EE24E1

RGB 238 36 225

HSL 303.86, 0.86%, 0.54%

LAB 56.95, 87.77, -49.6

 

CMYK 0 / 11 / 85 / 7

HEX #EED324

RGB 238 211 36

HSL 51.98, 0.86%, 0.54%

LAB 84.43, -6.67, 79.75

 

CMYK 85 / 0 / 79 / 7

HEX #24EE32

RGB 36 238 50

HSL 124.16, 0.86%, 0.54%

LAB 82.78, -78.4, 71.19

 

CMYK 85 / 75 / 0 / 7

HEX #243CEE

RGB 36 60 238

HSL 232.87, 0.86%, 0.54%

LAB 37.44, 55.57, -89.7

 

CMYK 0 / 85 / 31 / 7

HEX #EE24A4

RGB 238 36 164

HSL 321.98, 0.86%, 0.54%

LAB 54.15, 80.23, -18.8

 

CMYK 0 / 11 / 85 / 7

HEX #EED324

RGB 238 211 36

HSL 51.98, 0.86%, 0.54%

LAB 84.43, -6.67, 79.75

 

CMYK 85 / 0 / 54 / 7

HEX #24EE6E

RGB 36 238 110

HSL 141.98, 0.86%, 0.54%

LAB 83.26, -72.49, 48.59

 

Description

Color code: HEX #243CEE | qconv.com Color code: HEX #243CEE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 60 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 60 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 75 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 75% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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