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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #243BAB it is the complementary color #DBC454. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #243BAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #243BAB shade: #293BA6, #3A4DB9, #4B5FCC, #5C71DF and #6D83F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #243BAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #243BAB shade: #243BAB, #132998, #021785, #000572 and #00005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #243BAB shade: #253CAD, #3225AD, #5725AD, #7B25AD and #A025AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #243BAB shade: #253CAD and #2525AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #243BAB shade matches the following richer shades: #253CAD, #1431BD and #0325CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #243BAB shade: #253CAD, #36479C, #46528B, #575D7A and #686869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #243BAB shade: #2586AD, #2562AD, #253EAD, #3025AD and #5425AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #243BAB shade: #162468, #1D308A, #253CAD, #2C48CF and #4B63D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #243BAB shade: #243BAB, #AD25AA and #74AD25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #243BAB shade: #243BAB, #AD253E and #3EAD25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #243BAB shade: #243BAB, #AD25AA, #AD9425 and #25AD27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #243BAB shade: #243BAB, #AD2581, #AD9425 and #25AD50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 65 / 0 / 33

HEX #243BAB

RGB 36 59 171

HSL 229.78, 0.65%, 0.41%

LAB 30.5, 32.74, -62.18

 

Complementary color

CMYK 0 / 11 / 62 / 14

HEX #DBC454

RGB 219 196 84

HSL 49.78, 0.65%, 0.59%

LAB 79.14, -5, 57.69

 

CMYK 75 / 64 / 0 / 35

HEX #293BA6

RGB 41 59 166

HSL 231.36, 0.6%, 0.41%

LAB 30.28, 31.4, -59.52

 

CMYK 69 / 58 / 0 / 27

HEX #3A4DB9

RGB 58 77 185

HSL 231.02, 0.52%, 0.48%

LAB 37.32, 28.83, -59.31

 

CMYK 63 / 53 / 0 / 20

HEX #4B5FCC

RGB 75 95 204

HSL 230.7, 0.56%, 0.55%

LAB 44.29, 26.69, -59.01

 

CMYK 59 / 49 / 0 / 13

HEX #5C71DF

RGB 92 113 223

HSL 230.38, 0.67%, 0.62%

LAB 51.17, 24.92, -58.69

 

CMYK 55 / 46 / 0 / 5

HEX #6D83F2

RGB 109 131 242

HSL 230.08, 0.84%, 0.69%

LAB 57.94, 23.43, -58.39

 

CMYK 79 / 65 / 0 / 33

HEX #243BAB

RGB 36 59 171

HSL 229.78, 0.65%, 0.41%

LAB 30.5, 32.74, -62.18

 

CMYK 88 / 73 / 0 / 40

HEX #132998

RGB 19 41 152

HSL 230.08, 0.78%, 0.34%

LAB 23.64, 35.97, -61.97

 

CMYK 98 / 83 / 0 / 48

HEX #021785

RGB 2 23 133

HSL 230.38, 0.97%, 0.26%

LAB 17.08, 39.16, -61.03

 

CMYK 100 / 96 / 0 / 55

HEX #000572

RGB 0 5 114

HSL 237.37, 1%, 0.22%

LAB 11.44, 41.34, -58.26

 

CMYK 100 / 100 / 0 / 63

HEX #00005F

RGB 0 0 95

HSL 240, 1%, 0.19%

LAB 7.46, 38.4, -52.35

 

CMYK 79 / 65 / 0 / 32

HEX #253CAD

RGB 37 60 173

HSL 229.85, 0.65%, 0.41%

LAB 30.98, 32.93, -62.59

 

CMYK 71 / 79 / 0 / 32

HEX #3225AD

RGB 50 37 173

HSL 245.74, 0.65%, 0.41%

LAB 26.79, 47.78, -69.47

 

CMYK 50 / 79 / 0 / 32

HEX #5725AD

RGB 87 37 173

HSL 262.06, 0.65%, 0.41%

LAB 30.32, 52.12, -63.53

 

CMYK 29 / 79 / 0 / 32

HEX #7B25AD

RGB 123 37 173

HSL 277.94, 0.65%, 0.41%

LAB 35.11, 57.92, -55.51

 

CMYK 8 / 79 / 0 / 32

HEX #A025AD

RGB 160 37 173

HSL 294.26, 0.65%, 0.41%

LAB 40.92, 64.89, -45.84

 

CMYK 79 / 65 / 0 / 32

HEX #253CAD

RGB 37 60 173

HSL 229.85, 0.65%, 0.41%

LAB 30.98, 32.93, -62.59

 

CMYK 79 / 79 / 0 / 32

HEX #2525AD

RGB 37 37 173

HSL 240, 0.65%, 0.41%

LAB 25.96, 46.75, -70.86

 

CMYK 79 / 65 / 0 / 32

HEX #253CAD

RGB 37 60 173

HSL 229.85, 0.65%, 0.41%

LAB 30.98, 32.93, -62.59

 

CMYK 89 / 74 / 0 / 26

HEX #1431BD

RGB 20 49 189

HSL 229.7, 0.81%, 0.41%

LAB 29.46, 44.51, -74.62

 

CMYK 99 / 82 / 0 / 19

HEX #0325CE

RGB 3 37 206

HSL 229.95, 0.97%, 0.41%

LAB 28.9, 56.18, -85.54

 

CMYK 79 / 65 / 0 / 32

HEX #253CAD

RGB 37 60 173

HSL 229.85, 0.65%, 0.41%

LAB 30.98, 32.93, -62.59

 

CMYK 65 / 54 / 0 / 39

HEX #36479C

RGB 54 71 156

HSL 230, 0.49%, 0.41%

LAB 33.33, 21.63, -48.5

 

CMYK 50 / 41 / 0 / 45

HEX #46528B

RGB 70 82 139

HSL 229.57, 0.33%, 0.41%

LAB 36.37, 11.91, -33.25

 

CMYK 29 / 24 / 0 / 52

HEX #575D7A

RGB 87 93 122

HSL 229.71, 0.17%, 0.41%

LAB 40.02, 4.83, -17.09

 

CMYK 1 / 1 / 0 / 59

HEX #686869

RGB 104 104 105

HSL 240, 0%, 0.41%

LAB 44.04, 0.21, -0.57

 

CMYK 79 / 23 / 0 / 32

HEX #2586AD

RGB 37 134 173

HSL 197.21, 0.65%, 0.41%

LAB 52.35, -13.85, -28.42

 

CMYK 79 / 43 / 0 / 32

HEX #2562AD

RGB 37 98 173

HSL 213.09, 0.65%, 0.41%

LAB 41.45, 7.82, -45.63

 

CMYK 79 / 64 / 0 / 32

HEX #253EAD

RGB 37 62 173

HSL 228.97, 0.65%, 0.41%

LAB 31.48, 31.63, -61.78

 

CMYK 72 / 79 / 0 / 32

HEX #3025AD

RGB 48 37 173

HSL 244.85, 0.65%, 0.41%

LAB 26.65, 47.6, -69.71

 

CMYK 51 / 79 / 0 / 32

HEX #5425AD

RGB 84 37 173

HSL 260.74, 0.65%, 0.41%

LAB 29.97, 51.7, -64.11

 

CMYK 79 / 65 / 0 / 59

HEX #162468

RGB 22 36 104

HSL 229.76, 0.65%, 0.25%

LAB 17.61, 20.86, -41.5

 

CMYK 79 / 65 / 0 / 46

HEX #1D308A

RGB 29 48 138

HSL 229.54, 0.65%, 0.33%

LAB 24.35, 26.8, -52.12

 

CMYK 79 / 65 / 0 / 32

HEX #253CAD

RGB 37 60 173

HSL 229.85, 0.65%, 0.41%

LAB 30.98, 32.93, -62.59

 

CMYK 79 / 65 / 0 / 19

HEX #2C48CF

RGB 44 72 207

HSL 229.69, 0.65%, 0.49%

LAB 37.25, 38.35, -72.27

 

CMYK 65 / 54 / 0 / 15

HEX #4B63D9

RGB 75 99 217

HSL 229.86, 0.65%, 0.57%

LAB 46.22, 28.66, -63.33

 

CMYK 79 / 65 / 0 / 33

HEX #243BAB

RGB 36 59 171

HSL 229.78, 0.65%, 0.41%

LAB 30.5, 32.74, -62.18

 

CMYK 0 / 79 / 2 / 32

HEX #AD25AA

RGB 173 37 170

HSL 301.32, 0.65%, 0.41%

LAB 42.93, 67, -40.72

 

CMYK 33 / 0 / 79 / 32

HEX #74AD25

RGB 116 173 37

HSL 85.15, 0.65%, 0.41%

LAB 64.75, -38.85, 58.81

 

CMYK 79 / 65 / 0 / 33

HEX #243BAB

RGB 36 59 171

HSL 229.78, 0.65%, 0.41%

LAB 30.5, 32.74, -62.18

 

CMYK 0 / 79 / 64 / 32

HEX #AD253E

RGB 173 37 62

HSL 348.97, 0.65%, 0.41%

LAB 38.82, 54.84, 20.12

 

CMYK 64 / 0 / 79 / 32

HEX #3EAD25

RGB 62 173 37

HSL 108.97, 0.65%, 0.41%

LAB 62.55, -55.39, 55.95

 

CMYK 79 / 65 / 0 / 33

HEX #243BAB

RGB 36 59 171

HSL 229.78, 0.65%, 0.41%

LAB 30.5, 32.74, -62.18

 

CMYK 0 / 79 / 2 / 32

HEX #AD25AA

RGB 173 37 170

HSL 301.32, 0.65%, 0.41%

LAB 42.93, 67, -40.72

 

CMYK 0 / 14 / 79 / 32

HEX #AD9425

RGB 173 148 37

HSL 48.97, 0.65%, 0.41%

LAB 61.82, -2.13, 57.67

 

CMYK 79 / 0 / 77 / 32

HEX #25AD27

RGB 37 173 39

HSL 120.88, 0.65%, 0.41%

LAB 62.02, -59.8, 54.61

 

CMYK 79 / 65 / 0 / 33

HEX #243BAB

RGB 36 59 171

HSL 229.78, 0.65%, 0.41%

LAB 30.5, 32.74, -62.18

 

CMYK 0 / 79 / 25 / 32

HEX #AD2581

RGB 173 37 129

HSL 319.41, 0.65%, 0.41%

LAB 40.88, 61.14, -19.09

 

CMYK 0 / 14 / 79 / 32

HEX #AD9425

RGB 173 148 37

HSL 48.97, 0.65%, 0.41%

LAB 61.82, -2.13, 57.67

 

CMYK 79 / 0 / 54 / 32

HEX #25AD50

RGB 37 173 80

HSL 138.97, 0.65%, 0.41%

LAB 62.39, -55.32, 37.58

 

Description

Color code: HEX #243BAB | qconv.com Color code: HEX #243BAB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 59 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 59 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 65 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 65% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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