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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #243A5E it is the complementary color #DBC5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #243A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #243A5E shade: #293A59, #3A4C6C, #4B5E7F, #5C7092 and #6D82A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #243A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #243A5E shade: #243A5E, #13284B, #021638, #000425 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #243A5E shade: #23385C, #23295C, #2C235C, #3B235C and #4B235C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #243A5E shade: #23385C, #23295C and #23235C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #243A5E shade matches the following richer shades: #23385C, #183666, #0E3371 and #04317B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #243A5E shade: #23385C, #2D3B52, #373D47, #42403D and #4C4233

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #243A5E shade: #23575C, #23485C, #23395C, #23295C and #2B235C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #243A5E shade: #0C1420, #17263E, #23385C, #2E4B7A and #395D98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #243A5E shade: #243A5E, #51235C and #505C23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #243A5E shade: #243A5E, #5C2339 and #395C23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #243A5E shade: #243A5E, #51235C, #5C4623 and #2D5C23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #243A5E shade: #243A5E, #5C2355, #5C4623 and #235C29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 38 / 0 / 63

HEX #243A5E

RGB 36 58 94

HSL 217.24, 0.45%, 0.25%

LAB 24.35, 3.69, -24.07

 

Complementary color

CMYK 0 / 10 / 26 / 14

HEX #DBC5A1

RGB 219 197 161

HSL 37.24, 0.45%, 0.75%

LAB 80.5, 2.26, 20.9

 

CMYK 54 / 35 / 0 / 65

HEX #293A59

RGB 41 58 89

HSL 218.75, 0.37%, 0.25%

LAB 24.38, 3.14, -20.74

 

CMYK 46 / 30 / 0 / 58

HEX #3A4C6C

RGB 58 76 108

HSL 218.4, 0.3%, 0.33%

LAB 32.15, 2.41, -20.73

 

CMYK 41 / 26 / 0 / 50

HEX #4B5E7F

RGB 75 94 127

HSL 218.08, 0.26%, 0.4%

LAB 39.64, 1.88, -20.79

 

CMYK 37 / 23 / 0 / 43

HEX #5C7092

RGB 92 112 146

HSL 217.78, 0.23%, 0.47%

LAB 46.89, 1.46, -20.92

 

CMYK 34 / 21 / 0 / 35

HEX #6D82A5

RGB 109 130 165

HSL 217.5, 0.24%, 0.54%

LAB 53.96, 1.12, -21.08

 

CMYK 62 / 38 / 0 / 63

HEX #243A5E

RGB 36 58 94

HSL 217.24, 0.45%, 0.25%

LAB 24.35, 3.69, -24.07

 

CMYK 75 / 47 / 0 / 71

HEX #13284B

RGB 19 40 75

HSL 217.5, 0.6%, 0.18%

LAB 16.33, 5.23, -24.21

 

CMYK 96 / 61 / 0 / 78

HEX #021638

RGB 2 22 56

HSL 217.78, 0.93%, 0.11%

LAB 7.88, 7.57, -24.51

 

CMYK 100 / 89 / 0 / 85

HEX #000425

RGB 0 4 37

HSL 233.51, 1%, 0.07%

LAB 1.99, 6.88, -19.67

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 62 / 39 / 0 / 64

HEX #23385C

RGB 35 56 92

HSL 217.89, 0.45%, 0.25%

LAB 23.53, 4.08, -24.06

 

CMYK 62 / 55 / 0 / 64

HEX #23295C

RGB 35 41 92

HSL 233.68, 0.45%, 0.25%

LAB 18.87, 14.74, -31.51

 

CMYK 52 / 62 / 0 / 64

HEX #2C235C

RGB 44 35 92

HSL 249.47, 0.45%, 0.25%

LAB 17.96, 21.07, -32.93

 

CMYK 36 / 62 / 0 / 64

HEX #3B235C

RGB 59 35 92

HSL 265.26, 0.45%, 0.25%

LAB 19.66, 24.97, -30.11

 

CMYK 18 / 62 / 0 / 64

HEX #4B235C

RGB 75 35 92

HSL 282.11, 0.45%, 0.25%

LAB 21.84, 29.53, -26.5

 

CMYK 62 / 39 / 0 / 64

HEX #23385C

RGB 35 56 92

HSL 217.89, 0.45%, 0.25%

LAB 23.53, 4.08, -24.06

 

CMYK 62 / 55 / 0 / 64

HEX #23295C

RGB 35 41 92

HSL 233.68, 0.45%, 0.25%

LAB 18.87, 14.74, -31.51

 

CMYK 62 / 62 / 0 / 64

HEX #23235C

RGB 35 35 92

HSL 240, 0.45%, 0.25%

LAB 17.14, 19.03, -34.3

 

CMYK 62 / 39 / 0 / 64

HEX #23385C

RGB 35 56 92

HSL 217.89, 0.45%, 0.25%

LAB 23.53, 4.08, -24.06

 

CMYK 76 / 47 / 0 / 60

HEX #183666

RGB 24 54 102

HSL 216.92, 0.62%, 0.25%

LAB 22.97, 7.29, -31.51

 

CMYK 88 / 55 / 0 / 56

HEX #0E3371

RGB 14 51 113

HSL 217.58, 0.78%, 0.25%

LAB 22.49, 12.88, -39.39

 

CMYK 97 / 60 / 0 / 52

HEX #04317B

RGB 4 49 123

HSL 217.31, 0.94%, 0.25%

LAB 22.49, 17.93, -45.79

 

CMYK 62 / 39 / 0 / 64

HEX #23385C

RGB 35 56 92

HSL 217.89, 0.45%, 0.25%

LAB 23.53, 4.08, -24.06

 

CMYK 45 / 28 / 0 / 68

HEX #2D3B52

RGB 45 59 82

HSL 217.3, 0.29%, 0.25%

LAB 24.62, 1.23, -15.74

 

CMYK 23 / 14 / 0 / 72

HEX #373D47

RGB 55 61 71

HSL 217.5, 0.13%, 0.25%

LAB 25.58, 0.07, -6.95

 

CMYK 0 / 3 / 8 / 74

HEX #42403D

RGB 66 64 61

HSL 36, 0.04%, 0.25%

LAB 27.19, 0.2, 2.13

 

CMYK 0 / 13 / 33 / 70

HEX #4C4233

RGB 76 66 51

HSL 36, 0.2%, 0.25%

LAB 28.57, 1.59, 10.72

 

CMYK 62 / 5 / 0 / 64

HEX #23575C

RGB 35 87 92

HSL 185.26, 0.45%, 0.25%

LAB 33.87, -15.51, -8.12

 

CMYK 62 / 22 / 0 / 64

HEX #23485C

RGB 35 72 92

HSL 201.05, 0.45%, 0.25%

LAB 28.81, -6.53, -15.82

 

CMYK 62 / 38 / 0 / 64

HEX #23395C

RGB 35 57 92

HSL 216.84, 0.45%, 0.25%

LAB 23.86, 3.39, -23.55

 

CMYK 62 / 55 / 0 / 64

HEX #23295C

RGB 35 41 92

HSL 233.68, 0.45%, 0.25%

LAB 18.87, 14.74, -31.51

 

CMYK 53 / 62 / 0 / 64

HEX #2B235C

RGB 43 35 92

HSL 248.42, 0.45%, 0.25%

LAB 17.87, 20.83, -33.09

 

CMYK 63 / 38 / 0 / 87

HEX #0C1420

RGB 12 20 32

HSL 216, 0.45%, 0.09%

LAB 6.17, 0.55, -9.33

 

CMYK 63 / 39 / 0 / 76

HEX #17263E

RGB 23 38 62

HSL 216.92, 0.46%, 0.17%

LAB 15.04, 2.28, -17.26

 

CMYK 62 / 39 / 0 / 64

HEX #23385C

RGB 35 56 92

HSL 217.89, 0.45%, 0.25%

LAB 23.53, 4.08, -24.06

 

CMYK 62 / 39 / 0 / 52

HEX #2E4B7A

RGB 46 75 122

HSL 217.11, 0.45%, 0.33%

LAB 31.85, 4.88, -30.02

 

CMYK 63 / 39 / 0 / 40

HEX #395D98

RGB 57 93 152

HSL 217.26, 0.45%, 0.41%

LAB 39.52, 6.31, -36.17

 

CMYK 62 / 38 / 0 / 63

HEX #243A5E

RGB 36 58 94

HSL 217.24, 0.45%, 0.25%

LAB 24.35, 3.69, -24.07

 

CMYK 12 / 62 / 0 / 64

HEX #51235C

RGB 81 35 92

HSL 288.42, 0.45%, 0.25%

LAB 22.74, 31.29, -25.02

 

CMYK 13 / 0 / 62 / 64

HEX #505C23

RGB 80 92 35

HSL 72.63, 0.45%, 0.25%

LAB 36.89, -14.12, 30.6

 

CMYK 62 / 38 / 0 / 63

HEX #243A5E

RGB 36 58 94

HSL 217.24, 0.45%, 0.25%

LAB 24.35, 3.69, -24.07

 

CMYK 0 / 62 / 38 / 64

HEX #5C2339

RGB 92 35 57

HSL 336.84, 0.45%, 0.25%

LAB 22.91, 28.62, -1.01

 

CMYK 38 / 0 / 62 / 64

HEX #395C23

RGB 57 92 35

HSL 96.84, 0.45%, 0.25%

LAB 35.29, -24.04, 28.35

 

CMYK 62 / 38 / 0 / 63

HEX #243A5E

RGB 36 58 94

HSL 217.24, 0.45%, 0.25%

LAB 24.35, 3.69, -24.07

 

CMYK 12 / 62 / 0 / 64

HEX #51235C

RGB 81 35 92

HSL 288.42, 0.45%, 0.25%

LAB 22.74, 31.29, -25.02

 

CMYK 0 / 24 / 62 / 64

HEX #5C4623

RGB 92 70 35

HSL 36.84, 0.45%, 0.25%

LAB 31.29, 4.8, 24.44

 

CMYK 51 / 0 / 62 / 64

HEX #2D5C23

RGB 45 92 35

HSL 109.47, 0.45%, 0.25%

LAB 34.67, -28.43, 27.47

 

CMYK 62 / 38 / 0 / 63

HEX #243A5E

RGB 36 58 94

HSL 217.24, 0.45%, 0.25%

LAB 24.35, 3.69, -24.07

 

CMYK 0 / 62 / 8 / 64

HEX #5C2355

RGB 92 35 85

HSL 307.37, 0.45%, 0.25%

LAB 24.11, 33.2, -18.1

 

CMYK 0 / 24 / 62 / 64

HEX #5C4623

RGB 92 70 35

HSL 36.84, 0.45%, 0.25%

LAB 31.29, 4.8, 24.44

 

CMYK 62 / 0 / 55 / 64

HEX #235C29

RGB 35 92 41

HSL 126.32, 0.45%, 0.25%

LAB 34.34, -30.62, 23.71

 

Description

Color code: HEX #243A5E | qconv.com Color code: HEX #243A5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 58 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 58 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 38 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 38% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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