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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #243458 it is the complementary color #DBCBA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #243458. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #243458 shade: #293453, #3A4666, #4B5879, #5C6A8C and #6D7C9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #243458. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #243458 shade: #243458, #132245, #021032, #00001F and #00000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #243458 shade: #233357, #232557, #2F2357, #3D2357 and #4B2357

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #243458 shade: #233357, #232557 and #232357

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #243458 shade matches the following richer shades: #233357, #1A3061, #102C6B and #062875

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #243458 shade: #233357, #2D374D, #373B43, #413F39 and #4B432F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #243458 shade: #234F57, #234157, #233457, #232657 and #2F2357

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #243458 shade: #0C111C, #18223A, #233357, #2F4574 and #3B5691

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #243458 shade: #243458, #512357 and #485723

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #243458 shade: #243458, #572334 and #345723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #243458 shade: #243458, #512357, #574723 and #295723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #243458 shade: #243458, #57234D, #574723 and #23572D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 41 / 0 / 65

HEX #243458

RGB 36 52 88

HSL 221.54, 0.42%, 0.24%

LAB 22.07, 5.61, -23.74

 

Complementary color

CMYK 0 / 7 / 24 / 14

HEX #DBCBA7

RGB 219 203 167

HSL 41.54, 0.42%, 0.76%

LAB 82.14, -0.04, 20

 

CMYK 51 / 37 / 0 / 67

HEX #293453

RGB 41 52 83

HSL 224.29, 0.34%, 0.24%

LAB 22.13, 5.16, -20.31

 

CMYK 43 / 31 / 0 / 60

HEX #3A4666

RGB 58 70 102

HSL 223.64, 0.28%, 0.31%

LAB 30.01, 4.4, -20.26

 

CMYK 38 / 27 / 0 / 53

HEX #4B5879

RGB 75 88 121

HSL 223.04, 0.23%, 0.38%

LAB 37.58, 3.84, -20.3

 

CMYK 34 / 24 / 0 / 45

HEX #5C6A8C

RGB 92 106 140

HSL 222.5, 0.21%, 0.45%

LAB 44.91, 3.4, -20.4

 

CMYK 31 / 22 / 0 / 38

HEX #6D7C9F

RGB 109 124 159

HSL 222, 0.21%, 0.53%

LAB 52.03, 3.04, -20.56

 

CMYK 59 / 41 / 0 / 65

HEX #243458

RGB 36 52 88

HSL 221.54, 0.42%, 0.24%

LAB 22.07, 5.61, -23.74

 

CMYK 72 / 51 / 0 / 73

HEX #132245

RGB 19 34 69

HSL 222, 0.57%, 0.17%

LAB 13.9, 7.18, -23.96

 

CMYK 96 / 68 / 0 / 80

HEX #021032

RGB 2 16 50

HSL 222.5, 0.92%, 0.1%

LAB 5.54, 8.3, -23.89

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 60 / 41 / 0 / 66

HEX #233357

RGB 35 51 87

HSL 221.54, 0.43%, 0.24%

LAB 21.63, 5.68, -23.79

 

CMYK 60 / 57 / 0 / 66

HEX #232557

RGB 35 37 87

HSL 237.69, 0.43%, 0.24%

LAB 17.31, 15.73, -30.68

 

CMYK 46 / 60 / 0 / 66

HEX #2F2357

RGB 47 35 87

HSL 253.85, 0.43%, 0.24%

LAB 17.89, 20.15, -29.69

 

CMYK 30 / 60 / 0 / 66

HEX #3D2357

RGB 61 35 87

HSL 270, 0.43%, 0.24%

LAB 19.57, 24.11, -26.91

 

CMYK 14 / 60 / 0 / 66

HEX #4B2357

RGB 75 35 87

HSL 286.15, 0.43%, 0.24%

LAB 21.53, 28.33, -23.67

 

CMYK 60 / 41 / 0 / 66

HEX #233357

RGB 35 51 87

HSL 221.54, 0.43%, 0.24%

LAB 21.63, 5.68, -23.79

 

CMYK 60 / 57 / 0 / 66

HEX #232557

RGB 35 37 87

HSL 237.69, 0.43%, 0.24%

LAB 17.31, 15.73, -30.68

 

CMYK 60 / 60 / 0 / 66

HEX #232357

RGB 35 35 87

HSL 240, 0.43%, 0.24%

LAB 16.74, 17.17, -31.61

 

CMYK 60 / 41 / 0 / 66

HEX #233357

RGB 35 51 87

HSL 221.54, 0.43%, 0.24%

LAB 21.63, 5.68, -23.79

 

CMYK 73 / 51 / 0 / 62

HEX #1A3061

RGB 26 48 97

HSL 221.41, 0.58%, 0.24%

LAB 20.81, 9.86, -31.7

 

CMYK 85 / 59 / 0 / 58

HEX #102C6B

RGB 16 44 107

HSL 221.54, 0.74%, 0.24%

LAB 19.94, 15.6, -39.67

 

CMYK 95 / 66 / 0 / 54

HEX #062875

RGB 6 40 117

HSL 221.62, 0.9%, 0.24%

LAB 19.39, 22, -47.02

 

CMYK 60 / 41 / 0 / 66

HEX #233357

RGB 35 51 87

HSL 221.54, 0.43%, 0.24%

LAB 21.63, 5.68, -23.79

 

CMYK 42 / 29 / 0 / 70

HEX #2D374D

RGB 45 55 77

HSL 221.25, 0.26%, 0.24%

LAB 23.09, 2.31, -14.81

 

CMYK 18 / 12 / 0 / 74

HEX #373B43

RGB 55 59 67

HSL 220, 0.1%, 0.24%

LAB 24.78, 0.32, -5.5

 

CMYK 0 / 3 / 12 / 75

HEX #413F39

RGB 65 63 57

HSL 45, 0.07%, 0.24%

LAB 26.66, -0.41, 3.98

 

CMYK 0 / 11 / 37 / 71

HEX #4B432F

RGB 75 67 47

HSL 42.86, 0.23%, 0.24%

LAB 28.68, -0.12, 13.41

 

CMYK 60 / 9 / 0 / 66

HEX #234F57

RGB 35 79 87

HSL 189.23, 0.43%, 0.24%

LAB 30.97, -12.52, -9.33

 

CMYK 60 / 25 / 0 / 66

HEX #234157

RGB 35 65 87

HSL 205.38, 0.43%, 0.24%

LAB 26.23, -3.83, -16.57

 

CMYK 60 / 40 / 0 / 66

HEX #233457

RGB 35 52 87

HSL 220.38, 0.43%, 0.24%

LAB 21.95, 4.98, -23.28

 

CMYK 60 / 56 / 0 / 66

HEX #232657

RGB 35 38 87

HSL 236.54, 0.43%, 0.24%

LAB 17.61, 15.01, -30.21

 

CMYK 46 / 60 / 0 / 66

HEX #2F2357

RGB 47 35 87

HSL 253.85, 0.43%, 0.24%

LAB 17.89, 20.15, -29.69

 

CMYK 57 / 39 / 0 / 89

HEX #0C111C

RGB 12 17 28

HSL 221.25, 0.4%, 0.08%

LAB 5.08, 1.09, -7.88

 

CMYK 59 / 41 / 0 / 77

HEX #18223A

RGB 24 34 58

HSL 222.35, 0.41%, 0.16%

LAB 13.49, 3.95, -16.88

 

CMYK 60 / 41 / 0 / 66

HEX #233357

RGB 35 51 87

HSL 221.54, 0.43%, 0.24%

LAB 21.63, 5.68, -23.79

 

CMYK 59 / 41 / 0 / 55

HEX #2F4574

RGB 47 69 116

HSL 220.87, 0.42%, 0.32%

LAB 29.72, 6.92, -29.64

 

CMYK 59 / 41 / 0 / 43

HEX #3B5691

RGB 59 86 145

HSL 221.16, 0.42%, 0.4%

LAB 37.17, 8.75, -35.67

 

CMYK 59 / 41 / 0 / 65

HEX #243458

RGB 36 52 88

HSL 221.54, 0.42%, 0.24%

LAB 22.07, 5.61, -23.74

 

CMYK 7 / 60 / 0 / 66

HEX #512357

RGB 81 35 87

HSL 293.08, 0.43%, 0.24%

LAB 22.44, 30.18, -22.17

 

CMYK 17 / 0 / 60 / 66

HEX #485723

RGB 72 87 35

HSL 77.31, 0.43%, 0.24%

LAB 34.63, -14.99, 27.85

 

CMYK 59 / 41 / 0 / 65

HEX #243458

RGB 36 52 88

HSL 221.54, 0.42%, 0.24%

LAB 22.07, 5.61, -23.74

 

CMYK 0 / 60 / 40 / 66

HEX #572334

RGB 87 35 52

HSL 340.38, 0.43%, 0.24%

LAB 21.86, 26.04, 0.8

 

CMYK 40 / 0 / 60 / 66

HEX #345723

RGB 52 87 35

HSL 100.38, 0.43%, 0.24%

LAB 33.28, -23.49, 25.94

 

CMYK 59 / 41 / 0 / 65

HEX #243458

RGB 36 52 88

HSL 221.54, 0.42%, 0.24%

LAB 22.07, 5.61, -23.74

 

CMYK 7 / 60 / 0 / 66

HEX #512357

RGB 81 35 87

HSL 293.08, 0.43%, 0.24%

LAB 22.44, 30.18, -22.17

 

CMYK 0 / 18 / 60 / 66

HEX #574723

RGB 87 71 35

HSL 41.54, 0.43%, 0.24%

LAB 31.01, 1.72, 23.95

 

CMYK 53 / 0 / 60 / 66

HEX #295723

RGB 41 87 35

HSL 113.08, 0.43%, 0.24%

LAB 32.72, -27.45, 25.13

 

CMYK 59 / 41 / 0 / 65

HEX #243458

RGB 36 52 88

HSL 221.54, 0.42%, 0.24%

LAB 22.07, 5.61, -23.74

 

CMYK 0 / 60 / 11 / 66

HEX #57234D

RGB 87 35 77

HSL 311.54, 0.43%, 0.24%

LAB 22.88, 30.08, -14.73

 

CMYK 0 / 18 / 60 / 66

HEX #574723

RGB 87 71 35

HSL 41.54, 0.43%, 0.24%

LAB 31.01, 1.72, 23.95

 

CMYK 60 / 0 / 48 / 66

HEX #23572D

RGB 35 87 45

HSL 131.54, 0.43%, 0.24%

LAB 32.62, -27.69, 19.27

 

Description

Color code: HEX #243458 | qconv.com Color code: HEX #243458 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 52 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 52 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 41 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 41% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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